An interview of Lia Cook conducted 2006 August 22-29, by Suzanne Baizerman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's studio, in Berkeley, California.
Cook speaks of her childhood in California; studying political science at University of California, Berkeley; being strongly influenced by the textiles of Mexican cultures; studying weaving at Konstfack University College of Arts, Crafts and Design and Handarbetets Vänner in Stockholm, Sweden; attending graduate school at Berkeley under Ed Rossbach; a strong interest in photography; teaching experiences at Haystack Mountain School of Crafts; participating in the Lausanne International Biennial of Tapestry in Switzerland; the impact of the digital Jacquard loom on the development of her work; travels throughout Europe and Japan; commission work; experiences with Allrich Gallery, Hadler/Rodriguez Gallery, and Perimeter Gallery; series Fabric Landscape, Material Pleasure, Point of Touch, Presence/Absence, and Anatomy of a Portrait; her involvement with American Craft Council, European Textile Network, and College Art Association; and the importance of teaching in her life. Cook also recalls Gyongy Laky, Nance O'Banion, Deborah Rappaport, Sheila Hicks, Magdalena Abakanowicz, Peter and Ritzi Jacobi, and others.
Biographical / Historical:
Lia Cook (1942- ) is a textile painter of Berkeley, California. Suzanne Baizerman (1942- ) is an independent curator of Alameda, California.
Originally recorded as 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 2 hr., 23 min.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Transcript available on the Archives of American Art website.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Access of diaries and appointment books required written permission.
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Funding for the processing of this collection was provided by the Leon Levy Foundation.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Lia Cook papers, 1968-2012. Archives of American Art, Smithsonian Institution.