1.3 Linear feet ((partially filmed on 1 microfilm reel))
Soviet Union -- description and travel
Scope and Contents:
Letters, a calendar and essay, sketchbooks (1957-1964), photographs (1963), printed material (1951-1982), 3 audio tapes, and a reel of motion picture film document the life and career of Rudy Pozzatti.
Reel 1618: Six annotated sketchbooks contain designs for the Lincoln, Neb., mural competition (1957), sketches and diary accounts of a trip to Russia (1961), sketches from a trip to Genoa and Rome, Italy, including work on a Japanese folding book (1963-1964), and annotated sketches from a Tamarind workshop (1963).
Unfilmed: Biographical material consists of 2 biographical sketches and a resume. Twenty letters (1952-1980) primarily concern Pozzatti's nomination as distinguished professor at Indiana University (1972). Notes and writings consist of a makeshift calendar designed by Pozzatti and Jimmy Ernst in Russia in 1961 and a 3-page essay "Homage to Rudy Pozzatti" by Elmer Schooley. One photograph shows Pozzatti as a member of the Pennell Selection Committee at the Library of Congress with Fritz Eichenberg. Another photograph shows the Arts Festival Committee examining Pozzatti's woodcut "Enchanted Flute" for the permanent collection of the University of Maine.
Unfilmed: Printed material includes clippings (1952-1986), exhibition announcements and catalogs (1951-1986), and lecture and workshop brochures (1963-1978). Three reel-to-reel audio tapes contain interviews with Pozzatti, including one with Rudolph de Harak conducted by Roger Gafke (1974), and one of a visiting artists discussion conducted by the University of Missouri (1974). A reel of 16 mm motion picture film records an interview with Pozzatti at the Fort Wayne Art Institute (1974).
Biographical / Historical:
Printmaker, painter, art instructor; Bloomington, Ind. Born in Telluride, Colo., Pozzatti received degrees from the University of Colorado in 1948 and 1950, and studied under Emilio Amero, Max Beckmann, and Ben Shahn. He taught printmaking at Indiana University from 1956-1972.
Material on reel 1618 lent for microfilming 1979; unmicrofilmed material donated 1980 and 1986 all by Rudy Pozzatti.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Sound recording: 3 sound cassettes (270 min.) : analog + printed material and drawings
34 Pages (Transcript)
2000 April 27
Scope and Contents:
An interview of Rudolph de Harak conducted 2000 April 27, by Susan Larsen, for Archives of American Art, in Trenton, Maine. Also received from De Harak at the time of the interview are a photocopy of an article reprinted in Design Culture that de Harak wrote for the American Institute of Graphic Arts; photocopy of an interview transcript with Gyorgy Kepes conducted by de Harak, de Harak's vitae, 2 exhibition catalogs, an article in recognition of de Harak by Daniel Forte, and a pencil drawing and a design with color chart.
De Harak discusses his childhood in California and moving to both Chicago and New York in support of his sisters' dancing careers, as well as his education and career. He attended the New York School of Industrial Arts, graduating in 1940, at the age of sixteen. After graduation he worked in an upholstery factory etching zinc plates for printed and painted silk fabric for use in draperies. At age eighteen he was drafted into the Army and served throughout WWII. After the war he returned to California, to be with his sisters and mother. Eventually he found work in a Los Angeles design studio, where he became reacquainted with Hal Tritel, whom he had known in New York. Together, they attended an inspirational lecture by Will Burtin, the art director of Fortune magazine.
In 1947, De Harak and Tritel opened their own design firm. In 1950, De Harak moved back the New York in search of more opportunities as a designer. He worked at a variety of tasks including a stint at Seventeen magazine, starting his own design firm, and teaching at Cooper Union School of Visual Arts. His clients included McGraw Hill Publishers, the Atomic Energy Commission, and the Metropolitan Museum of Art. He also worked on the World Trade Center. Through his work with the Atomic Energy Commission, De Harak became friends with Gyorgy Kepes. He also became friends with Will Burtin and Bill Golden, the designer of the "CBS eye" logo. De Harak also discusses the effect computers have had on design, the influence of Wolfgang Weingart, and his decision to focus on painting.
Biographical / Historical:
Rudolph de Harak (1924-2002) was a graphic designer and painter from Trenton, Maine.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Transcript available on the Archives of American Art website.