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Wedding ceremony of Sister Rosetta Tharpe and Russell Morrison [sound recording]

Performer:
Tharpe, Rosetta, 1915-1973  Search this
Cooper, Vivian  Search this
Kelsey, Rev.  Search this
Harmonizing Four  Search this
Sunset Harmonizers  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Type:
Archival materials
Phonograph records
Place:
United States
Washington (D.C.)
Richmond (Va.)
Virginia
Date:
1951
Contents:
Because --Marriage prologue and benediction --Wedding ceremony, part 1 --Wedding ceremony, part 2 --Gospel train -- Thank you Jesus --God don't like it --So high.
Track Information:
101 Because / Vivian Cooper. Guitar.

102 Marriage Prologue / Rev. Kelsey. Guitar.

103 Wedding Ceremony, Part 1 / Rev. Kelsey. Guitar.

104 Wedding Ceremony, Part 2 / Rev. Kelsey. Guitar.

201 Gospel Train / Sunset Harmonizers. Guitar.

202 Thank You Jesus / Harmonizing Four. Guitar.

203 God Don't Like It / Rosetta Tharpe. Guitar.

204 So High / Rosetta Tharpe. Guitar.
Local Numbers:
FW-ASCH-LP-3653

Decca.5382
Publication, Distribution, Etc. (Imprint):
New York Decca 1951
General:
Program and biographical notes on container. Performer(s): Wedding ceremony, Rev. Kelsey, minister; gospel concert featuring Vivian Cooper, Harmonizing Four of Richmond, the Rosettes, and the Sunset Harmonizers. Production notes: Recorded at Griffith Stadium, Washington, D.C. on July 3, 1951.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Gospel music  Search this
Guitar  Search this
Weddings  Search this
African Americans  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-3653
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5d0e4fa44-6e0a-49c9-83b2-6373ef5e8b9c
EDAN-URL:
ead_component:sova-cfch-asch-ref17868

Harmon Four Column Vending Machine; "Prince Prophylactics Electronically Tested, Tex's Latex, For the Bold - Black Cat, Royal Knight Prophylactics"

Maker:
Harmon Machine Co.  Search this
Physical Description:
metal (overall material)
Object Name:
Vending Machine, Condom
Other Terms:
Vending Machine, Condom; Manufacturing And Dispensing Equipment
Subject:
Birth Control/Contraception  Search this
ID Number:
1989.0416.009
Catalog number:
1989.0416.009
Accession number:
1989.0416
See more items in:
Medicine and Science: Medicine
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-05cd-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_688113
Online Media:

Bernice Johnson Reagon Collection of African American Sacred Music

Consultant:
Richardson, Deborra  Search this
Collector:
Reagon, Bernice Johnson, 1942-  Search this
Names:
Chick Webb Orchestra  Search this
Hampton University Choir  Search this
Harmonizing Four  Search this
Jubilee Singers  Search this
Dett, Nathaniel  Search this
Dorsey, Thomas A.  Search this
Ellington, Duke, 1899-1974  Search this
Tharpe, Rosetta  Search this
Tindley, Charles  Search this
Extent:
6.55 Cubic feet (17 boxes)
Type:
Collection descriptions
Archival materials
Date:
circa 1822-1994
Summary:
The collection documents the customs and culture of black gospel song and its performance in 19th- and 20th-century America. Dr. Reagon collected photographs, sheet music, and other primary and secondary sources chronicling the development and legacy of this medium, from the Civil War to the Civil Rights movement, from blues to Gospel to classical to jazz.

Among the subjects included in this collection are trailblazers such as Charles Tindley, Thomas A. Dorsey, Rosetta Tharpe, Duke Ellington, and Nathaniel Dett. Noted performers are the Fisk Jubilee Singers, the Harmonizing Four, the Hampton University Choir, and the Chick Webb Orchestra.
Scope and Contents:
The Bernice Johnson Reagon Collection of the African American Sacred Music Tradition documents the music, and the society, history, and customs from which it emerged. The materials were collected by Dr. Reagon during her tenure as Director of the Program in Black American Culture, Curator, and Curator Emerita at the National Museum of American History, Smithsonian Institution (1977-1997). The records span the nineteenth century and greater part of the twentieth century. The collection is important because it allows an understanding of the interconnectivity of African American musical forms. Gospel, Jazz, and Protest Songs document the African experience in America through verse and melody. Dr. Reagon collected photographs, sheet music and other primary and secondary sources chronicling the development of African American sacred music tradition from its birth during the period of slavery through the creation of concert spiritual, gospel music, jazz and the performance of protest song in the century following Emancipation.

The records, which measure approximately six linear feet, contain photographs, sheet music, and what Dr. Reagon calls "cultural files" pertaining to figures in, types of, and history of African American music. The cultural file material formats include book, news and magazine articles, programs, bio-sketches, and music. Information about personalities such as Marian Anderson, La Verne Baker, Dorothy Love Coates, Nathaniel Dett, Thomas Dorsey, Frederick Douglass, Duke Ellington, and the Golden Gate Quartet are contained among the collection materials. Also, there are items on gospel trailblazers such as Charles Tindley, Thomas A. Dorsey, and Rosetta Tharpe. In addition, the collection features materials connected to historians and other scholars who participated in a number of teams Reagon organized to carry out specific research initiatives in sacred music traditions and the larger African American experience.

The collection, which was arranged by Dr. Reagon and staff, consists of four parts: a cultural file, a sheet music file, a photography file, and a negative file. The cultural file includes primary documents such as programs from historic performances, personal letters, press releases, and programs from scholarly conferences as well as secondary materials such as journal articles, excerpts from books, and biographical notes. The photography (and negative) files contain photographs of performers and scholars who have participated in the evolution of the African American sacred music tradition. The sheet music file encompasses songbooks and individual pieces of music.

Series 1: Cultural Files, ca. 1836 - 1994: The bulk of materials date from the 1920's to the 1960's. Four document boxes of materials which relate to prominent personalities, groups and events that contributed to the popularization of African American sacred music. Also included in this series is information on slave songs, the Civil War, the Black Church, the Civil Rights Movement, and popular music culture.

Series 2: Sheet Music, ca. 1901 - 1993: The bulk of materials date from the 1900's to the 1950's. Three document boxes of sacred music sheets and songbooks including concert, spiritual, and gospel arrangements. Also included are a few popular compositions, some written by classically trained musicians.

Series 3: Negative Files, ca. 1880's - 1993: The bulk of the materials ranges from 1940 to 1965. Two boxes document boxes of photographic negatives depicting gospel music performers and performances. Included .are contact sheets and individual negatives of varying sizes.

Series 4: Photographs and Illustrations, ca. 1822 - 1993: The bulk of materials range from the 1900's to the 1980's. Eight document boxes of photographs featuring gospel performers, performances, sacred rituals, sacred organizations, Civil Rights activity , and gospel music conferences (primarily black and white).
Biographical / Historical:
Bernice Johnson Reagon, noted vocalist, musician, curator, historian, writer and civil rights activist, provided the impetus for the Smithsonian Institution's research into African American sacred song and music traditions from 1977 until ca. 1997.

Dr. Reagon was born October 2, 1942 to a rural Georgia Baptist minister (Jesse Johnson) and his wife (Beatrice Wise) whose religious influence is evident in her research and performance style. She came of age during the 1960's Civil Rights era, and was a Student Non-violent Coordinating Committee (SNCC) Freedom Singer. The SNCC Freedom Singers were an African American group whose vocal singing style was an integral element in the civil rights struggles. The Singers traveled throughout the country performing protest songs such as "We Shall Not Be Moved" and "This Little Light of Mine". Their songs reflected the Black church theology of the era, emphasizing freedom, long denied, but fervently sought by civil rights activists and the people they represented.

At one march, Reagon was jailed along with hundreds of other demonstrators. This experience taught her the importance of music as a political act. Reagon reflected on this in the book We Who Believe in Freedom: Sweet Honey in the Rock... She founded Sweet Honey in the Rock, a highly regarded female a capella ensemble dedicated to performing traditional music of the African diaspora in 1973, started working full time at the Smithsonian Institution in 1974, and earned a Ph. D. from Howard University in 1975.

Reagon's life has combined political activism with music and cultural history. She began directing the Smithsonian's Program in Black American Culture in 1976. In 1988 she became a curator at the National Museum of American History and after retirement in 1993 continued her work in African American songs of protest and sacred traditions as a curator emeritus at the Smithsonian and a distinguished professor at American University.

Dr. Reagon has authored and edited numerous publications including, We'll Understand It Better By and By: African American Pioneering Gospel Composers, (Smithsonian Press, 1992) and We Who Believe in Freedom: Sweet Honey in the Rock...Still on the Journey (Anchor Books, 1993). She was principal scholar, producer and host of the National Public Radio series "Wade in the Water: African American Sacred Music Traditions (1994). Dr. Reagon has served as consultant composer and performer for several film and video projects including programs for PBS,"Eye on the Prize" (Blackside Productions) and "We Shall Overcome" (Ginger Productions), and has won a number of awards for her scholarship and pioneering work (MacArthur Fellowship, 1989; the Charles Frankel Prize,1995 and the Isadora Duncan award, 1996).
Provenance:
Collection donated by Bernice Johnson Reagon.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Gospel music  Search this
Identifier:
NMAH.AC.0653
See more items in:
Bernice Johnson Reagon Collection of African American Sacred Music
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8bbe93fc4-7c52-4442-bc61-ecb16e21a0b2
EDAN-URL:
ead_collection:sova-nmah-ac-0653
Online Media:

Harmonizing Four

Collection Consultant:
Richardson, Deborra  Search this
Collection Collector:
Reagon, Bernice Johnson, 1942-  Search this
Container:
Box 8, Folder 9
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
See more items in:
Bernice Johnson Reagon Collection of African American Sacred Music
Bernice Johnson Reagon Collection of African American Sacred Music / Series 3: Negative Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8708cb04c-a24d-4b70-9ae5-b9fb6e67f556
EDAN-URL:
ead_component:sova-nmah-ac-0653-ref450

Harmonizing Four

Collection Consultant:
Richardson, Deborra  Search this
Collection Collector:
Reagon, Bernice Johnson, 1942-  Search this
Container:
Box 12, Folder 10
Type:
Archival materials
Date:
1943 - 1985
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
See more items in:
Bernice Johnson Reagon Collection of African American Sacred Music
Bernice Johnson Reagon Collection of African American Sacred Music / Series 4: Photographs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8f1d133b1-49da-42fa-a045-e557dd519382
EDAN-URL:
ead_component:sova-nmah-ac-0653-ref505

Harmonizing Four

Collection Consultant:
Richardson, Deborra  Search this
Collection Collector:
Reagon, Bernice Johnson, 1942-  Search this
Container:
Box 17, Folder 1
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
See more items in:
Bernice Johnson Reagon Collection of African American Sacred Music
Bernice Johnson Reagon Collection of African American Sacred Music / Oversized Photographs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ed37c67b-9162-4648-851a-e4c36f463dd2
EDAN-URL:
ead_component:sova-nmah-ac-0653-ref570

Harmonizing Four, The

Collection Consultant:
Richardson, Deborra  Search this
Collection Collector:
Reagon, Bernice Johnson, 1942-  Search this
Container:
Box 2, Folder 14
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
See more items in:
Bernice Johnson Reagon Collection of African American Sacred Music
Bernice Johnson Reagon Collection of African American Sacred Music / Series 1: Cultural Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep840b6cdf6-868f-4939-89f6-026f6bd0ad0c
EDAN-URL:
ead_component:sova-nmah-ac-0653-ref80

Harmonizing Four, The: Black Gospel Music Series [Program]

Collection Consultant:
Richardson, Deborra  Search this
Collection Collector:
Reagon, Bernice Johnson, 1942-  Search this
Container:
Box 2, Folder 15
Type:
Archival materials
Date:
1981
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
See more items in:
Bernice Johnson Reagon Collection of African American Sacred Music
Bernice Johnson Reagon Collection of African American Sacred Music / Series 1: Cultural Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8f1ca2da0-7f22-4f8e-b0fc-7a7359ccdc33
EDAN-URL:
ead_component:sova-nmah-ac-0653-ref81

Black American Gospel Music Series, The Harmonizing Four

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 10, Folder 10
Type:
Archival materials
Date:
1981 April 12
Scope and Contents:
Concert held Sunday April 12, 1981 at Baird Auditorium, National Museum of Natural History, Smithsonian Institution. It paid tribute to the Harmonizing Four, an all-male gospel group from Richmond, Virginia, who have been singing together for more than fifty years. The group began singing together on October 27, 1927. The original quartet members were Joseph Williams, Thomas Johnson, Jr., Lawrence Hatchett, and Lawrence Longhorn (the latter two now deceased). The Harmonizing Four began as an informal a cappella group who sang spirituals, hymns, and classic gospel songs. Every member is a leader and soloist and they do all of their own arranging. The present group includes two original members. The Harmonizing Four documented here are Joseph Williams (lead, baritone, manager, and spokesman) Thomas Johnson, Jr. (lead, second tenor) Lonnie Smith Sr. (lead, first tenor) Thomas Ellis Johnson (bass) Rick Monroe (guitarist) From notes on the artists, program nNotes by Dr. Bernice Johnson Reagon. See program notes for additional information about the Harmonizing Four and the Black American Gospel Music Series. The Division of Performing Arts presented the concert as part of the Black American Gospel Music Series. The series and program were organized by Dr. Bernice Johnson Reagon, director, Program in Black American Culture (later known as the Program in African American Culture). Program number AC408.11.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e9365ee8-d07c-46b6-85d2-93248c51547b
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1112

Classic Gospel Song, A Tribute to Thomas A. Dorsey

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 14, Folder 8
Type:
Archival materials
Date:
1985 October 26
Scope and Contents:
Program included discussion and performance exploring the music and career of Thomas A. Dorsey, facilitated by Bernice Johnson Reagon and held on October 26, 1985. The colloquium "Thomas A. Dorsey: Father of Gospel Music" took place in the Carmichael Auditorium, National Museum of American History, Smithsonian Institution. The concert "A Smithsonian Evening of Classic Gospel Song" took place in the Pendulum Hall. Panel included Pearl Williams-Jones, Michael Harris, Horace C. Boyer. Performers included the Harmonizing Four of Richmond, Virginia; the Reverend Donald Vails Choir; the Henry Davis Singers and Ronald Lee Huff. Program number AC408.33.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8213eb8aa-a630-4797-819b-e88c80398d64
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1164

Black American Gospel Music Series, The Harmonizing Four, 1981

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 35, Folder 1
Type:
Archival materials
Date:
1981-04-12-1981-04-14
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8cdb0ef21-a3ae-4139-b50b-266ecf659c82
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1435

Black American Gospel Music Series, The Harmonizing Four, 1981

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 75, Reel 1-3
Type:
Archival materials
Audio
Date:
1981-04-12
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep84b2c946e-4f75-4c45-be2b-5f39125824be
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1589

Black American Gospel Music Series, The Harmonizing Four, 1981, audio cassettes, RTC 408.11.1

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 125, Cassette 1
Type:
Archival materials
Audio
Date:
1981-04-12
Scope and Contents:
RTC 408.11.1 Opening Song: At The Cross

Opening remarks by Bernice Johnson Reagon

Introduction of the Harmonizing Four

The Harmonizing Four sing the following songs:

"Just Keep Me Near the Cross" "Prayer" "Memories Linger On" "He Lives" "I believe" "Let God Abide" "At the Cross" "Sign Me Up" "Let Me Walk Close to Thee"
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep850459a7c-8ba9-45b4-a959-789aa56dd327
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1737

Black American Gospel Music Series, The Harmonizing Four, 1981, audio cassettes, RTC 408.11.2

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 125, Cassette 2
Type:
Archival materials
Audio
Date:
1981-04-12
Scope and Contents:
"The Lord's Prayer" "Learning to Lean On Jesus" "How Great Thou Are" "Amazing Grace" "There Is A Land Beyond the River" "Let God Abide" "I Started With Jesus"
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a593d0d7-a998-4aa0-b67f-777da1a0ebca
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1771

Black American Gospel Music Series, The Harmonizing Four, 1981, audio cassettes, RTC 408.11.3

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Container:
Box 125, Cassette 3
Type:
Archival materials
Audio
Date:
1981-04-12
Scope and Contents:
"Take Your Burdens to the Lord" "He's Sweet"
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8104b6de7-c36d-4aff-9943-c28ccbb8808f
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref1772

Black American Gospel Music Series, The Harmonizing Four, 1981, Richmond concert opening, audio cassette

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Extent:
1 Sound cassettes (DAT)
Container:
Box 157, Item 1
Type:
Archival materials
Audio
Sound cassettes (dat)
Date:
1991-10-27
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82b4ac89d-bd77-4f81-8352-379115b0daa1
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref2770

Black American Gospel Music Series, The Harmonizing Four, Richmond concert, number 2, audio cassette, 1981

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Extent:
1 Sound cassettes (DAT)
Container:
Box 157, Item 2
Type:
Archival materials
Audio
Sound cassettes (dat)
Date:
1991-10-27
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8bbdc504f-89a1-46bd-b0bb-008f035bde47
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref2771

Black American Gospel Music Series, The Harmonizing Four, Richmond concert, dat 3, audio cassette, 1981

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Extent:
1 Sound cassettes (DAT)
Container:
Box 157, Item 3
Type:
Archival materials
Audio
Sound cassettes (dat)
Date:
1991-10-27
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep836405892-b0e6-497f-b962-c236307ca696
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref2772

Black American Gospel Music Series, The Harmonizing Four, Richmond concert 4, closing, F.C. Barnes, audio cassette

Collection Collector:
Maltsby, Portia  Search this
Collection Creator:
Smithsonian Institution. Program in African American Culture  Search this
Extent:
1 Sound cassettes (DAT)
Container:
Box 157, Item 4
Type:
Archival materials
Audio
Sound cassettes (dat)
Date:
1991-10-27
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
See more items in:
Program in African American Culture Collection
Program in African American Culture Collection / Series 1: Program Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8135c5c31-f1ec-4eef-b830-ef50fd9859ed
EDAN-URL:
ead_component:sova-nmah-ac-0408-ref2773

I'll Trust In the Lord

Recording artist:
The Harmonizing Four  Search this
Manufacturer:
Checker  Search this
Physical Description:
vinyl (overall material)
Measurements:
overall: 12 in; x 30.48 cm
Object Name:
Sound Recording
Place made:
United States: Illinois, Chicago
ID Number:
1996.0153.02232
Label number:
CH 9144
Catalog number:
1996.0153.02232
Accession number:
1996.0153
See more items in:
Culture and the Arts: Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746aa-cd3b-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1227000

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