Alice's restaurant massacree (18:20) --Chilling of the evening (3:01) --Ring-around-a-rosy rag (2:10) --Now and then (2:15) -- I'm going home (3:21) --The motorcycle song (2:58) --Highway in the wind (2:40).
Track Information:
101 Alice's Restaurant Massacree / Guitar.
201 Chilling of the Evening / Guitar.
202 Ring-Around-A-Rosy Rag / Guitar.
203 Now and Then / Guitar.
204 I'm Going Home / Guitar.
205 The Motorcycle Song / Guitar.
206 Highway in the Wind / Guitar.
Local Numbers:
FW-ASCH-LP-2070
Reprise.6267
Publication, Distribution, Etc. (Imprint):
Reprise 1967
General:
Songs, sung and spoken by the composer, with instrumental accompaniment.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
3.83 Cubic feet (8 binders containing contact sheets, slides, and prints; 7 boxes (8.5"x10.75"x2.5") of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints.)
Type:
Collection descriptions
Archival materials
Contact sheets
Slides (photographs)
Black-and-white negatives
Photographic prints
Place:
New York (N.Y.)
Saint Simons Island (Ga. : Island)
Date:
1963-2009
Summary:
The Diana Davies photographs consist of images taken by Diana Davies at various stages of her career. Locations include the Festival of American Folklife, the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's Campaign, various peace and protest marches and outdoor performances, New York City, and the Georgia Sea Islands. The collection includes contact sheets, negatives, photographic prints, and slides.
Original photographs, negatives, and color slides taken by Diana Davies. Materials date from 1963-2009. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987.
Scope and Contents:
The Diana Davies photographs, 1963-2009, consist of black and white negatives, contact sheets and prints, as well as color slides and negatives. The bulk of materials depict major festivals and protest movements (including the Poor People's March of 1968) documented by Diana Davies (located in Series 1: Newport Folk Festival, Series 2: Philadelphia Folk Festival, Series 6: Festival of American Folklife, and Series 11: Social Justice). Also well-represented are non-festival performances (in locations such as clubs, concert halls, and homes), recording sessions, and other music-related images, mainly of notable figures in the American folk music revival (located in Series 3: Broadside Magazine, Series 4: Sing Out! Magazine Concerts, Series 5: Miscellaneous Concerts and People, Series 7: Recording Sessions, Series 8: Instruction Book Shots, and Series 9: Jazz, Blues, and Salsa Musicians). Series 10: Georgia Sea Islands consists of photographs depicting the culture, environment, and daily life of these coastal islands in 1966. Series 12: New York City Scenes contains photographs taken on the street depicting everyday life in NYC in the 1960s and 1970s. The collection also contains related papers in Series 13: Miscellaneous Papers and Correspondence.
Arrangement note:
Each item in the Diana Davies Photographs has been assigned an accession number, and like materials have been put together such as the Newport Folk Festival photographs, in a chronological sequence as much as possible. Materials in the three more recent donation batches (1998, 2004, and 2006) were numbered and integrated into the collection. In some series, the accession numbers are in numerical order, and in others, the numbers are random because like items with different number sequences were pulled together in a series for subject coherence. The best way to find occurrences of a particular subject is to use the ctrl+F function. Please consult the archivists if you have any questions about the collection contents.
Contact sheets, slides, and prints arranged in 8 binders; negatives and oversize prints are stored separately.
Arranged in 14 series:
Series 1: Newport Folk Festival
Series 2: Philadelphia Folk Festival
Series 3: Broadside Magazine
Series 4: -- Sing Out! -- Magazine Concerts
Series 5: Miscellaneous Concerts and People
Series 6: Festival of American Folklife
Series 7: Recording Sessions
Series 8: Instruction Book Shots
Series 9: Jazz, Blues, and Salsa Musicians
Series 10: Georgia Sea Islands
Series 11: Social Justice
Series 12: New York City Scenes
Series 13: Miscellaneous Papers and Correspondence
Series 14: Oversize Materials
Biographical/Historical note:
Diana Davies is a well-known photographer of folk performers and festivals. Davies photographed the Smithsonian Folklife Festival in its earlier years. Born in 1938, Davies grew up in Maine, the Catskills, New York City, and Boston. Her grandparents were local union organizers and Debs socialists; one grandfather was a gandy dancer with the railroad, and her grandmother was a textile worker in Massachusetts, New York, and Pennsylvania. Davies finds that her family background was later expressed in her own activist efforts.
Davies left high school at 16, and worked sweeping out coffeehouses, which gave her the opportunity to listen to music while she worked. She became interested in theater and music. In Greenwich Village, she began doing some sound technician work, and then got interested in photography. She taught herself how to develop and print photographs in a darkroom, and began photographing in theaters, shooting from behind the scenes. Her theater photos are at Smith College in Northampton, where she presently lives. In the early 1960s, she began working with the editors of Broadside Magazine, Sis Cunningham and Gordon Friesen. She developed an interest in human rights work, which grew from her contact with Sis and Gordon, and also her own family background. She also worked as a photographer in a wide range of settings, including night clubs, weddings, and doing portrait photography. This led her to work for major national and international media including the New York Times, covering such events as the war in Biafra, and traveling to Mexico, Cuba, and Portugal on assignment.
Davies' folk photographs represent about one-quarter of her body of work; her other major photographic work includes the Civil Rights Movement, the Peace Movement, and theater. Davies began photographing at the Newport Folk Festival in 1964, which she covered for a number of years. She knew Ralph Rinzler, and found him a vibrant, alive person excited by all aspects of culture. He introduced her to Bessie Jones from the Georgia Sea Islands, and in 1966 she made a photographic journey to the islands. Her work from this trip is included in the collection. Davies has also been a musician. She became involved with the punk rock movement of the 1970s, and felt that there was a connection between the hard-hitting songs from the punk world and the songs being published in Broadside Magazine. In 1975, she became part of a folk/punk women's band in Boston, and later moved to Western Massachusetts. In addition to being a photographer and musician, Davies is also a writer. She wrote a play entitled "The Witch Papers" in 1980, which was produced in Boston and other locations. The play was a vehicle for her human rights activism, comparing the technology of inquisition with labor sweatshops. In 1998, her play "The War Machine" was produced in Amherst, Mass. She lives in Northampton, and enjoys and participates in street performance, which she describes as the "most essentially communicative stuff you can come up with."
General note:
All contact sheets from the collection are digitized and accessible through this finding aid. Series-level slideshows accessible through this finding aid represent a small sampling from the collection.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives and Collections. These two more recent donations of additional photographs (contact sheets, prints, and slides) consisted of documentation of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the provison that her work be credited in any use.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Tom Wisner collection, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Tom Wisner collection, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Lee Hays papers, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
This series includes photographs of two studio recording sessions: one with Janis Ian, presumably in New York City, in 1966; and one with Arlo Guthrie at Columbia Records, New York City, in 1967. The series includes contact sheets, negatives, and 1 photographic print donated by Davies in 1998.
Arrangement:
Contact sheets and print arranged in folders; negatives are stored separately.
Biographical / Historical:
Diana Davies is a well-known photographer of folk performers and festivals.
General:
The online images include the contact sheets for this series, as well as a selection of images.
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies photographs in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. Ms. Davies donated additional photographs to the Archives in 1989-1990, 1998, and 2004.
Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 for additional information.
Rights:
Copyright restrictions apply. Please contact the archives staff for further information.
Festival Recordings: National Endowment for the Arts Heritage Stage: Bernice Reagon, Ronnie Gilbert, Guy Logsdon, Arlo Guthrie, Studs Terkel, Josh White Jr., Pete Seeger, Ralph Rinzler
Creator:
Smithsonian Institution. Festival of American Folklife. National Heritage Fellowships Program 1982 Washington, D.C. Search this
Ralph Rinzler-Intro-; Pete Seeger and group--Going down the road feeling bad; Studs Terkel--narrative; Ronnie Gilbert--Hard traveling; Arlo Guthrie--Pretty Boy Floyd; Bernice Reagon-My curly headed baby; Josh White Jr.--Mail myself to you; Ronnie Gilbert--narrative; Bernice Reagon--900 miles; Guy Logsdon and group--Roll on Columbia-; group-Sinking of the Rueben James; Josjh White Jr.--Pastures of plenty
Local Numbers:
FP-1982-7RR-0081
General:
CDR copy-- The Tribute to Woody Guthrie included Bernice Reagon, Ronnie Gilbert of the Weavers, Guy Logsdon, Arlo Guthrie, Studs Terkel, Josh White Jr., Pete Seeger, Ralph Rinzler, Marjorie Guthrie and Harold Leventhal. continued on following tapes
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1982.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Festival Recordings: National Endowment for the Arts Heritage Stage: Reagon, Gilbert, Logsdon, A. Guthrie, Studs Terkel, J. White Jr., P. Seeger, R. Rinzler
Creator:
Smithsonian Institution. Festival of American Folklife. National Heritage Fellowships Program 1982 Washington, D.C. Search this
Arlo Guthrie--1913 massacre; Bernice Reagon--I've got to know; Pete Seeger--Lonesome valley; Group--Woody'r rag; Marjorie Guthrie, Guy Logsdon--narrative; Studs Terkel--I need thirty minutes; Ronnie Gilbert--Union maid; Bernice Reagon--Deportees (Plane wreck at Los Gatos); Guy Logsdon--Oil fields
Local Numbers:
FP-1982-7RR-0082
General:
CDR copy
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1982.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Festival Recordings: National Endowment for the Arts Heritage Stage: Reagon, Gilbert, Logsdon, A. Guthrie, Studs Terkel, J. White Jr., P. Seeger, R. Rinzler
Creator:
Smithsonian Institution. Festival of American Folklife. National Heritage Fellowships Program 1982 Washington, D.C. Search this
Pete Seeger--Talking song; Arlo Guthrie--Ladies auxillary--Do-Re-Mi---Washington; Pete Seeger--Why oh why; Marjorie Guthrie--Clara; Hobo's lullaby--Oklahoma hills; Pete Seeger--So long, its been good to know you; All--This land is your land
Local Numbers:
FP-1982-7RR-0083
General:
CDR copy
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1982.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
1. Intro 2. Going Down This Old Dusty Road 3. Narrative- Terkel 4. Hard Travelin' 5. Pretty Boy Floyd 6. Narrative 7. I'm Gonna to Mail Myself to You 8. Narrative 9. 900 Miles 10. Narrative 11. Roll On Columbia 12. Narrative 13. Sinking of the Reuben James 14. Pastures of Plenty 15. 1913 Massacre 16. I've Got to Know 17. Lonesome Valley 18. Instrumental 19. Narrative 20. Union Maid
Track Information:
101 Intro / Ralph Rinzler.
102 Going Down This Old Dusty Road / Arlo Guthrie, Pete Seeger, Ronnie Gilbert. Banjo,Guitar.
103 Narrative / Studs Terkel.
104 Hard Traveling / Arlo Guthrie, Pete Seeger, Ronnie Gilbert. Banjo,Guitar.
105 Pretty Boy Floyd / Arlo Guthrie. Guitar.
106 My Curly Headed Baby / Bernice Johnson Reagon.
107 Mail Myself to You / Josh, Jr. White. Guitar.
108 Narrative / Ronnie Gilbert.
109 900 Miles / Bernice Johnson Reagon.
110 Narrative / Guy William Logsdon.
111 Roll On Columbia / Arlo Guthrie, Pete Seeger, Ronnie Gilbert. Banjo,Guitar.
112 Narrative / Guy William Logsdon.
113 The Sinking of the Reuben James / Arlo Guthrie, Pete Seeger, Ronnie Gilbert. Banjo,Guitar.
114 Pastures of Plenty / Josh, Jr. White. Guitar.
115 1913 Massacre / Arlo Guthrie. Guitar.
116 I've Got to Know / Bernice Johnson Reagon.
117 Lonesome Valley / Arlo Guthrie, Pete Seeger, Ronnie Gilbert. Banjo,Guitar.
118 Woody's Rag / Ralph Rinzler, Arlo Guthrie, Ronnie Gilbert. Banjo,Guitar,Mandolin.
119 Narrative / Harold Leventhal, Marjorie Guthrie, Toshi Seeger.
120 Union Maid / Ronnie Gilbert. Banjo,Guitar.
Local Numbers:
FP-CDR-0023
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, 1982.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
1. Deportees 2. Narrative 3. Talkin' Blues 4. Ladies Auxiliary 5. Do-Re-Mi 6. Narrative 7. Why Oh Why 8. Narrative 9. Hobo's Lullaby 10. Oklahoma Hills 11. So Long, Its Been Good to Know You 12. This Land is Your Land
Track Information:
101 Deportees (Plane Wreck at Los Gatos) / Bernice Johnson Reagon. Guitar.
102 Narrative / Guy William Logsdon.
103 Talkin' Blues / Pete Seeger. Banjo.
104 Ladies Auxilary / Arlo Guthrie. Guitar.
105 Do-Re-Mi / Arlo Guthrie. Guitar.
106 Narrative / Arlo Guthrie.
107 Why, Oh Why? / Pete Seeger. Banjo.
108 Narrative / Ronnie Gilbert.
109 Hobo's Lullaby / Josh, Jr. White. Guitar.
110 Oklahoma Hills / Arlo Guthrie. Guitar.
111 So Long, It's Been Good to Know You / Pete Seeger, Arlo Guthrie, Ronnie Gilbert. Guitar.
112 This Land is Your Land / Pete Seeger, Arlo Guthrie, Ronnie Gilbert. Guitar.
Local Numbers:
FP-CDR-0024
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, 1982.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
206 I Got to Know / Group, Pete Seeger, Sonny Terry. Banjo,Harmonica.
207 New York Town / Group, Logan English, Jack Elliott. Guitar,Harmonica.
Local Numbers:
FW-ASCH-7RR-3641
Date/Time and Place of an Event Note:
Recorded in: New York, United States, April 17, 1965.
General:
CDR copy- Disc 476; 482
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Oklahoma hills -- Philadelphia lawyer -- Hard travelin' -- Deportee -- Roll Columbia roll -- Union made -- New York town -- The sinking of the Reuben James -- Talking sailor -- Riding in my car -- Lonesome valley -- Hobo's lullaby -- This land is your land.
Track Information:
101 Oklahoma Hills / Woody Guthrie, Arlo Guthrie. Guitar.
102 Philadelphia Lawyer (Reno Blues) / Woody Guthrie, Arlo Guthrie, Rose Maddox. Guitar.
103 Hard Traveling / Woody Guthrie, Arlo Guthrie, Jack Elliott. Guitar.
104 Deportees (Plane Wreck at Los Gatos) / Woody Guthrie, Arlo Guthrie, Hoyt Axton. Guitar.
105 Roll Columbia Roll / Woody Guthrie, Arlo Guthrie, Bob Murlin. Guitar.
106 Union Maid / Woody Guthrie, Arlo Guthrie, Pete Seeger. Guitar.
107 New York Town / Woody Guthrie, Arlo Guthrie, Jack Elliott. Guitar.
201 Pastures of Plenty / Woody Guthrie, Holly Near, Ronnie Gilbert. Guitar.
202 The Sinking of the Reuben James / Woody Guthrie, Arlo Guthrie, Pete Seeger. Guitar.
204 Car Song (Riding in My Car) / Woody Guthrie, Arlo Guthrie, Judy Collins. Guitar.
205 Lonesome Valley / Woody Guthrie, Joan Baez. Guitar.
206 Hobo's Lullaby / Woody Guthrie, Arlo Guthrie, Pete Seeger. Guitar.
207 This Land is Your Land / Woody Guthrie, Arlo Guthrie. Guitar.
Local Numbers:
FP-RINZ-LP-0262
Arloco.284
Publication, Distribution, Etc. (Imprint):
Arloco
General:
"Soundtrack from the film."
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
