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Oral history interview with Robert Pfannebecker, 1991 May 21

Interviewee:
Pfannebecker, Robert L., 1933-  Search this
Pfannebecker, Robert L., 1933-  Search this
Interviewer:
Drutt, Helen Williams, 1930-  Search this
Subject:
Bauer, Fred  Search this
Chihuly, Dale  Search this
Higby, Wayne  Search this
Warashina, Patti  Search this
Type:
Interviews
Sound recordings
Topic:
Art -- Collectors and collecting -- United States  Search this
Art -- Collectors and collecting -- Pennsylvania -- Interviews  Search this
Handicraft -- Exhibitions  Search this
Handicraft -- Collectors and collecting -- United States  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12512
(DSI-AAA_SIRISBib)214653
AAA_collcode_pfanne91
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214653

Oral history interview with Ronald H. Pearson, 1979 May 31-1981 Nov. 23

Interviewee:
Pearson, Ronald H. (Ronald Hayes), 1924-1996  Search this
Pearson, Ronald H. (Ronald Hayes), 1924-1996  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Pearson, Ralph M.  Search this
School for American Crafts  Search this
Type:
Interviews
Sound recordings
Topic:
Silverwork  Search this
Handicraft  Search this
Artisans -- Maine -- Interviews  Search this
Silversmiths -- Maine -- Interviews  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)11953
(DSI-AAA_SIRISBib)215197
AAA_collcode_pearso79
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215197
Online Media:

Oral history interview with Robert Pfannebecker

Interviewee:
Pfannebecker, Robert L.  Search this
Interviewer:
Drutt, Helen Williams  Search this
Names:
Bauer, Fred  Search this
Chihuly, Dale, 1941-  Search this
Higby, Wayne  Search this
Warashina, Patti, 1940-  Search this
Extent:
222 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1991 May 21
Scope and Contents:
An interview of Robert Pfannebecker conducted 1991 May 21, by Helen Drutt English, (formerly Helen Williams Drutt) for the Archives of American Art.
Pfannebecker discusses his background; the development of his interest in crafts and collecting; his associations with students and teachers at the Cranbrook Academy of Art in the 1960s; later acquisitions as a result of his association with Dale Chihuly and his students at the Rhode Island School of Design, Wayne Higby and his students at Alfred University, and Eleanor Moty at the University of Wisconsin-Madison; other artists he has worked with over the years including Patti Warashina, Fred Bauer, Helen Bitar, Warren Seelig, and Gary Knodel; and exhibitions of his collection.
Biographical / Historical:
Robert Pfannebecker (1933- ) is a crafts collector and attorney from Philadelphia, Pa.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 25 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Occupation:
Ceramicists  Search this
Topic:
Art -- Collectors and collecting -- United States  Search this
Art -- Collectors and collecting -- Pennsylvania -- Interviews  Search this
Handicraft -- Exhibitions  Search this
Handicraft -- Collectors and collecting -- United States  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.pfanne91
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pfanne91
Online Media:

Oral history interview with Ronald H. Pearson

Interviewee:
Pearson, Ronald H. (Ronald Hayes), 1924-1996  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
School for American Crafts  Search this
Pearson, Ralph M., 1883-1958  Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1979 May 31-1981 Nov. 23
Scope and Contents:
An interview with Ronald H. Pearson conducted 1979 May 31-1981 Nov. 23, by Robert F. Brown, for the Archives of American Art.
Pearson discusses his early training in design from his father, Ralph Pearson, an artist and writer; his education in political science at the University of Wisconsin; World War II duty in the merchant marine; training at the School for American Craftsmen; early exhibitions; and development of production pieces.
Biographical / Historical:
Ronald H. Pearson (1924-1996) was a silversmith from Deer Isle, Me.
General:
Originally recorded on 1 sound tape reel and 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 1 hr., 55 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Silverwork  Search this
Handicraft  Search this
Artisans -- Maine -- Interviews  Search this
Silversmiths -- Maine -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.pearso79
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pearso79
Online Media:

Slides of WPA + 35 exhibition, 1970

Creator:
University of Wisconsin--Milwaukee  Search this
University of Wisconsin--Milwaukee  Search this
Subject:
Milwaukee Handicraft Project  Search this
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
WPA + 35 (1970 : University of Wisconsin--Milwaukee)  Search this
Topic:
New Deal, 1933-1939 -- Wisconsin  Search this
Federal aid to the arts -- Wisconsin  Search this
Art and state -- Wisconsin  Search this
Federal aid to public welfare -- Wisconsin  Search this
Handicraft -- Wisconsin -- Exhibitions  Search this
Decorative arts  Search this
Women artists  Search this
Theme:
Audio - Visual  Search this
Craft  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)9799
(DSI-AAA_SIRISBib)212237
AAA_collcode_univwism
Theme:
Audio - Visual
Craft
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212237

Slides of WPA + 35 exhibition

Creator:
University of Wisconsin--Milwaukee  Search this
Names:
Milwaukee Handicraft Project  Search this
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
WPA + 35 (1970 : University of Wisconsin--Milwaukee)  Search this
Extent:
100 Items ((35mm slides))
Type:
Collection descriptions
Archival materials
Date:
1970
Scope and Contents:
Color slides from an exhibition held at the University of Wisconsin of the objects made during the WPA-FAP Milwaukee Handicraft Project, 1935-1943, as well as slides of the exhibition space.
Biographical / Historical:
The WPA + 35 Exhibition, January 4-30, 1970, presented by the University of Wisconsin, Milwaukee was a tribute to the crafts and quality of design which came of the Milwaukee Handicraft Project. The Project began in the Fall of 1935. It was one of the more unusual and diverse of the handicraft projects in its philosophy and its goals. Its "Project 1170" was a specially created project for women who needed work, interested in becoming self-supporting. Milwaukee County and the Milwaukee State Teachers College were sponsors of the project.
Provenance:
Donated 1971 by the Department of Art, School of Fine Arts, University of Wisconsin.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
New Deal, 1933-1939 -- Wisconsin  Search this
Federal aid to the arts -- Wisconsin  Search this
Art and state -- Wisconsin  Search this
Federal aid to public welfare -- Wisconsin  Search this
Handicraft -- Wisconsin -- Exhibitions  Search this
Decorative arts  Search this
Women artists  Search this
Identifier:
AAA.univwism
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-univwism

Correspondence Files

Collection Creator:
Cahill, Holger, 1887-1960  Search this
Extent:
1.5 Linear feet (Boxes 1-2)
Type:
Archival materials
Date:
1922-1979, 1993
Scope and Contents note:
This series consists of personal and work-related correspondence (primarily incoming correspondence) between Cahill and various friends and colleagues. While a large portion of the series documents Cahill's position as Director of the FAP, it also extends beyond those years and illuminates other aspects of Cahill's career including his interest in folk and Asian art, and his work as an art critic.

There is significant correspondence with the artist Stanton MacDonald Wright between 1936 and 1950, and with the artist Irene Pereira between 1950 and 1953. The series also documents research which Cahill conducted in the late 1940s on the development of the Index of American Design for his introduction to a book on the Index by the National Gallery of Art, published by the Macmillan Company. Correspondence from 1949 provides another angle on the historical details of the FAP through lengthy correspondence documenting Cahill's criticism of William Francis McDonald's book Federal Relief Administration and the Arts (Ohio State University Press, 1969).

There is a large amount of correspondence from July 1960 comprising sympathy letters to Dorothy C. Miller following Cahill's death. Correspondence from 1977 encloses a catalog of an exhibition organized by New York WPA Artists, Inc., at the Parsons School of Design in November 1977. The exhibition, New York City WPA Art, was dedicated to the memory of Holger Cahill.

See Appendix for a list of correspondents (with the exception of those microfilmed on reel 1105) in Series 2
Appendix: Correspondents in Series 2:
Abbott, Berenice: 1944 (letter to the Editor)

Abbott, John: [1946]

Abell, Walter ( -- Canadian Art): -- 1943-1944 (2 letters)

Adams, Charles C.: 1940

Alcopley, Mr.: [1952] (including typescript "Pictures of Alcopley" by Saburo Hasegawa); 1953-1960 (4 letters)

Alsberg, Henry G. (Director, Federal Writers' Projects): 1936 (4 letters)

American Council of Learned Societies: 1949

American Federation of Arts: 1949-1952 (3 letters)

American Folk Art Gallery: 1941

American Heritage: 1954

American Swedish Historical Foundation: 1949

Andrews, Robert Armstrong and Eleanor: [1960], undated

Art in America: 1953

Artists For Victory: [1942]

Artists League of America: 1945

Artists Union of Massachusetts: 1936 (telegram to President Roosevelt)

Arts Council of Japanese Americans for Democracy: 1944

Ashton, Dore: [1960]

Bach, Richard F. (Metropolitan Museum): 1924 and 1950

Bailey, Herbert: 1972 (letter from Naomi Bliven)

Baker, Donald: [1936]

Baker, Jacob (WPA): 1935-1960, undated (10 letters)

Barach, Frederica (Writers' War Board): 1944

Barker, Virgil and Ida: 1945-1960 (4 letters)

Barnard College: 1951 (2 letters)

Barr, Alfred H., Jr. (Museum of Modern Art): 1935-1960 (16 letters)

Barr, Tony: 1960

Batten, Barton, Durstine & Osborn, Inc.: 1950

Baur, John (Brooklyn Museum): 1946-1960 (6 letters)

Baylinson, Ada: 1950

Bear, Donald J. (Denver Art Museum): 1939

Beckmann, Mrs. Max: 1960

Bennington College: 1950

Benson, Emanuel M. (FAP): 1936-1940 (7 letters)

Berlandina, Jane: 1960

Bessinger, Frederic (artist): 1933

Biddle, George: 1936-1940

Biesel, Fred and Frances: 1941-1955 (13 letters)

Bird, Elzy: [1949]

Bittermann, Eleanor: 1951

Black, Mary: [1960]

Bliven, Naomi: 1972 (letter to Herbert Bailey)

Block, Edgar S.: 1950

Block, Lou: 1949

Bluemner, Oscar: 1934-1937 (3 letters)

Blue Ribbon Books: 1935

Blume, Peter: 1944 and 1950

Blumenfeld, Willow (Cahill's granddaughter): [1960]

Blumenschein, Ernest L.: 1936

Blumenthal, Joseph: [1960]

Bolotowsky, Ilya: 1960

Borgenicht, Grace (art dealer): [1960]

Boston Marine Museum: 1949

Boston: Museum of Fine Arts: 1950

Boulton, Margaret: 1936

Bragozzi, Tony and Olive (curator of David Rockefeller's collection): 1960

Breck, George and Ruth: [1960]

Brennan, Francis: 1960

Brook, Alex: 1959 (2 letters)

Brook, Gina (wife of artist Alexander Brook): 1960

Brooks, James and Charlotte: [1960]

Brown, Clara D. (antiques dealer): [1935]

Brown, Yaeger: 1943 (2 letters)

Bruce, Edward: 1937

Bucks County Historical Society: 1950

Bufano, Beniamino: [1940-1942], undated (3 letters)

Bulau, Alwin E.: 1952

Burnham, Ralph Warren (antiques dealer): 1933

Byron, Evelyn S.: 1942 (memo from Wilda Sawyer)

Bywaters, Jerry: 1960

Calder, Alexander: 1956 (photocopy) and 1960

Calkins, K: 1936 (2 letters to Constance Rourke)

Campbell, Robert B.: 1960

Carolina Art Association: 1935-1950 (5 letters)

Carroll, Bob: 1960

Carroll, Eleanor: 1936

Castelli, Leo: 1960

Catlin, Tod: 1960

Cavanna, Elise: 1960

Chamberlain, Betty: 1960

Chanin, Abraham and Maralt (Museum of Modern Art): [1960]

Chapin, Lucy Stock: 1932-1933 (2 letters)

Chapman, Suzanne: 1946-1949 (2 letters)

Charm -- (Barbara Lee Johnson): 1929

Chermayeff, Serge (Institute of Design): 1948

Chichester, Jim Hinchman (college friend of Elizabeth Holt): 1960

Church, Elizabeth D. (antiques dealer): 1935 (including 10 photographs of folk art)

Citizens Committee for Support of WPA: 1937

Claflin, Agnes: 1960

Clark, Stephen C.: 1939

Cleveland Institute of Art: 1950 (letter from Alfred Barr)

Coffey, Katherine: 1960

Coggeshall, Calvert and Suzanne: 1956-1960 (2 letters)

Cole, Mrs. Charley Tidd (Friends of the FAP): 1940 (letter from Martha Davidson)

Colie, Annetta (Elizabeth Holt's sister): 1960

Colin, Georgia and Ralph: 1960

Collier, Nina (Index of American Design): 1936 (6 letters)

Collins, Lloyd and Lib: 1960

Colman, Anne (FAP, Michigan): 1937 (2 letters)

Colonial Williamsburg, Incorporated: 1935-1960 (13 letters)

Colorado Springs Fine Arts Center: 1939-1960 (3 letters)

Columbia Broadcasting System, Inc.: 1939 (contract for Cahill to broadcast "What's Art to Me" program)

Columbia University: [1939]

Conklin, Franklin (Newark Museum): 1944

Connolly, Elizabeth (FAP, Southern California): 1940

Cooper, Charlotte Gowing (FAP, Ohio): 1937-1937 (4 letters)

Cooper, Samuel C.: 1941 (including certificate of dissolution for the American Folk Art Gallery); 1951 (3 letters)

Corcoran Gallery of Art: 1950 (3 letters)

Cornelius, Charles: 1936 (2 memoranda from others)

Cosmopolitan Fire Insurance: 1931

Coussirat, Elizabeth (Index of American Design): 1936 (6 letters)

Crampton, Rollin: 1960

Craven, Thomas: 1944 (2 letters)

Crawford, Phyllis: 1945-1960 (4 letters)

Crofut, Edward F. (WPA and Museum of Modern Art): 1936-1938 (3 letters)

Cronin, Agnes S.: 1939-1944 (2 letters)

Crosby, Hildegard (FAP, Illinois): 1937-1949 (8 letters)

Culler, Julia Abbott: 1935

Cummin, Hazel (Index of American Design): 1937 (5 letters)

Curran, Mary (FAP, Pennsylvania): 1937 (2 letters)

Daly, Matthew A. (WPA): 1936 (2 letters)

Dana, John Cotton (Newark Museum): 1924-1925 (4 letters)

Daugherty, D. H. (American Council of Learned Societies): 1949 (11 letters)

Davidson, Jo: 1944 (letter to the Editor)

Davidson, Martha (Friends of the FAP): 1939-1940 (3 letters)

Davies, Terry: 1960 (2 letters)

Davis, Charles (artist): mentioned in invitation dated [1938]

Davis, D. and Phyllis: 1960

Davis, George Earl: 1952

Davis, Lew and Mathilde: 1960

Davis, Stuart: 1936-1960 (5 letters)

Dehner, Dorothy: [1960]

Delson, Sidney: 1958-1959 (2 letters)

de Nagy, Tibor: 1960

Dentsch, Hilda: [1941-1960] (2 letters)

DeVoto, Bernard: 1949 (4 letters)

De Young Memorial Museum: 1939

d'Harnoncourt, Rene: 1944-1960 (5 letters)

Dickinson, Edwin: 1960

Dienes, Sari (artist): 1960

Don, Michael: 1939-1940 (2 letters)

Donati, Enric: 1960

Douglas, Eric: 1949

Downtown Gallery: 1935

Dows, Olin (Treasury Relief Art Project): 1935-1960 (5 letters)

Dunbar, Anna: 1960

Duntley, Seibert Q.: 1941

du Pont, H. F.: 1950 (2 letters)

Durieux, Caroline: 1943

Durham, Mr.: 1936

Dutt, Alska: 1956

du Von, Jay: 1941

East Liverpool, Ohio, Chamber of Commerce: 1939

Eaton, Allen: 1938 and 1945

Edwards, Paul (WPA, Washington, D.C.): 1941

Eglington, Laurie (Index of American Design): 1936 (2 letters)

Eilshemius, Louis M.: 1931-1939 (2 letters)

Emery, Humphrey J. (American Handicraft Council): 1939

Emil, Allan and Kate (art collectors): 1960

Emmerich, Andre: 1960

Engineer Replacement Center, Fort Belvoir: 1941 (2 letters)

Essex Institute: 1950

Evans, Ernestine: 1947 (2 letters)

Evergood, Philip: 1944 (letter to the Editor)

Fairweather, Sally: [1960]

Feininger, Julia: 1960, undated

Feitelson, Lorser and Helen: 1943-1960 (3 letters)

Ferber, Herbert and Lisi: 1960 (2 letters)

Ferren, John: 1949 (2 letters)

Field, George H. (Federal Works Agency): 1943 (2 letters)

Flanagan, Hallie: 1949 (3 letters)

Fleming, Philip B.: [1943]

Fogel, Barbara: 1960

Follmer, Frank J.: 1942

Force, Juliana: 1946

'47 -- Magazine: 1946

Frankenberg, Lloyd: 1937 and 1960

French, Helen: [1960]

Frick Art Reference Library: 1946

Fried: Rose Fried Gallery: 1953

Friends of the FAP: 1939 (13 letters)

Fuller, Buckminster: 1942-1949 (including a brochure about the Dymaxion House)

Fultz, Harry T.: 1942 (memo from Fred Biesel)

Gaskin, William: 1940-1961 (12 letters)

Gates, Marguerite (Public Library of Newark, N.J.): 1929-1935 (3 letters)

Gavert, Olive Lyford (Alfred Barr's secretary): 1960

General Services Administration: 1950

Gershoy, Toni: [1960]

Gibbs, Peggy (widow of artist Howard Gibbs): [1960]

Giedion, Siegfried: mentioned in letter dated Oct 07, 1951

Glarner, Fritz: 1949 and 1960

Glassgold, Cook Adolph: 1936-1940 (43 letters)

Goldberg, Albert L. (Illinois Music Project): 1940

Goldberg, Mike: [1960]

Goldwater, Louise and Robert: 1960

Goodall, Donald B.: 1960

Goodchild, Donald: 1939

Goodrich, Lloyd (Whitney Museum of American Art): 1948-1960 (7 letters)

Goodyear, A. Conger: 1935-1960 (5 letters)

Gordon, Jack (Whitney Museum of American Art): [1960]

Gorsline, Douglas W.: 1950 (2 letters)

Gowing, Lawrence: 1960

Graham, Ralph (FAP, Illinois): 1941-1942 (3 letters)

Graves, Morris: 1946

Green, Wilder: 1960

Greenberg, Clement: 1960

Greenwell, Darrell J. ( -- Ogden Standard Examiner): -- 1949

Griffis, Toni (Mrs. Hughes Griffis): 1960

Griffith, E. J. (FAP, Oregon): 1938 and 1960

Grossman, Mrs. I. Donald: [1960]

Guerrero, Jose and Roxane: [1960]

Guggenheim, Olga: 1960

Gwathmey, Robert: 1944 (letter to the Editor)

Hale, Bob (Metropolitan Museum of Art): 1960

Hall, Edward T. (Universal School of Handicrafts): 1939

Halpert, Edith: 1930-1960, undated (20 letters)

Hardin, Shirley: [1960]

Hare, Michael M.: 1948

Harper's Magazine: 1943-1944 (2 letters)

Harrison, Preston: 1934

Hart, "Pop": 1930-1932 (2 letters)

Hartigan, Grace: 1960

Hasegawa, Saburo: 1952 (letter to Franz Kline, including typescript "Pictures of Alcopley")

Hatch, John Davis: 1960

Hatcher, Harry and Doris: 1960 (3 letters)

Haupers, Clement (FAP, Minnesota): 1937-1949 (5 letters)

Haydon, Hal: 1955

Henley, Helen B. (Wadsworth Atheneum): 1937 (2 letters)

Herbert, David: 1960

Hess, Thomas: 1960

Hinckley, Robert H. (American Broadcasting Co.): 1960

Hirsch, Joseph: 1960

Hofmann, Hans and Maria: 1960 (2 letters)

Holt, Elizabeth (art historian): 1960

Holzhauer, Mildred: 1937-1940 (4 letters)

Hope, Henry R. (Indiana Univ.): 1948-1949 (2 letters)

Hopkins, Harry L.: 1936-1943 (13 letters)

Horr, Axel (artist): mentioned in invitation dated [1938]

House Beautiful: 1950

Houston: Museum of Fine Arts of Houston: 1955

Hunter, Howard O.: 1941

Hunter, Virginia and Russell Vernon Hunter: 1951-1960, undated (4 letters)

Huxley, Julia S.: 1942

Illinois Art Project: 1941-1942 (6 letters)

Index of American Design: 1936 (form letter)

Interior: Department of the Interior: 1950 (3 letters)

Inverarity, Robert Bruce (FAP State Dir., Washington): 1937-1950 (5 letters)

Isaacs, Betty and Julius: 1960

Jackson, Martha: [1960]

Jerry, Sylvester (FAP, Michigan): 1939 (3 letters)

Johns, Jasper: 1960

Johnson, Anna: 1952

Johnson, Buffie: 1960

Johnson, Irene Edith: 1960

Johnson, Philip C.: 1960

Jones, Anne (Mrs. E. Powis Jones): 1960

Kallen, Horace (publisher): 1960

Karpel, Ray and Bernard (Museum of Modern Art): [1960]

Kavanaugh, George R. (Berea College): 1936

Kaye, Harold: 1958

Kayser, Dr.: 1954

Keck, Caroline and Sheldon (art conservators): 1960

Kellogg, Elizabeth R.: 1949 (2 letters)

Kent, Rockwell: 1944

Kerr, Florence (Work Projects Administration): 1940-1942 (4 letters)

Keyes, Homer Eaton ( -- Antiques -- Magazine): 1936

Kiesler, Frederick J.: 1960

Kiplinger, Walter M.: 1941 (4 letters)

Kipper, Katrina (antiques dealer): 1935 (3 letters)

Kirby, Mr. O. A.: 1941

Kleinholz, Frank: 1944 (letter to the Editor)

Kline, Franz: 1952 (letter from Saburo Hasegawa, including typescript "Pictures of Alcopley") and 1960

Knight, Frederic (Artists' Coordination Committee): Nov 1936 (5 letters)

Knight, Harry: 1960

Knittle, Rhea Mansfield: 1936-1937 (2 letters)

Kokoschka, Oskar: 1944

Kootz, Jane and Sam: 1960

Kroll, Eleanor: 1937 (2 letters)

Kuniyoshi, Yasuo: 1944 (2 letters)

Labaudt, Lucien: 1943 (4 letters)

Lane, Harry: [1960]

Laning, Clair: 1960

Leech, Nancy T.: 1949

Leeds, Harold Eliot (architect): 1960

Legg, Alicia (Museum of Modern Art curator): 1960

Leggett, Eugene S. (National Emergency Council): 1936 (letter from Harry Hopkins)

Leicester, Louise B. (American Handicraft Council): [1940]

Lekakis, Michael: 1960

Lemmon, Warren W.: mentioned in letter dated Mar 08, 1940

Levine, Jack: 1960

Levy, Julian: 1944 and [1960]

Lewis and Clark High School: 1939

Lewis, Elizabeth Ray: 1943

Life -- Magazine: 1944 (4 letters)

Lipman, Jean and Howard: [1960]

Lipscomb, Isabel (Work Projects Admin.): 1941 (3 letters)

Lipton, Seymour: [1960]

Litchfield, Elizabeth (Museum of Modern Art): 1941 - [1960] (3 letters)

Lowenthal, Edith and Milton: 1960

Lundy, Margaret: 1938

Lunsford, Bascom Lamar: 1936

Lyles, Mary E.: 1935

Mabry, Tom and Ethel: 1960 (2 letters)

Macdonald-Wright, Stanton: 1936-1955, undated (60 letters)

Macdowell Colony: 1960

MacLeish, Archibald: [1943] (letter from Philip B. Fleming)

Macmillan Company: 1946-1959 (24 letters)

Magazine of Art: 1948-1951 (10 letters)

Mapes, Col. Milton C. (Civilian Camouflage): 1941

March, Frank A. (Project Control Division): 1941

Marcus, Marcia: 1960

Marg -- Magazine: 1956 (6 letters)

Marx, Ione F.: 1942

Maryland Historical Society: 1950 (2 letters)

Matisse, Patricia (Pierre Matisse Gallery Corp.): [1960]

Mattis, Astria: 1960

Maverick Maury (Congressman, Texas): 1936 (3 letters)

Mayor, A. Hyatt (Metropolitan Museum): 1960

Mazo, Sara (widow of Yasuo Kuniyoshi): 1960

McAndrew, Betty and John: 1960

McCormick, M. R.: 1938

McCrady, John: 1943

McCray, Porter (Museum of Modern Art): 1960

McDonald, W. F. (American Council of Learned Societies): 1944-1949 (3 letters)

McKeague, Robert I. (Community Service Projects Section): 1937-1940 (8 letters)

McMahon, Audrey (WPA): 1936-1941 (7 letters)

McPharlin, Paul (Michigan WPA): 1937 (7 letters)

Metropolitan Museum of Art: 1953

Miller, Dorothy C. (Museum of Modern Art): 1936-1956 (27 letters)

Miller, Emma Guffey: 1938

Minnesota Historical Society: 1952

Morgan, Anne: 1938-1939 (5 letters)

Morley, Grace: 1960

Morris, Lawrence: 1937-1939 (2 letters)

Morris, Suzy (Mrs. George L. K. Morris): 1960

Morrison, Richard: 1936-1949 (6 letters)

Morsell, Miss: 1938

Motherwell, Robert: 1960

Museum of Modern Art: 1936-[1960] (4 letters)

Myers, Bernard: 1948

Myers, John (art dealer): 1960

Nakian, Reuben: 1960

Nash, Susan Higginson: 1934 (2 letters)

Nathan, Reuben S.: 1949 (3 letters)

National Gallery of Art: 1943-1993 (27 letters)

National Institute on Education and the War: 1943

Navy: Department of the Navy: 1941

Neuberger, Roy: 1960

Neumeyer, Alfred (Mills College): 1944

Nevelson, Louise: 1960

Newhall, Beaumont: 1941

New Hampshire: University of New Hampshire: 1939

Newman, Barnett: 1960

Newmeyer, S.: [1936]

New Republic: 1949 (letter from Lloyd Goodrich)

New York WPA Artists, Inc.: 1977 (including exhibition catalog "Then and Now")

New Yorker: 1948 and 1952

New York Herald Tribune: 1948-1952 (3 letters)

New York Public Library: 1949 (including copies of Index of American Design correspondence dated 1935-1936)

New York State Historical Association: 1949-1951 (4 letters)

[New York Times]: 1944

Neyland, Harry: 1935 (letter to Mrs. Rockefeller with 13 photographs of folk art)

Norman, Charles: 1960

Norman, Dorothy (Stieglitz protegee): 1960

Norman, Geoffrey (Works Projects Administration): 1941 (3 letters)

North Texas Agricultural College: 1939

Northrop, F. S. C.: 1947

Northwest Missouri State Teachers College: 1939

Norton, Ann: [1960]

Norwegian Folk Art Museum: 1949 (2 letters)

Odegaard, Charles E. (American Council of Learned Societies): 1949 (3 letters)

O'Hara, Frank (poet and art critic): 1960

Okada, Kimi and Keryo: 1960

Olmsted, Harold S.: 1954

Olsen, Catharine M.: 1941, undated (3 letters)

O'Neill, John P. (Historic American Buildings Survey, Department of the Interior): 1936 (5 letters)

Organ, Violet: 1949

Ormsbee, Thomas H. (editor, -- American Collector): -- 1936 (letter to Ruth Reeves)

Osborn, Elodie: 1960

O'Steen, Alton (Alabama Dept. of Education): 1943

Pach, Walter: 1939 (photograph of letter to Friends of the FAP)

Parker, Margaret: [1960]

Parker, Thomas C. (Federal Art Proj.): 1936-1940 (14 letters)

Parkinson, Eliza (Museum of Modern Art trustee): 1960

Parr, Russell C.: 1936

Parsons, Betty: 1960

Pedlar, Sylvia: 1960

Pedro, Luis Martinez: 1947

Peixotto, Ernest: 1936

P.E.N. Club, The: 1948

People's Art Center Association, St. Louis: 1952 (5 letters)

Pereira, Irene Rice and George Reavey: 1950-1953 (21 letters)

Perry, Beatrice (Gres Gallery): 1960

Philadelphia Museum of Art: 1950

Pickens, Alton: 1955

Pietan, Norman: 1948 and [1949]

Pilgrim Society: 1949 (2 letters)

Pollack, Peter: 1960

Pollak, Frances M. (WPA): 1936-1949 (7 letters)

Pollet, Elizabeth (widow of artist Joseph Pollet): [1960]

Pollock, Jackson: 1952 (photocopy)

Price, R. Moore: 1945

Public Use of Arts Committee: 1939

Purcell, Ralph: 1949 (4 letters)

Pyle, Edward Frederick: 1939

Ramsay, John: mentioned in memo dated Mar 31, 1936

Reeves, Ruth: 1936-1949 (55 letters including field reports)letters)

Reines, Harriet: 1938

Reinhart, Ad: 1952-1959 (3 letters)

Reynal and Hitchcock, Inc.: 1937

Richardson, E. P. (Detroit Institute of Arts; Archives of American Art): 1951-1960 (7 letters)

Riefstahl, Elizabeth: 1936

Ritchie, Andrew C.: 1944 (2 letters)

Rivers, Larry: 1960

Robinson, Boardman: 1936 and 1960

Rockefeller Center, Inc.: 1934 (contract for the First Municipal Art Exhibition)

Rockefeller Foundation: 1949

Rockefeller, David: 1960

Rockefeller, John D., Jr., and Abby A.: 1934-1940 (4 letters)

Rockefeller, John III, and Blanchette: 1951-1960 (3 letters)

Rockefeller, Nelson A.: 1934-1960 (6 letters)

Rockefeller, Peggy: 1960

Roesen, Severin: mentioned in letter dated Mar 02, 1938

Roosevelt, Franklin D.: 1936-1940 (3 letters)

Rosenbaum, Belle ( -- New York Herald Tribune): -- 1949-1960 (4 letters)

Rosenwald, Janet: 1937 and 1960

Rothko, Mark: 1960

Rourke, Constance: 1935-1938 (57 letters)

Rowan, Edward B. (Treasury Department, Section of Painting and Sculpture): 1936-1943 (5 letters)

Rubenstein, Erica B.: 1945 (3 letters)

Rubenstein, Sarah (Museum of Modern Art): 1960

Russell, Morgan: 1950-1951 (2 letters)

St. Petersburg Federal Galleries: 1939

Sandoz, Mari (writer): 1960

Sawitzky, William (painting researcher): 1935 (2 letters)

Sawyer, Wilda A.: 1942

Saxon, Lyle: 1943

Schaefer, Bertha: [1960]

Scharf, Bill: [1960]

Scheidt, Melvin E. (War Relocation Authority): 1943

Schmidt, Katherine: 1944 and 1960

Schnitzer, Robert C.: 1949

Schwabacher, Ethel: 1960 (2 letters)

Scott, Cecil: 1960 (2 letters)

Scott, Phyllis C.: 1936-1937 (2 letters)

Scull, Ethel and Bob (art collectors): [1960]

Seckar, Alvena V.: 1946

Seeger, Charles: 1936

Selz, Peter and Thalia: 1960

Shaw, Charles: 1960

Simms, Agnes (artist): 1960

Siporin, Mitchell: 1943-1960 (4 letters)

Sloan, Helen (Mrs. John Sloan): 1951 and 1960

Sloane, William: 1945

Smedley, Agnes: 1947 (letter from Ernestine Evans)

Smith College: 1944-1950 (6 letters)

Smith, Ferdinand: 1952

Smith, Geneva: 1942 (memo from Frank J. Follmer)

Smith, Gordon M. (Index of American Design): 1936-1937 (8 letters)

Smith, Holly and Sam: [1960]

Smith, Joseph Lindon: mentioned in letter dated Mar 28, 1950

Smith, Laura: 1938-1939 (5 letters)

Smith, Louise: 1960

Smith, Margery Hoffman (FAP, Oregon): 1938

Soby, James Thrall: 1948-1960 (5 letters)

Soderblom, Nathan: 1922 (in Swedish)

Solomon, Saul (Cahill's doctor): 1960

Soyer, Moses: 1944 (letter to the Editor)

Spark, Mrs. Victor: 1960

Speck, Walter: 1939 (2 letters)

Spencer, Betty (Niles Spencer's first wife): 1960

Spencer, Catherine (Mrs. Niles Spencer): 1952-1960 (8 letters)

Stamos, Theodoros: 1960

Standards: National Bureau of Standards: 1941

State: Department of State: 1939 (3 letters)

Stavenitz, Alexander: 1937

Steegmuller, Francis: 1960

Stella, Joseph: 1936 (2 letters)

Sterner, Albert: 1935

Stieglitz, Alfred: 1932 and 1934

Stier, W. (Project Review Section): 1941

Still, Clyfford: 1953-1956 (4 letters)

Stix, Hugh: 1960

Stock, Joseph (artist): mentioned in letters dated 1932 and 1933

Stout, Rex: 1944

Strickland, Sidney: 1949 (2 letters)

Studio Publications, Inc.: 1951

Sunami, Soichi: 1960

Swasey, Jeannette: [1935]

Sweeney, Jim: [1960]

Tabak, Maynatalie (colleague of Jackson Pollock): [1960]

Taub, Alex: 1942 (memo from Buckminster Fuller)

Taylor, Francis Henry: 1939 and 1952

Taylor, Miss: 1936

Thomas, Yvonne (artist): 1960

Thomley, John: 1949

Thoms, Mr.: 1936 (letter from Matthew Daly)

Thorgurson, Nina: [1960]

Tobey, Mark: 1954 and 1960

Tobey, Judith (Resettlement Administration): 1936

Townsend, Gertrude: [1937]

Townsend, Mr.: 1938

Tranum, Carl K.: 1949 (2 letters)

Triggs, Clayton E.: 1940 (4 letters)

Turner, Katherine: [1935]

Tworkov, Jack and Wally: 1960

Uht, Charles (photographer of Nelson Rockefeller's collection): 1960

United American Artists: 1940

Valentin, Curt: 1954

Valentine, Chapin: 1932

Valentiner, W. R. (Detroit Institute of Arts): 1933

Varian, Dorothy: 1960

Viviano, Catherine (art dealer): [1960]

Volkmer, Jean (Museum of Modern Art conservator): [1960]

von Wiegand, Charmion (artist): 1960

Walker, Hudson D.: 1960

Walley, Jano and John: 1949 and 1960

Ward: 1925 and 1960 (3 letters)

War Department: 1938-1941 (5 letters)

Warren, William (FAP, Connecticut): 1937

Wasey, Jane: 1960

Washburn College: 1939

Washburn, Gordon (Albright Art Gallery): 1960

Washington: The State College of Washington: 1939

Watrous, Harry W.: 1936

Watson, Forbes: 1949

Webb, Aileen (American Handicraft Council): 1938 (4 letters)

Weber, Max: 1922-1960 (6 letters)

Weisenborn, Fritzi (Mrs. Rudolph Weisenborn): 1950

Wendt, Gerald (Time, Inc.): 1944 (2 letters)

Weston, Edward: 1936

Wharton, Frances L.: 1935 (2 letters)

Wheeler, Monroe (Museum of Modern Art): 1960

White, Francis Robert: 1944

White, Jim: 1960

Whitelaw, Robert N. S.: 1960

Whitney Museum of American Art: 1949 and 1979

Whyte, James C.: 1942

Wilfred, Thomas: 1960

Williams, Aubrey (WPA): 1936

Williamsburg Restoration, Incorporated: 1935 (4 letters)

Winchester, Alice ( -- Antiques -- Magazine): 1950-1951 (6 letters)

Winser, Beatrice: 1924-1944 (6 letters)

Winter, Anna K. (antiques dealer): 1935

Wisconsin: State Historical Society of Wisconsin: 1939

Woodstock Artists Association: 1960

Woodward, Ellen S.: 1936-1938 (3 letters)

Worcester, Wakefield (architect): 1936

Wright, Russell (industrial designer): [1960]

Wyn: A. A. Wyn, Inc.: 1951

Youngerman, Jack: 1960

Zegri, Armando (Galeria Sudamericana): 1960

Zimmerman, Fred and Dorothy: [1960]

Zorach, William: 1936-1960 (3 letters)
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holger Cahill papers, 1910-1993, bulk 1910-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cahiholg, Series 2
See more items in:
Holger Cahill papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cahiholg-ref23

Harvey K. Littleton papers, 1946-1975

Creator:
Littleton, Harvey K., 1922-2013  Search this
Littleton, Harvey K., 1922-2013  Search this
Subject:
American Ceramic Society  Search this
American Craftsmen's Council  Search this
Midwest Designer-Craftsmen  Search this
Jugtown Pottery (Firm)  Search this
Wisconsin Designer-Craftsmen  Search this
Topic:
Ceramics  Search this
Glass blowing and working -- United States  Search this
Handicraft -- United States  Search this
Decorative arts  Search this
Theme:
Lives of American Artists  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)9159
(DSI-AAA_SIRISBib)211353
AAA_collcode_littharv
Theme:
Lives of American Artists
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211353

Harvey K. Littleton papers

Creator:
Littleton, Harvey K.  Search this
Names:
American Ceramic Society  Search this
American Craftsmen's Council  Search this
Jugtown Pottery (Firm)  Search this
Midwest Designer-Craftsmen  Search this
Wisconsin Designer-Craftsmen  Search this
Extent:
4 Linear feet ((on 6 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1946-1975
Scope and Contents:
Correspondence; biographical data; photographs; notes and sketches; writings; applications for research grants; subject files; receipts and bills; and exhibition catalogs and announcements.
Biographical / Historical:
Harvey Littleton (1922- 2013) was a ceramicist, glassmaker, sculptor and educator in Wisconsin.
Provenance:
Donated 1975 by Harvey K. Littleton.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Ceramicists -- Wisconsin  Search this
Glass artists -- Wisconsin  Search this
Topic:
Ceramics  Search this
Glass blowing and working -- United States  Search this
Handicraft -- United States  Search this
Decorative arts  Search this
Identifier:
AAA.littharv
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-littharv

Douglas Volk and Leonard Wells Volk papers

Creator:
Volk, Leonard Wells, 1828-1895  Search this
Volk, Douglas , 1856-1935  Search this
Names:
Chicago Academy of Design  Search this
Ecole nationale supérieure des beaux-arts (France)  Search this
Sabatos Industries  Search this
Adler, Felix, 1851-1933  Search this
Albert, King of the Belgians, I, 1875-1934 -- Photographs  Search this
Benson, Eugene, 1837-1908  Search this
Bridge, Marion Volk  Search this
Brush, George de Forest, 1855-1941  Search this
Chase, William Merritt, 1849-1916 -- Photographs  Search this
Chubb, Percival, 1860-1960  Search this
Daingerfield, Elliott, 1859-1932  Search this
Douglas, Stephen Arnold, 1813-1861  Search this
Gilbert, Cass, 1859-1934  Search this
Gérôme, Jean Léon, 1824-1904  Search this
Hale, Philip Leslie, 1865-1931 -- Photographs  Search this
Lincoln, Abraham, 1809-1865  Search this
Lloyd George, David, 1863-1945  Search this
Pershing, John J. (John Joseph), 1860-1948 -- Photographs  Search this
Volk, Gerome  Search this
Volk, Marion Larrabee, 1859-1925  Search this
Volk, Wendell  Search this
Weir, Julian Alden, 1852-1919  Search this
von Rydingsvaard, Karl  Search this
Extent:
12.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Diaries
Sketchbooks
Paintings
Photographs
Sketches
Place:
Sculptors -- Maine
Date:
circa 1858-1965
2008
bulk 1870-1935
Summary:
The papers of painter and teacher Douglas Volk (1856-1935) and his father, sculptor Leonard Wells Volk (1828-1895), measure 12.4 linear feet and date from circa 1858-1965, 2008, with the bulk of the material dating from circa 1870-1935. Douglas Volk's papers document his life and career through biographical material, family and professional correspondence, writings and notes, diaries and journals, financial records, printed material, scrapbooks, artwork and sketchbooks, and photographs of the artist, his family, friends, and artwork. The papers also provide documentation of the formation and operations of the Sabatos Handicraft Society established with Marion Volk from the Volk's summer home, Hewnoaks, in Center Lovell, Maine. Scattered documentation of the life and work of Leonard Wells Volk, is found in biographical material, land records, letters, memoirs, and photographs.
Scope and Contents:
The papers of painter and teacher Douglas Volk (1856-1935) and his father, sculptor Leonard Wells Volk (1828-1895), measure 12.4 linear feet and date from circa 1858-1965, 2008, with the bulk of the material dating from circa 1870-1935. Douglas Volk's papers document his life and career through biographical material, family and professional correspondence, writings and notes, diaries and journals, financial records, printed material, scrapbooks, artwork and sketchbooks, and photographs of the artist, his family, friends, and artwork. The papers also provide documentation of the formation and operations of the Sabatos Handicraft Society established with Marion Volk from the Volk's summer home, Hewnoaks, in Center Lovell, Maine. Scattered documentation of the life and work of Leonard Wells Volk, is found in biographical material, land records, letters, memoirs, and photographs.

Douglas Volk's papers form the bulk of the collection and document all stages of his life from his first visits to Europe during his teenage years, until his death. Biographical material includes address books, biographical notes, genealogical records of Volk's family, and a warranty deed for land purchased by Marion Volk in Center Lovell, Maine, in 1904.

Family correspondence is primarily between Douglas and Marion throughout their courtship and marriage, but also includes letters from other family members including daughter Marion Volk Bridge and sons Wendell and Gerome Volk. General correspondence is with colleagues, art galleries, societies, institutions and museums, schools and colleges, government agencies, and others. Also found are letters from artists including George de Forest Brush, Elliott Daingerfield, Cass Gilbert, Philip Leslie Hale, Swedish woodcarver Karl von Rydingsvard, and J. Alden Weir; and friends Felix Adler and Percival Chubb.

Douglas Volk's writings and notes are on art, art instruction for children, and the significance and influence of his father's work, particularly Leonard Volk's Lincoln life mask, and include drafts of his monograph "Art Instruction in Public Schools."

Diaries and journals record details of Volk's early art education in Europe, including his friendships with Eugene Benson and George de Forest Brush and others, his time spent studying under Jean-Léon Gérôme at the École des Beaux Arts, his appointment by the National Art Committee to paint portraits of World War I era politicians and military figures, and his Lincoln portrait painted just prior to Volk's death.

Financial records document day-to-day routine expense, as well as sales of artwork and other art-related transactions.

Printed material and a scrapbook of clippings and letters include press coverage of Douglas Volk's career from the early 1900s to 1918. An additional scrapbook provides documentation of the Sabatos Handicraft Society, including a copy of one of only three known editions of the society's publication The Fire Fly. Artwork includes sketches, two small oil paintings, and fifteen sketchbooks of Douglas Volk.

Photographs include portraits taken at various stages of Volk's career, family photographs, photographs of the main house at Hewnoaks and additional buildings, photographs of several artists including William Merritt Chase and Karl von Rydinsgsvard, photographs of world leaders including David Lloyd George, King Albert of Belgium, and General John J. Pershing, and photographs of artwork.

The papers of Leonard Wells Volk include seven volumes of his hand-written memoirs which document his relationship with Stephen A. Douglas, his first meeting with Lincoln, and his involvement with the Chicago Academy of Design. Also found are three letters including one written to Douglas Volk in 1887, and a memorandum related to the value of Leonard Wells Volk's Lincoln and Douglas statues at the Illinois State House. Photographs include three of Leonard Wells Volk, photographs of other family members including his wife Emily, photos of houses and woodland scenes, and photos of artwork.
Arrangement:
The collection is arranged as 2 series.

Series 1: Douglas Volk Papers, circa 1870-1965, 2008 (11.85 linear feet; Boxes 1-12, 15-16, OVs 13-14)

Series 2: Leonard Wells Volk Papers, circa 1858-circa 1930 (0.45 linear feet; Boxes 11-12)
Biographical / Historical:
Chicago sculptor Leonard Wells Volk (1828-1895) created one of only two life masks of Abraham Lincoln. His son, painter and teacher Douglas Volk (1856-1935), was known for his figure and portrait paintings. Douglas Volk and his wife Marion Larrabee Volk established the Sabatos Handicraft Society, producing homespun woolen rugs and textiles from their summer home in Center Lovell, Maine.

Leonard Wells Volk was raised in New York State and Massachusetts, before moving to St. Louis to learn modeling and drawing. Around 1852 he married Emily Clarissa King Barlow, a cousin of Senator Stephen A. Douglas. Douglas took an interest in Volk's career and helped finance his trip to Rome and Florence between 1855 and 1857, where Volk studied art. On returning from Europe Volk settled in Chicago, opening a studio there and establishing himself as a leader in art circles and a founder of the Chicago Academy of Design. He served as president of the Academy (later the School of the Art Institute of Chicago) for eight years. Volk recorded his first meeting with Lincoln during the 1858 Lincoln-Douglas debates, and the subsequent 1860 sittings with Lincoln for the life mask, hands, and bust, in his memoirs. The mask served as a model for many sculptors who made later portraits of Lincoln. Volk's other important works include the Rock Island County Soldier's Monument in Rochester, New York (1869), statues of Lincoln and Douglas for the Illinois Statehouse (1876), a bust of Douglas, and the Douglas Tomb monument (1881) in Chicago.

Douglas Volk was born in Pittsfield, Massachusetts in 1856. His artistic education began in his teens when he traveled to Europe with his family. In the early 1870s he lived in Rome and Venice, spending time with his friends George de Forest Brush and J. Alden Weir. He moved to Paris in 1873 where he studied at the École des Beaux Arts with Jean-Léon Gérôme, and exhibited his first picture, In Brittany, at the 1875 Paris Salon.

In 1879 Volk returned to the United States and accepted a teaching position at Cooper Union. He was elected to the Society of American Artists in 1880 and married Marion Larrabee in 1881. In 1883 Volk became a founder of the Minneapolis Society of Fine Arts and was appointed the first president of the subsequent Minneapolis School of Fine Arts in 1886, a position he held until 1893. During his time in Minneapolis, Volk purchased a summer studio and retreat in Osceola, Wisconsin, and he and Marion had four children: Leonard (1882-1891), Wendell (1884-1953), Marion (1888-1973) and Gerome (1890-1959). In 1893 Volk returned to New York and accepted a position at the Art Students League, where he taught from 1893-1898, and also resumed his post at Cooper Union. He became interested in innovative ways to teach art and art history to children, and in 1895 the National Academy of Design printed his essay "A Plea for Art in the Public Schools," in its annual exhibition catalog. He was elected an associate of the Academy in 1898, becoming a full academician in 1899.

In 1898, looking to provide the family with a summer retreat, Marion Volk purchased property with a friend in Center Lovell, Maine, an area already enjoyed by the couple's friends, George de Forest Brush and Percival Chubb. The property was divided in 1901 and Marion added to her half creating a lot of approximately twenty-five acres. The Volks renovated the house, which they named Hewnoaks, and eventually built four more cottages and a studio for Douglas Volk on the property. During this period Marion Volk was working with handwoven wool on traditional area looms using fruit and vegetable hand-dyes and designs based on motifs from Native American art. In 1902 the Volks held the founding meeting of the Sabatos Handicraft Society at Hewnoaks, and the property became the hub of a Center Lovell community effort to produce rugs, textiles, and other handicrafts using traditional methods. Daughter Marion worked with her mother, and son Wendell, a printmaker and woodcaver, operated the Hewn Beam Press, printing pamphlets and a newsletter entitled the Fire Fly: A Periodical of Fearless Endeavour. Swedish-born wood carver Karl von Rydingsvard offered classes on wood carving at Hewnoaks, assisted by Wendell Volk.

Douglas Volk worked to make the Hewnoaks handicraft movement a success, but focused primarily on his own painting. The Maine woods provided endless inspiration and the setting for many of his paintings and murals, which primarily depicted romanticized historical subjects in Colonial America and reflected his traditional academic training. One of his best known works, The Boy with the Arrow (1903), a portrait of his son Leonard "Leo" Volk who died at the age of eight, is now in the collection of the Smithsonian American Art Museum.

Volk taught at the National Academy of Design from 1910-1917. He served as recording secretary and then on the council for the organization from 1910-1919. His acclaimed intimate portraits of friends and acquaintances, including Felix Adler (1914) and William Macbeth (1917), were painted during this period. In 1919 Volk was one of a group of artists commissioned by the National Art Committee to paint major figures from World War I. He subsequently painted portraits of King Albert of Belgium, British Prime Minister David Lloyd George, and General John J. Pershing, and recorded his meetings and sittings with the three men in his journals.

For the last fifteen years of his life Volk, using his father's life mask, painted a series of portraits of Abraham Lincoln, one of which hangs in the Lincoln Bedroom at The White House.

At least fifteen years prior to her death in 1925, Marion Volk's involvement in handicrafts at Hewnoaks declined, while Douglas Volk continued to focus on his own work. Wendell Volk's career in civil engineering took precedence over his interest in weaving and woodcarving and both he and his brother Gerome moved West in 1909. Following Douglas Volk's death in Fryeburg, Maine in 1935, Wendell Volk and his wife Jessie, also an artist, ultimately took possession of Hewnoaks. Wendell died in 1953, but the property was eventually bequeathed by Jessie Volk to the University of Maine and now operates as an artist colony.
Separated Materials:
Volumes 1, 3, 6-7, 9, and 10 of Leonard Volk's memoirs form part of the Alfred Whital Stern Collection of Lincolniana in the Library of Congress.

The Archives of American Art also holds material lent for microfilming (reel 4280) including correspondence of Leonard Volk and photographs of his artwork. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The George Arents Research Library, Syracuse University in Syracuse, New York first lent material for microfilming in 1989. Most of the material was then donated in 2004–2005 by Jessie J. Volk, the daughter-in-law of Douglas Volk, who also bequeathed the Volk estate including additional Volk papers to the University of Maine. In 2006, University officials arranged for an auction of much of the property of the estate including the remaining family papers. The Volk Family estate auction was conducted by Cyr Auction Co., in Gray, Maine, on July 19, 2006. Several individuals purchased parts of the papers at that auction and subsequently donated them to the Archives. Those donors are: David Wright, who acquired the 1875 journal and Brush letters and donated them to the Archives in 2006; Dr. Christine Isabelle Oaklander, who purchased the account book, 1873–1875, and donated it to the Archives in honor of Judith Ellen Throm in 2007, and also donated additional letters and a photograph in 2008; and Mary K. and John F. McGuigan Jr., who purchased correspondence (1120 letters), speeches, lectures, articles, checks, check stubs and miscellaneous items and donated them to the Archives in 2015. In 2007, the University of Maine Foundation via Amos Orcutt donated the 1934 journal and 60 photographs.

John F. McGuigan Jr. and Mary K. McGuigan have purchased and donated additional archival materials to the Archives, including the Mary K. McGuigan and John F. McGuigan Jr. artists' letters collection, and 69 letters now among the Sylvester Rosa Koehler papers.

In 2007, the University of Maine Foundation via Amos Orcutt donated the 1934 journal and 60 photographs that were part of the Volk Family estate, but not included in the June 19, 2006 auction.

In 2019 Dr. Christine Isabelle Oaklander donated additional material purchased at auction, primarily photographs and some printed material.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Maine  Search this
Art teachers -- New York (State) -- New York  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Sculptors -- Illinois -- Chicago  Search this
Art -- Study and teaching  Search this
World War, 1914-1918  Search this
Genre/Form:
Scrapbooks
Diaries
Sketchbooks
Paintings
Photographs
Sketches
Citation:
Douglas Volk and Leonard Wells Volk papers, circa 1858-1965, 2008, bulk circa 1870-1935. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.volkleon
See more items in:
Douglas Volk and Leonard Wells Volk papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-volkleon
Online Media:

[Trade catalogs from National Agricultural Supply Co.]

Variant company name:
Modesto, CA  Search this
Company Name:
National Agricultural Supply Co.  Search this
Related companies:
Nasco Sampling Equipment ; Nasco, Inc.  Search this
Notes content:
Sampling equipment for laboratories and industry. "Whirl-Pak" sampling bags ; custom made sampling bags ; plastic coated carrying racks ; sample collection dippers ; laboratory clothing and equipment (aprons, lab coats, "Thrift-pac" poly gloves, goggles, detergents, etc.) ; laboratory balances ; pipettes ; test tube clamps ; "Twistit" rubber stoppers ; test tubes ; culture tubes ; Bunsen burners ; polyethylene bags ; etc. Soil testing equipment ; surveying instruments ; poultry exhibition coops ; dairy testing supplies ; visual aids equipment ; artificial breeding tools ; farm shop equipment ; agricultural reference books, teaching supplies, and demonstration materials ; stockmen's supplies ; office equipment (file cabinets, storage containers, workstations, card cabinets, cash-bond and office boxes, etc).
Includes:
Trade catalog, price lists and samples
Black and white images
Color images
Types of samples:
sampling bags
Physical description:
41 pieces; 4 boxes
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Fort Atkinson, Wisconsin, United States
Date:
1900s
Topic (Romaine term):
Agricultural tools and machinery  Search this
Artists; drafting; crafts materials and supplies  Search this
Department store; dry goods and mail order catalogs  Search this
Educational institutions; equipment and supplies (includes playground equipment)  Search this
Farm equipment and supplies (including dairy and poultry equipment)  Search this
Laboratories and laboratory supplies and equipment  Search this
Measuring; calculating and testing devices  Search this
Office equipment and supplies  Search this
Topic:
"Laboratories -- Furniture, equipment, etc."  Search this
"Schools -- Furniture, equipment, etc."  Search this
Agricultural implements  Search this
Agricultural machinery  Search this
Artists' materials  Search this
Calculators  Search this
Commercial catalogs  Search this
Dairying  Search this
Department stores  Search this
Dry-goods  Search this
Farm equipment  Search this
Handicraft  Search this
Measuring instruments  Search this
Mechanical drawing  Search this
Office equipment and supplies industry  Search this
Playgrounds  Search this
Weighing instruments  Search this
Record ID:
SILNMAHTL_30772
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_30772

Wisconsin craft masters : an invitational survey of Wisconsin artists known for their mastery of craft media..

Author:
Charles A. Wustum Museum of Fine Arts  Search this
Physical description:
[32] p. : ill. ; 28 cm
Type:
Books
Place:
Wisconsin
Date:
1988
[1988]
Topic:
Handicraft--Exhibitions  Search this
Artisans--Exhibitions  Search this
Call number:
NK835.W6 W81 1988
NK835.W6W81 1988
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_386265

Fifty-first Wisconsin designer-craftsmen exhibition. Milwaukee Art Center, April 28-May 31, 1972

Author:
Milwaukee Art Center  Search this
Physical description:
[20] p. : ill. ; 19 cm
Type:
Books
Place:
Wisconsin
Date:
1972
1972]
Topic:
Handicraft--Exhibitions  Search this
Decoration and ornament  Search this
Artists  Search this
Call number:
NK1410.W6 M66 1972
NK1410.W6M66 1972
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_102025

Wisconsin designer-craftsmen exhibition

Title:
WD/C exhibit
WD/C (Wisconsin designer-craftsmen) exhibition
Exhibition Wisconsin designer-craftsmen
Author:
Milwaukee Art Center  Search this
University of Wisconsin--Milwaukee Fine Arts Galleries  Search this
Physical description:
v. ill. 21 cm
Type:
Exhibitions
Place:
Wisconsin
Date:
19uu
20th century
Topic:
Handicraft  Search this
Decorative arts  Search this
Call number:
NK1410.W6 M66
NK1410.W6M66
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_79931

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