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Festival Recordings: Cultural Conservation Stage: Split-Oak Basket Makers; Hispanic Crafts in New Mexico; Southern Pottery

Creator:
Smithsonian Institution. Festival of American Folklife. Cultural Conservation Program 1986 Washington, D.C.  Search this
Lopez, George, 1900-1993  Search this
Artist:
McCrobie, James W., 1919-1993  Search this
McCrobie, Vida, 1923-2013  Search this
Lopez, Silvianita T., 1901-1991  Search this
Lopez, Ricardo T., 1902-2001  Search this
Martirnez, Agueda, 1898-2000  Search this
Archuleta, Eppie, 1922-2014  Search this
Medina, Delores Marie, 1966-  Search this
Medina, Norma, 1941-  Search this
Auman, Dorothy Cole, 1925-1991  Search this
Auman, Walter S., 1926-1991  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
Washington (D.C.)
North Carolina
Maryland
New Mexico
Date:
1986 July 3
Local Numbers:
FP-1986-CT-0176
General:
Mccrobies, Split-Oak Basketmakers: James And Vida Mccrobie; Hispanic Crafts, New Mexico: George Lopez, Silvianita Lopez, Ricardo Lopez, Agueda Martinez, Eppie Archuleta, Delores Medina, Norma Medina; Southern Pottery: D. Auman, W. Auman, M. Mitchell C 2 Of 4
Date/Time and Place of an Event Note:
Recorded in: Washington, D.C, United States, July 3, 1986.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Hispanic Americans  Search this
Handicraft  Search this
Basket making  Search this
Pottery  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1986 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1986, Item FP-1986-CT-0176
See more items in:
Smithsonian Folklife Festival records: 1986 Festival of American Folklife
Smithsonian Folklife Festival records: 1986 Festival of American Folklife / Series 3: American Trial Lawyers / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1986-ref724

Smithsonian Folklife Festival records: 1994 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Digital images
Audiocassettes
Audiotapes
Photographic prints
Contracts
Notes
Correspondence
Plans (drawings)
Memorandums
Business records
Negatives
Video recordings
Videotapes
Sound recordings
Slides (photographs)
Place:
Caribbean Area
Latin America
Date:
July 1-10, 1994
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1994 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: The Commonwealth of The Bahamas

Series 3: Culture and Development in Latin America and the Caribbean

Series 4: Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows

Series 5: Thailand: Household, Temple Fair & Court
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1994 Festival of American Folklife was produced by the Smithsonian Center for Folklife Programs and Cultural Studies and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The 1994 Festival featured four programs. In The Bahamas program, Americans could find intriguing connections to a shared history embodied in the traditions of the descendants of Africans, free and enslaved, British Loyalists, Seminoles, and many other immigrants. More than just beautiful sun, sea, and sand, The Bahamas, and especially its Family Islands, are home to a rich diversity of cultural communities and practices. Also on the Mall, yet half a world away, was Thailand, a nation that never acceded to colonial rule and whose ancient traditions are very much alive in contemporary households, temples, and the royal court. Given the growing economic and political importance of Asia and the Pacific Rim, visitors had the opportunity to better understand Thailand's cultural traditions. The program on Culture and Development, a collaborative effort with the Inter-American Foundation, recognized the value of local cultural resources and practitioners and their role in development efforts. A strategy of appropriately utilizing a community's cultural resources often succeeds not only in stimulating economic growth, but also in promoting self-worth and popular participation in civic life. The program on Masters of Traditional Arts paid tribute to National Heritage Fellowship awardees from 17 states representing a broad range of American traditions. The awards, made annually by the National Endowment for the Arts, honor our human national treasures, those exemplary folk artists whose work expresses the history, identity, beliefs, and values of their communities.

These programs were seen by Smithsonian organizers as more than just separate living exhibits. As a whole, they demonstrated convincingly that across the United States and around the world, traditional culture was with us, not just as atomistic survivals, but as part of social fabrics woven by individuals, communities, and nations. The folks at the Festival live contemporary lives. They are just as contemporary as the genetic engineer, cable television network shopper, or government bureaucrat. The traditions they carry are embedded in modern life. Yes, sometimes we find these traditions are on the margins, but most often they are in an ongoing, creative tension with new innovations and technical and social changes. These traditional ways of doing, making, and being are continually, sometimes even daily, reinvented and applied to the circumstances of individual and institutional life. Innovation and tradition are not opposites, but are processually related to how we use our cultural inheritance - whether that be in music or the museum, handicraft or statecraft - to define and shape the future. The dialogue created at the Festival, in which cultural traditions were respectfully presented, discussed, and even passed along, was therefore considered to be vital to our continued civic health.

On the second day of the 1994 Festival, its founder Ralph Rinzler passed away after a long illness. On July 7, 1994, a memorial service was organized by Ralph's friends and associates (see the recordings in the Masters of Traditional Arts program). Clydia and Reeves Nahwooksy provided a Comanche Baptist invocation. Mile Seeger, Guy Carawan, and Bill Monroe played and sang. Bernice Reagon sang, as did the Bahamians. Bess Hawes, Jeffrey LaRiche, Ann Romano, and James Early spoke of his legacy. Memorial messages were read from Pete Seeger, Alan Lomax, Henry Glassie, Roger Abrahams, Rajeev Sethi, and others. Lucille Dawson spoke about the profound effects the Festival's Native American programs had had on Indian education and civil rights, and Mike Thomas spoke for the Smithsonian custodians who always found in Ralph a friend and supporter. Other impromptu memorials were conducted by the Bahamian and Thai participants.

The 1994 Festival took place during two four-day weeks (July 1-4 and July 7-10) between Madison Drive and Jefferson Drive and between 12th Street and 14th Street, south of the National Museum of American History (see site plan).

The 1994 Program Book included schedules and participant lists for each program; essays provided background on the Festival and each of the four programs.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife Programs & Cultural Studies.

Center for Folklife Programs & Cultural Studies

Richard Kurin, Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian/Folkways Recordngs; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Richard Kennedy, Program Analyst; Carla Borden, John Franklin, Program Managers; Olivia Cadaval, Amy Horowitz, Marjorie Hunt, Diana Baird N'Diaye, Folklorists/Curators; Betty Belanus, Education Specialist; Arlene L. Reiniger, Program Specialist; Jeffrey Place, Archivist; Kenneth M. Bilby, Roland Freeman, Ivan Karp, Alan Lomax, Worth Long, Research Collaborators

Folklife Advisory Council

Roger Abrahams, Jacinto Arias, Jane Beck, Pat Jasper, Barbara Kirshenblatt-Gimblett, Bernice Reagon, John Roberts, Carol Robertson, Gilbert Sprauve, Jack Tchen, Ricardo Trimillos, Carlos Vélez-Ibáñez

National Park Service

Roger Kennedy, Director; Robert G. Stanton, Regional Director, National Capital Region
Forms Part Of:
Smithsonian Folklife Festival records: 1994 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
World music  Search this
Folklore  Search this
Food habits  Search this
Folk art  Search this
Folk festivals  Search this
arts and crafts  Search this
Folk music  Search this
Genre/Form:
Digital images
Audiocassettes
Audiotapes
Photographic prints
Contracts
Notes
Correspondence
Plans (drawings)
Memorandums
Business records
Negatives
Video recordings
Videotapes
Sound recordings
Slides (photographs)
Citation:
Smithsonian Folklife Festival records: 1994 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1994
See more items in:
Smithsonian Folklife Festival records: 1994 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-1994

Massachusetts Fieldwork: Interview with Samson Cordage (rope company) by Louis Carreras

Creator:
Smithsonian Institution. Festival of American Folklife. Massachusetts Program 1988 Washington, D.C.  Search this
Carerras, Louis (field worker)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Massachusetts
Date:
1987 June 22
Local Numbers:
FP-1988-CT-0008
Date/Time and Place of an Event Note:
Recorded in: Massachusetts, United States, June 22, 1987.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
handicrafts  Search this
Rope making  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0008
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 4: Ingenuity and Tradition: The Common Wealth of Massachusetts / 4.1: Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref1012

Eva Zeisel: Life and Design Stories Spanning a Century

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2019-12-13T20:59:11.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_-1ddJLkUfco

East-West Interchanges in American Art: Jennifer Way

Creator:
Smithsonian American Art Museum  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2013-05-17T18:34:55.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_W9mb_9zoMJA

Bohai Mohe Embroidery

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2020-04-14T22:42:40.000Z
YouTube Category:
People & Blogs  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_lILJjY5AUGg

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Sen. Edward Brooke, American, born 1919  Search this
Morris Brown College, American, founded 1881  Search this
Interracial Council for Business Opportunity, American, founded 1963  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Hubert Horatio Humphrey Jr., American, 1911 - 1978  Search this
General Daniel James Jr., American, 1920 - 1978  Search this
Roy Wilkins, American, 1901 - 1981  Search this
Rufus B. Shorter, American  Search this
National Association of Black Social Workers, American, founded 1968  Search this
National Association of Market Developers, American, founded 1953  Search this
National Medical Association, American, founded 1895  Search this
Ancient and Accepted Scottish Rite of Freemasonry  Search this
Prince Hall Freemasonry, founded 1784  Search this
Howard University, American, founded 1867  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Young Men's Christian Association (YMCA), International, founded 1844  Search this
Avon, founded 1886  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
The Links, Incorporated, American, founded 1946  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
National Medical Association, American, founded 1895  Search this
National Dental Association, American, founded 1913  Search this
Sigma Gamma Rho Sorority, Inc., founded 1922  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
National Urban League, American, founded 1910  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this
Zeta Phi Beta Sorority, American, founded 1920  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Eta Phi Beta Sorority, Inc., American, founded 1943  Search this
National Association of University Women, American, founded 1910  Search this
National Association of Market Developers, American, founded 1953  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
American Bridge Association, American, founded 1932  Search this
Arthur Ashe Jr., American, 1943 - 1993  Search this
The Salvation Army, American, founded 1865  Search this
National Dental Association, American, founded 1913  Search this
Shriners International, American, founded 1870  Search this
Sammy Davis Jr., American, 1925 - 1990  Search this
Congressional Black Caucus, American, founded 1971  Search this
Rev. Martin Luther King Sr, American, 1899 - 1984  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
Southern Christian Leadership Conference, American, founded 1957  Search this
National Urban League Guild, American, founded 1946  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
369th Veterans Association, American  Search this
Prince Hall Freemasonry, founded 1784  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 7/16 in. (27.5 × 21.4 × 1.1 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
California, United States, North and Central America
Houston, Texas, United States, North and Central America
Minneapolis, Hennepin County, Minnesota, United States, North and Central America
Detroit, Wayne County, Michigan, United States, North and Central America
Chicago, Cook County, Illinois, United States, North and Central America
Washington, District of Columbia, United States, North and Central America
Jamaica, Caribbean, North and Central America
Barbados, Caribbean, North and Central America
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
West Africa, Africa
Date:
1978
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Caricature and cartoons  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religious groups  Search this
Social life and customs  Search this
Sororities  Search this
Travel  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.12
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e8bb6cbd-99b9-4ce0-8851-3b3bef3dd0e8
EDAN-URL:
edanmdm:nmaahc_2012.167.12
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  • View <I>Delegate</I> digital asset number 1

Festival Recordings: C.C. Stage: Split-Oak Basket Makers; Hispanic Crafts in New Mexico; Southern Pottery [sound recording]

Creator:
Smithsonian Institution. Festival of American Folklife. Cultural Conservation Program 1986 Washington, D.C  Search this
Lopez, George 1900-1993  Search this
Artist:
McCrobie, James W. 1919-1993  Search this
McCrobie, Vida 1923-2013  Search this
Lopez, Silvianita T. 1901-1991  Search this
Lopez, Ricardo T. 1902-2001  Search this
Martirnez, Agueda 1898-2000  Search this
Archuleta, Eppie 1922-2014  Search this
Medina, Delores Marie 1966-  Search this
Medina, Norma 1941-  Search this
Auman, Dorothy Cole 1925-1991  Search this
Auman, Walter S. 1926-1991  Search this
Physical description:
1 sound cassette : analog
Type:
Musical sound recordings
Place:
Washington, D.C
North Carolina
Maryland
New Mexico
Date:
1986
Topic:
Hispanic Americans  Search this
Handicraft  Search this
Basket making  Search this
Pottery  Search this
Local number:
FP-1986-CT-0176
Restrictions & Rights:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution
See more items in:
Smithsonian Folklife Festival records, 1967-2010 228797
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_313213

Massachusetts Fieldwork: Rope Making- Samson Cordage Company [sound recording]

Creator:
Smithsonian Institution. Festival of American Folklife. Massachusetts Program 1988 Washington, D.C  Search this
Field worker:
Carerras, Louis  Search this
Physical description:
1 sound cassette : analog
Culture:
Americans  Search this
Type:
Musical sound recordings
Place:
United States
Massachusetts
Date:
1987
Topic:
Oral history  Search this
Handicrafts  Search this
Rope making  Search this
Local number:
FP-1988-CT-0008
Restrictions & Rights:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution
See more items in:
Smithsonian Folklife Festival records, 1967-2010 228797
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_311702

National Woven Coverlet Project: Susan Morgan Leveille Interview

Creator:
National Museum of American History  Search this
Type:
YouTube Videos
Uploaded:
2019-07-03T16:09:15.000Z
YouTube Category:
Education  Search this
Topic:
American History  Search this
See more by:
SmithsonianAmHistory
Data Source:
National Museum of American History
YouTube Channel:
SmithsonianAmHistory
EDAN-URL:
edanmdm:yt_V5itG4e5YBA

Henry and Nancy Rosin Collection of Early Photography of Japan

Collector:
Rosin, Henry D., Dr.  Search this
Rosin, Nancy  Search this
Creator:
Lyman, Benjamin Smith, 1835-1920  Search this
Ueno, Hikoma, 1838-1904  Search this
Beato, Felice, b. ca. 1825  Search this
Stillfried, Raimund, Baron von, 1839-1911  Search this
Underwood & Underwood  Search this
Names:
Japanese tea ceremony  Search this
Meiji, Emperor of Japan, 1852-1912  Search this
Shōken, Empress, consort of Meiji, Emperor of Japan, 1850-1914  Search this
Extent:
616 Items (approximate count)
Type:
Collection descriptions
Archival materials
Mammoth plates
Photographs
Photograph albums
Stereographs
Cartes-de-visite
Photographic prints
Place:
Japan
Japan -- 1890-1900
Kyoto (Japan)
Tokyo (Japan)
Yokohama-shi (Japan)
Date:
1860 - ca. 1900
Scope and Contents:
Assembled by collectors Dr. Henry D. Rosin and Nancy Rosin to document nineteenth-century and early twentieth-century photography of Japan. Includes albumen prints, portions handcolored, some signed and numbered in the negative. Taken by photographers Felice Beato (b. ca. 1825), Baron Raimon von Stillfried (1938-1911), Kusakabe Kimbei (active 1880s), Ueno Hikoma (1838-1904), Ogawa Kazumasa (1860-1929) and unknown photographers to depict architecture, landscapes, formal studio portraits, and daily activities.
Arrangement:
Organized chronologically by the creators.
Biographical / Historical:
Henry and Nancy Rosin were collectors of Japanese photography of the nineteenth and twentieth centuries.
Local Numbers:
FSA A1999.35
Restrictions:
Collection is open for research.
Topic:
Ainu  Search this
Photography of women  Search this
Streets -- Japan  Search this
Temples -- Japan  Search this
Samurai  Search this
Sumo wrestlers  Search this
Religion  Search this
Genre/Form:
Mammoth plates
Photographs -- 1850-1900
Photograph albums
Stereographs -- 1860-1900
Cartes-de-visite
Photographic prints
Citation:
Henry and Nancy Rosin Collection of Early Photography of Japan. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
Identifier:
FSA.A1999.35
See more items in:
Henry and Nancy Rosin Collection of Early Photography of Japan
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a1999-35
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Henry and Nancy Rosin Collection of Early Photography of Japan digital asset number 1
Online Media:

James Henri Howard Papers

Correspondent:
Woolworth, Alan R.  Search this
Weslager, C.A.  Search this
Witthoft, John, 1921-1993  Search this
Swauger, James Lee  Search this
Turnbull, Colin  Search this
Horn, Frances L.  Search this
Garcia, Louis  Search this
Fogelson, Raymond D.  Search this
Hodge, William  Search this
Hayink, J.  Search this
Feder, Norman  Search this
Ervin, Sam J. Jr  Search this
Feraca, Stephen E., 1934-  Search this
Feest, Christian F.  Search this
Cree, Charlie  Search this
Davis, Edward Mott  Search this
De Busk, Charles R.  Search this
Iadarola, Angelo  Search this
Brasser, Ted J.  Search this
Bunge, Gene  Search this
Cavendish, Richard  Search this
Clifton, James A.  Search this
DeMallie, Raymond  Search this
Blake, Leonard W.  Search this
Dean, Nora Thompson  Search this
Spier, Leslie, 1893-1961  Search this
Smith, John L.  Search this
Swanton, John Robert  Search this
Sturtevant, William C.  Search this
Peterson, John H.  Search this
Paredes, J. Anthony, 1939- (James Anthony)  Search this
Schleisser, Karl H.  Search this
Reed, Nelson A.  Search this
Medford, Claude W.  Search this
Lurie, Nancy Oestreich  Search this
Opler, Morris Edward  Search this
Nettl, Bruno, 1930-  Search this
Kraft, Herbert C.  Search this
Johnson, Michael G.  Search this
Lindsey-Levine, Victoria  Search this
Kurath, Gertrude  Search this
Adams, Richard N. (Richard Newbold), 1924-  Search this
Allen, James H.  Search this
Barksdale, Mary Lee  Search this
Battise, Jack  Search this
Creator:
Howard, James H., 1925-1982 (James Henri)  Search this
Names:
Lone Star Steel Company  Search this
Extent:
10.25 Linear feet
Culture:
Seminole  Search this
Indians of North America -- Southern States  Search this
Sioux  Search this
Shawnee  Search this
Indians of North America -- Northeast  Search this
Muskogee (Creek)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Indians of North America -- Great Plains  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Chickasaw  Search this
Choctaw  Search this
Yanktonai Indians  Search this
Seneca  Search this
Yuchee  Search this
Omaha  Search this
Iroquois  Search this
Cherokee  Search this
Sahnish (Arikara)  Search this
Potawatomi  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Ponca  Search this
Mi'kmaq (Micmac)  Search this
Kickapoo  Search this
Sac and Fox (Sauk & Fox)  Search this
Menominee (Menomini)  Search this
Lenape (Delaware)  Search this
Oto  Search this
Tonkawa Indians  Search this
Type:
Collection descriptions
Archival materials
Place:
Oklahoma -- Archeology
Date:
1824-1992
bulk 1950-1982
Summary:
To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.
Scope and Contents:
The James Henri Howard papers document his research and professional activities from 1949-1982 and primarily deal with his work as an anthropologist, archeologist, and ethnologist, studying Native American languages & cultures. The collection consists of Series 1 correspondence; Series 2 writings and research, which consists of subject files (language and culture research materials), manuscripts, research proposals, Indian claim case materials, Howard's publications, publications of others, and bibliographical materials; Series 3 sound recordings of Native American music and dance; Series 4 photographs; and Series 5 drawings and artwork.

Howard was also a linguist, musicologist, and folklorist, as well as an informed and able practitioner in the fields of dance and handicrafts. His notable books include Choctaw Music and Dance; Oklahoma Seminoles: Medicines, Magic, and Religion; and Shawnee! The Ceremonialism of a Native American Tribe and its Cultural Backround.

Some materials are oversize, specifcially these three Winter Count items: 1. a Dakota Winter Count made of cloth in 1953 at the request of James H. Howard, 2. a drawing of British Museum Winter Count on 4 sheets of paper, and 3. Photographs of a Winter Count.
Arrangement:
This collection is arranged in 5 series: Series 1. Correspondence, 1960-1982, undated; Series 2. Writings and Research, 1824-1992; Series 3. Sound Recordings, 1960-1979; Series 4. Photographs, 1879-1985; Series 5. Drawings and Artwork, 1928-1982.
Chronology:
1925 -- James Henri Howard was born on September 10 in Redfield, South Dakota.

1949 -- Received his Bachelor of Arts from the University of Nebraska.

1950 -- Received his Master of Arts from the University of Nebraska and began a prolific record of publishing.

1950-1953 -- Began his first professional employment as an archaeologist and preparator at the North Dakota State Historical Museum in Bismarck.

1955-1957 -- Was a museum lecturer at the Kansas City (Missouri) Museum.

1957 -- James H. Howard received his Ph.D. at the University of Michigan. Joined the staff of the Smithsonian's River Basin Surveys in the summer.

1957-1963 -- Taught anthropology at the University of North Dakota.

1962 -- Chief archeologist at the Fortress of Louisberg Archeological Project in Nova Scotia.

1963-1968 -- Taught anthropology at the University of South Dakota; State Archeologist of South Dakota; Director of the W. H. Over Dakota Museum.

1963-1966 -- Director of the Institute of Indian Studies, University of South Dakota.

1968-1982 -- Associate professor of anthropology at Oklahoma State University at Stillwater (became a full professor in 1971).

1979 -- Consulted for exhibitions at the Western Heritage Museum in Omaha, Nebraska.

1982 -- Died October 1 after a brief illness.
Biographical/Historical note:
James H. Howard was trained in anthropology at the University of Nebraska (B.A., 1949; M.A., 1950) and the University of Michigan (Ph.D., 1957). In 1950-1953, he served as archeologist and preparator at the North Dakota State Historical Museum; and, in 1955-1957, he was on the staff of the Kansas City (Missouri) Museum. During the summer of 1957, he joined the staff of the Smithsonian's River Basin Surveys. Between 1957 and 1963, he taught anthropology at the Universtity of North Dakota. Between 1963 and 1968, he served in several capacities with the University of South Dakota including assistant and associate professor, director of the Institute of Indian Studies (1963-1966), and Director of the W.H. Over Museum (1963-1968). In 1968, he joined the Department of Sociology at Oklahoma State University, where he achieved the rank of professor in 1970. In 1979, he was a consultant for exhibitions at the Western Heritage Museum in Omaha, Nebraska.

Howard's abiding interest were the people of North America, whom he studied both as an ethnologist and archeologist. Between 1949 and 1982, he worked with the Ponca, Omaha, Yankton and Yaktonai Dakota, Yamasee, Plains Ojibwa (or Bungi), Delaware, Seneca-Cayuga, Prairie Potatwatomi of Kansas, Mississipi and Oklahoma Choctaw, Oklahoma Seminole, and Pawnee. His interest in these people varied from group to group. With some he carried out general culture studies; with other, special studies of such phenomena as ceremonies, art, dance, and music. For some, he was interest in environmental adaptation and land use, the latter particularly for the Pawnee, Yankton Dakota, Plains Ojibwa, Turtle Mountain Chippewa, and Ponca, for which he served as consultant and expert witness in suits brought before the United Stated Indian Claims Commisssion. A long-time museum man, Howard was also interested in items of Indian dress, articles associated with ceremonies, and other artifacts. He was "a thoroughgoing participant-observer and was a member of the Ponca Hethuska Society, a sharer in ceremonial activities of many Plains tribes, and a first-rate 'powwow man'." (American Anthropologist 1986, 88:692).

As an archeologist, Howard worked at Like-a-Fishhook Village in North Dakota, Spawn Mound and other sites in South Dakota, Gavin Point in Nebraska and South Dakota, Weston and Hogshooter sites in Oklahoma, and the Fortess of Louisbourg in Nova Scotia. He also conducted surveys for the Lone Star Steel Company in Haskall, Latimer, Le Flore and Pittsburg counties in Oklahoma.
Related Materials:
Howard's American Indian Cultural Collection of Costumes and Artifacts, that he acquired and created during his lifetime, is currently located at the Milwaukee Public Museum. In Boxes 19-21 of the James Henri Howard Papers, there are photographs with accompanying captions and descriptions in binders of his American Indian Cultural Collection of Costumes and Artifacts that his widow, Elfriede Heinze Howard, created in order to sell the collection to a museum.
Provenance:
These papers were donated to the National Anthropological Archives by James Henri Howard's wife, Elfriede Heinz Howard, in 1988-1990, 1992, & 1994.
Restrictions:
The James Henri Howard papers are open for research. Access to the James Henri Howard papers requires an appointment.
Rights:
Contact repository for terms of use.
Topic:
Ethnology -- United States  Search this
Ethnomusicology  Search this
Folklore -- American Indian  Search this
Powwows  Search this
Citation:
James Henri Howard Papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1994-30
See more items in:
James Henri Howard Papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-1994-30
Online Media:

Eliza Ruhamah Scidmore photographs relating to Japan and China

Creator:
Scidmore, Eliza Ruhamah, 1856-1928  Search this
Names:
Jackson, William Henry, 1843-1942  Search this
Thompson, E. B. (Ezra Bowen), 1865-1951 (possible photographer or publisher)  Search this
Extent:
50 Negatives (glass)
23 Negatives (nitrate)
120 Lantern slides
Culture:
Japanese  Search this
Chinese  Search this
Type:
Collection descriptions
Archival materials
Negatives
Lantern slides
Photographs
Place:
Japan
China
Philippines
South America
Date:
circa 1914-1916
Scope and Contents note:
Photographs made and collected by Scidmore documenting life in Japan and China. Photos depict people, agriculture, crafting and jewelry, and natural and urban settings. Some additional photographs were made in South America and possibly the Philippines. The collection includes lantern slides published by the William H. Jackson Photo and Publishing Company of Denver and E. B. Thompson of Washington, DC.
Biographical/Historical note:
Eliza Ruhamah Scidmore (1856-1928) was an author, journalist, lecturer, and collector who traveled extensively and helped to bring the Japanese cherry blossoms to Washington, DC. She spent her early life in Madison, Wisconsin, and then moved during the Civil War to Washington, DC, with her mother and brother. She was educated for two years at Oberlin College before obtaining a position as a newspaper correspondent covering the capitalʹs social scene. Her career as a travel writer began in 1883 during a trip to Alaska which she documented in her first book, Alaska, Its Southern Coast and the Sitkan Archipelago (published 1885). Shortly thereafter, she lived for long periods of time in southern and eastern Asia, particularly in China, India, Japan, Java, and the Philippines. Scidmore promoted intercultural understanding and cooperation and particularly encouraged the relationship between America and Japan, where her brother served as a Consul General in Yokohama. She was decorated by the Japanese emperor for her sympathetic reporting of Japanʹs treatment of prisoners of war during the Russo-Japanese War. Though Scidmore contributed articles to many popular magazines, she was most active for National Geographic (between 1893 and 1914) and her photographs accompanied many articles. She also served on the National Geographic staff and on its board of managers.
Local Call Number(s):
NAA Photo Lot 139
Location of Other Archival Materials:
Additional photographs made and collected by Scidmore are held in National Anthropological Archives Photo Lot 97 and in the National Geographic Society archives.
The Department of Anthropology collections holds several artifacts donated by Scidmore.
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing.
Rights:
Contact the repository for terms of use.
Topic:
Handicraft  Search this
Transportation -- Japan  Search this
Agriculture -- Japan  Search this
Genre/Form:
Photographs
Citation:
Photo lot 139, Eliza Ruhamah Scidmore photographs relating to Japan and China, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.139
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-139
Online Media:

Susan K. Power photograph collection of Archambault and Gates families

Collector:
Power, Susan K.  Search this
Photographer:
Fuller & Fansfer, Fort Yates, North Dakota  Search this
Fiske, Frank Bennett, 1883-1952  Search this
Miller, J. Q. (Aberdeen, South Dakota)  Search this
Names:
Two Bears (Dakota Indian)  Search this
Extent:
43 Copy prints
Culture:
Indians of North America -- Great Plains  Search this
Yanktonai Indians  Search this
Oglala Lakota (Oglala Sioux)  Search this
Type:
Collection descriptions
Archival materials
Copy prints
Date:
undated
Scope and Contents note:
Copies of family photographs, including those of the Archambault and Gates families, collected by Susan K. Power. There are studio portraits, images of family members in regalia, and photographs of crafts and paintings; a beaded satchel can be seen in multiple images, including nineteenth and twentieth century photographs. Annotated electrostatic copies of the images and mounts with identifications of pictured individuals are included with the collection.

Identified photographers include Frank B. Fiske; Fuller and Fansfer of Fort Yates, North Dakota; and J. Q. Miller of Aberdeen, South Dakota.
Biographical/Historical note:
Susan K. Power is the great granddaughter of Two Bears, a chief of the Upper Yanktonais.
Local Call Number(s):
NAA Photo Lot R89-14
Reproduction Note:
Copy prints made by Smithsonian Institution, 1989.
Location of Other Archival Materials:
Additional Fiske photographs can be found in the National Anthropological Archives in MS 4602, Photo Lot R82-1, Photo Lot 9, Photo Lot 25, Photo Lot 24, and the BAE historical negatives.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Contact the repository for terms of use and access.
Topic:
Dwellings  Search this
Handicraft  Search this
Citation:
Photo Lot R89-14, Susan K. Power photograph collection of Archambault and Gates families, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.R89-14
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-r89-14

Photograph of Seri weaver Clemencia with two baskets

Creator:
Shore, Philip D. (photographer or collector)  Search this
Extent:
1 Color print
Culture:
Seri  Search this
Type:
Collection descriptions
Archival materials
Color prints
Photographs
Date:
1955
Scope and Contents note:
Photograph made in Desemboque, Sonora, depicting Seri women and child, including basketweaver Clemencia holding baskets. Clemencia may be holding two baskets that she made, now in the collections of the Anthropology Department, National Museum of Natural History.
Biographical/Historical note:
Philip D. Shore (1932-2013) was born in Knoxville, Tennessee, to Quaker parents Marvin H. and Pansy Shore. He graduated from Earlham College in 1954 and was granted Conscientous Objector status during the Korean War. His alternative service with the American Friends Service Committee (AFSC) placed him in the Mexican village El Desemboque in Sonora. During the AFSC project to build an adobe hut, Shore developed acquaintances with the local Seri people and collected examples of Seri handicrafts. In 1957, Shore left the AFSC to earn his Masters of Library Science at the University of North Carolina, and eventually worked as a librarian at Earlham College.
Local Call Number(s):
NAA Photo Lot 2013-21
Location of Other Archival Materials:
Seri baskets and necklaces collected by Shore held in the anthropology collections of the National Museum of Natural History in accession 2062824.
The Friends Collection and Earlham College Archives holds the Philip D. Shore Papers, 1932-2013.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Baskets  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 2013-21, Photograph of Seri weaver Clemencia with two baskets, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.2013-21
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-2013-21

MS 7383 Material concerning Mexican masks

Creator:
Von Kaupp, Robert, 1925-2012  Search this
Kaupp, Kathleen  Search this
Montenegro, Roberto, 1887-1968  Search this
Extent:
19 Slides
102 Pages
Type:
Collection descriptions
Archival materials
Slides
Pages
Photographs
Catalogs
Notes
Place:
Mexico -- Masks -- Papermaking
Date:
undated
Scope and Contents:
Includes notes on making masks, catalog entitled "Mascaras Mexicanas" by Roberto Montenegro, a student paper entitled "A lost handicraft of Mexico: papermaking and witchcraft's unique survival" by Kitty Kaup, and color slides of paper-mache maski making in Acatlan, Guerrero.
Local Numbers:
NAA MS 7383
Local Note:
Xerox copies of manuscript and printed documents; color slides.
Genre/Form:
Photographs
Catalogs
Notes
Citation:
Manuscript 7383, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7383
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7383

Nellie Mae Whitted photographs of Acomita and Indians of the American Southwest

Creator:
Whitted, Nellie Mae  Search this
Extent:
22 Items (22 prints, postcards and greeting cards, color halftone)
36 Prints (silver gelatin (some on postcard stock))
Culture:
San Ildefonso Pueblo  Search this
Acoma Pueblo  Search this
Diné (Navajo)  Search this
Laguna Indians  Search this
Indians of North America -- Southwest, New  Search this
Taos Indians  Search this
Tewa Indians  Search this
Type:
Collection descriptions
Archival materials
Prints
Photographs
Place:
Acoma (N.M.)
Taos Pueblo (N.M.)
Pueblo of Laguna (N.M.)
Date:
circa 1938-1941
Scope and Contents note:
Photographs made by Nellie Mae Whitted in Paguote (1939) and Acomita, New Mexico. They include images of Acomita day school and its students and teachers, as well as houses and Eagle dancers. The collection also includes postcards and commercial prints relating to Navajo Indians, Santo Domingo Pueblo, Santa Clara Pueblo, Ildefonso Pueblo, Taos Pueblo, and Laguna Pueblo. There are also Christmas cards with reproductions of paintings by Joni Falk and other artists and some correspondence to Whitted.
Biographical/Historical note:
Nellie Mae Whitted taught at the Acomita Day School set up by the Bureau of Indian Affairs in Pueblo of Acoma, New Mexico, circa 1938-1941.
Local Call Number(s):
NAA Photo Lot 98-75
Location of Other Archival Materials:
Pottery, dolls, baskets, and other artifacts given to Whitted by students in Acomita held in the Department of Anthropology collections in accession 390889.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Schools  Search this
Handicraft  Search this
Indian dance -- North America  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 98-75, Nellie Mae Whitted photographs of Acomita and Indians of the American Southwest, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.98-75
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-98-75

Copies of Elizabeth Compton Hegemann photographs of Southwest Indians

Creator:
Hegemann, Elizabeth Compton, 1897-1962  Search this
Depicted:
Lummis, Charles Fletcher, 1859-1928  Search this
Morris, Earl Halstead, 1889-1956  Search this
Wetherill, John  Search this
Extent:
396 Copy negatives (acetate, 35mm)
Culture:
Hopi Pueblo  Search this
Diné (Navajo)  Search this
Havasupai (Coconino)  Search this
Indians of North America -- Southwest, New  Search this
Type:
Collection descriptions
Archival materials
Copy negatives
Photographs
Negatives
Place:
Hopi Indian Reservation (Ariz.)
Navajo Indian Reservation
Grand Canyon (Ariz.)
Date:
circa 1922-1934
Scope and Contents note:
Photographs made during Elizabeth Compton Hegemann's trips to Hopi and Navajo reservations in the 1920s and early 1930s. They include images of Navajo, Hopi, and some Havasupai Indians, as well as the Grand Canyon and trading posts. Her photographs relating to Southwest Indians depict agriculture, crafts, and ceremonies, including a Navaho Squaw Dance and Hopi Niman Kachina ceremonies. There are also some images of Charles F. Lummis, Earl Halstead Morris, and John Wetherill.
Biographical/Historical note:
Elizabeth Compton Hegemann (1897-1962) was born near Cincinatti, Ohio, though she spent many of her summers visiting her grandparents in Southern California. She married her first husband, Mike Harrison, in 1925 and moved with him to the South Rim of the Grand Canyon, where he worked for the National Park Service. They developed strong relationships with the Navajo, Hopi, and Havasupai Indians in that region. Hegemann separated from Harrison in 1928 and moved to Tuba City. She married Harry Rorick in 1929 and the two co-owned the Shonto Trading Post near Tsegi Canyon on the Navajo Reservation from 1929-1938.
Local Call Number(s):
NAA Photo Lot R81A
Reproduction Note:
Copy negatives made by Elizabeth Compton Hegemann.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Copies may be obtained from the Huntington Library.
Topic:
Handicraft  Search this
Agriculture  Search this
Dance  Search this
Genre/Form:
Photographs
Negatives
Citation:
Photo lot R81A, Copies of Elizabeth Compton Hegemann photographs of Southwest Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.R81A
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-r81a

Native American Public Programs photograph collection of American Indian artists and art

Collector:
National Museum of Natural History (U.S.). Native American Public Programs  Search this
Ringlero, Aleta Pima  Search this
Photographer:
Smithsonian Institution. Office of Printing and Photographic Services  Search this
Clark, Chip, 1947-2010  Search this
Hansen, Carl C.  Search this
Hart, Alan  Search this
Long, Eric  Search this
Minor-Penland, Laurie  Search this
Penland, Dane  Search this
Strauss, Richard  Search this
Taccone, Christina  Search this
Vargas, Rick  Search this
Names:
Lewis, Lucy M.  Search this
Extent:
5,750 Prints (circa, silver gelatin (including contact prints))
12 Color transparencies
10 Color negatives
3,500 Color slides (circa)
67 Color prints
4 Negatives (acetate)
Culture:
Indians of North America -- California  Search this
Paiute  Search this
Jemez Pueblo  Search this
Mewuk (Miwok)  Search this
Yurok Indians  Search this
Cherokee  Search this
Tewa Indians  Search this
Indians of North America -- Southern States  Search this
Tlingit Indians  Search this
A:shiwi (Zuni)  Search this
Assiniboine (Stoney)  Search this
Oglala Lakota (Oglala Sioux)  Search this
Kwakwaka'wakw (Kwakiutl)  Search this
Lenape (Delaware)  Search this
Indians of North America -- Great Plains  Search this
Tohono O'Odham Indians  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Indians of North America -- Great Basin  Search this
Akimel O'odham (Pima)  Search this
Hopi Pueblo  Search this
Indians of North America -- Southwest, New  Search this
Onondaga  Search this
Muskogee (Creek)  Search this
Kutzadika'a (Mono Paiute)  Search this
Pomo  Search this
Laguna Indians  Search this
Makah  Search this
White Mountain Apache  Search this
Seneca  Search this
Minneconjou Lakota (Minniconjou Sioux)  Search this
Sioux  Search this
Numakiki (Mandan)  Search this
Pueblo Indians  Search this
Indians of North America -- Northwest Coast of North America  Search this
Minitari (Hidatsa)  Search this
Diné (Navajo)  Search this
Kiowa  Search this
Apsáalooke (Crow/Absaroke)  Search this
Indians of North America -- Plateau  Search this
Niimíipuu (Nez Perce)  Search this
Cayuse  Search this
Acoma Pueblo  Search this
Payómkawichum (Luiseño)  Search this
Indians of North America -- Northeast  Search this
Hunkpapa Lakota (Hunkpapa Sioux)  Search this
Mohawk  Search this
Type:
Collection descriptions
Archival materials
Prints
Color transparencies
Color negatives
Color slides
Color prints
Negatives
Date:
1989-1993
Scope and Contents note:
Photographs documenting Native American Public Programs events, including images of American Indian artists and examples of their work during demonstrations and lectures at the National Museum of Natural History. Photographs were mostly made by Smithsonian photographers, including Carl C. Hansen, Richard Strauss, Chip Clark, Laurie Minor-Penland, Eric Long, Alan Hart, Rick Vargas, Dane Penland, and Christina Taccone. Included are a large number of photographs of Don Tenoso (Hunkpapa), an artist-in-residence at the National Museum of Natural History, and performances by James Luna (Luiseno/Digueno), Guillermo Gomez-Pena (Chicano), and Coco Fusco. Crafts and arts depicted include beadwork, basket weaving, dollmaking, peyote fanmaking, weaving, hand games, quilting, clothing making, leatherwork, woodcarving, saddlemaking, sculpture, painting, story-telling, and performance art. There are also images of Dolores Lewis Garcia and Emma Lewis Garcia (daughters of Acoma potter Lucy M. Lewis) and their pottery, Joallyn Archambault with artists, and the 1990 American Indian Theater Company reception.

Other depicted artists include Maynard White Owl Lavadour (Cayuse/Nez Perce), Evangeline Talshaftewa (Hopi), Lisa Fritzler (Crow), Marian Hanssen, Vanessa Morgan (Kiowa/Pima), Marty Good Bear (Mandan/Hidatsa), Katie Henio and Sarah Adeky (Navajo), Geneva Lofton and Lee Dixon (Luiseno), Chris Devers (Luiseno), Mary Good Bear (Mandan), Robert and Alice Little Man (Kiowa), Lisa Watt (Seneca), Jay McGirt (Creek), Bill Crouse (Seneca), Kevin Johnny-John (Onondaga), Rose Anderson (Pomo), Francys Sherman and Margaret Hill (Mono), Thelene Albert and Annie Bourke (White Mountain Apache), Bob Tenequer (Laguna), Jimmy Abeyeta (Navajo), Lou Ann Reed (Acoma), Melissa Peterson (Makah), Jennifer and Kallie Keams Musial (Navajo), Joyce Growing Thunder-Fogarty and Juanita Fogarty (Assiniboine/Sioux), David Neel (Kwakiutal), Mervin Ringlero (Pima), Jhon Goes-In-Center (Oglala), D. Montour (Delaware/Mohawk), Rikki Francisco (Pima), Annie Antone (Papago), Angie Reano-Owen (Santo Domingo Pueblo), Carol Vigil (Jemez), Gregg Baurland (Miniconjou), Greg Colfax (Makah), Lydia Whirlwind-Soldier (Sicangu Dakota), Martin Red Bear (Oglala), Michael Rogers (Paiute), Alta Rogers (Yurok/Paiute), Dorothy Stanley (Miwok), Lisa Little Chief (Dakota), Tom Haukaas (Sicangu Dakota), Nora Navanjo-Morsie (Santa Clara Tewa), Seneca Women's Singing Society, Molly Blankenship and Martha Ross (Eastern Cherokee), Julia Parker (Miwok/Pomo), Candy and Claudia Cellicion (Zuni), Sally and Lorraine Black (Navajo), Carmen Quinto-Plunkett (Tlingit), Ina McNeil (Hunkpapa), and Ellen and Faye Quandelancy (Zuni), and Rikki Francisco (Pima).
Biographical/Historical note:
Native American Public Programs was founded in 1989 as a part of the Department of Education in the National Museum of Natural History. Under the directorship of Aleta Ringlero, its main activity was the arranging of demonstrations by American Indian artists and craftsmen in the exhibition areas of the museum.
Local Call Number(s):
NAA Photo Lot 91-26
Location of Other Archival Materials:
Audio of James Luna's lecture for the Native American Public Programs office held in National Anthropological Archives in MS 7514.
Dolls made by Don Tenoso for the Native American Public Programs office held in Department of Anthropology collections in accession 390905.
Additional photographs of Tenoso held in the Smithsonian Institution Archives in SIA2009-2222 and 90-13726.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Art  Search this
Handicraft  Search this
Citation:
Photo Lot 91-26, Native American Public Programs photograph collection of American Indian artists and art, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.91-26
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-91-26

Howard Woody postcard collection relating to American Indians

Collector:
Woody, Howard  Search this
Publisher:
Albertype Co.  Search this
Barkalow Brothers Co.  Search this
Detroit Publishing Co.  Search this
E.C. Kropp Co.  Search this
Fred Harvey (Firm)  Search this
Tammen, Harry Heye, 1856-1924  Search this
Photographer:
Detroit Photographic Co.  Search this
Teich, Curt, 1877-1974  Search this
Names:
Hopi House (Ariz.)  Search this
Beard, Dewey  Search this
Extent:
5 Color postcards
1 Postcard (collotype)
7 Postcards (color halftone)
Culture:
Indians of North America -- Southwest, New  Search this
Apache  Search this
Hopi Pueblo  Search this
Indians of North America -- Southern States  Search this
Seminole  Search this
Indians of North America -- Great Plains  Search this
Acoma Pueblo  Search this
Minneconjou Lakota (Minniconjou Sioux)  Search this
Ute Indians  Search this
Apsáalooke (Crow/Absaroke)  Search this
Sioux  Search this
Type:
Collection descriptions
Archival materials
Color postcards
Postcards
Place:
Yuma County (Ariz.)
Fort Lauderdale (Fla.)
Cheyenne (Wyo.)
Grand Canyon (Ariz.)
Acoma (N.M.)
Date:
undated
Scope and Contents note:
Postcards, some postmarked, with images of Apache, Hopi, Seminole, Sioux, Minneconjou, and other American Indians. They include images of Apache men at a powwow near a mud house in Yuma, Arizona; the Hopi House at the Grand Canyon; a blanket weaver at Hopi House; a street scene from Pueblo Acoma; a Seminole wedding in Fort Lauderdale, Florida; women with leatherwork, baskets, and blankets; a horse-drawn travois used in a parade at the Annual Crow Indian Fair; Sioux Indians and tipis at Frontier Days in Cheyenne, Wyoming; Apache chief James A. Garfield, Ute Chief Sevaro and his family; and Iron Hail (also known as Dewey Beard (Minneconjou).
Biographical/Historical note:
Thomas Howard Woody (1935-2011) was a professor of sculpture at the University of South Carolina, co-author of several books on South Carolina history and postcards, and an avid collector of postcards. He received his undergraduate degree from Richmond Professional Institute and a master's degree from East Carolina University. Retiring after a 46-year long career at the University of South Carolina, he was awarded the title Distinguished Professor Emeritus.
Local Call Number(s):
NAA Photo Lot 92-37
Location of Other Archival Materials:
The National Anthropological Archives holds the Albertype Company American Indian and Hawaiian photographs (Photo Lot 25).
Additional E.C. Kropp Co., Curt Teich, Detroit Photographic Company, and Fred Harvey postcards held in National Museum of American History Archives Center in the Victor A. Blenkle Postcard Collection.
Additional Detroit Photographic Company photographs held in National Anthropological Archives Photo Lot 24, Photo Lot 59, MS 4510, and MS 4559.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Weddings  Search this
Pueblos  Search this
handicrafts  Search this
Dwellings  Search this
Citation:
Photo Lot 92-37, Howard Woody postcard collection relating to American Indians, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.92-37
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-92-37

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