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Oral history interview with Preston Singletary

Interviewee:
Singletary, Preston, 1963-  Search this
Interviewer:
Savig, Mary, 1982-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Museum of the American Indian (U.S.). George Gustav Heye Center  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Chihuly, Dale, 1941-  Search this
Cribbs, Keke  Search this
Dailey, Dan, 1947-  Search this
David, Joe, 1946-  Search this
Feddersen, Joe, 1953-  Search this
Garcia, Tammy  Search this
Gardiner, Lewis, 1972-  Search this
Hauberg, John H. (John Henry), 1916-  Search this
Jojola, Tony  Search this
Jungen, Brian  Search this
Libenský, Stanislav, 1921-2002  Search this
Luna, James  Search this
Marioni, Dante, 1964-  Search this
Marioni, Paul  Search this
Martinuzzi, Napoleone, 1892-1977  Search this
Moore, Benjamin P.  Search this
Royal, Richard  Search this
Svenson, David, 1953-  Search this
Tagliapietra, Lino  Search this
Extent:
8 Items (Sound recording: 8 sound files (3 hr., 48 min.), digital, wav)
55 Pages (Transcript)
Culture:
Tlingit  Search this
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 March 23-24
Scope and Contents:
An interview of Preston Singletary conducted 2011 March 23-24, by Mary Savig, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Singletary's studio, in Seattle, Washington.
Singletary speaks of his family background, especially his Tlingit heritage and his grandmother; his early interest in music; his job at the Glass Eye Studio in Seattle; his formative years as a glass blower in Seattle and at Pilchuck Glass School; his early styles and processes in the modern Venetian tradition; his interest in Tlingit motifs; early mentors including David Svenson, Joe David, and Tony Jojola; collaboration in the studio with other glass artists and other native artists who work with various media; his interest in the modernist primitivist art movement; the character of significant exhibitions and commissions; his collaborative project with David Svenson and native Alaskans on the Pilchuck Founders' Totem; how he met his wife in Sweden; descriptions of his processes and techniques, including lighting techniques; his retrospective at the Museum of Glass in Tacoma and the Smithsonian's Gustave Heye Center in New York; current and future directions of his work; the character of his studio, including the contributions of his assistants; collaborations with other native artists including Tammy Garcia, Joe Feddersen, and Maori jade carver Lewis Gardiner; his interest in Jungian psychology and shamanism; his relationship with critics, collectors, and dealers; and his involvement with native communities. Singletary also recalls Dante Marioni, Paul Marioni, Benjamin Moore, Lino Tagliapietra, Dale Chihuly, Dan Dailey, Stanislav Libensky, Napoleone Martinuzzi, David Svenson, Keke Cribbs, Joe David, Tony Jojola, John Hauberg, Richard Royal, Tammy Garcia, Joe Feddersen, Brian Jungen, and James Luna.
Biographical / Historical:
Preston Singletary (1963- ) is a Tlingit glass artist in Seattle, Washington.
General:
Originally recorded on 3 memory cards as 8 digital sound files. Duration is 3 hr., 48 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Glass art -- Technique  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Glass blowing and working  Search this
Modernism (Art)  Search this
Primitivism in art  Search this
Tlingit art  Search this
Tlingit sculpture  Search this
Native American artists  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.single11
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93a552326-ac2d-4da5-8db1-9f7c95018195
EDAN-URL:
ead_collection:sova-aaa-single11
Online Media:

Oral history interview with William Morris

Interviewee:
Morris, William, 1957-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California State University, Chico -- Students  Search this
Central Washington University -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
San Carlos Borromeo Basilica (Carmel, Calif.)  Search this
Benaroya, Jack, 1921-2012  Search this
Benaroya, Rebecca  Search this
Campbell, Joseph, 1904-1987  Search this
Carpenter, James, 1949-  Search this
Chihuly, Dale, 1941-  Search this
Demarco, Ricky  Search this
Graves, Nancy Stevenson, 1940-1995  Search this
Hauberg, John H. (John Henry), 1916-  Search this
Hydman-Vallien, Ulrica, 1938-2018  Search this
Jung, C. G. (Carl Gustav), 1875-1961  Search this
Karan, Donna, 1948-  Search this
Kirkpatrick, Joey  Search this
Libenský, Stanislav, 1921-2002  Search this
Lipofsky, Marvin, 1938-2016  Search this
Lipski, Donald, 1947-  Search this
Mace, Flora, 1949-  Search this
Marioni, Dante, 1964-  Search this
Moore, Benjamin P.  Search this
Oppenheim, Dennis, 1938-2011  Search this
Pfaff, Judy, 1946-  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo, 1932-2001  Search this
Seguso, Livio, 1930-  Search this
Signoretto, Pino, 1944-  Search this
Smith, Kiki, 1954-  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil, 1938-  Search this
Extent:
7 Items (Sound recording: 7 wav files (5 hr., 5min.), digital)
105 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
British Isles -- Description and Travel
Date:
2009 July 13-14
Scope and Contents:
An interview of William Morris conducted 2009 July 13-14, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Morris' home, in Stanwood, Washington.
William Morris speaks of his decision to stop working in glass in 2005; his deep connection to the natural world; working now with stone; the longstanding theme of man and nature in his work; his influence on the studio glass movement; use of installations; relationship to the greater art world; Cache [1993]; the importance of working in a team, particularly with Jon Ormbrek; studio practice and philosophy of working in the studio; series Man Adorned and first use of the human form; how his work evolves artistically; the influence of his travels on his work and his particular affinity for Mesoamerican culture; the process of choosing his subjects; growing up in Carmel, California, and frequenting the museum at the Carmel Mission Basilica; his early fascination with Native American artifacts and history in the museum; childhood spent hiking in the hills around Carmel and youth spent camping and rock-climbing; art instruction during childhood; ceramics work in high school; introduction to ideas of Carl Jung and Joseph Campbell by his high school teacher, Lloyd Baskerville; undergraduate work at California State University, Chico, working with Vernon Patrick; first experience with glass in high school, through the Fort Ord military base crafts department; brief studies at Central Washington University in Ellensburg, Washington; arriving at Pilchuck Glass School, Stanwood, Washington, in 1977 as a shop assistant/maintenance person; his first encounter with Dale Chihuly; 10 years as Chihuly's main assistant and de facto apprenticeship; his greater overall technical education at Pilchuck; the development of his own team as he continued to work with Chihuly; working with Chihuly and Italo Scanga; the synergy of working in a group and artistic cross-pollination at Pilchuck; the influence and mentorship of Judy Pfaff; working with Italian glass masters at Pilchuck; the influence of Pino Signoretto; his trip with Chihuly to the British Isles, which inspired his series Stone Vessels and series Standing Stones in the mid-1980s; his practice of working in series; series Petroglyph Vessels, and the beginning of narrative in his work; the importance of naiveté, experimentation, and a "confidence in innocence"; series Artifacts; the influence of Donald Lipski on Morris' installations; series Burial Urns and series Burial Rafts; series Canopic Jars; commissions for George Stroemple; the genesis of the series Rhyton; the transcendental/mythic qualities in his work; series Crow and Raven; more discussion of series Man Adorned; series Rattles; collaboration with fashion designer Donna Karan; the importance of glass as a material, and the importance of "play"; the value of an apprentice-type program; his work in bronze and with Nancy Graves; series Cinerary Urns and coming to terms with the deaths of close friends; series Mazorca; series Idolo and Idolito; series Native Species (2006); series Fish Traps; more discussion of his decision to leave glassworking; documentary film Creative Nature, 2008; "Myth, Object, and the Animal" exhibition; the adventurous spirit of the American studio glass movement, particularly in the early years; his preference for short workshops rather than longer teaching sessions; the aesthetic continuity of his work throughout his career; his appreciation of the community of collectors of glass art. He also recalls Ken Wiese, Robert and Terrie Kvenild, Bertil and Ulrica Vallien, Gary Galbraith, Stan Price, Dennis Oppenheim, Kiki Smith, Dante Marioni, Livio Seguso, Marvin Lipofsky, Benjamin Moore, Jamie Carpenter, Checco Ongaro, Lino Tagliapietra, Ricky DeMarco, Flora Mace, Joey Kirkpatrick, Trumaine Mason, Karen Willenbrink, Ross Richmond, Randy Walker, John Hauberg, Stanislav Libenský, Graham Graham, Charlie Cowles, George and Dorothy Saxe, and Jack and Rebecca Benaroya.
Biographical / Historical:
William Morris (1957- ) is a glass artist in Stanwood, Washington.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 5 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Study and teaching  Search this
Ceramics -- Study and teaching  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Sculptors -- Washington (State) -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.morris09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a2dba5aa-31b2-4202-84d2-bae39f6d7c97
EDAN-URL:
ead_collection:sova-aaa-morris09
Online Media:

Mark Tobey papers

Creator:
Tobey, Mark  Search this
Names:
Willard Gallery  Search this
Ashton, Dore  Search this
Dahl, Arthur L., 1942-  Search this
Elmhirst, Dorothy Payne Whitney Straight  Search this
Feininger, Lyonel, 1871-1956  Search this
Hallsten, Pehr, d. 1965  Search this
Hauberg, Anne Gould  Search this
Hauberg, John H. (John Henry), 1916-  Search this
Hillman, Kay  Search this
Holty, Carl, 1900-1973  Search this
Leach, Bernard, 1887-1979  Search this
Ritter, Mark  Search this
Rivera, Diego, 1886-1957  Search this
Seliger, Charles, 1926-2009  Search this
Willard, Marian, 1904-  Search this
Extent:
11 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
[ca. 1920]-1977
Scope and Contents:
Biographical material; correspondence; financial records; Baha'i material; music; writings; art works; printed material; and photographs.
Biographical material includes diaries with sporadic entries, undated and 1958-1959; address books; membership cards, and honorary titles. Correspondents include Stephen Andrus, Dore Ashton, Arthur G. Barnett, John and Betty Bowen, Adelyn Breeskin, Cliffa Carson (niece), Thomas A. Chew, Lillian Clark, Paul Cummings, Arthur Dahl, Shoghi B. Effendi, Dorothy Elmhirst, Claire Falkenstein, Lyonel Feininger, Janet Flanner, John Ford,Miriam Gabo, Colin Graham, Pehr Hallsten, Pamela Harkins, Nina Harwood, John and Anne Hauberg, Kay Hillman, Joseph Hirshhorn, David Hofman, Carl Holty, Herbert Hoover, Leroy and Silvia Ioas, Berthe P. and Claire Jacobson, Nina Kandinsky, Helen Kendall, Carolyn Kizer, Katharine Kuh,Rene Lauby, Bernard Leach, Gerald Lieberman, Andre Masson, Marjory Masten, George Mathieu, N. Richard Miller, Joan Miro, Axel Mondell, Alfred Neumeyer, Ben Nicholson, Vincent Price, Mark Ritter, Diego Rivera, Nancy W. Ross, John Russell, Henry Seldis, Charles Seliger, Otto Seligman, Art Smith, James Speyer, Michel Tapie, Miriam Terry, Roland Terry, Juliet Thompson, Kenneth Tyler, Charmion Von Wiegand, Heloise Wardall, Ulfert Wilke, and Marian Willard of the Willard Gallery.
Also found are: notes taken while studying French; financial, legal and medical records; material relating to Baha'i, including credential for Tobey for the Baha'i World Congress, 1963, class notes, photographs, prayer books, and printed material; music, including sheet music by Tobey, recital program, and music by Harold Budd, John Sundsten,and Debussey; writings and poetry by Tobey and Dahl; writings on Tobey; a transcript of an interview of Tobey conducted by William Seitz; sketches and sketchbooks by Tobey and by others, including Bernard Leach; printed material on Tobey, including reproductions of work, exhibition catalogs and announcements, magazine articles, and clippings; and printed material on others, including Hallsten, Leach, Seliger, Feininger, Abraham Walkowitz, Alberto Burri, and Jules Pascin.
Also included are photographs of: Tobey, Tobey with family and friends, exhibition installations, works of art, an album containing photos, sketches and notes, ca. 1920-1950, an album of photos of Tobey's Seattle studio taken after his death by Kenneth Tomlinson, 1976, and miscellaneous photographs.
Biographical / Historical:
Painter; Abstract Expressionist. Also worked as fashion illustrator, portrait painter. Born in Wisconsin, December 11, 1892. Died 1976. Worked in Chicago, Seattle, Basel, Switzerland; New York, N.Y., Dartington Hall, Devonshire, England, and Paris. Convert to Baha'i religion.
Provenance:
Lent for microfilming 1984 by the Seattle Art Museum.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Washington (State) -- Seattle  Search this
Topic:
Painting, Modern -- 20th century -- History  Search this
Bahai Faith  Search this
Identifier:
AAA.tobemark2
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90fac0bce-dc54-4b2a-ba63-d45cca8069f6
EDAN-URL:
ead_collection:sova-aaa-tobemark2

The spirit within : Northwest Coast native art from the John H. Hauberg collection

Title:
Northwest Coast native art from the John H. Hauberg collection
Author:
Seattle Art Museum  Search this
Subject:
Hauberg, John H (John Henry) 1916- Ethnological collections Catalogs  Search this
Seattle Art Museum Catalogs  Search this
Physical description:
303 p. : ill. (some col.), maps ; 29 cm
Type:
Catalogs
Place:
Northwest Coast of North America
Date:
1995
Topic:
Indian art  Search this
Material culture  Search this
Antiquities--Catalogs  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_480174

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