Hard Ain't it Hard--Poor unworthy son--Who killed Cock Robin--East Virginia--Now he's gone--Rosewood casket--Asheville Junction (Swannanoa Tunnel--Ring them charming bells--Wildwood flower--Lone green valley (2 takes)--Pretty Polly--Single girl, married girl--Bury me beneath the willow (2x)
Local Numbers:
FW-ASCH-7RR-1065
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Pete Seeger- interview; Almanac Singers--C for conscription--Washingon breakdown--Ballad of October 16--Liza Jane--Strange death of John Doe--Plow under; Seeger et.al--Blue Mountain lake; Blue mountain lake--Babe O'mine--The ballad of Harry Bridges--No Irish need apply--Neespapermen are the most interesting people--Solidarity forever--Talking Union--Prison songs
Track Information:
101 Documentary on Recording Career / Pete Seeger. Banjo.
102 C for Conscription / Pete Seeger, Almanac Singers. Banjo.
103 Washington Breakdown / Pete Seeger, Almanac Singers. Banjo.
104 The Ballad of October 16 / Pete Seeger, Almanac Singers. Banjo.
105 Liza Jane / Pete Seeger, Almanac Singers. Banjo.
106 The Strange Death of John Doe / Pete Seeger, Almanac Singers. Banjo.
107 Plow Under / Pete Seeger, Almanac Singers. Banjo.
108 Blue Mountain Lake / Pete Seeger, Bess Lomax Hawes, Frank Warner. Banjo.
109 Babe O' Mine / Almanac Singers, Woody Guthrie. Banjo.
110 The Ballad of Harry Bridges / Pete Seeger, Almanac Singers. Banjo.
111 No Irish Need Apply / Pete Seeger. Banjo.
112 Newspapermen / Pete Seeger. Banjo.
113 Solidarity Forever / Burl Ives. Guitar.
114 Makes a Long Time Man Feel Bad / Alvin Johnson, Andrew Kleme, Grover Dixon.
115 Hammer Ring / Alvin Johnson, Andrew Kleme, Grover Dixon.
116 Hey, Rattler / Alvin Johnson, Andrew Kleme, Grover Dixon.
117 Choppin' in the New Ground / Alvin Johnson, Andrew Kleme, Grover Dixon.
119 Go Down, Old Hannah / Alvin Johnson, Andrew Kleme, Grover Dixon.
121 It Was a Mighty Bright Light That Was Shining Down / Alvin Johnson, Andrew Kleme, Grover Dixon.
113 Talking Union / Pete Seeger. Banjo.
Local Numbers:
FW-ASCH-7RR-4456
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
CDR copy- Disc 385/6
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
106.32 Cubic feet (87.5 cubic feet of papers, 18.82 cubic feet of audio)
Type:
Collection descriptions
Archival materials
Photographs
Field recordings
Correspondence
Phonograph records
Notes
Business records
Audiocassettes
Photographic prints
Black-and-white negatives
Audiotapes
Date:
1890-2011
bulk 1950-1994
Summary:
This collection, with bulk dates from 1950-1994, documents the life of Ralph Rinzler and his professional activities as Director of Field Programs for the Newport Folk Festival, Director of the Smithsonian Folklife Festival (formerly the Festival of American Folklife) and the Office of Folklife Programs (now the Center for Folklife and Cultural Heritage), and the Smithsonian Institution's Assistant Secretary for Public Service. Includes personal papers, business records, correspondence, notes, photographs, audiotapes and field recordings.
Scope and Contents:
The Ralph Rinzler Papers and Audio Recordings encompasses a wide range of materials from Rinzler's prolific personal and professional life. Predominantly consisting of clippings, collected texts, correspondence, meeting notes, photographs, and production materials, this collection charts Rinzler's role in the mid-twentieth century emergence of community-based and institutional efforts to preserve, sustain, and amplify cultural heritage. As an assemblage of materials from all aspects of his life, the Ralph Rinzler Papers also reflect the many integral relationships he developed throughout the years with his colleagues, contemporaries, family, and friends.
Arrangement note:
The collection is currently arranged in 9 archival series as follows:
1. Biographical
2. Collected Texts
3. Correspondence
4. Events
5. Fieldwork
6. Meetings and Organizations
7. Notable Figures
8. Publishing and Production
9. Audio
The papers and photographs contained in the first 8 series are processed at an intermediate level, which means that all material was rehoused in archival folders, with folder-level arrangements and descriptions. Individual items within folders may not be fully arranged or described, due to the collection's level of complexity when it was deposited in the Archives.
When possible, folders were arranged alphabetically within series and subseries.
Biographical/Historical note:
Ralph Rinzler (1934-1994) was born in Passaic, New Jersey, and was interested in music at an early age. He was given a collection of ethnographic recordings from the Archive of Folk Song of the Library of Congress by his uncle, Harvard University ballad scholar George Lyman Kittredge, and they soon became his favorites. He became actively involved in the Folk Revival while attending Swarthmore College, organizing an annual festival on campus. He received his B.A. in 1956, and did graduate work at Middlebury College and the Sorbonne in French literature and language. Upon his return to the United States, he played mandolin for four years with the Greenbriar Boys, at times touring with singer Joan Baez. During the 1960s, he also studied, recorded, and worked with performers of traditional music, such as Doc Watson and Bill Monroe, both of whom gained international recognition in part through his efforts. In 1964, Rinzler accepted the position of Director of Field Programs at the Newport Folk Foundation, which involved the planning and programming of the Newport Folk Festival.
Rinzler came to the Smithsonian in 1967 as co-founder of the Festival of American Folklife (now the Smithsonian Folklife Festival) with James Morris in what was then the Smithsonian's Division of Performing Arts. After the 1976 Bicentennial Festival, Rinzler became the founding director of the Office of Folklife Programs (now the Center for Folklife and Cultural Heritage) to establish a center for research, publication, and presentation of programs in American culture and tradition. As Director, he initiated Smithsonian Folklife Studies, a publication series, and did research for the Celebration exhibit, which opened at the Renwick Gallery in 1982. Rinzler was appointed Assistant Secretary for Public Service in 1983 and Assistant Secretary Emeritus in 1990. Ralph Rinzler died on July 2, 1994.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Provenance:
The materials in this collection were deposited into the archives of the Center for Folklife and Cultural Heritage over a number of years by Ralph Rinzler, Kate Rinzler, and Jeff Place in honor of the aforementioned. From the 1980s until Ralph Rinzler's passing in 1994, the Center received the majority of the audio tapes and photographs in this collection directly from Rinzler. With Rinzler's death in 1994, Jeff Place reviewed and deposited the majority of Rinzler's papers at the Center.
Until her passing in 2011, Kate Rinzler donated materials to this collection, with more continuing to arrive via her estate (as of May 2021). Many of these items were rehoused in the Kate Rinzler Papers.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Glory -- Poor Lazarus -- It was sad when that great ship went down -- 900 miles -- Cindy -- Don't lie buddy -- Mule skinner blues -- Who's gonna shoe your pretty little feet -- Alabama bound -- Round the bay of Mexico -- Tom Dooley -- Devilish Mary -- Midnight Special -- Sportin life blues -- Crawdad song -- Raise a rukus.
208 Raise a Ruckus Tonight / Bob Carey, Erik Darling, Roger Sprung. Guitar,Banjo.
Local Numbers:
FP-RINZ-LP-0776
Stinson.5
Publication, Distribution, Etc. (Imprint):
Granada Hills. Calif. Stinson 1962
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
Title from container. Program notes by Ken Goldstein and texts on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, July 3, 1987.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Frames, Fames and Aims: History & Goals of the Heritage Prog / Daniel Edward Sheehy, Bess Lomax Hawes, Barry Bergey.
102 Santa Clara Pueblo Pottery / Margaret Tafoya.
103 African-American Quilting / Arbie Williams.
Local Numbers:
FP-1994-1/2VHS-0027
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.).
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Concept of Living Treasures, The / Bess Lomax Hawes, Daniel Edward Sheehy, M.R. Chakarot Chitrabongs.
102 Irish-American Music / Jack Coen, Jesse Winch, Charlie Coen.
103 African-American Quitling / Arbie Williams.
Local Numbers:
FP-1994-1/2VHS-0037
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.).
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Hobart Smith--Cindy; Champion Jak Dupree--Clog dance; Sonny Terry--Fox chase; Cisco and Woody--900 Miles--Railroad blues; Gary Davis--Civil War parade; Baby Dodds--Tom tom workout
Track Information:
101 Cindy / Hobart Smith. Piano.
102 Clog Dance / Champion Jack Dupree. Piano.
103 Fox Chase / Sonny Terry. Harmonica.
104 900 Miles / Cisco Houston, Woody Guthrie. Fiddle,Guitar.
106 Civil War Parade (Stars and Stripes Forever) / Gary Davis. Guitar.
107 Tom Tom Workout / Baby Dodds. Drum.
Local Numbers:
FW-ASCH-10RR-2881
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
Folkways AA3
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Bess, Pete and Tom--Polly wolly doodle--Down in the valley (Birmingham jail); Josh White--Number 12 train; Les Paul and Mary Ford--Born to lose; Frank Warner--Johnson boys; Ralph Page--Down in the valley; Woody Guthrie--Cowboy waltz; Mr and Mrs. Siller--Tiny Clark-- Ten little Indians; Country Dance Orchestra--Bile them cabbage down
102 Down in the Valley / Bess Lomax Hawes, Butch Hawes, Tom Glazer. Guitar.
103 Number 12 Train / Josh White. Guitar.
104 Born to Lose / Les Paul, Mary Ford. Guitar,Accordion.
105 Johnson Boys / Frank Warner. Guitar.
106 Down in the Valley / Ralph Page. Guitar,Fiddle.
107 Cowboy Waltz / Woody Guthrie. Fiddle.
108 Tiny Clark / Mr. and Mrs. Siller.
109 Bile Them Cabbage Down / Country Dance Orchestra. Fiddle.
Local Numbers:
FW-ASCH-10RR-2882
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
Folkways AA3
CDR copy- Disc 293/4
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
106 Ship in the Sky (ACT-043) / Woody Guthrie. Guitar.
107 Million Miles, A (Reuben's Train) (ACT-043) / Woody Guthrie. Guitar.
Local Numbers:
FP-1992-7RR-0010
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Woody--- Hobo's lullaby--Swimmy swim swim--Wake up--Talking hard work--Jarama Valley--Will you miss me--Who broke down the hen house door--Harriet Tubman--Better World a-comin (frag)--Hang knot
Track Information:
101 Big Fat Woman / Lead Belly. Piano.
102 Bottle Up and Go / Lead Belly. Guitar.
103 Who's My Pretty Baby / Woody Guthrie. Guitar.
104 Swimmy Swim / Woody Guthrie. Guitar.
105 Wake Up / Woody Guthrie. Guitar.
106 Talking Hard Work / Woody Guthrie. Guitar.
107 Jarama Valley / Woody Guthrie. Guitar.
108 Will You Miss Me / Woody Guthrie, Bess Lomax Hawes, Cisco Houston. Guitar.
109 Who Broke Down the Hen House Door / Woody Guthrie, Cisco Houston. Guitar.
111 Better World A-Comin' / Woody Guthrie, Cisco Houston. Guitar.
112 Hang Knot / Woody Guthrie. Guitar.
113 Poor Lazurus (Dead or Alive) / Woody Guthrie. Guitar.
Local Numbers:
FW-ASCH-10RR-3270
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
7. Going Down the Road Feeling Bad (Woody, Cisco, Sonny) 8. Talking Hard Work 9. Lonesome Day (Woody, Cisco, Sonny) 10. Hard Ain't it Hard (with Cisco Houston) 11. Picture from Life's Other Side (with Cisco and Bess) 12. Danville Girl (with Cisco) 13. Whoopee Ti-Yi-Yo, Get Along Little Dogies (with Cisco) 14. Pete Seeger, Sonny Terry "John Henry" 15. Sonny Terry "Harmonica Solo"
Track Information:
101 Going Down This Road Feelin' Bad / Cisco Houston, Sonny Terry, Woody Guthrie. Guitar,Harmonica.
107 Whoopie Ti-Yi-Yo, Get Along Little Dogies / Cisco Houston, Woody Guthrie. Guitar.
108 John Henry / Sonny Terry, Pete Seeger. Harmonica,Banjo.
109 Harmonica Solo / Sonny Terry. Harmonica.
Local Numbers:
FW-ASCH-10RR-3473
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
102 The Farmer's Curst Wife (Child No. 278)./ Pete Seeger. Banjo.
103 Hebrew Children / Andrew Rowan Summers. Appalachian dulcimer.
104 On a Monday / Lead Belly, Sonny Terry. Guitar.
105 Old Dan Tucker / Burl Ives. Guitar.
106 Soldier / Burl Ives. Guitar.
107 The Wife of Usher's Well (Child No. 79)/ Bess Lomax Hawes, Butch Hawes. Guitar.
108 No Room / John Jacob Niles. Guitar.
109 House of the Rising Sun / Woody Guthrie. Guitar.
110 Hard Traveling / Sonny Terry, Woody Guthrie. Guitar.
111 Two Maidens / Richard Dyer-Bennet. Guitar.
112 Mama Mama (Eggs and Marrowbones) / Alan Lomax. Guitar.
Local Numbers:
FW-ASCH-10RR-5095
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only; No Duplication.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
1. ACT-021-101 Woody Guthrie "Jackhammer Blues" 2. ACT-021-102 Woody Guthrie "If I Lose" 3. ACT-021-103 Woody Guthrie "What Did the Deep Sea Say" 4. ACT-022-101 Woody Guthrie "Boll Weevil Song" 5. ACT-022-102 Woody Guthrie "Guitar Piece" 6. ACT-025-101 Woody Guthrie, Cisco Houston "Philadelphia Lawyer" 7. ACT-025-102 Lead Belly "Outskirts of Town" 8. ACT-026-101 Woody Guthrie "This Land is Your Land" 9. ACT-026-102 Sam Eskin "Lumberman's Alphabet" (3 takes) 12.ACT-026-105 Bill Bonyun "Down the Hatch"" 13. ACT-026-106 Haywire Mac (Harry McClintock) "Jerry, Go and Ile that Car" 14. ACT-026-107 Pete Seeger "Young Man Who Wouldn't Hoe Corn" 15. ACT-026-108 Woody Guthrie "Talking Columbia" 16. ACT-026-109 Cisco Houston ":Old Blue" 17. ACT-026-110 Cisco Houston "Dark as a Dungeon" 18. ACT-026-111 Cisco Houston "Whoopee Ti-Yi-Yo Get Along Little Dogies" 19. ACT-026-112 Lead Belly "Old Man" 20. ACT-026-113 Lead Belly "Haul Away Joe" 21. ACT-026-114 Lead Belly "Haul Away Joe" 22. ACT-027-101 Folk Group "Down in the Valley" 23. ACT-027-102 Folk Group "Down in the Valley" 24. ACT-027-103 Folk Group "Polly Wolly Doodle" 25. ACT-027-104 Moses Asch Reading a Newspaper 27.ACT-028-101 Sonny Terry "Harmonica Breakdown" 28. ACT-028-102 Woody Guthrie, Cisco Houston, Sonny Terry "Ida Red" 29. ACT-028-103 Woody Guthrie, Cisco Houston "Whoopee Ti-Yi Yo Get Along Little Dogies"
Track Information:
101 Jackhammer John (ACT-0021) / Woody Guthrie. Guitar.
102 If I Lose (ACT-0021) / Woody Guthrie, Cisco Houston, Sonny Terry. Guitar.
103 What Did the Deep Sea Say? (ACT-0021) / Woody Guthrie, Cisco Houston, Sonny Terry. Guitar.
128 Ida Red (ACT-0028) / Woody Guthrie, Cisco Houston. Guitar,Harmonica.
129 Whoopie Ti-Yi-Yi-Yo, Get Along Little Dogies (ACT-0028) / Woody Guthrie, Cisco Houston, Sonny Terry. Guitar.
Local Numbers:
FP-CDR-0073
Date/Time and Place of an Event Note:
Recorded in: New York, United States, 1940.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only; No Duplication.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
122 Two Good Men (Sacco and Vanzetti)(ACT-0045) / Woody Guthrie. Guitar.
124 Tell Me What's the Matter (ACT-0048) / Brownie McGhee, Sonny Terry. Guitar.
125 Don't You Push Me Down (ACT-0051) / Woody Guthrie. Guitar.
127 Merry Go Round (ACT-0052) / Woody Guthrie. Guitar.
129 Alabama Bound (ACT-0053).
130 Hooterville Trolley (ACT-0053).
131 Jesus Christ (ACT-0054) / Woody Guthrie. Guitar.
Local Numbers:
FP-CDR-0074
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only; No Duplication.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only; No duplication.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Josh White- Beloved comrade; Helen Scneyer-- Zolly zolly zum--Vive la quinta brigada; Bess Hawes-- Two sisters--Crow in the garden--Make it on the side of the road--Careless love
102 Zolly Zolly Zum (ACT-3652) / Helen Schneyer. Guitar.
103 Viva le Quinta Brigada (ACT-3652) / Helen Schneyer. Guitar.
104 Two Sisters (AFS 61B) / Bess Brown Lomax, Bess Lomax Hawes.
105 Crow in the Garden (AFS 1613B) / Bess Brown Lomax, Bess Lomax Hawes.
106 Make it On the Side of the Road (AFS 1613B) / Bess Brown Lomax, Bess Lomax Hawes.
107 Careless Love (AFS 1618) / Bess Brown Lomax, Bess Lomax Hawes, Charles Seeger.
Local Numbers:
FP-1992-7RR-0050
Date/Time and Place of an Event Note:
Recorded in: Maryland, Texas, New York (N.Y.), United States, New York.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Arthritis blues--Jelly, jelly--When the yanks go marching in--School of the arts--Barbara Allen-- Cumberland gap--John Henry--Three drowned sisters-- Ain't that bad talking
103 When the Yanks Go Marching In (ACT-758) / Woody Guthrie, Cisco Houston. Guitar.
104 School of the Arts (ACT-1083) / Wallace House. Guitar.
105 Barbara Allen (Child No. 84)(ACT-1083) / Wallace House. Guitar.
106 Cumberland Gap (ACT-1083) / Woody Guthrie, Brownie McGhee, Sonny Terry. Guitar,Harmonica. English language.
107 John Henry (ACT-1083) / Woody Guthrie, Brownie McGhee, Sonny Terry. Guitar,Harmonica. English language.
108 Three Drowned Sisters (ACT-1083) / Wallace House. Guitar.
109 Ain't That Bad Talking (ACT-1083) / Lee Hays. Guitar.
Local Numbers:
FP-CDR-0056
Date/Time and Place of an Event Note:
Recorded in: New York (N.Y.), United States, New York.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
124 Round and Round Hitler's Grave (ACT-1477) / Almanac Singers, Pete Seeger. Guitar.
125 So Long, It's Been Good to Know You (WWII Version) / Woody Guthrie. Guitar.
126 When the Yanks Mo Marching In (ACT-758) / Cisco Houston, Woody Guthrie. Guitar.
Local Numbers:
FP-CDR-0013
Date/Time and Place of an Event Note:
1993.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
