Metropolitan Museum of Art (New York, N.Y.) Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Robert Beverly Hale, 1984 Mar. 7. Archives of American Art, Smithsonian Institution.
Topic:
Arts administrators -- New York (State) -- New York -- Interviews Search this
An interview of Robert Beverly Hale conducted 1984 Mar. 7, by Robert F. Brown, for the Archives of American Art.
Hale speaks of his childhood years living a bohemian life; personal and family friend Marcel Duchamp; his time as a student at the Columbia School of Architecture; being a biology student at Columbia University; studying painting in Paris at Fontainebleau; assisting Waldo Pierce as a secretary; the gold medal from the American Poetry Society; running the publicity department of the Arts Students League; connection to the Metropolitan Museum of Art; Art News magazine critic in 1930s; tenure in the American wing of the Met; friend Jackson Pollack and the art scene at East Hampton; discussion of drawing the planes of the human body; and writing a book on figure drawing. Hale also recalls Bertrand Russell, Julian Huxley, Henry Oliver Walker, Phil Wiley, George Bridgman, William McNulty, Stuart Klonis, Sam Lewis, Edward Root, Walter Baker, Joseph Hirshhorn, Alan Priest, Albert Gardner, Henry Geldzahler, James Rorimer; David Rockefeller, Alfred Barr, and Terrance Coyle.
Biographical / Historical:
Robert Beverly Hale (1901-1985) was an administrator, instructor, and art historian from New York, N.Y.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 7 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
An interview of Henry Geldzahler conducted 1970 Jan. 27, by Paul Cummings, for the Archives of American Art. Geldzahler speaks of his youth and family background; his early interests; his education at Yale and Harvard; the decision to pursue an art career; working with the Metropolitan Museum of Art for Robert Beverly Hale; working with James Rorimer; his first exhibit; artists and curators he has been associated with; working with Roger Stevens at the National Endowment for the Arts; public interest in museums; working with Thomas Hoving; his opinion of critics; and how he selects works for exhibitions. He recalls Richard Bellamy, Harry Lowe, Lois Bingham, Robert Scull, Leo Castelli, Frank Stella, Andy Warhol, and Rene D'Harnoncourt.
Biographical / Historical:
Henry Geldzahler (1935-1994) was a curator in New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Curators -- New York (State) -- New York -- Interviews Search this
Biographical material, interview transcript, notebooks, sketches, photographs and miscellaneous writings.
A short biographical sketch, 1949, published in the New Yorker Magazine; a certificate of fellowship for the Royal Society for the Encouragement of Arts, Manufactures and Commerce (London), 1969; 22 family letters, undated and 1901-1943, and ca. 225 letters and postcards received by Hale, undated and 1948-1978, from friends, publishers, business colleagues, and others; 15 daily appointment books, 1940, 1949, 1953, 1954, 1956, 1958, 1960, 1961, 1962, 1966, 1967, 1972, 1973, 1976, and undated; loose notes and 3 small notebooks, undated and 1966; and lecture notes and scripts, undated and 1940s-1970s, on anatomy, drawing, the history of costume, science and artists, man and culture, and other topics.
Also included are: a transcript of an interview for Radio Free Europe, 1960, on "Man and Culture"; an audio cassette interview of Hale by Karl Fortess, 1975, in which he discusses his theories of art, art history, education, his teaching at the Art Students League, and other topics; ca. 55 pages of sketches and a sketchbook, undated and 1966-1970, mostly of anatomical drawings ( a few envelopes and letters received by Hale also carry anatomical sketches by him; an initialed and dated pencil sketch of Philip Hale by Jo Mielziner, 1920; published articles by and about Hale, 1950s-1970s; and 93 photographs, undated and 1940s-1970s of Hale, his friends, family, home, studio, and art work.
The remainder of the papers consists of 1.4 linear feet (ca. 1,500 pages) of writings and related documents (drafts, final typescripts, publisher contracts, etc.) for books by Robert Hale, including: DRAWING LESSONS FROM THE GREAT MASTERS, 1964; THE ART OF BALCOMB GREENE, 1977 (co-author Terry Coyle); ALBINUS ON ANATOMY, 1979 (co-authored with Terry Coyle); and SNOWLAND, a novel by Hale, which was called in subsequent editions THE WHITE BROWNSTONE.
Biographical / Historical:
Administrator, instructor, art historian; died in 1985.
Provenance:
Files from Hale's tenure at the Metropolitan Museum of Art were discarded by him in 1982.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
An interview of Anne Rorimer conducted 2010 November 15-16, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Rorimer's home, in Chicago, Illinois.
Rorimer speaks of her family background; her early life and education in New York City; her father, James Rorimer, and his influence as director of the Metropolitan Museum of Art; college life at Bryn Mawr; how she became interested in modern art; her internship at the Victoria & Albert Museum in London after college; her master's degree thesis on Tony Smith; her job as a curator at the Albright-Knox Gallery and then at the Art Institute of Chicago; memorable exhibitions at the AIC throughout the 1970s and early 1980s, including the annual "American Exhibition," "Europe in the Seventies: Aspects of Recent Art," (1977), and "Idea and Image in Recent Art" (1974); her close relationship with Anne D'Harnoncourt; how she left the AIC in 1984 to write, "New Art in the '60s and 70s: Redefining Reality," (2001); her role in acquisitions of contemporary art at the AIC; her thoughts on art education; her work with collectors; the process of getting her book published and reactions to it; her curatorial projects in the 1980s and early 1990s that focused on conceptual art; her relationship with artists like Michael Asher and Daniel Buren; her extensive book collection; her thoughts on being a freelance curator and writer. She recalls Whitney Stoddard, Robert Beverly Hale, Theodoros Stamos, Leo Castelli, Henry Geldzahler, Anne D'Harnoncourt, Renee Marcuse, Bates Lowry, Tony Smith, Marcia Tucker, A. James Speyer, Bruce Nauman, Lawrence Weiner, Vito Acconci, William Wegman, Robert Morris, Lucy R. Lippard, Katharine Kuh, Sol Lewitt, John Maxon, Eva Hesse, Muriel Newman, Judith Kirschner, Dan Graham, Benjamin Buchloh, and Marcel Broodthaers.
Biographical / Historical:
Anne Rorimer (1944-) is a curator and art historian in Chicago, Illinois. Judith Olch Richards (1947-) is a former executive director of iCI in New York, New York.
General:
Originally recorded on 4 memory cards. Reformatted in 2010 as 6 digital wav files. Duration is 5 hr., 36 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art historians -- Illinois -- Chicago -- Interviews Search this
An interview of Knox Martin conducted 2014 May 14-July 23, by James McElhinney, for the Archives of American Art at Martin's home and studio in New York, N.Y.
Biographical / Historical:
Knox Martin (1923-2022) was a painter and muralist based in New York City. He was born in Barranquilla, Colombia and came to United States with his family in 1924. He studied at the Art Students League and taught at Yale University, University of Minnesota, New York University and his alma mater the Art Students League.
Interviewer James McElhinney (1952- ) is a painter and educator in New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the recording is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York Search this
Educators -- New York (State) -- New York Search this
Muralists -- New York (State) -- New York Search this
Sculptors -- New York (State) -- New York Search this
Painters -- New York (State) -- New York Search this
Biographical data; correspondence, undated, 1915 and 1932-1982, with Romare Bearden, Martha Bloom, Peter Blume, Louis Bosa, Homer Boss, Frank Vincent DuMond, George Grosz, Joseph Hirsch, Reginald Marsh, Kenneth Hayes Miller, William Zorach and others; notes, drafts and typescripts of articles and speeches by Klonis and others; Art Students League files, ca. 1897-1982, containing a history of the League, correspondence and printed material about the election of the Board of Control, the annual scholarship balls and the testimonial dinner for Klonis, minutes of Board of Control meetings, reports, financial data and building modernization plans; subject files of letters and printed material about the Artists Equity Association, Century Club, New York City Art Center, and others;
exhibition files on Stewart and Bernard Klonis, undated and 1933-1959, containing exhibition invitations and catalogs, lists of works, letters and photographs; art appraisals by Klonis; agreements between Klonis and the Art Students League of New York, 1945-1960; income tax returns; a Vere Foster's Drawing Copy-Book of pencil sketches; drawings, collages, prints and cut-outs by Martha Bloom, Robert B. Hale, Beatrix Sherman and others; a scrapbook, 1932-1933, of clippings, exhibition catalogs and photographs; exhibition catalogs and announcements, ca. 1925-1977; printed material on the Art Students League, ca. 1886-1980; clippings, 1933-1980; photographs of Klonis, his friends and colleagues, Art Students League Costume balls, and works of art by Homer Boss, Jose de Creeft, Frank Vincent DuMond, Xavier Gonzales, William Zorach and others.
Biographical / Historical:
Art administrator, painter; New York, N.Y. Former director of Art Students League.
Provenance:
Donated 1983 by Stewart Klonis.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
An interview of Robert Beverly Hale conducted 1968 Oct. 4-Nov. 1, by Forrest Selvig, for the Archives of American Art.
Biographical / Historical:
Robert Beverly Hale (1901-1985) was an administrator, instructor, and art historian.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 2 hrs., 3 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
The Ellen Hale and Hale family papers measure 3 linear feet and date from circa 1860 to 1952. Found within the papers are biographical material for Ellen Day and Edward Everett Hale; personal correspondence from Ellen Day and Lillian Westcott Hale; diaries by Ellen Day and Susan Hale; an appraisal of the Hale estate and personal business records for Ellen Day and Edward Everett Hale; printed material; sketchbooks and sketches by Ellen Day and Herbert Dudley Hale; and travel photographs of the Hale family.
Scope and Contents:
The Ellen Hale and Hale family papers measure 3 linear feet and date from circa 1860 to 1952. Found within the papers are biographical material for Ellen Day and Edward Everett Hale; personal correspondence from Ellen Day and Lillian Westcott Hale; diaries by Ellen Day and Susan Hale; an appraisal of the Hale estate and personal business records for Ellen Day and Edward Everett Hale; printed material; sketchbooks and sketches by Ellen Day and Herbert Dudley Hale; and travel photographs of the Hale family.
Biographical materials consist of publications related to Edward Everett Hale's 80th birthday celebration; Ellen Day Hale's calling cards, calendar, and engagement books; and Robert Beverly Hale's calendar.
Correspondence is primarily Ellen Day Hale's and Lillian Westcott Hale's personal and business correspondence, and a letter from Margaret C. Hale to Arthur Hale.
Writings include 9 diaries by Ellen Day Hale, 1 diary by Emily P. Hale, and 19 diaries by Susan Hale; an essay by Arthur Hale; Herbert Dudley Hale's word game book; Susan Hale's travel instructions to a niece; and a notebook listing the likes and dislikes of various Hale family members.
Personal business records consist of Edward Everett and Emily P. Hale's account and tax records; Ellen Day Hale's art supply receipts, royalty statements, tax records, and a check register; Lillian Westcott Hale's receipts; and Susan Hale's notes on an appraisal of the Hale estate.
Printed material includes various clippings, invitations, and programs kept by the Hale family, and Ellen Day Hale's travel postcards.
Artwork includes 22 sketchbooks by Ellen Day Hale, 5 sketchbooks by Herbert Dudley Hale; and 7 sketchbooks by other artists.
Photographs are travel snapshots taken during travels in Mexico.
Arrangement:
The collection is arranged as 7 series.
Missing Title
Series 1: Biographical materials, circa 1875-1925 (6 folders; Box 1)
Series 2: Correspondence, circa 1861-1951 (4 folders; Box 1)
Series 3: Writings, 1878-1933 (0.9 linear feet; Box 1-2)
Series 4: Personal business records, 1909-1952 (8 folders; Box 2)
Series 5: Printed material, 1862-1933 (5 folders; Box 2)
Series 6: Artwork, circa 1860-1925 (1.5 linear feet; Box 2-3)
Series 7: Photographs, circa 1890-1901 (1 folder; Box 3)
Biographical / Historical:
Writer, publisher, and clergyman Edward Everett Hale (1822-1909) and his wife, Emily Perkins Hale, were well regarded members of Boston society. After graduating from Boston Latin School at age 13, Hale enrolled directly into Harvard University and graduated second in his class in 1839. He became a licensed Unitarian minister in 1842 and was a church pastor from 1846 to 1899. In the 1860s, Hale began publishing short stories in the Atlantic Monthly, Harper's New Monthly Magazine, and other periodicals. In 1869, he co-founded the Christian Examiner, which later merged with Scribner's Magazine in 1875, and founded Lend a Hand in 1886. He and his wife had one daughter and eight sons. Three of those sons died in childhood, and a fourth, Robert Beverly Hale, died as a young adult.
Writer and artist Susan Hale (1833-1910) was schooled at home by tutors before enrolling in George B. Emerson's school. She was a self-taught artist who learned to paint and draw early in life. In 1872, she traveled to Europe to pursue formal art instruction and, upon her return to Boston, began giving lessons in watercolors. From 1873 to 1885, she maintained a studio at the Boston Art Club, wrote articles for Boston papers, edited literary collections for fundraisers, lectured on popular fiction, and eventually became a literary celebrity. Beginning in the mid-1880s, Hale began traveling the country and abroad giving lectures in the winter and visiting Edward Everett's family in Matunuck, Rhode Island in the summer. In between her travels, she continued to publish books, including a traveling series for young readers, and an instruction book on painting techniques.
Arthur Hale (1859-1939) was a general agent for the American Railway Association and an employee of the Pennsylvania Railroad Company. In 1899, he married Camilla Conner, with whom he had one daughter.
Architect Herbert Dudley Hale (1866-1908) graduated from Harvard in 1888 and studied architecture abroad at the École des Beaux Art in Paris, where he graduated among the first in his class. After his return to Boston around the turn of the century, Hale married Margaret Marquand, with whom he had five children, and established the architecture firm Hale and Rogers with James Gamble Rogers.
Writer Robert Beverly Hale (1869-1895) graduated from Harvard in 1892 and published numerous stories and articles in the Atlantic Monthly, Harper's Weekly, and Youth's Companion. Elsie and Other Poems was published in 1894, and Six Stories and Some Verses was published posthumously after Hale's death in 1895.
Artist Lillian Westcott Hale (1881-1963) was the wife of fellow artist Philip Leslie Hale, the third eldest of the Hale children. Hale received a scholarship to attend the Boston Museum School of Fine Arts, where she met Philip and married him halfway through her studies. Hale held her first solo show in 1908, the same year her daughter was born, and continued to produce work for exhibitions through the 1920s. She was the recipient of the 1915 Panama-Pacific Exposition gold medal, the National Academy's Shaw Memorial Prize (1915), and the National Academy of Design's Altman Prize (1927). She continued producing works until her death in 1963.
Related Materials:
The Archives of American Art also holds two collections related to the Hale family, including the Philip Leslie Hale papers and the Edward Everett Hale letter to an unidentified person. Smith College's Sophia Smith Collection also holds papers of the Hale family, including Nathan, Sr., and Sarah Preston Everett Hale; Edward Everett and Emily Perkins Hale; Ellen Day Hale; and Philip and Lilian Westcott Hale. .
Separated Materials:
Printed books and monographs in the collection were transferred to the National Portrait Gallery Library in 1978.
Provenance:
The Ellen Hale and Hale family papers were donated in 1978 and 1984 by Nancy Hale Bowers, the niece of Ellen Day Hale, and the grand-daughter of Edward Everett and Emily P. Hale.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Correspondence, mostly from art galleries, but also including letters (some are photocopies) from Francis Henry Taylor, Robert Beverly Hale, Joseph Green Butler, Morris Davidson, Raphael Soyer, Jacob Kainen, and Theodore Roszak; photographs of Farruggio and photographs and slides of his paintings; writings and notes, including Farruggio's "credo"; business records, mostly receipts for works of art; two scrapbooks, containing clippings and other printed items; exhibition catalogs and announcements;
clippings and articles; and miscellaneous printed materials. Also included are two published books illustrated by Farruggio: THE ART OF LOVE by Ovid and WHAT HAPPENS NEXT? by Beatrice Schenk de Regniers.
Biographical / Historical:
Painter; New York, N.Y.
Painter; New York, N.Y.
Provenance:
Donated 1976-1985 by Remo and Ella Farruggio.
Donated 1976-1984 by Remo and Ella Farruggio.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Painting, Modern -- New York (State) -- New York Search this
Biographical material (1878-1945), letters (1883-1928), business records (1898-1909), art works (1885-1887), scrapbooks (1885-1982), printed material (1884-1978), and photographs (1866-1974) document the career of painter and instructor Frank Vincent DuMond.
Biographical materials include a biographical account and a history of the DuMond family, 2 resumes and a graduation certificate. Correspondents include DuMond, his wife Helen Savier, his parents, various family members and friends and colleagues. Three letters, one from Reginald Marsh, discuss the murals created for the Hotel des Artistes. A 1917 letter from Frederic Clay Bartlett requests a letter of recommendation to the Century Club. Several letters (1887) from painter S. Jessie West discuss her thoughts and work.
Among the printed materials are clippings and obituaries, exhibition announcements and catalogs, and reproductions of DuMond's artworks. Art works include 9 sketches, 44 drawings and two sketchbooks, as well as a sketchbook kept by Helen Savier [Dumond], while she was a student at the Art Students League in 1893. Photographs show DuMond and his wife, family, friends, art classes, his works and the site of DuMond's murals at the 1915 Panama-Pacific Exposition. Colleagues pictured include Lewis Cohen, Robert Beverly Hale, Stewart Klonis, Willard Leroy Metcalf, and Kenneth Hayes Miller. Twenty-two of the artists in a group photograph autographed the mat.
Biographical / Historical:
Frank Vincent DuMond (1865-1951) was a portrait and landscape painter from New York, N.Y. DuMond was born in Rochester, N.Y., in 1865. He studied at the Art Students League from 1884 to 1888 under William Sartain and Carroll Beckwith, and at the Academie Julian in Paris from 1889 to 1891 under Jules Lefebvre, Benjamin Constant and Boulanger. Upon returning to New York, DuMond became an illustrator for Harper's Weekly and Century magazines from 1885-1892. He was an instructor at the Art Students League from 1892-1951.
Provenance:
Materials were loaned or given 1970-1984 by DuMond's daughter, Elisabeth DuMond Perry. Additional material was donated in 2005 by Robert Hubbard, who received them from his father-in-law Harry Condon, the caretaker for the Frank Dumond.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Quotes and excerpts must be cited as follows: Oral history interview with Robert Beverly Hale, 1968 Oct. 4-Nov. 1. Archives of American Art, Smithsonian Institution.
Topic:
Arts administrators -- New York (State) -- New York -- Interviews Search this
