50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.
There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.
Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.
Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
Biographical/Historical note:
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Indians of North America -- Southern states Search this
Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
This collection contains 44 photographs in a photo album and 12 loose prints that depict American Indian leaders circa 1898 to 1901. The bulk of the photographs were shot at the Indian Congress of the Trans-Mississippi and International Exposition, 1898 and the Greater America Exposition, 1899, both held in Omaha, Nebraska.
Scope and Contents:
This collection contains 44 photographs in a photo album and 12 loose prints that depict American Indian leaders circa 1898 to 1901. The bulk of the photographs depict photographic portraits and scenes of sham battles shot at the Indian Congress of the Trans-Mississippi and International Exposition in Omaha, Nebraska, from June 1 to October 31, 1898. Frank A. Rinehart (ca. 1862-1928) and his assistant Adolph F. Muhr were the official photographers. During the Indian Congress they photographed more than 500 individuals and groups representing the estimated thirty-six tribes represented at the Exposition. Rinehart shot the majority of the outdoor battles, dance scenes, and events, while Muhr photographed the majority of the delegate portraits. Rinehart copyrighted the photographs under his own name in 1899 and 1900.
Other photographs in this collection are photographic portraits of American Indian leaders that were photographed by Herman Heyn and James Matzen at the Greater America Exposition in Omaha in 1899. Heyn copyrighted the photographs under his own name in 1899.
Finally, the collection also contains 7 loose photomechanical prints depicting portraits by photographer William Henry Jackson. These prints were colorized and published under Jackson's company the Detroit Photographic Co. Other loose color photomechanical prints include portraits shot by photographer William H. Rau (1855-1920) for the Chicago Inter-Ocean Newspaper in 1901.
The photograph titles were assigned by the photographers.
Arrangement:
The photographs in the album are in original order. The loose prints are organized into 3 folders.
Biographical / Historical:
Byron Harvey, III (1932-2005) was an anthropologist and collector specializing in southwestern American Indian tribes. He was the great-grandson of Frederick Harvey, best known as the founder of the Fred Harvey Company that ran a successful chain of gift shops, restaurants, and hotels known as Harvey Houses. The Company also amassed a collection of American Indian art and sold many collections to museums including the Museum of the American Indian (NMAI's predecessor museum).
The Trans-Mississippi and International Exposition World's Fair was held in Omaha, Nebraska from June 1 to October 1898. Over 500 Indian delegates from over thirty-five different tribes were present at the Fair. James Mooney (Bureau of Ethnology) and Captain William A. Mercer organized and managed the Indian Congress in conjunction with the Exposition. It included "living exhibitions," with mock Indian villages and demonstrations of dances, daily activities, and sham battles.
The official photographer of the U.S. Indian Congress was Frank A. Rinehart (ca. 1862-1928) with his assistant Adolph F. Muhr (ca. 1858-1913). The Rinehart and Muhr photographs are considered one of the most comprehensive photo documentations of American Indian leaders at the turn of the century.
After the Trans-Mississippi Exposition ended, the Greater America Exposition opened on the same fair grounds from July 1, 1899 to October 31, 1899. Herman Heyn and James Matzen won the contract to be the official photographer of the new Exposition. This Exposition featured many of the same buildings and set up as the Trans-Mississippi Exposition of the previous year.
Related Materials:
The Haskell Indian Nations University in Lawrence, Kansas has a large collection of Frank Rinehart photographs from U.S. Indian Congress of the Trans-Mississippi and International Exposition, including the original glass plate negatives.
The National Museum of the American Indian Archive Center also holds other photographs shot by Rinehart and Muhr at Trans-Mississippi and International Exposition, including collection NMAI.AC.118.
Provenance:
Donated by Byron Harvey, III in 1966.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Trans-Mississippi and International Exposition (1898 : Omaha, Neb.) -- Photographs Search this
Greater America Exposition (1899 : Omaha, Neb.) Search this
Genre/Form:
Photograph albums
Photographs
Citation:
Identification of specific item; Date (if known); Byron Harvey, III Collection of Exposition and Portrait photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.
This photograph album contains 18 photographic portraits of American Indian delegates at the U.S. Indian Congress of the Trans-Mississippi and International Exposition in Omaha, Nebraska, 1898. Frank A. Rinehart and Adolph F. Muhr's photographs of the Exposition are considered one of the most comprehensive photo documentations of American Indian leaders at the turn of the century.
Scope and Contents:
This collection contains 18 photographs arranged in an album. The photographs depict portraits of American Indians delegates at the U.S. Indian Congress of the Trans-Mississippi and International Exposition held in Omaha, Nebraska, between June 1 and October 31, 1898. During the Congress, Frank A. Rinehart (ca. 1862-1928) and/or his assistant Adolph F. Muhr (ca. 1858-1913) photographed more than 500 delegates and groups representing the estimated thirty-five tribes represented at the Exposition.
The photographs that Rinehart and Muhr shot during the Exposition depict the largest gathering of American Indian leaders at the turn of the century. This collection contains only 18 of the hundreds of photographs that Rinehart and Muhr shot at the event.
The photographers assigned the photograph titles.
Biographical / Historical:
The Trans-Mississippi and International Exposition World's Fair was held in Omaha, Nebraska from June 1 to October 1898. Over 500 Indian delegates from over thirty-five different tribes were present at the Fair.
James Mooney (Bureau of Ethnology) and Captain William A. Mercer organized and managed the Indian Congress in conjunction with the Exposition. It included "living exhibitions," with mock Indian villages and demonstrations of dances, daily activities, and sham battles.
The official photographer of the U.S. Indian Congress was Frank A. Rinehart (ca. 1862-1928) with his assistant Adolph F. Muhr (ca. 1858-1913). Rinehart shot the majority of the outdoor battles, dance scenes, and events, while Muhr photographed the majority of the delegate portraits. Rinehart copyrighted the photographs under his own name in 1899 and 1900. The Rinehart and Muhr photographs are considered one of the most comprehensive photo documentations of American Indian leaders at the turn of the century.
Related Materials:
The Haskell Indian Nations University in Lawrence, Kansas has a large collection of Frank Rinehart photographs from U.S. Indian Congress of the Trans-Mississippi and International Exposition, including the original glass plate negatives.
The National Museum of the American Indian Archive Center also holds other photographs shot by Rinehart and Muhr at Trans-Mississippi and International Exposition, including collection NMAI.AC.119.
Provenance:
Donated by Margaret Cross in 2001.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Trans-Mississippi and International Exposition (1898 : Omaha, Neb.) -- Photographs Search this
Genre/Form:
Photographs
Photograph albums
Citation:
Identification of specific item; Date (if known); U.S. Indian Congress of the Trans-Mississippi and International Exposition photograph album, Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
1 Linear foot (1 photograph album containing 42 prints)
Container:
Box 1
Type:
Collection descriptions
Archival materials
Photographs
Photograph albums
Date:
circa 1930-1934
Scope and Contents:
This collection consists of 1 photograph album containing 42 snapshot photographs and photographic postcards from circa 1930-1934. The bulk of the photographs depict Haskell Institute students including members of the football team Arnes Barlow, Paul Edge, Leonard Barlow, Guy Bush, Charles Bernard, Led Wilson, and coach John Levi [Inunaina (Arapaho)]; other unidentified students; buildings on campus including Hiawatha Hall (Chapel); a 1930 pageant and pow-wow; and athletics including archery, baseball, and track, among other scenes.
Other photographs depict the University of Kansas and Memorial High School both in Lawrence, Kansas. Some photographs were also shot at an unidentified Wyoming Indian school.
Many photographs have handwritten captions on the back of the prints. The album has a soft leather cover that features a painting of an American Indian man in a headdress.
One photographic postcard may provide a clue as to the album's creator; the postcard was sent in 1932 from a Haskell teacher named Mary to a teacher named Elsie C. Ramage (Mrs. J. C. Ramage) of Denver, Colo. This postcard may have been sent by Mary Louise Breuninger who was a Haskell teacher according to the 1929 Lawrence, Kansas City directory. The photographs in the album may have been shot, collected, and/or assembled by either Mary or Elsie.
Arrangement:
Original order was maintained when processing this collection, however it does not appear that the photos were assembled in chronological order. Some of the photographs are attached to the album pages via photo corners. The loose are stored in folders in the original order in which they were found.
Biographical / Historical:
Located in Lawrence, Kansas, the United States Indian Industrial School opened its doors in 1884. The school soon changed its name to Haskell Institute after the passing of Dudley Haskell (1842-1883)- a U.S. Representative and chairman of the House Committee on Indian Affairs- who was instrumental in opening the school in his hometown of Lawrence.
The first twenty-two students that attended Haskell Institute were from the Ponca, Chilocco, and Ottawa communities. The school initially taught trades such as blacksmithing, farming, cooking, and sewing, among other industrial skills. As the school grew and expanded its curriculum, American Indian and Native Alaskan students from communities across the country enrolled in the boarding school. The student population grew from 22 to 400 pupils in just one semester. Similar to other Indian boarding schools of its time, Haskell Institute's mission in part was to "civilize" American Indian students and the school employed militaristic techniques in its teaching and discipline. By 1927, the school taught both high school and post-graduation courses.
From 1896-1930, the school also sustained prominent athletic teams, including its nationally recognized football team. Fullback John Levi [1898-1946; Inunaina (Arapaho)] led the football team to many victories in the mid-twenties and eventually went on to coach the team from 1926-1936.
By 1965, the school discontinued its high school courses and in 1970, it transitioned into the Haskell Indian Junior College. The school was renamed Haskell Indian Nations University in 1993 and began offering a four-year baccalaureate degree program with a mission dedicated to Indian cultural preservation, research, and education. The University continues to teach students from federally recognized tribes.
Separated Materials:
The photograph album in this collection was purchased at an auction in 1985 along with a pair of bookends that were probably made by a Haskell Institute student. The bookends are in NMAI's object collection, catalog number 25/2220. A 1931 Haskell yearbook was also purchased at the auction and is now located in the Huntington Free Library Collection at Cornell, call number E97.6.H34.
Provenance:
Purchased from New Durham Auction Barn, Inc. in 1985.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Identification of specific item; Date (if known); Haskell Institute photograph album, NMAI.AC.105; National Museum of the American Indian Archive Center, Smithsonian Institution.
Photographs depicting General Hugh Lenox Scott and Plenty Coups during a ceremony on the site of Fort Custer, possibly to celebrate the 50th anniversary of the fort.
Biographical/Historical note:
W. Keith Kelley was a teacher at the Crow Agency, Montana, circa 1928-1937. He later became principal of the Haskell Institute, now called the Haskell Indian Nations University.
Local Call Number(s):
NAA Photo Lot 78-41
Location of Other Archival Materials:
Photographs made or collected by Hugh Lenox Scott can be found in the National Anthropological Archives in MS 4720, MS 4525, and Photo Lot 24.
Additional photographs of Plenty Coups can be found in the National Anthropological Archives in MS 4423, Photo Lot 81-7, Photo Lot 86-46, Photo Lot 87-2, Photo Lot 90-1, and Photo Lot 89-8.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 78-41, W. Keith Kelley photographs of Hugh Lenox Scott and Plenty Coups, National Anthropological Archives, Smithsonian Institution
The collection contains letters, photographs, and artwork received by Mary Constance Kloss from Acee Blue Eagle, as well as newspaper clippings about Blue Eagle collected by Kloss.
Arrangement:
The collection is arranged into two series: (1) Papers; and (2) Artwork.
Biographical / Historical:
Born in 1911, Mary Constance "Connie" Kloss grew up in Oklahoma as an only child. She attended the University of Oklahoma and around 1931 met Acee Blue Eagle; the two dated for a time. When Kloss's father was killed in an accident, she left college to live with her mother. Kloss married Meyer Dorf around 1971. She died in 2004.
Born Alex McIntosh in 1907, Acee Blue Eagle was a celebrated Muskogee-Creek-Pawnee-Wichita artist, dancer, and teacher. Blue Eagle attended Haskell Indian Industrial Training Institute (Now Haskell Indian Nations University) as well as the Chilocco Indian Agricultural School, graduating high school in 1928. He then entered Bacone Indian College and the University of Oklahoma, where his art took shape under Oscar B. Jacobson, director of UO's School of Art, and earned a BFA in 1932.
In 1934 Blue Eagle painted murals for the Works Progress Administration. In 1935 he lectured at Oxford, after which he helped to establish the art program at Bacone, teaching there for several years. In 1938, his work was shown at the Grand Central art galleries in New York City, which afforded him national recognition. Many exhibits followed over the years. During World War II Blue Eagle served in the Air Force. After the war, he joined the art faculty of the Oklahoma State University Technological School, a post he kept until his death. Blue Eagle died in 1959.
Related Materials:
The National Anthropological Archives holds NAA.1973-51, the Acee Blue Eagle papers and artwork.
Provenance:
The collection was donated by Adrienne Dorf, stepdaughter of Mary Constance Kloss, in 2019.
