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Joan Semmel papers, 1949-2013, bulk circa 1960s-2013

Creator:
Semmel, Joan, 1932-  Search this
Subject:
Schapiro, Miriam  Search this
Grossman, Nancy  Search this
Golden, Eunice  Search this
Bernstein, Judy  Search this
Markson, David  Search this
Stevens, May  Search this
Edelson, Mary Beth  Search this
Sleigh, Sylvia  Search this
Hardy, John  Search this
Nieto, José Antonio  Search this
Hammond, Harmony  Search this
Type:
Interviews
Video recordings
Topic:
Educators  Search this
Women and erotica  Search this
Painters  Search this
Erotica  Search this
Painting, Abstract  Search this
Authors  Search this
Art  Search this
Feminism and art  Search this
Feminism  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)16175
(DSI-AAA_SIRISBib)366716
AAA_collcode_semmjoan
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_366716
Online Media:

Joan Semmel papers

Creator:
Semmel, Joan, 1923-  Search this
Names:
Bernstein, Judy  Search this
Edelson, Mary Beth  Search this
Golden, Eunice  Search this
Grossman, Nancy  Search this
Hammond, Harmony  Search this
Hardy, John  Search this
Markson, David  Search this
Nieto, José Antonio  Search this
Schapiro, Miriam, 1923-2015  Search this
Sleigh, Sylvia  Search this
Stevens, May  Search this
Extent:
5.9 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Illustrations
Photographs
Date:
1949-2013
bulk 1960-2013
Summary:
The papers of painter Joan Semmel measure 5.9 linear feet and span the dates of 1949-2013 with the bulk of the material dated circa 1960s-2013. The papers reflect her career and activities as a painter, writer, feminist, and educator through biographical materials, correspondence, interviews, writings, project files, teaching files, printed material, and photographic materials.
Scope and Contents:
The papers of painter Joan Semmel measure 5.9 linear feet and span the dates of 1949-2013 with the bulk of the material dated circa 1960s-2013. The papers reflect her career and activities as a painter, writer, feminist and educator through biographical materials, correspondence, interviews, writings, project files, teaching files, printed material, and photographic materials.

Among the biographical materials are awards, educational records,and audiovisual recordings about Joan Semmel and her work.

Professional correspondence concerns exhibitions, publication permissions, panel discussions, symposia, and visiting artist and summer school appointments. Also included are letters of recommendation for colleagues and students. A scattering of personal letters are from novelist David Markson and José Antonio, both of whom had personal relationships with Semmel. There are also a few letters from friends of a purely social nature and a few letters concerning routine personal affairs.

There are two interviews with Joan Semmel on video recordings, one was conducted for a television broadcast and the other is unidentified.

Writings by Semmel include the manuscript, illustrations, research material, and letters relating to her unpublished book about women's erotic art. Also found are articles, artist's statements, and notes for talks about her work. The writings about Semmel consist of several student papers.

Project files relate to two exhibitions curated by Semmel, Contemporary Women: Consciousness and Content (1977) at The Brooklyn Museum of Art School and Private Worlds (2000). One file is related to a project in which Semmel was involved to document the role and status of women in the arts.

Scattered teaching files concern a course about contemporary women artists developed and taught by Semmel for the women's studies program at Rutgers University, circa 1978. Also documented are summer programs at Skowhegan and Sommerakademie in Austria where Semmel served as an instructor.

Binders (now unbound) of printed materials were compiled by Semmel consisting of exhibition catalogs and announcements for solo and group shows, reviews, posters, and miscellaneous printed matter.

Photographs of people include Joan Semmel, friends and colleagues. Among the individuals pictured are: writer David Markson, painter John Hardy, José Antonio Nieto; and feminist artists: Judy Bernstein, Mary Beth Edelson, Eunice Golden, Nancy Grossman, Harmony Hammond, Miriam Schapiro, Sylvia Sleigh, and May Stevens. There are slides, photographs, color photocopies and digital images of Semmel's paintings. Of particular interest are photographs, photocopies of photographs, and digital images that served as source material for paintings, including portrait commissions.
Arrangement:
The collection is arranged in 8 seres:

Series 1: Biographical Materials, 1949-2013 (Box 1; 0.6 linear feet)

Series 2: Correspondence, 1973-2013 (Boxes 1-2; 1.2 linear feet)

Series 3: Interviews, circa 1970s-1986 (Box 2; 0.2 linear feet)

Series 4: Writings, 1970s-2009 (Box 3; 0.7 linear feet)

Series 5: Project Files, 1972-2000 (Box 3; 3 folders)

Series 6: Teaching Files, 1970s-2000 (Box 3; 0.4 linear feet)

Series 7: Printed Material, circa 1960s-2013 (Boxes 4-6, OV 8; 2.2 linear feet)

Series 8: Photographic Materials, circa 1965-2013 (Boxes 6-7; 0.6 linear feet)
Biographical / Historical:
Joan Semmel (1932- ) is an abstract painter working in New York City and Easthampton, N. Y. Semmel's work explores erotic themes and the female body. She taught painting at the Mason Gross School of the Arts at Rutgers University from 1978-2000.

Born in New York City in 1932, Joan Semmel studied at the Cooper Union, the Art Students League of New York, and received her BFA in 1963 and MFA in 1972 from Pratt Institute. Semmel moved to Spain in 1963 and exhibited her abstract expressionist work in galleries and museums there before returning to New York in 1970.

Upon Semmel's return to New York, she became involved in the feminist art movement. One of the original Guerrilla Girls, Semmel was involved with several feminist activist art groups devoted to gender equality in the art world. Semmel spent years researching a book about women's erotic art. At the same time, her painting style shifted to incorporate more figurative imagery and she began working on series that explored the themes of the female body, desire, and aging. Each series consisted of 10-30 paintings, produced over several years, among them First and Second Erotic Series, Self Images, Portraits, Figure in Landscape, Gymnasium, Locker Room, Overlays, and Mannequins.

In addition to her teaching career at Rutgers University as a tenured Professor of Painting, Semmel taught briefly at the Brooklyn Museum Art School, Skowhegan, and the Summer Academy of Fine Arts in Salzburg, Germany. Over the years she served as a visiting artist, critic, and lecturer at many colleges, and participated in numerous symposia, panel discussions and conferences. She has received several grants and awards including Macdowell Colony and Yaddo residencies.

Semmel has exhibited widely and prolifically in the United States, Spain, the Netherlands, and South America, in addition to curating two exhibitions, Contemporary Women: Consciousness and Content (1977) at The Brooklyn Museum of Art School and Private Worlds - Art in General (2000). Her work is represented in the permanent collections of many museums including the Brooklyn Museum of Art, Chrysler Museum, Guild Hall, Museum of Women in the Arts, Parrish Art Museum, and Vassar College Museum.

Joan Semmel continues to live and work in New York City and Easthampton, NY.
Provenance:
Donated by Joan Semmel in 2014.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Joan Semmel papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws
Topic:
Women and erotica  Search this
Authors -- New York (State) -- New York  Search this
Women artists  Search this
Painting, Abstract  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Feminism and art  Search this
Feminism  Search this
Erotica  Search this
Art -- Political aspects  Search this
Genre/Form:
Interviews
Video recordings
Illustrations
Photographs
Citation:
Joan Semmel papers, 1949-2013, bulk circa 1960s-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.semmjoan
See more items in:
Joan Semmel papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-semmjoan

5 Strap I

Artist:
Nancy Grossman, born New York City 1940  Search this
Medium:
pen and ink on paper
Dimensions:
sheet: 13 7/8 x 17 in. (35.1 x 43.1 cm)
Type:
Drawing
Date:
1968
Topic:
Figure\head  Search this
Dress\accessory\belt  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the Sara Roby Foundation
Copyright:
© 1968, Nancy Grossman
Object number:
1985.30.19
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7a2a44036-3fc3-4107-8a12-f646eb876575
EDAN-URL:
edanmdm:saam_1985.30.19

Mare Imbrium

Artist:
Nancy Grossman, born New York City 1940  Search this
Medium:
paper, aniline dyes, ink, and graphite on board
Dimensions:
sheet: 47 1/2 x 60 1/8 in. (120.5 x 152.6 cm)
Type:
Collage
Date:
1981-1982
Topic:
Abstract  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the Sara Roby Foundation
Copyright:
© 1982, Nancy Grossman
Object number:
1985.30.20
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7916fc5ef-712d-45dc-a0a2-2d5b22747c49
EDAN-URL:
edanmdm:saam_1985.30.20

T. C. As a Young Man

Artist:
Nancy Grossman, born New York City 1940  Search this
Sitter:
T. C.  Search this
Medium:
coated paper, masking tape, analine dyes, waterproof inks, and polymer glue on board
Dimensions:
sheet: 60 1/2 x 36 1/8 in. (153.7 x 91.7 cm.)
Type:
Collage
Date:
1976
Topic:
Portrait male\knee length  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the Sara Roby Foundation
Copyright:
© 1976, Nancy Grossman
Object number:
1985.30.21
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk76cda7948-d911-4953-ae12-f1139a9d33f3
EDAN-URL:
edanmdm:saam_1985.30.21

Cob I

Artist:
Nancy Grossman, born New York City 1940  Search this
Medium:
carved wood, leather, nails, paint, lacquered paint, horn, and lead
Dimensions:
17 3/4 x 9 1/4 x 10 1/2 in. (45.0 x 23.5 x 26.8 cm.)
Type:
Sculpture
Date:
1980
Topic:
Fantasy\monster  Search this
Figure male\head  Search this
Dress\costume\mask  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the Sara Roby Foundation
Copyright:
© 1980, Nancy Grossman
Object number:
1986.6.38
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7bcc7188a-ec28-48e6-965d-18f2fef20c14
EDAN-URL:
edanmdm:saam_1986.6.38

Twisting Column Figure

Artist:
Nancy Grossman, born New York City 1940  Search this
Medium:
coated paper, masking tape, analine dyes, waterproof inks and polymer glue on board
Dimensions:
sheet: 60 3/8 x 36 1/4 in. (153.2 x 92.1 cm.) irregular
Type:
Collage
Date:
1976
Topic:
Figure male\knee length  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the Sara Roby Foundation
Copyright:
© 1976, Nancy Grossman
Object number:
1986.6.39
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7fbac1f74-694f-4582-a8fc-26d54285928a
EDAN-URL:
edanmdm:saam_1986.6.39

Grossman, Nancy

Collection Creator:
Munro, Eleanor, 1928-  Search this
Container:
Box 29, Folder 14
Type:
Archival materials
Date:
circa 1970s-2000s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Eleanor Munro papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Eleanor Munro papers, circa 1880-2011, bulk 1950-2011. Archives of American Art, Smithsonian Institution.
See more items in:
Eleanor Munro papers
Eleanor Munro papers / Series 5: Subject and Research Files / Women Artists
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-munrelea-ref833

Grossman, Nancy

Collection Creator:
Barnet, Will, 1911-2012  Search this
Container:
Box 14, Folder 12
Type:
Archival materials
Date:
2003-2010
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Will Barnet papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Will Barnet papers, 1897, 1929-2016. Archives of American Art, Smithsonian Institution.
See more items in:
Will Barnet papers
Will Barnet papers / Series 8: Addition to the Will Barnet Papers / 8.2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-barnwill-ref395

Artists Talk on Art records

Creator:
Artists Talk on Art  Search this
Names:
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Christo, 1935-  Search this
De Niro, Robert, 1922-1993  Search this
Denes, Agnes  Search this
Goldberg, Michael, 1924-  Search this
Jeanne-Claude, 1935-2009  Search this
Longo, Robert  Search this
Mendieta, Ana, 1948-1985  Search this
Morris, Robert, 1931-  Search this
Murray, Elizabeth, 1940-  Search this
Neel, Alice, 1900-1984  Search this
Pavia, Philip, 1915-2005  Search this
Sleigh, Sylvia  Search this
Wilke, Hannah  Search this
Wojnarowicz, David  Search this
Extent:
64.4 Linear feet
317.43 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Date:
circa 1974-2018
Summary:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Scope and Contents:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.
Arrangement:
The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)
Biographical / Historical:
Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.
Provenance:
The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Art critics  Search this
Art dealers  Search this
Art historians  Search this
Artists  Search this
Historians  Search this
Genre/Form:
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artitalk
See more items in:
Artists Talk on Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artitalk
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Online Media:

Seated Woman

Artist:
Nancy Grossman, American, b. New York City, 1940  Search this
Medium:
Pastel on paper
Dimensions:
25 9/16 X 19 5/8 IN. (65.0 X 49.9 CM.)
Type:
Drawing
Date:
1962
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2232
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2875d1dc7-c7c1-4270-9b7e-959af2cc9b00
EDAN-URL:
edanmdm:hmsg_66.2232

Nude

Artist:
Nancy Grossman, American, b. New York City, 1940  Search this
Medium:
Pastel on paper
Dimensions:
25 1/4 X 18 15/16 IN. (63.8 X 48.2 CM.)
Type:
Drawing
Date:
1962
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2233
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py26dab2650-ea18-467b-840c-3feb66577e95
EDAN-URL:
edanmdm:hmsg_66.2233

Floating Nude

Artist:
Nancy Grossman, American, b. New York City, 1940  Search this
Medium:
Charcoal on paper
Dimensions:
23 7/8 X 17 7/8 IN. (60.6 X 45.4 CM.)
Type:
Drawing
Date:
1962
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2234
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py28c7246b9-0981-49bf-9c22-a1b4d7f31c4f
EDAN-URL:
edanmdm:hmsg_66.2234

Mother And Child

Artist:
Nancy Grossman, American, b. New York City, 1940  Search this
Medium:
Pastel on paper
Dimensions:
25 X 19 IN. (63.4 X 48.4 CM.)
Type:
Drawing
Date:
1962
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2235
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2aef58ffd-e910-4957-84b7-c9d4d338b99e
EDAN-URL:
edanmdm:hmsg_66.2235

Study for Andro (Or) The Fall

Artist:
Nancy Grossman, American, b. New York City, 1940  Search this
Medium:
Pastel and conte crayon on paper
Dimensions:
25 1/16 X 18 15/16 IN. (63.6 X 48.2 CM.)
Type:
Drawing
Date:
(1962)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2236
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2dab34d00-2199-4649-9412-4b61d9228b82
EDAN-URL:
edanmdm:hmsg_66.2236

Encounter I (Two Figures)

Artist:
Nancy Grossman, American, b. New York City, 1940  Search this
Medium:
Pastel on paper
Dimensions:
25 1/8 X 19 1/16 IN. (63.8 X 48.3 CM.)
Type:
Drawing
Date:
1962
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2237
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py265da20a1-4cd1-48e0-ab7e-93d7b7f517e8
EDAN-URL:
edanmdm:hmsg_66.2237

Nude

Artist:
Nancy Grossman, American, b. New York City, 1940  Search this
Medium:
Pastel on paper
Dimensions:
25 1/8 X 18 15/16 IN. (63.8 X 48.1 CM.)
Type:
Drawing
Date:
(1962)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2238
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2394b5b35-d12b-4abf-bc7a-590947f54099
EDAN-URL:
edanmdm:hmsg_66.2238

Paper Collage #20

Artist:
Nancy Grossman, American, b. New York City, 1940  Search this
Medium:
Watercolor,paper,photomechanical reproduction collage on paper mounted to fiberboard
Dimensions:
SHEET: 10 15/16 X 14 15/16 IN. (27.8 X 37.9 CM.) MOUNT: 20 X 23 1/2 IN. (50.9 X 59.6 CM.)
Type:
Collage
Date:
1962
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2239
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py23f2a8ee1-e4a0-4420-a160-f01216af2779
EDAN-URL:
edanmdm:hmsg_66.2239

Paper Collage #8

Artist:
Nancy Grossman, American, b. New York City, 1940  Search this
Medium:
Photomechanical reproductions, postage stamps, ink, and varnish on paper mounted to paperboard
Dimensions:
11 1/2 X 17 3/8 IN. (29.1 X 44.1 CM.)
Type:
Collage
Date:
1963
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2240
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2cd74b3e9-9fd2-403f-afee-e77de674086d
EDAN-URL:
edanmdm:hmsg_66.2240

Paper Collage #19

Artist:
Nancy Grossman, American, b. New York City, 1940  Search this
Medium:
Watercolor, collage of paper, postage stamps, ink, and photomechanical reprodcution on paper mounted on paparboard
Dimensions:
SHEET: 12 X 9 1/2 IN. (30.5 X 24.2 CM.) MOUNT: 18 3/16 X 15 1/8 IN. (46.2 X 38.3 CM.)
Type:
Collage
Date:
1963
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2241
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py280e3d51e-18eb-4455-aa98-e88d634b3054
EDAN-URL:
edanmdm:hmsg_66.2241

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