The Molly Saltman "Art and Artists" interviews measure 2.4 linear feet and contain 62 sound recording interviews and lectures with art collectors, teachers, actors, and artists. The interviews were conducted by Molly Saltman from 1966-1967 as part of the "Art and Artists" radio series broadcast on the KPAL radio station in Palm Springs, California. Additional recordings of KPAL content and nonbroadcast content were discovered upon digitization, including a Los Angeles Art Association anniversary event and a Charles White slide lecture.
Scope and Contents:
The Molly Saltman "Art and Artists" interviews measure 2.4 linear feet and contain 62 sound recording interviews and lectures with art collectors, teachers, actors, and artists. The interviews were conducted by Molly Saltman from 1966-1967 as part of the "Art and Artists" radio series broadcast on the KPAL radio station in Palm Springs, California. Additional recordings of KPAL content and nonbroadcast content were discovered upon digitization, including a Los Angeles Art Association anniversary event and a Charles White slide lecture.
Arrangement:
Due to the small size of this collection the sound recordings are arranged as one series.
Series 1: Interviews and other recordings, circa 1963-1968 (Box 1-3, 2.4 linear feet)
Biographical / Historical:
The Molly Saltman "Art and Artists" radio program was broadcast on KPAL radio station in Palm Springs, California from November 2, 1966 to March 4, 1967 on Mondays and Wednesdays at 10:30AM. Molly Saltman (1915-2010), the producer and interviewer for this broadcast, was a well-known Palm Springs artist during this time. Specializing in abstract watercolors, her work was featured in a number of local art shows as well as exhibited in the Los Angeles County Museum of Art, the Palm Springs Desert Museum, and the Hartfield Gallery in Los Angeles. She was also closely involved with the Desert Mental Health Association and served as Chairwoman of the Jewish Family Service in Palm Springs, California.
Provenance:
The collection was donated by Molly Saltman in 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
Researchers must obtain copyright clearance from interviewees prior to publication or airing.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Records relating to the Pasadena Museum of Art's exhibition "Marcel Duchamp", held 1963 Oct.8 -Nov. 3. Records include correspondence with Duchamp, work sheets, texts and layouts, catalog raisonne, loan agreements, printed matter, guest lists, shipping file, photographs, fact sheets, clippings, and untranscribed interviews.
The untranscribed interviews of Duchamp are recorded on three cassettes. The first cassette consists of interviews conducted in N.Y. and London for the British Broadcasting Corporation's "Art/Anti-Art Program" by George Heard Hamilton and Richard Hamilton in 1959; the second cassette, also for the BBC, is undated and contains excerpts of an interview conducted by Richard Hamilton; the third cassette is an interview of Duchamp conducted by Earl Carter of the Pasadena Museum of Art, October 1963.
Biographical / Historical:
Pasadena Art Museum (founded 1924) is an art museum in Pasadena, Calif. Renamed Norton Simon Museum of Art in 1974 and later renamed the Norton Simon Museum. Held Duchamp retrospective in 1963.
Provenance:
Lent for microfilming in 1990 by the Pasadena Museum of Art, interviews were duplicated from the original reel to reel tapes onto three cassettes.
Restrictions:
Microfilmed portion must be consulted on microfilm. Use of untranscribed interviews requires an appointment and is limited to Washington, D.C. storage facility.
An interview of Alison Knowles conducted 2010 June 1-2, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts Project, at Knowles' home and studio, in New York, N.Y.
Knowles speaks of her family background; her father's (an English professor) influence on her education; her love of nature and isolation as a young girl; her French studies at Middlebury College; her transfer to Pratt Institute to study art; the social and academic environment at Pratt; her inclinations towards abstraction; her first marriage to Jim Ericson; her first studio at 423 Broadway; her early jobs as a commercial artist; her first gallery show at Nonagon, in 1958, and how she subsequently burned the paintings in that show; her second marriage to Dick Higgins in 1960; her Judson Gallery Show in 1962 and how she subsequently discarded those works; her involvement in the Fluxus group; her involvement with the "Cage class," and its early performances; her collaboration with John Cage on the book, "Notations" (1968); her collaboration with Marcel Duchamp on a print (1967); the circumstances surrounding her performance piece, "Make a Salad" (1962), her travels through Europe with Higgins; the birth of her twins; her computerized poetic piece and installation, "House of Dust" (1967) and how it was later vandalized; her move to Los Angeles to teach at CalArts; the rebuilding of "House of Dust" at CalArts; her move back to New York; the processes leading up to several projects and collaborations including "Loose Pages," "Big Book," "Bread and Water," and more; where she finds her inspiration; her thoughts on performance art; her studio environment in Barrytown, N.Y.; the influence and support of Germany on her work and Fluxus in general; her recent work, including "Identical Lunch"; and current challenges she faces as an artist.
She recalls Richard Lindner, Adolph Gottlieb, Willem de Kooning, Jackson Pollock, Judy Chicago, Josef Albers, Dorothy Podber, Ray Johnson, Dick Higgins, Robert Rauschenberg, John Cage, Klaus Schöning, Jon Hendricks, Gilbert Silverman, George Maciunas, George Brecht, Jack Mac Low, Yoko Ono, Mieko Shiomi, Takako Saito, Joe Jones, Marcel Duchamp, Daniel Spoerri, Richard Hamilton, Nam June Paik, Charlotte Moorman, Helmut Becker, Coco Gordon, Jim Tenney, Cornelia Lauf, Rirkrit Tirvanija, Allan Kaprow, Simone Forte, Carolee Schneemann, Richard Teitelbaum, Miriam Schapiro, Miguel Abrau, James Fuentes, Cyrilla Wozenter, Kathy Kuehn, Ryszard Wasko.
Biographical / Historical:
Alison Knowles (1933- ) is an artist and a founding member of Fluxus in New York, N.Y. Judith Olch Richards (1947- ) is a former director of iCI in New York, N.Y.
General:
Originally recorded on 5 mini discs. Duration is 5 hr., 45 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Conceptual artists -- New York (State) -- New York Search this
The papers of New York museum director and independent curator Thomas M. Messer measure 4.6 linear feet and date from 1949-2010. Material includes correspondence, a diary transcript, and printed material that reflect Messer's long career, primarily as director of the Solomon R. Guggenheim Foundation. Correspondence comprises the bulk of the collection and documents the relationships he built with artists, art historians, curators, and others colleagues. Notable correspondents include Francis Bacon, Will Barnet, Larry Bell, Alberto Burri, Pol Bury, Marc Chagall, Chryssa, Jean Dubuffet, Max Ernst, Dan Flavin, Helen Frankenthaler, Alberto Giacometti, Richard Hamilton, Jean Hélion, Grace Knowlton, Rosemarie Koczy, Jirí Kolár, Katharine Kuh, Agnes Martin, Henry Moore, George Rickey, Charles Simonds, Clyfford Still, Jack Tworkov, and many others.
Scope and Contents:
The papers of New York museum director and independent curator Thomas M. Messer measure 4.6 linear feet and date from 1949-2010. Material includes correspondence, a diary transcript, and printed material that reflect Messer's long career, primarily as director of the Solomon R. Guggenheim Foundation. Correspondence comprises the bulk of the collection and documents the relationships he built with artists, art historians, curators, and others colleagues. Notable correspondents include Francis Bacon, Will Barnet, Larry Bell, Alberto Burri, Pol Bury, Marc Chagall, Chryssa, Jean Dubuffet, Max Ernst, Dan Flavin, Helen Frankenthaler, Alberto Giacometti, Richard Hamilton, Jean Hélion, Grace Knowlton, Rosemarie Koczy, Jirí Kolár, Katharine Kuh, Agnes Martin, Henry Moore, George Rickey, Charles Simonds, Clyfford Still, Jack Tworkov, and many others.
Arrangement:
The collection is arranged as three series
Missing Title
Series 1: Correspondence, 1962-2010 (4 linear feet; Box 1-4)
Series 2: Diary Transcript, 2007-2009 (0.02 gigabytes; ER01)
Series 3: Printed Material, 1949-1987 (0.6 linear feet; Box 5-6)
Biographical / Historical:
Thomas Messer (1920-2013) was a museum director and independent curator in New York, New York. Born and raised in Czechoslovakia, Messer became a United States citizen in 1944 and served in the United States Army in World War II. He earned his bachelor's degree from Boston University and studied at the Sorbonne in France before returning to the United States to study art history and museology at Harvard University. After obtaining his graduate degree, Messer was the director of the Roswell Museum in Roswell, New Mexico and then of the Institute of Contemporary Art in Boston. In 1961, Messer became the director of the Solomon R. Guggenheim Foundation, which includes the Guggenheim Museum in New York and the Peggy Guggenheim Collection in Venice, Italy. Messer retired from his position there in 1988 and became a freelance curator, teacher, writer, and arts consultant.
Related Materials:
Also found in the Archives of American Art are two oral history interviews with Thomas Messer conducted by Paul Cummings in 1970 and by Andrew Decker in 1994-1995.
Provenance:
Donated to the Archives of American Art in 1995 by Thomas Messer and in 2016 by the Thomas Messer estate via Adam Lehner, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Use of electronic records requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Richard Hamilton and Marcel Duchamp. Art, anti-art: Marcel Duchamp speaks, 1959 October. Colette Roberts Papers and Interviews with Artists, 1918-1971. Archives of American Art, Smithsonian Institution.
KPAL (Radio station : Palm Springs, California) Search this
Type:
Sound Recording
Date:
1966-1967
Citation:
Richard Hamilton and Molly Saltman. Interview with Richard Hamilton, 1966-1967. Molly Saltman "Art and Artists" interviews, 1966-1967. Archives of American Art, Smithsonian Institution.
Collaborations : relations-confrontations : Dieter Roth, Richard Hamilton / with an introduction by Vicente Todolí, and texts by Etienne Lullin and Emmett Williams
Richard Hamilton graphics : [catalogue of the exhibition] July 21 to September 4, 1978 / organized by the Vancouver Art Gallery with the assistance of the British Council and the Canada Council
