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Here At The Smithsonian: The Harlem Renaissance

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Smithsonian Institution Archives  Search this
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YouTube Videos
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2021-02-22T20:22:21.000Z
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Museum administration  Search this
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Smithsonian Institution Archives
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African American Art Curator Talk

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Smithsonian American Art Museum  Search this
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YouTube Videos
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2012-08-01T23:55:46.000Z
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Education  Search this
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Art, American  Search this
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Smithsonian American Art Museum
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americanartmuseum
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American Art in Dialogue with Africa - 6 - Developing a Trans-African Aesthetic

Creator:
Smithsonian American Art Museum  Search this
Type:
Symposia
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2013-11-06T15:07:29.000Z
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American Art in Dialogue with Africa - 4 - Primitivism and Modernism

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Smithsonian American Art Museum  Search this
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Symposia
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Clarice Smith Distinguished Lecture: Richard Powell

Creator:
Smithsonian American Art Museum  Search this
Type:
Lectures
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2021-12-28T20:18:34.000Z
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Hide/Seek: Carl Van Vechten and the Harlem Renaissance - National Portrait Gallery

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National Portrait Gallery  Search this
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YouTube Videos
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2011-04-07T22:52:37.000Z
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Philip G. Freelon Architectural Archive

Creator:
Freelon, Philip G., 1953-2019  Search this
Names:
American Institute of Architects  Search this
Freelon Adjaye Bond/SmithGroup  Search this
Freelon Bond Architects  Search this
Freelon Group  Search this
Hampton University (Va.)  Search this
Harvard University  Search this
Massachusetts Institute of Technology  Search this
Massachusetts Institute of Technology. School of Architecture  Search this
National Museum of African American History and Culture  Search this
National Organization of Minority Architects (U.S.)  Search this
North Carolina Board of Architecture  Search this
NorthStar Church of the Arts  Search this
PPG Industries, Inc.  Search this
Perkins & Will  Search this
Adjaye, David, 1966-  Search this
Bond, J. Max, Jr.  Search this
Freelon, Allan Randall, 1895-1960  Search this
Extent:
5.1 Cubic feet
Type:
Collection descriptions
Archival materials
Correspondence
Place:
North Carolina -- United States
United States of America -- North Carolina -- Durham County -- Durham
United States of America -- Massachusetts -- Suffolk County -- Boston
United States of America -- Pennsylvania -- Philadelphia County -- Philadelphia
United States of America -- New York -- New York
Date:
bulk 1939-2017
Scope and Contents:
The Philip G. Freelon Architectural Archival Collection documents the life and career of architect, educator, cultural heritage preservation advocate and artist Philip G. Freelon. The collection highlights his distinguished career from its inception to his role as the "architect of record" for the National Museum of African American History and Culture. Freelon was one of the leading African American architects of his generation and he created a focus designing and constructing buildings that paid reverence to African Americans and other underrepresented communities. This collection is comprised of business records, photographic materials, ephemera, correspondence, architectural drawings, and clippings.
Arrangement:
The materials in this collection have been separated into seven series. The materials have been ordered and organized based on the content and chronology. Within each series and sub-series, the folders are organized as close to the collection's original order as when it was acquired.
Biographical / Historical:
Philip Goodwin Freelon was born March 26, 1953, in Philadelphia, Pennsylvania to Allan Freelon, Jr. and Elizabeth Neal Freelon. Freelon was greatly influenced by his grandfather, Allan Freelon Sr., a notable Harlem Renaissance visual artist, educator, and civil rights activist. His grandfather's values and artistry inspired him to create a career that focused on creating historical and cultural spaces in African American communities. Freelon attended high school at the former predominantly white elite all-boys school, Central High School located in upper North Philadelphia from 1967 to 1971. His attendance at this school during of the Civil Rights Movement afforded him the unique experience that inspired him to attend a historically Black college (HBCU). Freelon selected Hampton Institute (Hampton University) to develop his veneration of the composition and design of the buildings that held cultural and artistic treasures. Located in the Tidewater area of Virginia, Hampton was renowned among HBCUs for its architecture program. His professor and mentor at Hampton, John Spencer, pushed Freelon academically as he moved easily through the school's curriculum. After two years at Hampton, Spencer helped Freelon transition to a more challenging program at North Carolina State University (NCSU) in Raleigh, North Carolina. Freelon graduated in 1975 with a bachelor's in environmental design in architecture.

Later in the fall of 1975, Freelon enrolled at Massachusetts Institute of Technology (MIT) to pursue a master's in architecture. During the summers, Freelon worked with one of former his NC State professors at the architectural firm of John D. Latimer and Associates. After graduating from MIT in 1977, Freelon returned to North Carolina to take his Architecture Registration Examination (ARE), becoming the firm's youngest person to receive licensure. He also began teaching classes at his alma mater, NC State. It was there that Freelon met his future wife, Nnenna Pierce. Pierce, a Massachusetts native was attending Simmons College in Boston at the time. The connection was immediate, and the pair was married in 1979 and welcomed their first son, Deen in 1980. After a brief employment for a large Texas firm 3/D International, Freelon returned to Durham to join O'Brien Atkins Associates. He was the firm's youngest partner, eventually serving as principal and vice president of architecture. Freelon worked on a wide variety of projects throughout the state including learning centers, university buildings, churches, and parking garages. Along with Freelon's budding career, his family was expanding as well. Phil and Nnenna welcomed their daughter Maya in 1982 and their son, Pierce in 1983. During this time, Freelon was being highly recognized for his work. The American of Institute of Architects (AIA) awarded him the Honor Award for his design of Terminal 2 of the Raleigh-Durham International Airport, which has since been rebuilt.

By the end of the decade, Freelon and his wife Nnenna needed a change of pace. Nnenna pursued a professional career in music while Phil took a break from his career to expand his skillset and reinforce his intellectual approach to design. In 1989, Freelon was granted the Loeb Fellowship for one year of independent study at the Harvard University Graduate School of Design. He also pursued a longtime hobby of furniture design, calling the practice "small architecture". He received industry awards like first prize in the PPG Industries, Inc. Furniture Design Competition as well as AIA Honor Award for conference table designs. With a year away from the field to clarify his vision, Freelon opened his own firm, simply titled, the Freelon Group in 1990. Beginning as a one-man operation, the Freelon Group grew to become one of the largest African American owned architectural firms in the country with over 50 employees, forty percent of which were women, and thirty percent were people of color. With freedom within his own firm, Freelon focused on designing learning centers, libraries and museums and vowed to never build anything that did not bring cultural and intellectual value to a community.

Over the next twenty years, Freelon would assert himself as a force in designing notable cultural institutions and community-driven projects in and around the country including the Sonja Haynes Stone Center at University of North Carolina Chapel Hill (Chapel Hill, NC), Reginald F. Lewis Museum of Maryland African American History & Culture (Baltimore, MD), Museum of African Diaspora (San Francisco, CA), Harvey B. Gantt for African American Arts and Culture (Charlotte, NC), the Anacostia and Tenley-Friendship branches of the District of Columbia Public Library , National Center for Civil Rights and Human Rights (Atlanta, GA), Mississippi Civil Rights Museum (Jackson, MS) and Emancipation Park (Houston, TX). Alongside his architectural career, Freelon served as a lecturer and adjunct professor at several colleges and universities including North Carolina State University, Harvard University, Massachusetts Institute of Technology (MIT), University of Maryland College Park, New Jersey Institute of Technology, Syracuse University, and the Florence, Italy program at Kent State University. Freelon was awarded a full-time appointment as professor of Professional Practice at MIT in 2008. The Professional Practice (4.222) course was a requirement for the master's in architecture and he used examples from his extensive career and personal experience to illustrate legal, ethical, and management concepts. Nnenna's music career was also thriving. She would go on to record twelve albums and be nominated for six Grammys. This fusion of education, the arts, and music inspired another generation of Freelons: their son, Pierce Freelon is a hip-hop artist, educator, and political activist; daughter Maya Freelon is a visual artist; and son Deen Freelon is a professor.

In 2001, George W. Bush established a commission to create a new museum on the National Mall. Freelon wanted to enter his firm to participate in the international design competition. Freelon would partner with famed African American New York City architect, J. Max Bond, Jr. and by 2006 the two officially formed the Freelon Bond Architects.The Freelon Bond group submitted their proposal and soon after were elected to create programming and pre-design work for the museum. When the official design competition for the museum was announced in 2008, UK-based architect David Adjaye joined the team as the lead designer, and along with the partnering firm SmithGroup, the new architectural team became Freelon Adjaye Bond/SmithGroup. The three black architects combined a variety of distinctive elements from Africa and the Americas to create the building's unique, historically significant design. The Freelon Group served as the "architect of record" and were responsible for ensuring that key design ideas were upheld. Freelon and key firm members such as Zena Howard were active as on-site project managers during the museum's construction process to certify that the building would be developed according to plan. Freelon, Adjaye, and Bond were tasked with taking the collective history of the African American experience-- generations of pain, triumph, and perseverance-- and forming it into a structure. The team looked to African sources, such as Yoruban architecture, for inspiration. They sought to connect the building's design to the geographic and cultural roots of African Americans. Their design choices also reference the contributions of enslaved and free black metalworkers made to the landscape of the American South. Their goal was to make the museum an extension of its contents, and an expression of the stories told inside. By the groundbreaking for NMAAHC in 2012, Freelon had been appointed to the U.S. Commission of the Fine Arts by President Barack Obama. In an effort to broaden his resources and expand his firm, The Freelon Group merged with Perkins & Will, a firm originating in Chicago that grew to have offices across the United States. Freelon was appointed the managing director and later lead design director at the firm's North Carolina offices in Charlotte and Durham in 2014. By the next year, Freelon understood that his work in architecture and education was a necessary voice to preserve, which he did through donation of the bulk of his personal papers to his alma mater, NC State University. The year 2016 proved to be a year of triumph for Freelon as NMAAHC opened its doors on September 24th to much jubilation and celebration. That same year, Freelon's legacy was further cemented as the Phil Freelon Fellowship Fund was established at Harvard University Graduate School of Design, a fellowship designed to broaden opportunities for African Americans and other underrepresented communities in architecture and design.

Unfortunately, this triumphant year was met with difficulty as Freelon was diagnosed with amyotrophic lateral sclerosis (ALS), a progressive disease that affects the nervous system. He would continue to work and lecture for the next two years until it became too challenging. One of those projects was the renovation and opening of The NorthStar Church of the Arts in early 2019. A passion project with his wife and son, Pierce, a former church was renovated and repurposed as an arts and cultural space for all. This space was created in an effort to support the Durham cultural community as it began to feel the effects of gentrification. When Freelon lost his battle with ALS on July 9, 2019, in his home in Durham, North Carolina, the family requested that in lieu of flowers that donations be sent to the NorthStar Church to continue the center's mission and Phil's dream to give back to the Durham community.

Historical Timeline

1953 -- Philip Goodwin Freelon was born in Philadelphia, Pennsylvania to Allan Freelon Jr. and Elizabeth Neal Freelon.

1971 -- Freelon graduated from Central High School in Philadelphia, Pennsylvania and entered School of Architecture, Hampton University in Hampton, Virginia as a design student.

1973 -- Freelon transferred to College of Design at the North Carolina State University in Raleigh.

1975 -- Graduated with a Bachelor's in Environmental Design in Architecture from NC State University. He received the American Institute of Architects (AIA) Book Award for Outstanding Work in Architectural Design. In the fall, he began his master's program in architecture at MIT.

1976 -- Began working as aide for architectural firm, John D. Latimer and Associates.

1977 -- Graduated with a Master's in Architecture and Design from Massachusetts Institute of Technology (MIT.)

1978 -- Freelon became youngest architect to pass the North Carolina Architecture Registration Exam. Freelon started teaching at North Carolina State University.

1979 -- Married Chinyere "Nnenna" Pierce. Freelon began working for, 3/D International in Houston, Texas.

1980 -- Son Deen Freelon was born.

1981 -- Freelon returned to Durham, NC to join O'Brien Atkins Associates as the firm's youngest partner.

1982 -- Daughter Maya Freelon was born.

1983 -- Son Pierce Freelon was born.

1989-1990 -- Received Loeb Fellowship for independent study at Harvard University. Freelon received AIA Honor Award for American Airlines Terminal 2 at Raleigh-Durham Airport, NC (RDU).

1990 -- Freelon left O'Brien Atkins Associates to open his own firm The Freelon Group.

1991 -- Won first prize in the PPG Furniture Design Competition.

1992 -- Won the AIA Honor Award for Conference Table Designs.

2001 -- Won the AIA Firm Award for The Freelon Group and the AIA Design Award for Parking Structure, RDU Airport. Began attending meetings of President George W. Bush's commission on new National Mall museum dedicated to African American history and culture.

2003 -- Freelon merged his firm with New York architect Max Bond to create Freelon Bond Architects.

2004 -- Sonja Haynes Stone Center at University of North Carolina Chapel Hill (Chapel Hill, NC) was completed.

2005 -- Reginald F. Lewis Museum of Maryland African American History & Culture (Baltimore, MD) and Museum of African Diaspora (San Francisco, CA) were both completed.

2008 -- UK-based architect David Adjaye and Washington, DC based architecture firm, Smithgroup joined the team, creating the Freelon Adjaye Bond Group/SmithGroup Freelon began teaching at MIT's school of Architecture and Design.

2009 -- Freelon Adjaye Bond/Smithgroup won the official design for the Smithsonian National Museum of African American History and Culture (NMAAHC). Harvey B. Gantt for African American Arts and Culture (Charlotte, NC) was completed.

2010 -- Anacostia branch of the District of Columbia Public Library (Washington, DC) was completed.

2011 -- Tenley-Friendship branch of the District of Columbia Public Library (Washington, DC) was completed.

2012 -- Construction began on NMAAHC.

2014 -- The Freelon Group merged with Perkins & Will, a much larger architectural firm. Freelon became managing director and lead design director of the North Carolina branches in Durham and Charlotte. National Center for Civil Rights and Human Rights (Atlanta, GA) was completed.

2016 -- Freelon was diagnosed with amyotrophic lateral sclerosis (ALS).

2017 -- Mississippi Civil Rights Museum (Jackson, MS) and Emancipation Park (Houston, TX) were completed.

2019 -- Freelon died in his home in Durham, North Carolina at age 66 on July 9.
Related Materials:
Phil Freelon Papers, 1975-2019 at North Carolina State University Libraries.
Provenance:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Philip G. Freelon.
Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Rights:
The NMAAHC Archives can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Topic:
Architecture  Search this
Business  Search this
Construction  Search this
Entrepreneurship  Search this
Local and Regional  Search this
Design  Search this
Education  Search this
Photographs  Search this
Museums  Search this
Genre/Form:
Correspondence
Citation:
Philip G. Freelon Archival Collection, 1939-2017. National Museum of African American History and Culture, Smithsonian Institution.
Identifier:
NMAAHC.A2017.51
See more items in:
Philip G. Freelon Architectural Archive
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io3ba3ca2a2-5495-45cf-801c-f3d66a7002fd
EDAN-URL:
ead_collection:sova-nmaahc-a2017-51

Museums and the Politics of Race

Creator:
Smithsonian Education  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2009-03-17T20:04:37.000Z
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Education  Search this
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Education  Search this
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Smithsonian Education
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SmithsonianEducation
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edanmdm:yt_a90eBWJwo3s

American Art in Dialogue with Africa - 7 - Artists Travel to Africa

Creator:
Smithsonian American Art Museum  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2013-11-06T15:07:29.000Z
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Art, American  Search this
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American Art in Dialogue with Africa - 3 - Nineteenth-Century Portraiture

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Smithsonian American Art Museum  Search this
Type:
Symposia
YouTube Videos
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2013-11-06T15:07:28.000Z
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Smithsonian American Art Museum
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edanmdm:yt_zffKZOQ7gRY

American Art in Dialogue with Africa - 1 - Welcome (Day 1)

Creator:
Smithsonian American Art Museum  Search this
Type:
Symposia
YouTube Videos
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2013-11-06T15:07:28.000Z
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Education  Search this
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edanmdm:yt_yFrRtZw8S-4

The "black art" renaissance African sculpture and modernism across continents Joshua I. Cohen

Author:
Cohen, Joshua I  Search this
Physical description:
xx, 277 pages illustrations (chiefly color), color map 27 cm
Type:
Books
Date:
2020
20th century
20e siècle
Topic:
Modernism (Art)--African influences  Search this
Art, Black  Search this
Art, African--Influence  Search this
Sculpture, African--Influence  Search this
Art noir  Search this
Art africain--Influence  Search this
Sculpture africaine--Influence  Search this
ART / Sculpture  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1146973

James Weldon Johnson

Artist:
Laura Wheeler Waring, 1887 - 1948  Search this
Sitter:
James Weldon Johnson, 17 Jun 1871 - 27 Jun 1938  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 92.7 x 76.2cm (36 1/2 x 30")
Frame: 109.2 x 95.3 x 5.1cm (43 x 37 1/2 x 2")
Type:
Painting
Date:
1943
Topic:
Exterior\Landscape  Search this
Personal Attribute\Facial Hair\Mustache  Search this
Imaginary  Search this
James Weldon Johnson: Male  Search this
James Weldon Johnson: Law and Law Enforcement\Lawyer  Search this
James Weldon Johnson: Education and Scholarship\Educator\Lecturer  Search this
James Weldon Johnson: Education and Scholarship\Educator\Professor\University  Search this
James Weldon Johnson: Literature\Writer\Poet  Search this
James Weldon Johnson: Performing Arts\Performer\Musician\Songwriter  Search this
James Weldon Johnson: Literature\Writer\Novelist  Search this
James Weldon Johnson: Society and Social Change\Reformer\Activist\Civil rights activist\Civil rights leader  Search this
James Weldon Johnson: Education and Scholarship\Administrator\School administrator\Principal  Search this
James Weldon Johnson: Politics and Government\Diplomat\Consul\US Consul  Search this
James Weldon Johnson: Education and Scholarship\Scholar\Translator  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of the Harmon Foundation
Object number:
NPG.67.40
Restrictions & Rights:
Usage conditions apply
Copyright:
© Estate of Laura Wheeler Waring
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4a2a48c69-9552-46ce-81b4-a011cec5dfad
EDAN-URL:
edanmdm:npg_NPG.67.40

Letter to Mr. Carroll Wilson from Countee Cullen

Written by:
Countee Cullen, American, 1903 - 1946  Search this
Signed by:
Countee Cullen, American, 1903 - 1946  Search this
Received by:
Carroll Atwood Wilson, American, 1887 - 1947  Search this
Subject of:
National Urban League, American, founded 1910  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 1/2 x 5 1/2 in. (21.6 x 14 cm)
Type:
letters (correspondence)
Place made:
New York City, New York, United States, North and Central America
Date:
April, 25 1928
Topic:
African American  Search this
Correspondence  Search this
Education  Search this
Literature  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2011.31.3
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials
Movement:
Harlem Renaissance (New Negro Movement)
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5991d275c-c6c4-4ea9-a6a0-c68a75fe590c
EDAN-URL:
edanmdm:nmaahc_2011.31.3
Online Media:

American Art in Dialogue with Africa - 2 - Opening Session

Creator:
Smithsonian American Art Museum  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2013-11-06T15:07:28.000Z
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Education  Search this
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Art, American  Search this
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americanartmuseum
EDAN-URL:
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American Art in Dialogue with Africa - 5 - Day 2 Opening Remarks by David Driskell

Creator:
Smithsonian American Art Museum  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2013-11-06T15:07:29.000Z
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Education  Search this
Topic:
Art, American  Search this
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Interview of Toni Cade Bambara and Louis Massiah, conducted by Pearl Bowser

Extent:
2 Sound cassettes
Container:
Box 3, Cassette 3
Box 3, Cassette 35
Type:
Archival materials
Audio
Sound cassettes
Date:
1992 August 28
General:
Interview on first 20 minutes of side a only; remainder of the recording occurs at an unidentified conference
2012.79.3.72.1a, 2012.79.3.104.1a
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Citation:
Pearl Bowser Collection, National Museum of African American History and Culture
See more items in:
Pearl Bowser Audiovisual Collection
Pearl Bowser Audiovisual Collection / Series 3: Audio Tape / 3.1: Interviews
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io3d9eb2520-49a6-4a72-8070-73e270f9cbe7
EDAN-URL:
ead_component:sova-nmaahc-a2012-79-av-ref52
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Interview of Toni Cade Bambara and Louis Massiah, conducted by Pearl Bowser digital asset number 1
Online Media:

Recorded instrumental music

Extent:
1 Sound cassette (label on original container reads: "Harlem renaissance Black Images 1920s")
Container:
Box 6, Cassette 27
Type:
Archival materials
Audio
Sound cassettes
Date:
undated
Collection Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Collection Citation:
Pearl Bowser Collection, National Museum of African American History and Culture
See more items in:
Pearl Bowser Audiovisual Collection
Pearl Bowser Audiovisual Collection / Series 3: Audio Tape / 3.7: Recorded Music
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io30a8a5f2e-2af7-4388-bdae-32ecd25f8206
EDAN-URL:
ead_component:sova-nmaahc-a2012-79-av-ref66

Countee Cullen

Artist:
Winold Reiss, 16 Sep 1886 - 29 Aug 1953  Search this
Sitter:
Countee Cullen, 30 May 1903 - 1 Sep 1946  Search this
Medium:
Pastel on illustration board
Dimensions:
Sheet: 76.1 × 54.7 cm (29 15/16 × 21 9/16")
Frame: 89.5 × 68 cm (35 1/4 × 26 3/4")
Type:
Drawing
Date:
c. 1925
Topic:
Costume\Dress Accessory\Neckwear\Tie\Bowtie  Search this
Countee Cullen: Male  Search this
Countee Cullen: Literature\Writer\Poet  Search this
Countee Cullen: Education and Scholarship\Educator\Teacher  Search this
Countee Cullen: Literature\Writer\Novelist  Search this
Countee Cullen: Literature\Writer\Essayist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; purchase funded by Lawrence A. Fleischman and Howard Garfinkle with a matching grant from the National Endowment for the Arts
Object number:
NPG.72.76
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4e6fcf1e5-08f4-481a-8b0b-d951a988399f
EDAN-URL:
edanmdm:npg_NPG.72.76

Holiday card from William Grant Still

Created by:
Unidentified  Search this
Subject of:
William Grant Still, American, 1895 - 1978  Search this
Medium:
ink on paper
Dimensions:
H x W (Sheet): 5 1/2 × 3 1/2 in. (14 × 8.9 cm)
H x W (Image): 5 1/16 × 3 1/16 in. (12.9 × 7.8 cm)
Type:
greeting cards
Place depicted:
Harlem, New York City, New York, United States, North and Central America
Los Angeles, California, United States, North and Central America
Date:
1937
Topic:
African American  Search this
Composers (Musicians)  Search this
Holidays and festivals  Search this
Music  Search this
Opera (Music)  Search this
Orchestral (Music)  Search this
Religious rituals and ceremonies  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2015.97.38.3
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Movement:
Harlem Renaissance (New Negro Movement)
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd50337c75a-1c4b-4657-99f0-14993f91a6b9
EDAN-URL:
edanmdm:nmaahc_2015.97.38.3
Online Media:

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