Search Results

Creator:

Belmont Mansion  Search this

Acklen, Joseph, Mrs., Colonel  Search this

Ward Seminary  Search this

Architect:

Heiman, Adolphus  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slides (photographs) (col.)

Type:

Archival materials

Slides (photographs)

Place:

Tennessee -- Nashville

United States of America -- Tennessee -- Davidson County -- Nashville

Date:

1950

General:

Belmont Mansion is located on the Belmont College campus. The Italian villa was built in 1850. It has 30 rooms and became a college and prep school for women in 1890 originally named Belle Monte. It was first built as a summer residence. There are 3 different pictures from a guidebook.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Formal gardens  Search this

Mansions  Search this

Water towers  Search this

Conservatories  Search this

Plan views  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item TN042000

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Tennessee / TN042: Nashville -- Belmont College

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6028e3e40-29b8-423a-8ad2-c2179ce8cc47

EDAN-URL:

ead_component:sova-aag-gca-ref11244

Creator:

Iselin, C. Oliver, Mrs  Search this

Landscape architect:

Marvin, Robert E., 1920-2001  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

South Carolina -- Aiken

United States of America -- South Carolina -- Aiken County -- Aiken

General:

Hopeland Gardens is 14.2 acres and Robert E. Marvin, noted landscape architect, created a master plan for the garden. 1. Dedication of Hopeland Gardens to the public. 2. Plan drawings from Marvin brochure. 3. Garden pictures from Marvin brochure. 4. Country Life Magazine, page 22 and 23. No date. 5. Sotheby Advertisement - Fall, 1986. 6. Garden Club of America, Annual Meeting Guidebook, April 1932, page 29.

Related Materials:

Hopeland Gardens related holdings consist of 1 slide (col.)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Plan views  Search this

Rites and ceremonies  Search this

People  Search this

Allées  Search this

Gazebos  Search this

Fountains  Search this

Sculpture  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File SC047

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / South Carolina

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6cf2845be-ae61-4b86-aaf4-f1f8853486e0

EDAN-URL:

ead_component:sova-aag-gca-ref12434

Former owner:

Turnbridge Mr  Search this

Turnbridge, Mrs.  Search this

Smith, Oscar  Search this

Smith, Oscar, Mrs.  Search this

Provenance:

The Virginia Beach Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Meg and Bill Campbell Garden (Virginia Beach, Virginia)

United States of America -- Virginia -- Virginia Beach

Scope and Contents:

The folder includes an information sheet, a features plan, a slide plan, a slide list and a plant list.

General:

Located on less than an acre, the Meg and Bill Campbell Garden is a coastal seaside garden dominated by live oaks, some of which predate the 1925 house. Over the years, renovations to the house and garden have updated the Dutch Colonial shingle style home, tucking decks on four levels among the trees. Raised wookden walkways wind through beds of hostas, ferns and hydrangeas toward the waterfall and pond. The garden is one house away from oceanfront. The front bed, which has more ocean exposure, has plantings of Russian sage, Joe Pue weed, shrub roses, Becky daisues, day lilies, spiderwort and grasses.

The location of this garden in Virginia is at the northern edge of the growing zone for live oak trees. Some of the trees on the property are more than one hundred years old and were left in place although the building of houses in the area destroyed most of the coastal dunes. The informal style of plantings of perennials, bulbs, annuals, and vines allows some flowers to self-sow from year to year. Elevated wooden walkways and paths made from paving stones allow access to all parts of the garden. A vegetable garden on a neighbor's property is shared, and there is an herb garden at the back of the lot.

Persons associated with the property include: Mr. and Mrs. Turnbrige (former owners, 1925-1940); Commodore and Mrs. Oscar Smith (former owners, 1940-1974).

Related Materials:

Meg and Bill Campbell Garden related holdings consist of 1 folder (18 35 mm, slides (photographs).)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Virginia -- Virginia Beach  Search this

Seaside gardening  Search this

Urban gardens  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File VA372

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Virginia

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6b73ea618-ee6b-4c91-a7da-43543e25f082

EDAN-URL:

ead_component:sova-aag-gca-ref18918

Creator:

Beal, Gifford, 1879-1956  Search this

Andrews, Ambrose, 1805-1859  Search this

Bates, Edward, 1793-1869  Search this

Bohrod, Aaron  Search this

Cloar, Carroll  Search this

Colman, Samuel, 1832-1920  Search this

Bacon, Josephine Daskam, 1876-1961  Search this

Rogers, Daniel Denison, 1751-1825  Search this

Elliot, William Parker  Search this

Brush, George de Forest, 1855-1941  Search this

Harding, Chester, 1792-1866  Search this

Names:

Art Students League (New York, N.Y.)  Search this

Beach, Ella  Search this

Thayer, Abbott Handerson, 1849-1921  Search this

Town, Ithiel, 1784-1844  Search this

Watson, Forbes, 1880-1960  Search this

Collection Creator:

Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this

Extent:

14 Items (Letters, written in ink, ball point, graphite, typewritter)

Type:

Archival materials

Lithographs

Correspondence

Place:

New York (N.Y.)

Date:

1779-1981

Scope and Contents:

This folder is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in the folder are letters by Ambrose Andrews, Edward Bates, Gifford Beal, Aaron Bohrod, Carroll Clear, Samuel Colman, Josephine Daskam, Daniel Denison Rogers, William Elliot, George de Forest Brush, and Chester Harding. The letters' subjects cover a wide range of topics, including the buying and selling of art, invitations to dinner, and general correspondence.

Arrangement:

Organized alphabetically by author.

Biographical / Historical:

Ambrose Andrews was a portrait, miniature, and landscape portrait who worked throughout New England and the United States. He was born in Stockbridge, Massachusetts in 1801 and studied at the National Academy of Design. He exhibited paintings at many different institutions, including his portraits of Henry Clay and Sam Houston. Andrews's work is now in the New York Historical Society.

Edward Bates was a representative for Missouri in the mid-1800s. He served in the War of 1812 as a sergeant in a volunteer brigade, studied and practiced law, attended the state constitutional convention, was district attorney from 1821 to 1826, and was a member of the state senate. He declined to serve as Secretary of War for President Fillmore, but was appointed Attorney General of the United States by President Lincoln, and served from March 5, 1861 to September 1864. Bates died on March 25, 1869.

Admiral Charles Henry Davis was born on January 16, 1807, and served as Chief of the Bureau of Navigation between 1862 and 1865. He then served as Superintendent of the Naval Observatory. He had three ships named after him.

Forbes Watson was an art critic, lecturer, and administrator in New York City in the early 20th century. He served as art critic for the New York Evening Post. In 1933 he was appointed Technical Director of the first New Deal art program, the Public Works of Art Project, which provided work for artists in the decoration of non-federal buildings. He later worked at the Treasury Department of Painting and Sculpture, which administered funding for decorating federal buildings. Watson finally served in the Treasury Department's War Finance Division, where he organized exhibitions and posters by combat artists to promote the sale of war bonds. Forbes Watson's papers are held in the Archives of American Art.

Gifford Beal was an American artist who worked with many organizations for the advancements of the arts, finding inspiration from a wide variety of sources, including holiday scenes, every-day life, and landscapes. Beal loved spontaneity and was influenced by French Impressionists. He was commissioned by the government to paint two murals: one on the post office in Allentown, Pennsylvania, and one in the Main Interior Building in Washington, D.C. Beal's papers are held in the Archives of American Art.

Aaron Bohrod was born in Chicago, Illinois on November 21, 1907, where he studied art at the Art Institute of Chicago. He worked for a while in the advertising art department at the Fair Department Store in Chicago, but eventually moved to New York City, where he joined the Art Students League. He died on April 3, 1992. During World War II, Bohrod worked as an artist for the United States Army Corps of Engineer and Life magazine in Europe.

Carroll Cloar was an American realist and surrealist who lived from 1913 to 1993. He grew up in Arkansas, but later moved to Tennessee, travelled Europe, and joined the Art Students League in New York City. During World War II, he joined the U.S. Army Air Corps, and although he did complete some artwork during this period, none of it survives. Cloar then settled in Memphis. One of his paintings was chosen to commemorate President Clinton's inauguration in 1993. Cloar died of a self-inflicted gunshot wound on April 10, 1993, after a long battle with cancer.

Samuel Colman was an American painter who belonged to the Hudson River School, and is most well-remembered for his landscapes. He was born in Portland, Maine, in 1832, and began exhibiting at the young age of 18. At 27 he was elected an associate of the National Academy, and later studied abroad in Paris and Spain. He was made a full Academician upon his return to the United States, and both founded and served as the first president of the American Water-color Society. He continued to both study in Europe and exhibit artwork, moving from New York to Rhode Island. Colman is represented in the metropolitan Museum, Chicago Art Institute, and many other collections. He died in New York City in 1920.

Josephine Daskam Bacon was an American writer known for writing about "women's issues" and using female protagonists. She wrote a series of juvenile mysteries and helped pioneer the Girl Scouts movement, writing a guidebook for the organization.

Daniel Denison Rogers is perhaps most widely remembered for the painting that John Singleton Copley completed of his wife, Abigail Bromfield.

Ithiel Town was an American architect and civil engineer who lived from October 3, 1784 to June 13, 1844. He worked in the Federal and revivalist Greek and Gothic styles, and was widely copied. He was born in Connecticut, and built both Center Church and Trinity Church in New Haven. Town patented a wooden lattice truss bridge, which made him quite wealthy. He formed a professional architecture firm with Alexander Jackson Davis. One of Town's most amazing feats was the construction of the Potomac Aqueduct in Washington, D.C., which allowed fully loaded canal boats to cross the Potomac River.

William Parker Elliot designed the old U.S. Patent Office, a very important Greek Revival building, with Ithiel Town.

George de Forest Brush was an American painter who grew up in Connecticut and is typified by his paintings and drawings of Native Americans. Even after moving from Wyoming, where he met the Native Americans, back to the East, Brush still occasionally enjoyed living in a teepee. Brush's artistic style later developed into Renaissance-inspired portraits. He was friends with Abbott H. Thayer, and along with Brush's wife, Mary, and son, Gerome, they all contributed to early camouflage designs. Brush died in New Hampshire in 1941.

Chester Harding was an American portrait painter born in Massachusetts in 1792. He worked in many different professions, finally becoming a self-taught itinerant portrait painter. Harding settled in Beacon Hill, Boston, Massachusetts, in a building that now houses the Boston Bar Association (the Chester Harding House, a Historic National Landmark). He studied at the Philadelphia School of Design, later setting up a studio in London, where he befriended and painted for royalty and nobility. Harding finally returned to Boston, where he died in 1866.

Local Numbers:

FSA A2009.06 4

Other Archival Materials:

Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art, American  Search this

Real property  Search this

Drawing  Search this

Genre/Form:

Lithographs -- 1950-2000

Correspondence -- 19th century

Correspondence -- 20th century

Collection Citation:

The Brumbaugh Collection of Artist Letters. FSA.A2009.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A2009.06, Series FSA A2009.06 4

See more items in:

The Brumbaugh Collection of Artist Letters

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3fe083cf2-c3ca-489b-b0ee-4f49e62444b0

EDAN-URL:

ead_component:sova-fsa-a2009-06-ref2

Collection Collector:

Archives Center, National Museum of American History  Search this

Collection Donor:

Becker, John M.  Search this

Gay Officers Action League. GOAL  Search this

Heritage of Pride (HOP)  Search this

Rohrbaugh, Richard  Search this

Atlantic States Gay Rodeo Association (ASGRA)  Search this

Collection Creator:

Hirsch, Leonard  Search this

Guest, Barbara  Search this

Barna, Joseph T.  Search this

Guest, Michael E.  Search this

Cruse, Howard, 1944-2019  Search this

Container:

Box 153

Type:

Archival materials

Date:

1972

Collection Restrictions:

The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 4: Advertising, Business, and Publications / 4.1: Advertising

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8358ae6a4-7cb0-4999-a619-b684a3a34d0b

EDAN-URL:

ead_component:sova-nmah-ac-1146-ref2031

Extent:

17.6 Cubic feet (50 containers)

Type:

Collection descriptions

Archival materials

Technical reports

Photographic prints

Newspaper clippings

Correspondence

Date:

1961-2008

bulk 1980s-2000s

Summary:

This collection consists of 17 cubic feet of papers relating to the life and career of astronaut Pamela A. Melroy.

Scope and Contents:

The Pamela A. Melroy Papers (acc. no. 2018-0034) reflect Melroy's extensive experience as a pilot, space explorer, Space Shuttle Columbia accident investigator and leader within various governmental/military roles. Her great contributions as an air force officer, astronaut and Space Shuttle commander are quite evident in this collection.

This collection encompasses Melroy's years spent as an officer with the United States Air Force (USAF), test pilot, Gulf War veteran, National Aeronautics and Space Administration (NASA) astronaut and one of the first female Space Shuttle commanders. The material contained in the collection ranges from the 1970s into the 2010s. It is a mixture of the following materials: correspondence, memoranda, notes, reports and briefings, technical manuals (mainly NASA/Space Shuttle-related), notebooks, photographs, presentations and speeches, books, booklets and guidebooks, brochures, pamphlets, journals, magazines, articles, newspaper clippings and miscellaneous materials. Additionally, there are newspapers, photograph albums and scrapbooks.

The processing archivist did discern some original order to these materials. This collection was already in a rough chronological order. The processing archivist did rehouse these materials utilizing archival-friendly file folders and legal-size document cases.

This collection is arranged into three series. The first series is composed of personal materials that include correspondence, photographs, postcards, business cards and transcripts. Each type of archival material is organized chronologically and then alphabetically. The second series consists of professional materials and is by far and away the largest segment of the Pamela A. Melroy Papers. This series is arranged as follows: Melroy's correspondence, memoranda, notes, reports, manuals (mainly Space Shuttle program-related), notes and notebooks, presentations and speeches, books, guidebooks and booklets, brochures, pamphlets and catalogs, newsletters, magazines and journals, articles, newspaper clippings and miscellaneous materials. All the above material is also arranged chronologically and then alphabetically. The third series is composed of oversize materials. This material consists of newspapers (mainly focused on the Space Shuttle Columbia accident of 2003), as well as Melroy's three Space Shuttle flights, (STS-92, STS-112 and STS-120), photograph albums and scrapbooks.

Arrangement:

This collection is arranged into three series. The first series is composed of personal materials that include correspondence, photographs, postcards, business cards and transcripts. Each type of archival material is organized chronologically and then alphabetically. The second series consists of professional materials and is by far and away the largest segment of the Pamela A. Melroy Papers. This series is arranged as follows: Melroy's correspondence, memoranda, notes, reports, manuals (mainly Space Shuttle program-related), notes and notebooks, presentations and speeches, books, guidebooks and booklets, brochures, pamphlets and catalogs, newsletters, magazines and journals, articles, newspaper clippings and miscellaneous materials. All the above material is also arranged chronologically and then alphabetically. The third series is composed of oversize materials. This material consists of newspapers (mainly focused on the Space Shuttle Columbia accident of 2003), as well as Melroy's three Space Shuttle flights, (STS-92, STS-112 and STS-120), photograph albums and scrapbooks.

Biographical / Historical:

Pamela Ann Melroy was born on September 17, 1961, in Palo Alto, California. As a member of a military family, she spent her childhood living in many towns but considers Rochester, New York her hometown. Melroy graduated from Bishop Kearney High School in Rochester in 1979. Four years later, she earned a Bachelor of Arts degree in Physics and Astronomy from Wellesley College and subsequently, a Master of Science degree in Earth and Planetary Sciences from the Massachusetts Institute of Technology (MIT) in 1984.

Melroy was commissioned through the U.S. Air Force (USAF) Reserve Officers' Training Corps (ROTC) program while still attending graduate school. Upon completion of her Master's degree program at MIT, she attended undergraduate pilot training at Reese Air Force Base in Texas. After graduating from this program in 1985, Melroy was sent to Barksdale Air Force Base in Louisiana. While stationed there from 1985 to 1991, she flew the Boeing KC-10 aircraft as a co-pilot, aircraft commander and instructor pilot. Also, she flew combat missions in Iraq during 1990-91 (Operation Desert Shield/Desert Storm). In time, she also graduated from the USAF's exclusive test-pilot school. All told during her 24-year career with the USAF, Melroy logged more than 6,000 hours of flight time in more than 50 different types of aircraft. She reached the rank of Colonel upon her retirement from the service in 2007.

Melroy started her career as an astronaut in late 1994 when she was selected as an astronaut candidate (ASCAN) by the National Aeronautics and Space Administration (NASA). She was initially assigned to various astronaut support roles such as tasks involving Space Shuttle launch and landings. She also performed Capsule Communicator (CAPCOM) duties in Mission Control. In 2003, Melroy served on the ill-fated Space Shuttle Columbia accident reconstruction team as the lead for the crew compartment module and operated as deputy project manager for the Columbia Crew Survival Investigation Team.

Melroy was one of only two women to be in command of a Space Shuttle flight. She was the pilot of two Shuttle missions, STS-92 in 2000 and STS-112 in 2002. She served as mission commander on STS-120 in 2007. All three of her spaceflights involved assembling components on orbit for the International Space Station (ISS). Melroy logged a total of 924 hours in space.

Upon her more than 20 years of service to the USAF and NASA, Melroy assumed leadership roles with several public and private sector entities. This included organizations such as the Federal Aviation Administration (FAA), the Defense Advanced Research Projects Agency (DARPA), Lockheed Martin and Australia's Nova Systems, Ltd. She also worked as an advisor to the Australian Space Agency and as an independent consultant to the National Space Council's Users Advisory Group. In 2021, Melroy was selected as NASA's deputy administrator. In her current role, she assists the administrator in making final agency policies and decisions. Also, she acts for the NASA administrator in his absence by performing all necessary functions to govern agency operations.

Provenance:

Pam Melroy, Gift, 2018, NASM.2018.0034

Restrictions:

No restrictions on access

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Topic:

Astronautics  Search this

United States Air Force  Search this

Astronauts  Search this

Space Shuttle Program (U.S.)  Search this

Technical manuals  Search this

McDonnell Douglas KC-10  Search this

International Space Station (ISS)  Search this

Genre/Form:

Technical reports

Photographic prints

Newspaper clippings

Correspondence -- 21st century

Citation:

Pamela A. Melroy Papers, NASM.2018.0034, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.2018.0034

See more items in:

Pamela A. Melroy Papers

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2a22e1f52-ea7e-48df-9823-34270840f9ea

EDAN-URL:

ead_collection:sova-nasm-2018-0034

Collector:

Gen. Horace Capron  Search this

Donor Name:

Gen. Horace Capron  Search this

Length - Object:

158 cm

Width - Object:

57 cm

Height - Object:

38 cm

Culture:

Japanese  Search this

Object Type:

Mannequin

Place:

Japan, Asia

Accession Date:

1878

Topic:

Ethnology  Search this

Accession Number:

007352

USNM Number:

E92429-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/3b56cebaf-2991-4a4a-99ee-c47777000a46

EDAN-URL:

edanmdm:nmnhanthropology_8541616

Collector:

Gen. Horace Capron  Search this

Donor Name:

Gen. Horace Capron  Search this

Length - Object:

151 cm

Width - Object:

54 cm

Height - Object:

34 cm

Culture:

Japanese  Search this

Object Type:

Mannequin

Place:

Japan, Asia

Accession Date:

1878

Topic:

Ethnology  Search this

Accession Number:

007352

USNM Number:

E92430-0

See more items in:

Anthropology

Data Source:

NMNH - Anthropology Dept.

GUID:

http://n2t.net/ark:/65665/32ba9ff46-71e4-4a15-a142-f6598aea46f3

EDAN-URL:

edanmdm:nmnhanthropology_8541617

Interviewee:

Hough, Henry W.  Search this

Interviewer:

Doud, Richard Keith  Search this

Subject:

Federal Writers' Project (Colo.)  Search this

United States. Works Progress Administration  Search this

New Deal and the Arts Oral History Project  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Henry W. Hough, 1964 June 11. Archives of American Art, Smithsonian Institution.

Topic:

Federal aid to the arts  Search this

Theme:

New Deal  Search this

Record number:

(DSI-AAA_CollID)12946

(DSI-AAA_SIRISBib)213574

AAA_collcode_hough64

Theme:

New Deal

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_213574

Lighting:

Burnaby, Frank  Search this

Former owner:

du Pont, Pierre S.  Search this

Landscape architect:

Greene, Isabelle Clara, 1934-  Search this

Nurseryman:

Lewis & Valentine Company  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Longwood Gardens (Kennett Square, Pennsylvania)

United States of America -- Pennsylvania -- Chester County -- Kennett Square

Scope and Contents:

The folders include worksheets, brochures, and articles.

General:

In order to save trees from a sawmill, Pierre S. du Pont (1870-1954) purchased the property. The property was transformed into a public park with outdoor theater and fountain garden, box garden, rose garden, Italian garden, and conservatory among other features.

Persons and organizations associated with the garden include: Pierre S. du Pont (former owner, designer, 1906-1954); Isabelle C. Greene & Assoc. (lanscape architect of silver garden); Kier Davidson (rockwork designer); Frank Burnaby (lighting).

Related Materials:

Longwood Gardens related holdings consist of 5 folders (4 glass lantern slides, 6 b&w photoprints and 145 35 mm. slides)

See others in:

Lewis & Valentine Collection, 1918-1970.

Hollerith Collection, ca. 1970?

Isabelle C. Greene Collection, 1980-1995

J. Horace McFarland Collection, 1900-1961

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Pennsylvania -- Kennett Square  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File PA011

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6f82ef1b3-880f-45b5-aeba-bbcf3c824557

EDAN-URL:

ead_component:sova-aag-gca-ref16480

Interviewee:

Hough, Henry W.  Search this

Interviewer:

Doud, Richard Keith  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

Names:

Federal Writers' Project (Colo.)  Search this

New Deal and the Arts Oral History Project  Search this

United States. Works Progress Administration  Search this

Extent:

1 Sound tape reel (Sound recordings: (30 min.), 7 in.)

9 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Sound tape reels

Pages

Sound recordings

Interviews

Date:

1964 June 11

Scope and Contents:

An interview of Henry W. Hough conducted by Richard Doud 1964 June 11, for the Archives of American Art.

Hough speaks of his journalism background; his involvement with the WPA Federal Writers' Project writing a guidebook for the state of Colorado; and the lasting benefits of the WPA's programs.

Biographical / Historical:

State Director of Federal Writers' Project, Colorado.

Provenance:

This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Restrictions:

This interview is open for research. Contact Reference Services for more information.

Topic:

Federal aid to the arts  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.hough64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9187469cd-6df1-484b-8923-9a8340787b0e

EDAN-URL:

ead_collection:sova-aaa-hough64

Series Creator:

Warshaw, Isadore, 1900-1969  Search this

Type:

Archival materials

Date:

1879-1961

Scope and Contents note:

Traveler's guides and promotional information for US destinations including Hawaii, Canada, Holland, Ireland, Puerto Rico, England, Italy, Scotland, Germany, Austria, Switzerland, the Bahamas, Argentina, and multiple location cruises.

Series Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Warshaw Collection of Business Americana Subject Categories: Tours, Archives Center, National Museum of American History, Smithsonian Institution.

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

See more items in:

Warshaw Collection of Business Americana Subject Categories: Tours

Warshaw Collection of Business Americana Subject Categories: Tours / Genre

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep86c718f52-6ade-42c1-9b9d-77634093d91a

EDAN-URL:

ead_component:sova-nmah-ac-0060-s01-01-tours-ref93

Series Creator:

Warshaw, Isadore, 1900-1969  Search this

Container:

Box SUPP 33, Folder 4

Type:

Archival materials

Date:

1897-1961

Series Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Warshaw Collection of Business Americana Subject Categories: Tours, Archives Center, National Museum of American History, Smithsonian Institution.

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

See more items in:

Warshaw Collection of Business Americana Subject Categories: Tours

Warshaw Collection of Business Americana Subject Categories: Tours / Genre / Guidebooks and Marketing Material

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8674442a2-9edd-41d4-ac13-3123dc645c89

EDAN-URL:

ead_component:sova-nmah-ac-0060-s01-01-tours-ref95

Series Creator:

Warshaw, Isadore, 1900-1969  Search this

Container:

Box SUPP 33, Folder 5

Type:

Archival materials

Date:

1879-1936

Series Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Warshaw Collection of Business Americana Subject Categories: Tours, Archives Center, National Museum of American History, Smithsonian Institution.

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

See more items in:

Warshaw Collection of Business Americana Subject Categories: Tours

Warshaw Collection of Business Americana Subject Categories: Tours / Genre / Guidebooks and Marketing Material

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep87b043577-bae9-4a2d-9c06-ca73d52c5b79

EDAN-URL:

ead_component:sova-nmah-ac-0060-s01-01-tours-ref96

Author:

Thomas Gilcrease Institute of American History and Art Library  Search this

Keene, H. H. Mrs  Search this

Subject:

Thomas Gilcrease Institute of American History and Art Library  Search this

Physical description:

101 pages illustrations, facsimile 22 cm

Type:

Catalogs

Catalogues

Sources

Bibliography

History

Place:

Oklahoma

Tulsa

United States

Date:

1969

Topic:

Manuscripts, American  Search this

Manuscripts--Catalogs  Search this

Manuscrits américains  Search this

History  Search this

Manuscripts  Search this

Sources  Search this

Call number:

Z1236 .T46 1969

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_2925

Author:

Voronikhina, L. N  Search this

Subject:

Gosudarstvennyĭ Ėrmitazh (Russia)  Search this

Physical description:

107 pages illustrations, plans, portraits 22 cm

Type:

Books

Date:

1965

Call number:

N3350 .V95

N3350.V95

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_2991

Artist:

Norval Hamilton Busey, 28 Dec 1845 - 20 May 1945  Search this

Sitter:

Sarah Winnemucca, c. 1844 - 16 Oct 1891  Search this

Medium:

Albumen silver print

Dimensions:

Image/Sheet: 17.8 × 10.2 cm (7 × 4")

Mount: 21 × 10.2 cm (8 1/4 × 4")

Mat: 45.7 × 35.6 cm (18 × 14")

Type:

Photograph

Place:

United States\Maryland\Baltimore Independent City\Baltimore

Date:

1883

Topic:

Costume\Headgear\Headdress  Search this

Costume\Jewelry\Earring  Search this

Costume\Jewelry\Ring  Search this

Costume\Jewelry\Necklace\Bead  Search this

Baggage & Luggage\Bag  Search this

Interior\Studio\Photography  Search this

Costume\Footwear\Shoes\Moccasins  Search this

Sarah Winnemucca: Female  Search this

Sarah Winnemucca: Literature\Writer  Search this

Sarah Winnemucca: Education and Scholarship\Educator\Teacher  Search this

Sarah Winnemucca: Education and Scholarship\Scholar\Translator  Search this

Sarah Winnemucca: Natural Resource Occupations\Guide  Search this

Sarah Winnemucca: Native American\Native American leader  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution

Object number:

NPG.82.137

Restrictions & Rights:

CC0

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm47dfe8ece-8c58-446c-a1d3-88c832c448ac

EDAN-URL:

edanmdm:npg_NPG.82.137

Collector:

Shanks, Lester  Search this

Extent:

3 Cubic feet (16 boxes)

Type:

Collection descriptions

Archival materials

Maps

Slides (photographs)

Photograph albums

Books

Picture postcards

Photographs

Ephemera

Travel brochures

Pamphlets

Newsletters

Postcards

Place:

Switzerland

Baltimore (Md.) -- 19th century

Date:

1876-2010

bulk 1973-2008

Summary:

The collection is comprised of the results of Shanks's research on covered bridges, mostly in America but also covered bridges in Canada and Switzerland. Included are albums containing color photographs of covered bridges, slides of covered bridges, postcards depicting covered bridges; maps, and guidebooks; newsletters, magazines, and newspaper clippings on the subject of covered bridges.

Scope and Contents:

The collection is comprised of the results of Shanks's research on covered bridges, mostly in America but also covered bridges in Canada and Switzerland. Included are albums containing color photographs of covered bridges, slides of covered bridges, postcards depicting covered bridges; maps, and guidebooks; newsletters, magazines, and newspaper clippings on the subject of covered bridges.

Series 1, Photograph Albums, 1963-2006, consists of bound albums of black-and-white and color photographs by Shanks documenting covered bridges in the United States and other countries. The series is arranged geographically and then alphabetically. Some of the states have documentation preceding the photographs which lists the counties where the covered bridges he photographed were located. Shanks assigned a number to each state and each county for organization purposes. The number 35-04-03 means Ohio-Ashtabula County-third photograph in the group. The majority of photographs are identified.

In some instances, correspondence, brochures, fliers for covered bridge activities, invitations to covered bridge events, and copies or portions of Covered Bridge Topics, a quarterly journal published by the National Society for the Preservation of Covered Bridges, containing articles and information relating to covered bridges, are also included. Wooden Covered Spans, the newsletter for the Theodore Burr Covered Bridge Society of Pennsylvania is also present. The covered bridge photographs from Switzerland were taken by Leonard Reich.

Series 2, Slides, 1971-1997, consists of color slides taken by Shanks documenting covered bridges in Alabama, Georgia, Illinois, Indiana, Iowa, Kentucky, Maine, Maryland, Massachusetts, Michigan, Minnesota, Missouri, New Hampshire, New York, North Carolina, Ohio, Oregon, Pennsylvania, South Carolina, Tennessee, Vermont, Washington, West Virginia, British Columbia, New Brunswick, Ontario, and Quebec, Canada, and Switzerland. The slides depict bridge interiors, side elevations, landscape views surrounding the bridge, river views, views of the road leading up to the bridge, and restoration work. Each slide is labeled with the name of the state/country/province, county and/or township, date, name of bridge and in some instances, the name of the river the bridge spans. Other numbers such as 38-63-22 are also present on the slides and represent a numbering system Shanks applied to his slides, which are keyed to states and counties. Shanks assigned a Roman numeral and Arabic numeral system to some of the slides (e.g. I-1 to I-100) and (13-1 to 13-100). This arrangement has been retained and while there is no key to it, the slides are arranged chronologically.

Series 3, Guide Books, 1876-2009, consists of bound guide books about covered bridges. The most significant of the guide books is theThe Stranger's Guide in Baltimore and its Environs, 1876. This small pocket guide book contains sketches of public buildings, monuments, notable localities, resorts, and suburban drives. The guide book is intended to show strangers where to go and what to see when in Baltimore.

Series 4, Maps, 1850, 1982, contains two maps for the city of Baltimore and Baltimore County, Maryland.

Series 5, National Society for the Preservation of Covered Bridges, Inc, 2005-2010, consists of copies of the Covered Bridges Topics, the official magazine for the National Society for the Preservation of Covered Bridges, Inc. (N.S.P.C.B.) and the newsletter for the N.S.P.C.B.

Series 6, Newsclippings, 2006, 2008, consists of two articles fromThe Post Standard, New York about covered bridges.

Series 7, Postcards, 1963-1985, consists of color postcards of covered bridges from a variety of locations in the United States. The postcards are arranged alphabetically by state. Some bear cancelled postmarks, but the majority are blank.

Arrangement:

The collection is divided into seven series.

Series 1, Photograph Albums, 1963-2006

Series 2, Slides, 1971-1977

Series 3, Guide Books, 1876-2009

Series 4, Maps, 1850, 1982

Series 5, National Society for the Preservation of Covered Bridges, Inc., 2005-2010

Series 6, News clippings, 2006, 2008

Series 7, Postcards, 1963-1985

Biographical / Historical:

Shanks, an employee of Baltimore Gas and Electric for over 40 years, was a covered bridge enthusiast and collector. He set a goal of photographing every covered bridge in America. Lester Shanks died October 10, 2010.

Related Materials:

Materials in the Archives Center, National Museum of American History

Warshaw Collection of Business Americana, Bridges (series), circa 1818-1940 (AC0060)

Warshaw Collection of Business Americana, Bridges: stereographs, circa 1868-1902 (mostly circa 1875-1880) (AC0060)

Beata Drake Covered Bridge Collection, 1954-1981 (AC0998)

Raymond E. Wilson Covered Bridge Collection, 1958-1974 (AC0999)

Samuel E. Reed Bridge Collection, 1947-1964 (AC1001)

Lucinda Rudell Covered Bridge Collection, 1942-1979 (AC1028)

Robert Bagby Stereographs and Lantern Slides, 1919; circa 1940-1960 (AC1185)

Provenance:

Donated by Eunice C. Shanks on August 11, 2011.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Bridges -- Switzerland  Search this

Covered bridges -- Switzerland  Search this

Covered bridges -- United States  Search this

Bridges -- United States  Search this

Genre/Form:

Maps -- 20th century

Slides (photographs) -- 1950-2000

Photograph albums -- 20th century

Books

Picture postcards -- 20th century

Photographs -- 20th century

Ephemera -- 19th century

Travel brochures

Photographs -- Color transparencies -- Acetate film -- 20th century

Ephemera -- 20th century

Pamphlets -- 1950-2000

Newsletters -- 2000-2010

Postcards

Citation:

Lester Shanks Collection of Covered Bridge Photographs and Ephemera, 1876-2010 (bulk 1973-2008), Archives Center, National Museum of American History.

Identifier:

NMAH.AC.1244

See more items in:

Lester Shanks Collection of Covered Bridge Photographs and Ephemera

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8e43d1ed5-4784-475c-afb4-35ff22e3db80

EDAN-URL:

ead_collection:sova-nmah-ac-1244

Creator:

Rosenau, Fred Simon  Search this

Former owner:

National Museum of American History (U.S.). Division of Armed Forces  Search this

Names:

United States. Office of War Information  Search this

Extent:

1 Cubic foot (3 boxes)

Type:

Collection descriptions

Archival materials

Photographs

Leaflets

Correspondence

Newspapers

Booklets

Maps

Matchcovers

Newsletters

Clippings

Menus

Place:

Calcutta (India) -- 1940-1950

India -- 1940-1950

Thailand -- 1940-1950

Burma -- 1940-1950

China -- 1940-1950

India -- Description and Travel -- 1901-1946

Date:

1944-1945

Scope and Contents:

This collection contains both the personal papers of Fred Rosenau and examples of air-dropped psychological warfare literature created by the O.W.I. Amongst his personal papers, which constitute the first series, there are information guidebooks and language aids for India and Burma, a large number of Indian newspaper articles, and photographs taken by Rosenau in Calcutta. However, letters to his family in New York City compose the bulk of the personal series. Along with detailing the experience of a young American living in India and his reactions to a distinctly different culture, the letters document the organization of his O.W.I. office and the duties of its workers. In one particular letter, dated January 7, 1945, (which was hand-delivered to his family and thus avoided censorship) Rosenau was able to write freely about his work, colleagues, and responsibilities in Calcutta. In addition, there are letters from the O.W.I. headquarters in New Delhi to Rosenau, including one in which the proposed post-war job was offered.

The second series contains general information about the O.W.I. and its aims. It mainly consists of documents and photographs relating to Rosenau's office. The series includes many examples of propaganda leaflets directed towards the Burmese and Thai peoples (with attached translations) which were produced by the Calcutta team. The representative works include news bulletins on the war's progress, warnings about future Allied bombings, and a variety of anti-Japanese and morale-boosting literature. It also includes examples of leaflets dropped over Japan, which were directed at soldiers rather than civilians in an attempt to undermine their faith in the military leaders.

Arrangement:

The collection is divided into two series.

Series 1: Personal Experience of Fred S. Rosenau

Series 2: Psychological Warfare

Biographical / Historical:

Fred Simon Rosenau was a student at Swarthmore College, Pennsylvania, when he joined the Overseas Branch of the Office of War Information (O.W.I.) in May 1944. After completing training at an unidentified military base camp, Rosenau traveled to Calcutta, India, where he served as Assistant Representative under the directorship of Mr. Teg Grondahl. The Calcutta office was part of the China-Burma-India (CBI) theater and as such its psychological warfare activities were directed towards Burma and Thailand. Initially Rosenau was responsible for leaflet production, including supervising their printing and delivery to air crews, as well as serving as an assistant to Grondahl. By the spring of 1945, however, Rosenau's role had been expanded and he was given new charges in the intelligence field, becoming more directly involved in the development and editing of "strategic" literature.

While in Calcutta, Rosenau lived in a series of different boarding houses. When he was not working (by the summer of 1945, his work load had been substantially reduced), he devoted his spare time to writing letters home, sightseeing around the city and neighboring areas of Bengal, and attending local cultural events. However, the heat and lack of proper sanitary conditions continued to frustrate Rosenau as he attempted to adjust to an Asian lifestyle.

Once the Japanese had surrendered in September 1945 and World War II had officially ended, Rosenau was offered a position by the Director of Psychological Warfare in India--William Carter--to join a new O.W.I news operation in Bangkok, Thailand. Its intent, as explained to Rosenau, was to fulfill the "need for American news" in Asia. Rosenau declined the offer since he was dissatisfied with the proposed salary and wanted to complete his college education. He left for the United States on the S.S. Muir in late September. Later, he attended the University of Chicago and received his bachelor of arts degree in 1947. His subsequent career is unknown. Rosenau died in 1985.

Related Materials:

Materials in the Archives Center

The Warshaw Collection of Business Americana (AC060) contains some three hundred posters from World War I and II.

Princeton University Poster Collection (AC0433) has over 10,600 World War I and II posters.

Provenance:

The collection was donated to the Armed Forces History Division of the NMAH in January 1986, by Lucy W. Rosenau, daughter of Fred Rosenau. It was transferred to the Archives Center in January 1993.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

"Yank"  Search this

World War, 1939-1945 -- Propaganda  Search this

Chinese language -- 1940-1950  Search this

Japanese language -- 1940-1950  Search this

World War, 1939-1945 -- Personal narratives  Search this

Burmese language -- 1940-1950  Search this

Propaganda, Anti-Japanese -- 1940-1950  Search this

Psychological warfare -- 1940-1950  Search this

Leaflets dropped from aircraft -- 1940-1950  Search this

Propaganda, American -- 1940-1950  Search this

World War, 1939-1945 -- Burma  Search this

World War, 1939-1945 -- China  Search this

Thai language -- 1940-1950  Search this

World War, 1939-1945  Search this

World War, 1939-1945 -- Pamphlets  Search this

World War, 1939-1945 -- India  Search this

Genre/Form:

Photographs -- Black-and-white photoprints -- Silver gelatin -- 1940-1950

Leaflets -- 1940-1950

Correspondence -- 1940-1950

Newspapers -- 1940-1950

Booklets -- 1940-1950

Maps -- 1940-1950

Matchcovers -- 1940-1950

Newsletters -- 1940-1950

Clippings -- 1940-1950

Menus -- 1940-1950

Citation:

Fred S. Rosenau Papers, 1944-1945, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0478

See more items in:

Fred S. Rosenau Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8010dda24-ad1c-4b5b-b333-bb17ad2190ea

EDAN-URL:

ead_collection:sova-nmah-ac-0478

Collection Creator:

Rosenau, Fred Simon  Search this

Container:

Box 1, Folder 1

Type:

Archival materials

Collection Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Fred S. Rosenau Papers, 1944-1945, Archives Center, National Museum of American History.

See more items in:

Fred S. Rosenau Papers

Fred S. Rosenau Papers / Series 1: Personal Experience of Fred S. Rosenau

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8ef8a1edd-5476-4b39-a8b6-b45807f6e1c0

EDAN-URL:

ead_component:sova-nmah-ac-0478-ref20