Search Results

Creator:

Botkin, Henry, 1896-1983  Search this

Names:

American Abstract Artists  Search this

Artists Equity Association  Search this

Federation of Modern Painters and Sculptors  Search this

Gallery 256 (Provincetown, Mass.)  Search this

Arlen, Harold, 1905-1986  Search this

Botkin, Benjamin Albert, 1901-1975  Search this

Brice, Fanny  Search this

Brice, William, 1921-2008  Search this

Gershwin, George, 1898-1937  Search this

Gershwin, Ira, 1896-1983  Search this

Godowsky, Frances  Search this

Gross, Chaim, 1904-1991  Search this

Hasegawa, Saburō, 1906-1957  Search this

Hofmann, Hans, 1880-1966  Search this

Knaths, Karl, 1891-1971  Search this

Laurent, Toinette Botkin  Search this

Mocsanyi, Paul  Search this

Motherwell, Robert  Search this

Nevelson, Louise, 1899-1988  Search this

Newman, Barnett, 1905-1970  Search this

Picasso, Pablo, 1881-1973  Search this

Putnam, Wallace, 1899-1989  Search this

Rattner, Abraham  Search this

Robus, Hugo, 1885-1964  Search this

Schoenberg, Arnold, 1874-1951  Search this

Shadbolt, Jack, 1909-  Search this

Siqueiros, David Alfaro  Search this

Von Wicht, John, 1888-1970  Search this

Extent:

3.5 Linear feet ((on 10 microfilm reels))

4 Sound tapes (7 & 5 in.)

Type:

Collection descriptions

Archival materials

Sound tapes

Drawings

Scrapbooks

Date:

1917-1979

Scope and Contents:

Biographical material (1945-1965), letters (1917-1979), notes (1950-1970), writings (1944-1970), business records (1927-1977), art works (1932-1964), subject files (1952-1955), scrapbook (1927-1939), printed material (1923-1977), and photographs (1922-1968) documenting Botkin's career and his friendship with George and Ira Gershwin and other entertainment and artistic figures.

Among the correspondents and subjects of photographs or letters are: George and Ira Gershwin, their sister Frances Godowsky, Botkin's brother Benjamin, Botkin's daughter Toinette Botkin Laurent, and grandson Alexander Laurent, composer Harold Arlen, Fanny Brice and her son William Brice, artists Chaim Gross, Saburo Hasegawa, Hans Hofmann, Karl Knaths, Paul Manship, Paul Mocsanyi, Robert Motherwell, Louise Nevelson, Barnett Newman, Pablo Picasso, Wallace Putnam, Abrahmam Rattner, Hugo Robus, Arnold Schoenberg, Jack Shadbolt, John Von Wicht, and Abraham Walkowitz. Also included are photographs of Botkin's studio, night picnic in Provincetown attended by many artists; and material relating to American Abstract Artists, New School Art Center, Provincetown Art Association, and the Federation of Modern Painters and Sculptors. [See Finding Aid for information on location of items on the microfilm].

UNMICROFILMED: 3 untranscribed interviews of Botkin, 1 done for the "Today" show, NBC, June 4, 1965; 1 for Colette Roberts "Meet the Artist" Program, undated, and 1 by an unidentified interviewer. Also included is an untranscribed monologue, Oct. 11, 1970.

Biographical / Historical:

Painter; New York, N.Y. and Provincetown, Mass. Born in Boston and attended art schools there from 1913-1917. From 1917-1920, he attended the Art Students League and was employed as an illustrator for prominent magazines until 1929. Traveling abroad between 1926 and 1933, he attained his first one-man show in 1927 at the Billiet Galleries in Paris. Through his cousin, composer George Gershwin, Botkin became acquainted with people active in the performing arts, such as Harold Arlen, Fanny Brice, Harry Kurnitz, and Bert Lahr. Botkin was also involved in the American Abstract Artists, Artists Equity Association, Federation of Modern Painters and Sculptors, and Gallery 256 in Provincetown, Massachusetts.

Related Materials:

Henry Botkin papers also at Syracuse University.

Provenance:

Donated 1969-1982 by Henry Botkin and by his son Glenn and his assistant Rene Barilleaux. Many items were returned to Botkin after microfilming.

Restrictions:

Patrons must use microfilm copy. Use of untranscribed tapes requires an appointment at the Washington, D.C. office.

Occupation:

Composers  Search this

Painters -- New York (State) -- New York  Search this

Painters -- Massachusetts -- Provincetown  Search this

Topic:

Art, Abstract  Search this

Function:

Artists' studios -- New York (State)

Genre/Form:

Drawings

Scrapbooks

Identifier:

AAA.botkhenr

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9556a5d7f-65c5-4c7f-827f-d4664d1cfc35

EDAN-URL:

ead_collection:sova-aaa-botkhenr

Creator:

Whitney Museum of American Art  Search this

Names:

Whitney Studio Club  Search this

Whitney Studio Galleries  Search this

Baziotes, William, 1912-1963  Search this

Bellows, George, 1882-1925  Search this

Benton, Thomas Hart, 1889-1975  Search this

Bloom, Hyman, 1913-  Search this

Burchfield, Charles Ephraim, 1893-1967  Search this

Burlin, Paul, 1886-1969  Search this

Cadmus, Paul, 1904-1999  Search this

Cassatt, Mary, 1844-1926  Search this

Curry, John Steuart, 1897-1946  Search this

Davis, Stuart, 1892-1964  Search this

De Creeft, José, 1884-1982  Search this

Dickinson, Edwin Walter, 1891-1978  Search this

Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this

Evergood, Philip, 1901-1973  Search this

Feininger, Lyonel, 1871-1956  Search this

Gatch, Lee, 1902-1968  Search this

Glackens, William J., 1870-1938  Search this

Gorky, Arshile, 1904-1948  Search this

Graves, Morris, 1910-  Search this

Gross, Chaim, 1904-1991  Search this

Grosz, George, 1893-1959  Search this

Harnett, William Michael, 1848-1892  Search this

Hartley, Marsden, 1877-1943  Search this

Henri, Robert, 1865-1929  Search this

Hofmann, Hans, 1880-1966  Search this

Hopper, Edward, 1882-1967  Search this

Inness, George, 1825-1894  Search this

Karfiol, Bernard, 1886-1952  Search this

Kuhn, Walt, 1877-1949  Search this

Kuniyoshi, Yasuo, 1889-1953  Search this

Lachaise, Gaston, 1882-1935  Search this

Lawson, Ernest, 1873-1939  Search this

MacIver, Loren, 1909-1998  Search this

Marin, John, 1870-1953  Search this

Marsh, Reginald, 1898-1954  Search this

Motherwell, Robert  Search this

Mount, William Sidney, 1807-1868  Search this

Nevelson, Louise, 1899-1988  Search this

O'Keeffe, Georgia, 1887-1986  Search this

Pereira, I. Rice (Irene Rice), 1902-1971  Search this

Pollock, Jackson, 1912-1956  Search this

Prendergast, Maurice Brazil, 1858-1924  Search this

Pène Du Bois, Guy, 1884-1958  Search this

Reder, Bernard, 1897-1963  Search this

Rimmer, William, 1816-1879  Search this

Rivers, Larry, 1925-2002  Search this

Rothko, Mark, 1903-1970  Search this

Ryder, Albert Pinkham, 1847-1917  Search this

Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this

Sheeler, Charles, 1883-1965  Search this

Sloan, John, 1871-1951  Search this

Smith, David, 1906-1965  Search this

Stella, Joseph, 1877-1946  Search this

Tobey, Mark  Search this

Twachtman, John Henry, 1853-1902  Search this

Tworkov, Jack  Search this

Walkowitz, Abraham, 1880-1965  Search this

Weber, Max, 1881-1961  Search this

Wyant, A. H. (Alexander Helwig), 1836-1892  Search this

Young, Mahonri Mackintosh, 1877-1957  Search this

Zorach, William, 1887-1966  Search this

Extent:

78 Microfilm reels

Type:

Collection descriptions

Archival materials

Microfilm reels

Date:

1914-1966

Scope and Contents:

REELS N591-N597: Photographs of the Museum, Juliana Force, Herman Moore; scrapbooks on the Whitney Studio Club, Whitney Studio Galleries and the Museum, 1927-1965.

REELS N599-N604: Notebooks of Edwin W. Dickinson; photographs and provenance information for works by Philip Evergood; a catalog of information and some photographs of Chinese ink drawings and other works by Reginald Marsh; and photographs and information on Bernard Reder, Jack Tworkov, Max Weber (portions also microfilmed on reel NY59-8 (fr. 497-658), reel NY59-9 (fr. 1-51), and William Zorach.

REELS N604-N609: Exhibition catalogs, 1946-1966, for artists and groups shows at the Museum, including Robert Feke, William Rimmer, Ralph Blakelock, Albert Maurer, Albert Pinkham Ryder, Yasuo Kuniyoshi, Thomas Cole, Max Weber, Arshile Gorky, Mark Tobey, John Sloan, Loren MacIver, I. Rice Pereira, George Grosz, Reginald Marsh, Charles Burchfield, Morris Graves, Theodore Roszak, John Marin, Hans Hofmann, Bradley Tomlin, Stuart Davis, Milton Avery, Lee Gatch, Jose De Creeft, Maurice Prendergast, Edward Hopper, Hyman Bloom, Robert E. Jones, Balcomb Greene, Karl Zerbe, Arthur G. Dove, William Zorach, Philip Evergood, Bernard Reder, Herbert Feber, Oliver O'Connor Barrett,Arthur B. Davies, Jose De Rivera, Paul Burlin, Joseph Stella, Jack Tworkov, Ivan Albright, Stuart Davis, Edwin Dickinson, John Quidor, and Niles Spencer.

REELS N646-N694: Artists' files on: Oliver O'Connor Barrett,William Baziotes, George Bellows, Thomas Hart Benton, Peter Blume, James Brooks, Patrick Henry Bruce, Charles Burchfield, Paul Burlin, David Burliuk, Paul Cadmus, Mary Cassatt, Thomas Cole, Glenn Coleman, Jon Corbino, John Steuart Curry, Jo Davidson, Arthur B. Davies, Jose DeCreeft, Charles Demuth, Jose De Rivera, Arthur Dove, Guy Pène du Bois, Stuart Davis, Frank Duveneck, Ralph Earl, Eastman Johnson, The Eight, Philip Evergood, Robert Feke, Lyonel Feininger, Ernest Fiene, George Fuller, Lee Gatch, William Glackens, Arshile Gorky, Balcomb Greene, Chaim Gross, George Grosz, William Harnett, Marsden Hartley, Childe Hassam, John Heliker, Robert Henri, Hans Hofmann, George Inness, Leon Kelly, Franz Kline, Karl Knaths, Leon Kroll, Walt Kuhn, Yasuo Kuniyoshi, Gaston Lachaise, Robert Laurent, Ernest Lawson, Jack Levine, Seymour Lipton, George B. Luks,

Stanton Macdonald-Wright, Loren MacIver, John Marin, Reginald Marsh, Alfred Maurer, K. H. Miller, Robert Motherwell, William Mount, Jerome Myers, Louise Nevelson, Georgia O'Keeffe (portions also microfilmed on reels NY59-13 (fr. 98-115, 406-424, 586-685), reel NY59-14 (entire), and reel NY59-15 (fr. 1-140, 145-153), I. Rice Pereira, Bernard Perlin, Joseph Pollett, Jackson Pollock, Reginald Pollack, Henry V. Poor, Richard Pousette-Dart, Maurice Prendergast, Abraham Rattner, Bernard Reder, Ad Reinhardt, William Rimmer, Larry Rivers, Hugo Robus, Theodore Roszak, Mark Rothko, Concetta Scarvaglione, Henry Schnakenberg, Ben Shahn, John Sloan, David Smith, Eugene Speicher, Theodoros Stamos, Joseph Stella, Maurice Sterne, Mark Tobey, Bradley Tomlin,Trajan, Allen Tucker, John Twachtman, Jack Tworkov, Abraham Walkowitz (also on reel NY/59-15) , Max Weber, James M. Whistler, Gertrude Whitney, Grant Wood, Alexander Wyant, Mahonri Young, and William Zorach.

REELS NWH 1-NWH 7: Artist files on Charles Sheeler, Bernard Karfiol, Louis Eilshemius; scatterred records of the Whitney Studio Club and Museum, 1914-1945, including minutes, Oct. 15, 1930, and Whitney Studio ledgers, 1928-1931; catalogs of one-man shows, 1932-1945; catalogs of annual painting exhibitions, 1932-1940, sculpture, watercolor and drawing exhibitions, 1933-1945, and group exhibitions, 1932-1945; and clippings, Oct. 1935-1936.

REELS NY59/8 (fr. 256-end)-NY59/10: Files on Max Weber, including biographical material, lists of work, and miscellany. Also found (NY59/8 frames 354-383) are ca.20 letters from Weber to Abraham Walkowitz, 1907-1924.

Biographical / Historical:

Whitney Museum of American Art is an American art museum in New York, New York. Founded by Gertrude Vanderbilt Whitney and formally opened in 1931. Previous to its opening as a museum it was known as the Whitney Studio Club (1914-28) and Whitney Studio Galleries (1928-30).

Provenance:

The Weber files on reels NY59/8-10 were lent for microfilming 1959 by the Whitney Museum of American Art; the remainder was lent 1964-1967; additional material from the Museum was lent at the same time, and subsequently donated, including the papers of Lloyd Goodrich, Juliana Force, Thomas B. Clarke, the American Art Research Council, and Gertrude Vanderbilt Whitney; these have each been cataloged separately. Portions of Weber, and O'Keeffe material that was microfilmed in 1959 were refilmed in 1967.

Restrictions:

The Archives of American art does not own the original papers. Use is limited to the microfilm copy.

Topic:

Art, Modern -- 20th century -- United States  Search this

Artists -- Exhibitions -- New York (State) -- New York  Search this

Art, American  Search this

Function:

Art museums -- New York (State)

Identifier:

AAA.whitmuse

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw990da7b91-a3b8-4ace-b8ba-b5c08cfe3284

EDAN-URL:

ead_collection:sova-aaa-whitmuse

Creator:

Brooklyn Museum  Search this

Names:

Listening to pictures (1968-1973: Brooklyn Museum)  Search this

Anderson, Lennart, 1928-2015  Search this

Antonakos, Stephen, 1926-2013  Search this

Arisman, Marshall  Search this

Barker, Walter  Search this

Baskin, Leonard, 1922-2000  Search this

Bauermeister, Mary, 1934-  Search this

Benton, Thomas Hart, 1889-1975  Search this

Bishop, Isabel, 1902-1988  Search this

Brackman, Robert, 1898-  Search this

Butchkes, Sydney, 1922-  Search this

Casarella, Edmond, 1920-1996  Search this

Constant, George  Search this

Dash, Robert  Search this

De Creeft, José, 1884-1982  Search this

Dombek, Blanche, 1914-  Search this

Doyle, Tom, 1928-  Search this

Ernst, Jimmy, 1920-1984  Search this

Estern, Neil, 1926-  Search this

Evergood, Philip, 1901-1973  Search this

Frankenthaler, Helen, 1928-2011  Search this

Freilicher, Jane, 1924-2014  Search this

Goldin, Leon, 1923-  Search this

Goodman, Sidney  Search this

Graziani, Sante, 1920-  Search this

Greene, Balcomb, 1904-1990  Search this

Grillo, John, 1917-  Search this

Gropper, William, 1897-1977  Search this

Gross, Chaim, 1904-1991  Search this

Gussow, Roy, 1918-2011  Search this

Gwathmey, Robert, 1903-1988  Search this

Hartigan, Grace  Search this

Hopper, Edward, 1882-1967  Search this

Jaffe, Nora  Search this

Jenkins, Paul, 1923-2012  Search this

Kawabata, Minoru, 1911-  Search this

Kienbusch, William, 1914-1980  Search this

Knaths, Karl, 1891-1971  Search this

Koch, John, 1909-1978  Search this

Kosama, Yayoi  Search this

Lam, Jennett, 1911-  Search this

Lang, Steven, 1944-1971  Search this

Laurent, Robert, 1890-1970  Search this

Lawrence, Jacob, 1917-2000  Search this

Levine, Jack, 1915-2010  Search this

Lipchitz, Jacques, 1891-1973  Search this

Lipton, Seymour, 1903-1986  Search this

Margo, Boris, 1902-1995  Search this

Meyer, Ursula, 1915-  Search this

Moller, Hans, 1905-  Search this

Murch, Walter  Search this

Nevelson, Louise, 1899-1988  Search this

Odate, Toshio  Search this

Offner, Elliot  Search this

Ohlson, Douglas Dean, 1936-  Search this

Okada, Kenzo, 1902-1982  Search this

Palmer, Amanda, 1931-  Search this

Pereira, I. Rice (Irene Rice), 1902-1971  Search this

Peterdi, Gabor  Search this

Reinhardt, Ad, 1913-1967  Search this

Richards, Bill, 1936-  Search this

Rivers, Larry, 1925-2002  Search this

Sanchez, Emilio, 1921-1999  Search this

Schrag, Karl  Search this

Shahn, Ben, 1898-1969  Search this

Sheeler, Charles, 1883-1965  Search this

Sopher, Aaron, 1905-1972  Search this

Soyer, Moses, 1899-1974  Search this

Soyer, Raphael, 1899-1987  Search this

Thon, William, 1906-2000  Search this

Weinberg, Albert  Search this

Zorach, Marguerite, 1887-1968  Search this

Zorach, William, 1887-1966  Search this

Interviewer:

Jacobowitz, Arlene  Search this

Extent:

7 Linear feet

Type:

Collection descriptions

Archival materials

Transcripts

Interviews

Sound recordings

Date:

1965-1968

Summary:

Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture at the Brooklyn Museum, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation at the museum.

Scope and Content Note:

Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation.

The artists interviewed are: Lennart Anderson, Stephen B. Antonakos, Marshall Arisman, Walter Barker, Leonard Baskin, Mary Bauermeister, Thomas Hart Benton, Isabel Bishop, Robert Brackman, Sydney Butchkes, Edmund Casarella, George Constant, Robert Warren Dash, Jose DeCreeft, Blanche Dombek, Tom Doyle, Jimmy Ernst, Neil Estern, Philip Evergood, Helen Frankenthaler, Jane Freilicher, Leon Goldin, Sidney Goodman, Sante Graziani, Balcomb Greene, John Grillo, William Gropper, Chaim Gross, Roy Gussow, Robert Gwathmey, Grace Hartigan, Edward Hopper, Nora Jaffe, Paul Jenkins, Minoru Kawabata, William Kienbusch, Karl Knaths, John Koch, Yayoi Kosama, Jennett Lam, Steven Lang, Robert Laurent, Jacob Lawrence, Jack Levine, Jacques Lipchitz, Seymour Lipton, Boris Margo, Ursula Meyer, Hans Moller, Walter Murch, Louise Nevelson, Toshio Odate, Elliot Offner, Douglas Ohlson, Kenzo Okada, Amanda Palmer, Irene Rice Pereira, Gabor Peterdi, Ad Reinhardt, Bill Richards, Larry Rivers, Emilio Sanchez, Karl Schrag, Ben Shahn, Charles Sheeler, Aaron Sopher, Moses Soyer, Raphael Soyer, William Thon, Albert Weinberg, and William and Marguerite Zorach.

Arrangement:

The collection is arranged as a single series:

Missing Title

Series 1: Interviews, 1965-1968 (Box 1-7; 7 lin. ft.)

Historical Note:

The interview program at the Brooklyn Museum was begun by Arlene Jacobowitz in the spring of 1965 with artists whose works were on exhibition at the Brooklyn Museum. In 1968, excerpts from the interviews were incorporated into an exhibition entitled "Listening to Pictures," in which visitors could access the sound recordings using headphones while standing before the painting being discussed. The exhibition opened April 28, 1968, and was gradually disassembled, 1971-1973.

Related Material:

The Brooklyn Museum Archives houses the records of the Departments of European Painting and Sculpture, American Painting and Sculpture, Contemporary Art (1897-2005), which contain records relating to the work of Arlene Jacobowitz.

Provenance:

This collection was donated to the Archives of American Art by Dierdre Lawrence of the Brooklyn Museum in 1989.

Restrictions:

Use of original papers requires an appointment. Researchers may view the original reels for the archival notations on them, but original reels are not available for playback due to fragility.

Rights:

Authorization to quote or reproduce for purposes of publication requires written permission from the interviewee. Citations must read:"Interview between [artist's name] and [interviewer's name] from the "Listening to Pictures" program of the Brooklyn Museum. Archives of American Art. Gift of the Brooklyn Museum." Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Artists -- United States -- Interviews  Search this

Art, American -- Exhibitions  Search this

Genre/Form:

Transcripts

Interviews

Sound recordings

Citation:

Interview between [artist's name] and [interviewer's name] from the "Listening to Pictures" program of the Brooklyn Museum. Gift of the Brooklyn Museum. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.broomuse

See more items in:

Brooklyn Museum interviews of artists

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9bdcd26e1-568c-4c81-8ba1-e07f5afbdfad

EDAN-URL:

ead_collection:sova-aaa-broomuse

Creator:

Valente, Alfredo  Search this

Names:

Alfredo Valente Gallery  Search this

Aronson, Boris, 1900-1980  Search this

Avery, Milton, 1885-1965  Search this

Benton, Thomas Hart, 1889-1975  Search this

Blatas, Arbit  Search this

Burliuk, David, 1882-1967  Search this

Carreño, Mario  Search this

Dalí, Salvador, 1904-1989  Search this

DeMartini, Joseph, 1896-1984  Search this

Dobkin, Alexander, 1908-  Search this

Evergood, Philip, 1901-1973  Search this

Gottlieb, Adolph, 1903-1974  Search this

Greenwood, Marion, 1909-1970  Search this

Gropper, William, 1897-1977  Search this

Gross, Chaim, 1904-1991  Search this

Grosz, George, 1893-1959  Search this

Gwathmey, Robert, 1903-1988  Search this

Harmon, Lily, 1912-  Search this

Hartley, Marsden, 1877-1943  Search this

Haucke, Frederick, 1908-  Search this

Kelekian, Dikran, 1868-1951  Search this

Kleinholz, Frank, 1901-  Search this

Kuniyoshi, Yasuo, 1889-1953  Search this

Lassen, Ben, d. 1968  Search this

Lawrence, Jacob, 1917-2000  Search this

Lax, David, 1910-  Search this

Lebduska, Lawrence, 1894-1966  Search this

Liberte, Jean, 1896-1965  Search this

Marsh, Reginald, 1898-1954  Search this

Masson, André, 1896-1987  Search this

Menkes, Sigmund, 1896-1986  Search this

Miller, Henry, 1891-1980  Search this

Ormandy, Eugene, 1899-1985  Search this

Orozco, José Clemente, 1883-1949  Search this

Rome, Harold, 1908-  Search this

Rose, Iver, 1899-1972  Search this

Ryan, Sally, 1916-1968  Search this

Soyer, Moses, 1899-1974  Search this

Soyer, Raphael, 1899-1987  Search this

Stark, Margaret, 1915-1988  Search this

Teichman, Sabina  Search this

Toney, Anthony  Search this

Tschacbasov, Nahum, 1899-  Search this

Walkowitz, Abraham, 1880-1965  Search this

Weber, Max, 1881-1961  Search this

Wilson, Ben, 1913-  Search this

Extent:

1 Linear foot ((partially microfilmed on 3 reels))

Type:

Collection descriptions

Archival materials

Scrapbooks

Video recordings

Date:

1941-1978

Scope and Contents:

Photographs of artists; letters; printed material; and a motion picture film.

REEL D284: Exhibition catalogs, 1941-1952, from the Valente Gallery, and clippings; a letter and a sketch from Henry Miller; and a scrapbook containing photographs by Valente of 41 artists, their art work and clippings. Photographs of artists include Boris Aronson, Milton Avery, Arbit Blatas, David Burliuk, Mario Carreño, Joseph DeMartini, Alexander Dobkin, Philip Evergood, Jose Ferrer, Adolph Gottlieb, Marion Greenwood, William Gropper, Chaim Gross, George Grosz, Robert Gwathmey, Lily Harmon, Marsden Hartley, Frederick Haucke, Frank Kleinholz, Yasuo Kuniyoshi, Ben Lassen,Sigmund Menkes, Jose Clemente Orozco, Abraham Rattner, Iver Rose, Sally Ryan, Moses Soyer, Raphael Soyer, Margaret Stark, Sabina Teichman, Anthony Toney, Nahum Tschacbasov, Abraham Walkowitz and Ben Wilson.

REEL 2802: A letter from the National Gallery of Art regarding Valente's film "Art Discovers America"; exhibition catalogs on and written by Valente; clippings; and 30 photographs by Valente of 20 artists.

REEL 3480: Two letters from Henry Miller, dated 1943 and 1945. The letters refer to a "watercolor pad and brushes", and Miller also thanks Valente for a portrait of Abe Rattner.

UNMICROFILMED: Photographs by Valente of artists, each accompanied with the artists' self-portrait. Included are Milton Avery, Arbit Blatas, David Burliuk, Mario Carreño, Alexander Dobkin, Philip Evergood, Chaim Gross, Lily Harmon, Frank Kleinholz, Ben Lassen, David Lax, Lawrence H. Lebduska, Jean Liberte, Jose Orozco, Harold Rome, Moses Soyer, Raphael Soyer, Margaret Stark, Sabina Teichman, Anthony Toney, Nahum Tschacbasov, Abraham Walkowitz, and Ben Wilson and 4 photographs of composer Eugene Ormandy which are on the back of the Blatas portraits.

UNMICROFILMED: "Art Discovers America" (MGM shorts), ca. 1945, a 16mm b&w, 400 ft. film regarding the "new public interest" in American art. The film traces the trend back to the exhibition of The Eight, and shows various artists at work, including John Sloan, Thomas Hart Benton, Reginald Marsh, and Abraham Walkowitz. The film was produced by Regency Pictures. Valente was the photographer and co-director along with Hal Frater.

REEL 439-441 AND SCANNED Photos of artists, previously microfilmed under Photos of Artists I, have subsequently been scanned and returned to the Valente papers.

Biographical / Historical:

Photographer; New York City.

Provenance:

Material on reel D284 lent for microfilming by Valente, 1966; Mrs. Valente subsequently donated the scrapbook, 1979. Material on reels 2802, and 3480 donated by Mr. & Mrs. Valente, 1966 through 1979. Unmicrofilmed material donated by Harold Rome, 1988. An additional 35 photos of artists were donated by Valente ca. 1966, and microfilmed on reels 439-441 with AAA's Photographs of Artists Collection I; search under Valente for more information. Many of the photographs are duplicates.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Photographers -- New York (State) -- New York  Search this

Topic:

Art and photography -- New York (State) -- New York  Search this

Artists -- United States -- Photographs  Search this

Portrait photography -- New York (State) -- New York  Search this

Genre/Form:

Scrapbooks

Video recordings

Sponsor:

Funding for the preservation of the motion picture film "Art Discovers America" provided by the National Film Preservation Foundation.

Identifier:

AAA.valealfr

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw96dd15bae-a22b-4d09-8845-ff5fe98139a0

EDAN-URL:

ead_collection:sova-aaa-valealfr

Creator:

De Creeft, José, 1884-1982  Search this

Names:

Art Students League (New York, N.Y.) -- Faculty  Search this

Black Mountain College (Black Mountain, N.C.) -- Faculty  Search this

New School for Social Research (New York, N.Y.) -- Faculty  Search this

Norton Gallery and School of Art  Search this

Skowhegan School of Painting and Sculpture -- Faculty  Search this

Albers, Josef -- Photographs  Search this

Calder, Alexander, 1898-1976  Search this

Calder, Alexander, 1898-1976 -- Photographs  Search this

Campos, Jules  Search this

De Creeft, William  Search this

De Diego, Julio, 1900- -- Photographs  Search this

Dickinson, Edwin Walter, 1891-1978  Search this

Diederich, William Hunt, 1884-1953  Search this

Dodd, Lamar  Search this

Escuder, Joseph  Search this

Gropius, Walter, 1883-1969 -- Photographs  Search this

Gross, Chaim, 1904-1991 -- Photographs  Search this

Gómez Gil, Alfredo, 1936-  Search this

Lawrence, Gertrude -- Photographs  Search this

Lipchitz, Jacques, 1891-1973  Search this

Lipchitz, Jacques, 1891-1973 -- Photographs  Search this

Neumann, J. B. (Jsrael Ber) -- Photographs  Search this

Nivola, Costantino, 1911-1988  Search this

Rattner, Abraham -- Photographs  Search this

Roszak, Theodore, 1907-1981 -- Photographs  Search this

Soyer, Raphael, 1899-1987 -- Photographs  Search this

Sweeney, James Johnson, 1900-  Search this

Zorach, William, 1887-1966 -- Photographs  Search this

Extent:

28.1 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Sound recordings

Video recordings

Diaries

Interviews

Scrapbooks

Sketches

Date:

1871-2004, bulk 1910s-1980s

bulk 1910-1990

Summary:

The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.

Scope and Contents:

The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.

Biographical materials include address books, awards, recorded interviews with and about de Creeft, membership materials, naturalization records, resumes, and travel documents.

Correspondence is primarily professional in nature and concerns exhibitions, de Creeft's involvement in arts organizations, and awards. There are also scattered personal letters from family and friends. Correspondents include Alexander Calder, Nina, Alice, Barbara and William de Creeft, Hunt Diederich, Joseph Escudar, and Gil Gomez, Jacques Lipchitz, Edwin Dickinson, James Johnson Sweeney, Costantino Nivola, Abraham Rattner, and Lamar Dodd, among others.

De Creeft's fifty diaries are nearly complete for the period dating from 1926 to 1981. Some are bound volumes and others are loose pages. The bulk of the diaries are in Spanish and many include sketches. Additional writings, called "escritos varios" by José de Creeft, are mostly in Spanish and consist of typed manuscripts and essays, including "Roosty Was My Friend, 1957, notebooks, an artist's statement, and writings by others, including drafts for The Sculpture of de Creeft by Jules Campos, and a video recording entitled José de Creeft by Bob Hanson. There is one sound recording of Lorrie Goulet reading poetry.

Subject files are varied and include files on de Creeft's teaching positions at the New School for Social Research, Black Mountain College, Skowhegan School of Painting and Sculpture, and the Art Students League. There are files for some of his sculpture projects, inlcuding Alice in Wonderland, Poet, and a proposed model for the Stone Mountain Confederate Memorial in Georgia, as well as compiled information about various art related topics of interest.

De Creeft's business records include appraisals, contracts, leases, price lists, and scattered receipts. Also found are art inventories in the form of three sets of index cards, some of which include photographs.

Printed materials include books, clippings, exhibition announcements and catalogs, exhibition labels, postcards, and posters.

There are loose photographs and twenty-seven photograph albums depicting de Creeft, his family, friends, and works of art. There are photos of Alexander Calder; de Creeft and Goulet with Raphael Soyer, posing with Soyer's portrait of them; Gertrude Lawrence; art juries, which also include images of Chaim Gross, Jacques Lipchitz, Theodore Roszak, and William Zorach; students, friends, and faculties of Black Mountain College, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton School of Art, which also includes images of Joseph Albers, Alexander Calder, Julio De Diego, Walter Gropius, J. B. Neumann, and Abraham Rattner.

Seven mixed media scrapbooks document de Creeft's career from 1929 to 1982. Also found are scattered pen and pencil sketches and one sketchbook dating from the 1920s.

Arrangement:

The collection is arranged as 10 series:

Missing Title

Series 1: Biographical Material, 1914-1979 (Boxes 1, 27; 0.9 linear feet)

Series 2: Correspondence, 1910s-1980s (Boxes 1-6; 4.2 linear feet)

Series 3: Diaries, 1926-1981 (Boxes 6-11; 5.4 linear feet)

Series 4: Writings, 1871-1977 (Boxes 11-13, 28; 2.5 linear feet)

Series 5: Subject Files, 1924-1980 (Boxes 13-16, 27; 2.4 linear feet)

Series 6: Personal Business Records, 1909-1980s (Boxes 16-17, 27; 1.0 linear feet)

Series 7: Printed Material, 1921-1980s (Boxes 17-21, 27, 33; 4.7 linear feet)

Series 8: Photographs, 1900-2004 (Boxes 21-25, 29, 31; 5.1 linear feet)

Series 9: Scrapbooks, 1929-1982 (Box 26, 30, 32; 1.8 linear feet)

Series 10: Artwork, 1920s-1930s (Box 26; 2 folders)

Biographical / Historical:

José de Creeft (1908-1982) was a Spanish-born sculptor active in New York City, New York.

José de Creeft was born in Guadalajara, Spain and raised in Barcelona. In 1900, he apprenticed to sculptor Don Augustine Querol and studied drawing with Idalgo de Caviedas. De Creeft moved to Paris in 1905 and began formal art training at the Académie Julianand. He also took a studio in the Batteau Lavoir in Montmartre, where he interacted with Pablo Picasso, Juan Gris, Manolo, and Pablo Gargallo, all of whom also had studios there. During this period, de Creeft became friends with the artist Mateo Hernandez.

In 1915, de Creeft rejected the traditional technique of reproducing sculpture in stone from clay and plaster models and turned to direct carving in wood and stone. He was also one of the first sculptors who practiced assemblage and incorporated found objects into his work. His notable assemblage sculpture El Picador, a large figure on horseback, received worldwide press coverage and was exhibited at the Salon des Artistes Independents in 1926. Between 1919 and 1928, his work was exhibited in various Paris salons. In the late 1920s, he created 200 stone carvings for Roberto Ramonje's Forteleza (fortress) in Mallorca. It was around this time frame when de Creeft met Alexander Calder, who became his student in direct carving. De Creeft encouraged Calder to display his mechanical toys and Calder put his Circus together for the first time in de Creeft's studio.

De Creeft emigrated to the United States in 1929, right after marrying fellow sculptor Alice Robertson Carr. They divorced nine years later.

While in New York, de Creeft began sculpting with lead sheets beaten into three-dimensional forms and established a studio at 1 Washington Square. His first solo exhibition was at the Ferargil Galleries in New York City and included The Portrait of Cesar Vallejo in chased lead and The Silver Fox of found materials.

In 1932, de Creeft accepted a teaching position in sculpture at the New School for Social Research. He also taught courses at Black Mountain College, where he met his second wife, sculptor Lorrie Goulet, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton Gallery and School of Art. In 1946, de Creeft and Goulet purchased a hundred-acre farm in Hoosick Falls, NY where they established a studio and part-time residence.

Perhaps De Creeft's most well-known monumental scuplture is Alice in Wonderland in Central Park, New York City. The 12' x 16' bronze was dedicated during a public event in 1959 and gave de Creeft worldwide recognition. In 1995 a short film about the making of the sculpture was produced by J. D'Alba and narrated by Lorrie Goulet.

De Creeft was as founding member of the American Artist's Congress, the Sculptors Guild, and the Artist's Equity Association. De Creeft was represented by the Georgette Passedoit Gallery from 1936 to 1949. Later, he joined The Contemporaries (gallery) and exhibited there until 1966. Kennedy Galleries represented de Creeft from 1970 until his death in 1982.

Related Materials:

The Archives of American Art also holds an interview of José De Creeft conducted October 1-8, 1968 by Forrest Selvig and the papers of de Creeft's wife Lorrie Goulet.

Separated Materials:

The Archives of American Art also holds microfilm of material lent for microfilming (reels D150 and 375-378). While most of the items were included in subsequent gifts, material not donated to the Archives remain with the lender and are not described in the collection container inventory.

Provenance:

The José de Creeft papers were first lent for microfilming by the artist in 1963 and 1972. Lorrie Goulet, José de Creeft's widow, donated most of this material along with additional items in 1985 and 2009.

Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art -- Study and teaching  Search this

Educators -- New York (State) -- New York  Search this

Sculptors -- New York (State) -- New York -- Interviews  Search this

Sculpture, Modern -- New York (State) -- New York  Search this

Stone Mountain Memorial (Ga.)  Search this

Genre/Form:

Photographs

Sound recordings

Video recordings

Diaries

Interviews

Scrapbooks

Sketches

Citation:

José de Creeft papers, 1871-2004, bulk 1910s-1980s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund

Identifier:

AAA.decrjose

See more items in:

José de Creeft papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9bbb83529-c881-4ef2-b3f3-7919c41b1404

EDAN-URL:

ead_collection:sova-aaa-decrjose

Creator:

Guild Art Gallery  Search this

Names:

Cincinnati Art Museum  Search this

Corcoran Gallery of Art  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Whitney Museum of American Art  Search this

Baizerman, Saul, 1889-1957  Search this

Barnes, Albert C. (Albert Coombs), 1872-1951  Search this

Barr, Alfred H., Jr., 1902-1981  Search this

Feeley, Paul, 1910-1966  Search this

Gorky, Arshile, 1904-1948  Search this

Gross, Chaim, 1904-1991  Search this

Lefranc, Margaret  Search this

Liberte, Jean, 1896-1965  Search this

Ney, Lloyd Raymond, 1893-1964 or 5  Search this

Reisman, Philip, 1904-  Search this

Roszak, Theodore, 1907-1981  Search this

Walinska, Anna  Search this

Extent:

1.2 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Scrapbooks

Drawings

Date:

circa 1933-1937

Summary:

The records of the Guild Art Gallery measure 1.2 linear feet and date from circa 1933-1937. Operating in New York City between 1935-1937, the gallery was founded by artists Margaret Lefranc (also known as Margaret Schoonover) and Anna Walinska. Scattered records of the gallery include correspondence, including some with artists, exhibition files, financial records, a scrapbook and other printed materials, a drawing by Anna Walinska, and photographs of artwork and the gallery.

Scope and Contents:

The records of the Guild Art Gallery measure 1.2 linear feet and date from circa 1933-1937. Operating in New York City between 1935-1937, the gallery was founded by artists Margaret Lefranc (also known as Margaret Schoonover) and Anna Walinska. Scattered records of the gallery include correspondence, including some with artists, exhibition files, financial records, a scrapbook and other printed materials, a drawing by Anna Walinska, and photographs of artwork and the gallery.

Correspondence is with artists, business associates, and museums. Correspondents include Alfred H. Barr, Alfred C. Barnes, Saul Baizerman, Cincinnati Art Museum, Corcoran Gallery of Art, Paul Feeley, Arshile Gorky, Chaim Gross, Jean Liberte, Museum of Modern Art, Lloyd Raymond Ney, Philip Reisman, Theodore Roszak, and the Whitney Museum of American Art. The collection also contains financial materials such as account ledgers, receipt journals, bank records, sales invoices, and insurance forms, as well as printed material consisting of a scrapbook, newspaper and magazine clippings, calendars of art events, and journals. Additionally, there is a pen and ink drawing by Anna Walinska and black and white copy prints of artwork and orignal snphotos of the gallery.

Arrangement:

The collection is arranged as 6 series.

Missing Title

Series 1: Correspondence, 1935-1937 (11 folders; Box 1)

Series 2: Exhibition records (2 folders; Box 1)

Series 3: Financial records, 1935-1937 (6 folders; Box 1)

Series 4: Printed Material, 1935-1937 (15 folders, Boxes 1-2)

Series 5: Artwork, circa 1935 (1 folder, Box 2)

Series 6: Photographs, circa 1933-1937 (3 folders; Box 2)

Biographical / Historical:

The Guild Art Gallery was founded in 1935 by artists Anna Walinska and Margaret Lefranc (also known as Margaret Schoonover) and operated at 37 West 57th Street in New York City until 1937. Arshile Gorky held his first New York solo exhibition there. In 1935, the founders were quoted in Art Digest as stating that the new gallery "plans to exhibit, without charge, the work of contemporary artists, whether known or unknown; to develop, through a receptive audience, a better understanding of the creative expression and the problems of creative expression and the problems of contemporary society; and to illustrate the relationship of painting with the other arts." The gallery's opening exhibition featured both Walinska and Lefranc, as well as Boris Aronson, Don Forbes, Henry Major, Rosa Newman, Philip Reisman, Ben-Shmuel, Ary Stillman, and, notably, Arshile Gorky.

Related Materials:

Also found among the holdings of the Archives of American Art are the Anna Walinska papers.

Provenance:

Margaret Lefranc (also known as Margaret Schoonover), co-founder of the Guild Art Gallery, donated the gallery records to the Archives of American Art in 1981.

Restrictions:

This collection is temporarily closed to researchers due to archival processing and digitization. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Women art dealers  Search this

Function:

Art galleries, Commercial -- New York (State)

Artist-run galleries -- New York (State)

Genre/Form:

Photographs

Scrapbooks

Drawings

Citation:

Guild Art Gallery records, circa 1933-1937. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund.

Identifier:

AAA.guilart

See more items in:

Guild Art Gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9aa27159d-d543-4e12-867f-754051dc0989

EDAN-URL:

ead_collection:sova-aaa-guilart

Creator:

Weber, Max, 1881-1961  Search this

Names:

American Artists' Congress  Search this

Forum Gallery (New York, N.Y.)  Search this

Biddle, George, 1885-1973  Search this

Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this

Gropper, William, 1897-1977  Search this

Gross, Chaim, 1904-1991  Search this

Hartley, Marsden, 1877-1943  Search this

Kent, Rockwell, 1882-1971  Search this

Kroll, Leon, 1884-1974  Search this

Newman, Barnett, 1905-1970  Search this

Soyer, Raphael, 1899-1987  Search this

Zorach, William, 1887-1966  Search this

Extent:

11.8 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Sound recordings

Motion pictures (visual works)

Date:

1902-2008

Summary:

The papers of New York painter and sculptor Max Weber measure 11.8 linear feet and date from 1902-2008. The collection documents Weber's career as an artist through scattered biographical material; correspondence with artists, curators, universities, arts organizations, and others; exhibition and gallery files; personal business records; writings by Weber and others; exhibition catalogs, news clippings, and other printed material; photographs of Weber, exhibitions, and works of art; audio recordings and motion picture films. Also included are records maintained by Joy Weber on the exhibition and sale of Weber's work after his death.

Scope and Content Note:

The papers of New York painter and sculptor Max Weber measure 11.8 linear feet and date from 1902-2008. The collection documents Weber's career as an artist through scattered biographical material; correspondence with artists, curators, universities, arts organizations, and others; exhibition and gallery files; personal business records; writings by Weber and others; exhibition catalogs, news clippings, and other printed material; photographs of Weber, exhibitions, and works of art; audio recordings and motion picture films. Also included are records maintained by Joy Weber on the exhibition and sale of Weber's work after his death.

Biographical material includes biographical summaries, obituaries, award certificates, and a small amount of family memorabilia. Weber's personal and professional correspondence includes discussions of exhibitions, sales, and donations of his work, as well was requests to teach, write, or lecture. Also found is correspondence with arts organizations, clubs, and committees in which he participated. A small amount of family correspondence is also included. Artists that Weber corresponded with include George Biddle, Arthur Davies, William Gropper, Chaim Gross, Marsden Hartley, Rockwell Kent, Leon Kroll, Barnett Newman, Raphael Soyer, and William Zorach, among many others. Weber also corresponded with many art historians and critics, gallery owners, and art patrons. Joy Weber's correspondence primarily concerns the exhibition, loan, sale, and authentication of her father's artwork.

Exhibition files document various solo and group exhibitions of Weber's work. Five reels of motion picture film include footage of an exhibition at the Forum Gallery in 1975. Gallery files include correspondence, inventories, sales and loan records, gallery publications, and other documentation. Most files for exhibitions and galleries were created by Joy Weber after Max Weber's death in 1961. Personal business records include documents on sales, loans, and gifts of Max Weber's artwork; scattered financial documents; and mortgage and property records. Also found are files regarding his participation in the American Artists' Congress and art juries. Weber's writings primarily concern art theory, impressions of other artists, and social and political issues. Additionally there are notes, drafts speeches, and writings by others about Weber.

Printed material is extensive and includes exhibition publications, press releases, and two published booklets written by Weber: "Art Consciousness" and "Things." Also found are news clippings, brochures, newsletters, and publications produced by art organizations, schools, and museums. Photographs include portraits and snapshots of Weber, depicting him working in his studio, participating in art juries, at art openings, and with his family. Photographs also depict installation views of exhibitions and numerous photographs of Weber's artwork. Audiovisual materials include one sound recording of a National Gallery program on Max Weber and five reels of motion picture film that include home movies and footage of an exhibition at the Forum Gallery in 1975.

Arrangement:

The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Material, 1905-1995 (Box 1; 10 folders)

Series 2: Correspondence, 1902-2007 (Box 1-5; 4.2 linear feet)

Series 3: Exhibition Files, 1919-2003 (Box 5-6; 0.7 linear feet)

Series 4: Gallery Files, 1926-2005 (Box 6-7; 0.9 linear feet)

Series 5: Personal Business Records, 1906-2006 (Box 7; 0.8 linear feet)

Series 6: Writings, circa 1910s-1999 (Box 7-8; 0.6 linear feet)

Series 7: Printed Material, 1909-2008 (Box 8-10, 12; 2.6 linear feet)

Series 8: Photographs, 1930s-circa 2000 (Box 10-11; 1.1 linear feet)

Series 9: Audiovisual Material, 1954-2000 (Box 11, FC 13-17; 0.7 linear feet)

Biographical Note:

Max Weber (1881-1961) was a painter and sculptor in New York City.

Weber was born in Bialystok, Russia. When he was ten years old his family moved to Brooklyn, New York. From 1898 to 1900 he attended Pratt Institute and studied theory and practice of design under Arthur Wesley Dow. After graduating he briefly taught drawing in Lynchburg, Virginia, and Duluth, Minnesota. In 1905 he moved to Paris to attend the Académie Julian, studying under Jean-Paul Laurens, and later attended classes at the Académie Colarossi and Académie de la Grande Chaumiere. In 1907 he attended Henri Matisse's studio class. The influence of Matisse and friend Henri Rousseau transformed Weber's painting style to include elements of cubism and fauvism.

Weber returned to New York in 1909, and over the next few years he frequently exhibited at Alfred Stieglitz's gallery 291. Initially his work was panned by American critics for being too modern. Despite criticism, Weber exhibited his work extensively in the 1910s and also began creating abstract sculptures. In 1914 he helped his friend Clarence H. White open the White School of Photography and taught art history there for four years. Also in 1914 his Cubist Poems were published in London. His second book of poetry Primitives was published in 1926.

In 1916 Weber married Frances Abrams. He began to explore narrative subjects in his paintings and in 1918 began carving woodblock prints. He also taught at the Art Students League for the 1919-1921 and 1926-1927 sessions. By the early 1920s he was recognized as an important American artist, serving as a leader in art organizations such as the Society of Independent Artists. In 1930 Weber became the first American modernist to have a retrospective exhibition at the Museum of Modern Art.

In the 1930s Weber became more active in political and socialist causes, participating in many organizations throughout the Depression and World War II. In 1937 he became the National Chairman of the American Artists' Congress. By the 1940s, his work was widely known and influenced a new generation of American painters. He continued to exhibit extensively, received many awards, such as the Temple Gold Medal at the Pennsylvania Academy of Fine Arts, and often served on art juries. In 1955 he was elected to the National Institute of Arts and Letters and received an honorary doctorate from Brandeis University. He died in Great Neck, New York, in 1961.

Related Material:

Also found at the Archives of American Art is an Allen L. Wetmore letter from Max Weber, April 15, 1946.

Separated Material:

Material lent for microfilming in 1959 and 1969 which was not included in the 2011 donation is available on microfilm reels NY59-6 to NY59-10, N69-82 to N69-88, and N69-112.

Provenance:

Material was lent for microfilming in 1959 by Max Weber and in 1969 by Mrs. Max Weber and daughter, Joy Weber. The bulk of the microfilmed material and additional papers were donated in 2011 by Joy Weber.

Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art, American  Search this

Artists' studios -- Photographs  Search this

Painters -- New York (State) -- New York  Search this

Painting, American  Search this

Genre/Form:

Photographs

Sound recordings

Motion pictures (visual works)

Citation:

Max Weber papers, 1902-2008. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.webemax

See more items in:

Max Weber papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw917740067-13ca-42b3-a394-14c9d399c717

EDAN-URL:

ead_collection:sova-aaa-webemax

Creator:

New York Artists Equity Association  Search this

Names:

Art Bank (U.S.)  Search this

Artists Welfare Fund  Search this

Broome Street Gallery  Search this

Ashford, Doug  Search this

Avery, Frances  Search this

Babin, Angela  Search this

Berger, Ted  Search this

Bibro, Denise  Search this

Bolotsky, Marvin  Search this

Brodski, Judith  Search this

Carswell, Mary  Search this

Cohen, Jean  Search this

Concholar, Dan, 1939-  Search this

Diener, Bert  Search this

Facci, Domenico, 1916-1994  Search this

Fiene, Ernest, 1894-  Search this

Frankenthaler, Helen, 1928-2011  Search this

Fuller, Sue (1914-2006)  Search this

Gillespie, Dorothy, 1920-  Search this

Golub, Leon, 1922-2004  Search this

Goulet, Lorrie, 1925-  Search this

Gross, Chaim, 1904-1991  Search this

Gussow, Alan, 1931-1997  Search this

Gussow, Roy, 1918-2011  Search this

Hall, Nan  Search this

Hasen, Burt  Search this

Hayter, Stanley William, 1901-1988  Search this

Karp, Ivan C., 1926-2012  Search this

Kertess, Klaus  Search this

Knight, Gwendolyn  Search this

Kotik, Charlotte  Search this

Kramer, Hilton  Search this

Kroll, Leon, 1884-1974  Search this

Kuniyoshi, Yasuo, 1889-1953  Search this

Laufman, Sidney, 1891-  Search this

Lawrence, Jacob, 1917-2000  Search this

Lipsky, Eleanor  Search this

Mandel, Howard, 1917-1999  Search this

Marinoff, Elaine  Search this

Marxer, Donna, 1934-  Search this

Millman, Edward, 1907-1964  Search this

Morris, George L. K., 1905-1975  Search this

Nevelson, Louise, 1899-1988  Search this

Newman, Arnold, 1918-2006  Search this

Newman, Elias, 1903-  Search this

O'Hanlon, Richard E. (Richard Emmett), 1906-1985  Search this

Phillips, Helen, 1913-  Search this

Phillips, Renée  Search this

Poroner, Palmer  Search this

Reeves, Ruth, 1892-1966  Search this

Refregier, Anton, 1905-  Search this

Rothschild, Lincoln, 1902-  Search this

Sandler, Irving, 1925-  Search this

Searles, Charles Robert, 1937-2004  Search this

Simon, Sidney, 1917-1997  Search this

Sloan, John, 1871-1951  Search this

Smart, Bill  Search this

Smith, David, 1906-1965  Search this

Steinbaum, Bernice  Search this

Stirton, Laura  Search this

Teller, Susan  Search this

Walker, Hudson D. (Hudson Dean), 1907-1976  Search this

Waterson, Harry  Search this

Wayne, June, 1918-2011  Search this

Winters, Denny Sonke, 1907-1985  Search this

Zaleski, Jean  Search this

Zerbe, Karl, 1903-1972  Search this

deLisser, Carolyn  Search this

Extent:

26.8 Linear feet

2.99 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Photographs

Video recordings

Sketches

Scrapbooks

Sound recordings

Date:

1920-2012

Summary:

The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and 2.99 Gb and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed and digital materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events.

Scope and Contents:

The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and 2.99 GB and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed and digital materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events. The President's files appear to be complete and include files for presidents Yasuo Kuniyoshi, Louise Nevelson, Harry Waterson, Roy Gussow, Jacob and Gwendolyn Knight Lawrence, Karl Zerbe, Ernst Fiene, Sidney Laufman, Carolyn deLisser, Burt Hasen, and Bert Diener, among others. Committee files and meeting minutes are found, as well as general administrative and correspondence files which include information pertaining to the national level Association.

Event files include documentation of the Association's Art Thursday series, where they hosted talks and panels by artists. Artists referenced in these files include Jean Cohen, Charles Searles, Leon Golub, Doug Ashford, Bruno Palmer-Poroner, Dom Facci, Susan Teller, Eleanor Lipsky, Ted Berger, Hilton Kramer, Bernice Steinbaum, Laura Stirton, Jean Zaleski, Renee Philips, Denise Bibro, Dan Concholar, Irving Sandler, Angela Babin, Dorothy Gillespe, Donna Marxer, Nan Hall, Ivan Karp, Alan Gussow, Mary Carswell, Bill Smart, Charlotte Kotik, Klaus Kertess, Elaine Marinoff, and Judith Brodski. Additional events covered in this series include the annual awards dinner, masquerade balls, lectures, the Association's 55th Anniversary event, which includes recollections by Helen Frankenthaler, Sidney Simon, and Lorrie Goulet, as well as other events and programs. Videocassette and sound recordings of many of the events are found here.

Artists' and subject files contain mostly printed materials about a few artists and subjects or issues in which the Association was interested.

There are extensive files on individual members that include card files, applications, biographies, and clippings.

Project and exhibition files include material pertaining to the Artists Welfare Fund, the Art Bank artwork donation, and a few scattered exhibitions. Additional exhibition and event files are found in the series containing the Broome Street Gallery files.

Association publications consist of what appears to be a full run of Association newsletters and reports. The NYAEA newsletter changed its name to The Artists Proof in 1986. Additional printed materials include exhibition catalogs and announcements, programs, clippings, posters, and newsletters of other arts organizations. There are four scrapbooks (two unbound) that contain printed materials, and a few items of correspondence. One of the scrapbooks documents the annual "Bal Fantastique".

Artwork consists mostly of sketches and drawings by artists attending a 1948 dinner in honor of Yasuo Kuniyoshi. Photographs are of members and events. Photographers include Arnold Newman, Marvin Bolotsky, and Frances Avery, among others. Numerous notable artists are depicted in the images.

Arrangement:

The collection is arranged into sixteen series.

Missing Title

Series 1: History and Founding Documents, 1933-2000 (0.3 linear feet; Box 1, 27

Series 2: Presidents' Files, 1927-2007 (2.8 linear feet; Boxes 1-4)

Series 3: Board of Directors' Files, 1947-2003 (1.4 linear feet; Boxes 4-5)

Series 4: Committee and Meeting Files, 1950-2009 (1.5 linear feet; Boxes 5-6)

Series 5: General Administrative and Correspondence Files, circa 1930-2008 (2 linear feet; Boxes 7-8, 0.284 GB; ER01)

Series 6: Financial and Legal Files, 1947-2000 (1 linear foot; Box 9)

Series 7: Events and Programs, 1930-2010 (4.2 linear feet; Boxes 10-14, 27, 0.446 GB; ER02)

Series 8: Artists and Subject Files, 1930-1998 (0.4 linear feet; Box 14)

Series 9: Membership Files, 1920-2009 (4.4 linear feet; Boxes 14-18, 27, 2.26 GB; ER03)

Series 10: Project and Exhibition Files, 1934-2010 (2 linear feet; Boxes 19-20)

Series 11: Broome Street Gallery Files, 1990-2011 (2.7 linear feet; Boxes 21-23, 31)

Series 12: Association Publications, 1947-2012 (1 linear foot; Boxes 23-24)

Series 13: Printed Materials, 1930-2008 (1.6 linear feet; Boxes 24-25, 27, 31, OV 28, OV 29)

Series 14: Scrapbooks, 1947-1969 (0.3 linear feet; Box 25, OV 30)

Series 15: Artwork, 1947-2000 (0.1 linear foot; Box 26, 27)

Series 16: Photographs, 1930s-2004 (0.9 linear feet; Box 26, 27)

Biographical / Historical:

The New York Artists Equity Association (originally the Artists Equity Association) was created in 1947 to promote and support living American artists. Nine prominent New York artists founded the organization and elected Yasuo Kuniyoshi as the organization's first president. The original membership included 160 well-known American artists, but by the end of its first year, membership had grown to over one thousand. By the 1950s, the organization had grown into an influential national organization. Past and present members have included Milton Avery, Will Barnet, Romare Bearden, George Biddle, Isabel Bishop, Robert Blackburn, Paul Cadmus, Charles Burchfield, Stuart Davis, Jose de Creeft, Elaine and Willem de Kooning, Leon Golub, Chaim Gross, Rockwell Kent, Roy Lichtenstein, Robert Motherwell, Alice Neel, Isamu Noguchi, Jules Olitski, Philip Pearlstein, Henry Varnum Poor, Charles Scheeler, Ben Shahn, David Smith, Frank Stella, Andrew Wyeth, and many others.

In 1959, the New York Chapter, with more members than all of the other states combined, re-organized into the New York Artists Equity Association. The Association maintained it own gallery, Broome Street Gallery, from 1991-2011. The organization remains active today and is located in SoHo.

Provenance:

The records were donated to the Archives of American Art by the New York Artists Equity Association in several increments between 1980-2016.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Artists -- United States  Search this

Function:

Arts organizations -- New York (State)

Art galleries, Commercial -- New York (State)

Genre/Form:

Photographs

Video recordings

Sketches

Scrapbooks

Sound recordings

Citation:

New York Artists Equity Association records, 1920-2012. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund.

Identifier:

AAA.nyarteqa

See more items in:

New York Artists Equity Association records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9262aeec9-d4bf-436e-aef6-73441a4b1195

EDAN-URL:

ead_collection:sova-aaa-nyarteqa

Creator:

Grossman, Sid, 1915-1955  Search this

Names:

Kootz Gallery (Provincetown, Mass.) -- Photographs  Search this

Gross, Chaim, 1904-1991  Search this

Hofmann, Hans, 1880-1966  Search this

Lipton, Seymour, 1903-1986  Search this

Reeves, Ruth, 1892-1966  Search this

Extent:

0.4 Linear feet ((on 2 partial microfilm reels))

Type:

Collection descriptions

Archival materials

Date:

1933-1981

Scope and Contents:

A journal; writings; lists of photographs; photographs; and printed material.

REEL 2910: A journal, 1933; and two "literary papers" from 1934 titled NAIVETE for which Grossman was editor and contributor, often signing his pieces "El Cid".

REEL 3361: 2 press releases and a clipping, concerning an exhibition of Grossman's work; lists of photographs; photographs taken by Grossman, 1949-1954, of art-related activities in Provincetown, 1950-1952, of the Kootz Gallery, 1954, of Highfield, 1952, and of artists including: Seymour Lipton, Chaim Gross, Hans Hofmann, Ruth Reeves, Jack Hall, Bobbie and Dagmar Lilian, and Weegee.

Biographical / Historical:

Photographer, writer; New York, N.Y. and Provincetown, Mass.

Provenance:

Material on reel 2910 lent for microfilming 1982 and material on reel 3361 donated 1985 by Grossman's widow, Miriam Cohen.

Microfilmed as part of the Archives of American Art's Texas project.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.

Occupation:

Photographers -- New York (State) -- New York  Search this

Photographers -- Massachusetts -- Provincetown  Search this

Topic:

Photography  Search this

Artists -- Photographs  Search this

Photography of artists  Search this

Identifier:

AAA.grossidn

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97413ec94-610b-4aa7-a7cc-604a8e722180

EDAN-URL:

ead_collection:sova-aaa-grossidn

Creator:

Lowenthal, Milton  Search this

Lowenthal, Edith  Search this

Names:

Brooklyn Museum  Search this

Avery, Milton, 1885-1965  Search this

Davis, Stuart, 1892-1964  Search this

De Creeft, José, 1884-1982  Search this

Gross, Chaim, 1904-1991  Search this

Lawrence, Jacob, 1917-2000  Search this

Miller, Henry, 1891-1980  Search this

O'Keeffe, Georgia, 1887-1986  Search this

Rattner, Abraham  Search this

Sheeler, Charles, 1883-1965  Search this

Weber, Max, 1881-1961  Search this

Extent:

4.4 Linear feet ((on 5 microfilm reels))

Type:

Collection descriptions

Archival materials

Sound recordings

Scrapbooks

Date:

1940-1989

Scope and Contents:

Biographical material; correspondence and greeting cards; writings; business records; printed material about the Lowenthal collection, exhibitions, and artists, photographs; scrapbooks; and sound recordings.

REEL 4904, frames 1-114: Thirty-nine greeting cards from artists, illustrated with original prints, drawings, and off-set reproductions. Included are 20 from Jose de Creeft and Lorrie Goulet, 8 from Abraham and Esther Rattner, 4 each from Chaim Gross and Milton and Sally Avery, 2 from Max Weber, and 1 from Jacob Lawrence.

REELS 4904 (fr. 126-end) - 4908: Biographical material includes a resume and transcripts for Edith Lowenthal, an obituary of Isadore Lowenthal, M.D., Milton's father, and clippings related to the Lowenthals. General correspondence, 1947-1991, is primarily with museums, university galleries, and publishers regarding loans and gifts of art work, contributions, lectures, travel, and permissions to reproduce for publication. In addition, there are a correspondence file, 1963-1990, with the Brooklyn Museum, regarding loans, contributions, and conservation work, and correspondence from artists, including letters, greeting cards, and announcements from Stuart Davis, Jacob Lawrence, Josef Presser, Abraham Rattner, Charles Sheeler, Max Weber, and others.

Writings and notes by Milton Lowenthal are about the role of the art collector, his thoughts on works of art and artists, and drafts of letters. Writings by others include Henry Miller's "The Rattner Portfolio" and Elizabeth McCausland's proposal for a Marsden Hartley catalog raisonne. Material relating specifically to the Lowenthal Collection includes lists, valuations, collection exhibition records, documentation of gifts, financial records, receipts, clippings, catalogs, and a 2 v. index of acquisitions. A file containing memorabilia relating to Stuart Davis includes clippings, an address book, printed materials, and notes.

Printed materials include clippings about artists, collectors, and other art related issues and exhibitions, exhibition announcements, and catalogs. Photographs are of artists and works of art. Files relating to the "Friends of the Whitney", ca. 1956-1961, include correspondence, by-laws, annual and other reports, statements, and catalogs of loan exhibitions. Scrapbooks (4 v.), 1942-1953, contain letters and greeting cards (many illustrated) from friends, artists and associates, clippings, exhibition announcements, and catalogs about artists, museums, and exhibitions.

Unmicrofilmed material consists of negatives, slides, and transparencies of works of art and 3 phonograph albums (78 r.p.m) of a radio interview with art collectors and a recording of a school performance by Stuart Davis' son.

Biographical / Historical:

Art collectors, benefactors of the Brooklyn Museum; New York, N.Y. Mr. Lowenthal was a lawyer whose clients included Stuart Davis.

Provenance:

Donated 1993 by Louis M. Bernstein, Mrs. Lowenthal's nephew, except for illustrated greeting cards on reel 4904, frames 1-114, which were received as a loan for microfilming.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Topic:

Art -- Collectors and collecting  Search this

Greeting cards  Search this

Genre/Form:

Sound recordings

Scrapbooks

Identifier:

AAA.lowemilt

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93ff6c9a9-440c-40db-a074-e6cb92ca04a8

EDAN-URL:

ead_collection:sova-aaa-lowemilt

Creator:

Goulet, Lorrie, 1925-  Search this

Names:

Art Students League (New York, N.Y.) -- Faculty  Search this

Carolyn Hill Gallery  Search this

Contemporaries (Gallery: New York, N.Y.)  Search this

David Findlay Galleries (New York, N.Y.)  Search this

Inwood Pottery School  Search this

Kennedy Galleries  Search this

Museum of Modern Art (New York, N.Y.)  Search this

National Museum of Women in the Arts (U.S.)  Search this

New School for Social Research (New York, N.Y.)  Search this

New York Artists Equity Association  Search this

Scarsdale Studio Workshop  Search this

Anuszkiewicz, Richard  Search this

De Creeft, José, 1884-1982  Search this

Gross, Chaim, 1904-1991  Search this

Nalle, Anna Beck  Search this

Vogel, Dorothy  Search this

Vogel, Herbert  Search this

Vorhees, Aimee  Search this

Extent:

10 Linear feet

Type:

Collection descriptions

Archival materials

Diaries

Photographs

Interviews

Sound recordings

Video recordings

Scrapbooks

Sketches

Date:

1931-2009

Summary:

The papers of New York City sculptor, painter, educator, and writer Lorrie Goulet (1925- ) measure 10.0 linear feet and date from 1931 to 2009. Goulet's career is documented through biographical materials, correspondence, writings and notes, interviews, exhibition files, project and commission files, teaching files, personal business records, printed materials, photographs, and artwork.

Scope and Contents:

The papers of New York City sculptor, painter, educator, and writer Lorrie Goulet (1925- ) measure 10.0 linear feet and date from 1931 to 2009. Goulet's career is documented through biographical materials, correspondence, writings and notes, interviews, exhibition files, project and commission files, teaching files, personal business records, printed materials, photographs, and artwork.

Biographical materials include awards, resumes, membership documents for the New York Artists Equity Association, and a scrapbook and photograph portfolio for Jose de Creeft's birthday in 1969. Scattered school records include a photocopy of a letter from Aimee Vorhees at the Inwood Pottery School.

Goulet's correspondence is mostly professional in nature but includes some letters from friends and family, including Jose de Creeft. Other notable correspondents include Chaim Gross, Herbert and Dorothy Vogel, and Richard Anuszkiewicz.

Writings and notes by Lorrie Goulet include artists' statements; notes and essays on sculpture, including a disbound binder entitled "Quadrations"; three journals about the creation of Enigma; a statement on Green Serpentine; lectures and talks, including a memorial tribute to Jose de Creeft; and poems. There are also a few writings by others about Goulet.

There are five transcripts of interviews with Lorrie Goulet and with Lorrie Goulet and Jose de Creeft. One of the interviews includes the original sound recordings on cassette tape and one includes a version of the transcript on floppy disc.

Extensive exhibition files document fifty years of Goulet's solo and group exhibitions held at galleries, museums, and institutions throughout the United States. Many of the files are from shows at Carolyn Hill Gallery, The Contemporaries, David Findlay Jr. Gallery, and Kennedy Galleries. Also found is extensive material on Goulet's exhibition at the National Museum of Women in the Arts, Lorrie Goulet: Fifty Years of Making Sculpture (1998). File contents vary, but often contain photographs of openings and of works of art, correspondence, printed material, and price lists.

Project and commission files document Goulet's public commissioned works in the New York Public Library, 173 St. Branch, the Nurse's Residence and School at the Bronx Municipal Hospital, the New York City 48th Precinct Station House and Fire House, and the bust of King Juan Carlos I of Spain. There are also files concerning Goulet's television show Around the Corner, an educational children's show that aired from 1964-1968.

Teaching files are from Goulet's positions at the Art Students League, the school at the Museum of Modern Art, the New School for Social Research, and Scarsdale Studio Workshop. Personal business records include scattered bills and receipts for works of art by Goulet and Jose de Creeft and a file regarding Goulet's affiliation with art agent Anna Beck Nalle.

Among the printed materials are clippings, exhibition announcements and catalogs, and issues of magazines and periodicals, many of which include articles about Goulet or her exhibitions. Also found is a videocassette tape concerning Jose de Creeft's Alice in Wonderland narrated by Goulet.

Photographs and eleven photo albums depict Goulet, her family life with Jose de Creeft, celebrations with friends, her artwork and studio, and travel. Also found are photos, slides, and transparencies of works of art. Pencil sketches are by Goulet of her studio. There is also a sketch of Lorrie Goulet by Zorach.

Arrangement:

The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, 1931-2009 (0.5 linear feet; Box 1, 11)

Series 2: Correspondence, 1940s-2006 (0.7 linear feet; Box 1)

Series 3: Writings and Notes, 1949-2002 (0.6 linear feet; Box 1-2)

Series 4: Interviews, 1967-2002 (0.3 linear feet; Box 2)

Series 5: Exhibition Files, 1948-2008 (3.1 linear feet; Box 2-5)

Series 6: Project Files, 1950s-2007 (0.8 linear feet; Box 6, 12)

Series 7: Teaching Files, 1958-2000 (0.2 linear feet; Box 6)

Series 8: Personal Business Records, 1969-1990s (2 folders; Box 6)

Series 9: Printed Materials, 1940s-1999 (1.1 linear feet; Box 7-8)

Series 10: Photographs, 1930s-2008 (2.3 linear feet; Box 8-11)

Series 11: Artwork, 1955-1956 (0.1 linear feet; Box 10)

Biographical / Historical:

Lorrie Goulet (1925- ) is a sculptor, painter, educator, and writer active in New York City, New York. She is well-known for direct sculpture on wood and stone.

Lorrie Goulet was born in Riverdale, NY in 1925. As early as the age of seven, Goulet attended the Inwood Pottery School in New York City where she studied under Aimee Vorhees. After the Goulet family moved to Los Angeles, Lorrie continued her studies in art and, in 1940, apprenticed under Jean Rose, a ceramicist in Southern California. In 1943, Goulet enrolled at Black Mountain College in North Carolina where she studied with Joseph and Annie Albers. This is also where she met her husband, sculptor Jose de Creeft; they married in 1944 and had one child, Donna Maria de Creeft. Goulet and de Creeft divided their time between Hoosick Falls, New York and New York City.

Goulet's first solo exhibition was held at the Clay Club Sculpture Center, New York, in 1948. She was represented by Kennedy Galleries in New York, David Findlay Jr. Gallery, and the Harmon Meek Gallery in Naples, Florida. She has exibited widely, including in a number of Annual Exhibitions at the Whitney Museum of American Art, New York, and in the fine arts pavilion of the New York World's Fair of 1965. In 1998, she was honored by the National Museum of Women in the Arts in Washington D.C. with a solo exhibition titled Fifty Years of Making Sculpture.

Goulet taught sculpture at the Museum of Modern Art's Peoples Center, New York, in 1957. From 1961 to 1975 she was on the faculty of the New School, New York, and in 1981 began teaching at the Art Students League of New York, where she taught until 2004. Between 1964-1968 Lorrie Goulet demonstrated sculpture techniques on a CBS Television children's program called "Around the Corner", sponsored by the New York City Board of Education.

Lorrie Goulet's sculpture can be found in the permanent collections of museums across the country. She also completed a number of public sculptures commissioned by the City of New York for several of its public buildings in the Bronx including the Branch Public Library at 173rd Street and Grand Concourse (1958), the Nurses School and Residence, Bronx Municipal Hospital (1961), and the 48th Precinct Police and Fire Station Headquarters (1971) - all in varying materials. A bronx bust of King Juan Carlos I of Spain created by Goulet is displayed in the Royal Palace in Madrid.

Goulet is also a painter, philosopher and poet and continues to work in her studio in New York City.

Related Materials:

Also found in the Archives of American Art are the papers of Lorrie Goulet's husband, sculptor Jose de Creeft.

Provenance:

Lorrie Goulet lent a portion of her papers in 1972 for microfilming and later donated those papers along with additional materials to the Archives of American Art in 2010.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Sculptors -- New York (State) -- New York  Search this

Educators -- New York (State) -- New York  Search this

Authors -- New York (State) -- New York  Search this

Topic:

Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this

Art -- Study and teaching  Search this

Artists' studios -- Photographs  Search this

Women artists  Search this

Women painters  Search this

Women sculptors  Search this

Women educators  Search this

Women authors  Search this

Genre/Form:

Diaries

Photographs

Interviews

Sound recordings

Video recordings

Scrapbooks

Sketches

Citation:

Lorrie Goulet papers, 1931-2009. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund

Identifier:

AAA.goullorr

See more items in:

Lorrie Goulet papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw902b5ece8-1adc-4620-a5f5-f3520a094ffd

EDAN-URL:

ead_collection:sova-aaa-goullorr

Creator:

Francisci, Anthony de  Search this

Names:

Cooper Union Museum for the Arts of Decoration  Search this

French, Daniel Chester, 1850-1931  Search this

Gross, Chaim, 1904-1991  Search this

Manship, Paul, 1885-1966  Search this

Montana, Pietro, 1890-1978  Search this

Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this

Extent:

2.2 Linear feet ((partially microfilmed on 1 reel))

Type:

Collection descriptions

Archival materials

Date:

1904-1965

Scope and Contents:

Correspondence; notes; a scrapbook; sketches; photographs; announcements; and clippings.

REEL 37: Letters and telegrams, and cards of condolence to de Francisci's widow Theresa after his death, from Robert Weinman, Pietro Montana, Anthony Cirino, Max Kuehne, Donald DeLue and others. Also included is one letter, Sept. 1, 1954, from de Francisci to his daughter. Photographs, 1907-1964, show de Francisci with his Cooper Union graduating class, at work and with friends; clippings; announcements; and resumes.

UNMICROFILMED: Correspondence; notes; a scrapbook; sketches; and photographs of works of art. Correspondents include Daniel Chester French, Adolph Weinman, Paul Manship, Pietro Montana, and Chaim Gross.

Biographical / Historical:

Sculptor; New York, N.Y. and Rockport, Massachusetts.

Provenance:

Material on reel 37 donated 1971 by Theresa de Francisci, widow of de Francisci. One letter dated Sept. 1, 1954 was returned to de Francisci at her request. Unmicrofilmed material was transferred from the National Collection of Fine Arts, 1979.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Sculptors  Search this

Identifier:

AAA.defranth

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw95e2460ae-c23d-4236-83da-cc5fd12feee6

EDAN-URL:

ead_collection:sova-aaa-defranth

Creator:

Gross, Chaim, 1904-1991  Search this

Interviewer:

Seckler, Dorothy Gees, 1910-1994  Search this

Extent:

2 Sound tape reels (Sound recordings (50 min.), 5 in.)

16 Pages (Transcript: (on partial microfilm reel))

Type:

Collection descriptions

Archival materials

Sound tape reels

Pages

Sound recordings

Interviews

Date:

1964 Sept. 1

Scope and Contents:

An interview of Chaim Gross conducted 1964 Sept. 1 by Dorothy Seckler for the Archives of American Art.

Gross speaks of his early sculpture; his inspirations; his treatment of wood; his interest in watercolor; religious subjects in his work, especially Judaic themes; his teaching career; his involvement with the WPA Federal Art Project; his personal collection of paintings and sculpture; working odd jobs when the WPA ended; and his opinions of contemporary sculpture and the future of sculpture.

Biographical / Historical:

Sculptor; New York, N.Y. Died 1991.

Provenance:

These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Topic:

Art, American  Search this

Sculpture  Search this

Art and religion  Search this

Sculptors -- New York (State) -- New York -- Interviews  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.gross64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw975edec05-cc54-4a16-bf4e-fc0b0b406464

EDAN-URL:

ead_collection:sova-aaa-gross64

Creator:

Grooms, Mimi Gross  Search this

Names:

Burckhardt, Rudy, 1914-1999  Search this

Falcone, Dominic  Search this

Grooms, Red  Search this

Gross, Chaim, 1904-1991  Search this

Extent:

0.9 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1960-1981

Scope and Contents:

Letters, biographical material, sketches, printed material, and financial material.

Letters, many illustrated, from Mimi Gross to Red Grooms, Dominic Falcone, friends, and family; financial records, 1962; 2 exhibition announcements; 3 photographs of Gross and Grooms; a contract with Rudolph Burckhardt for the film "Shoot the Moon";

Ca. 400 items, 1964-1981, include: letters, many illustrated, to Gross and Grooms. Correspondents include Chaim Gross and Rudolph Burckhardt; a sketch; exhibition announcements, catalogs, invitations, and posters.

Biographical / Historical:

Painter; New York, N.Y.; b. 1940; Married to painter Red Grooms. Daughter of sculptor Chaim Gross.

Provenance:

Donated by Mimi Gross, 1981.

Restrictions:

ACCESS RESTRICTED; written permission required.

Occupation:

Painters -- New York (State) -- New York  Search this

Topic:

Painting, Modern -- 20th century -- New York (State) -- New York  Search this

Women artists  Search this

Women painters  Search this

Identifier:

AAA.grosmimi

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92683c6fc-3ec0-4dbb-ad35-e945ee959982

EDAN-URL:

ead_collection:sova-aaa-grosmimi

Creator:

Gikow, Ruth, 1915-1982  Search this

Names:

Drewes, Werner, 1899-1985  Search this

Fortess, Karl E. (Karl Eugene), 1907-1993  Search this

Gross, Chaim, 1904-1991  Search this

Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this

Lawrence, Jacob, 1917-2000  Search this

Levine, Jack, 1915-2010  Search this

Nordness, Lee  Search this

Soyer, Raphael, 1899-1987  Search this

Extent:

2.4 Linear feet ((on 3 microfilm reels))

Type:

Collection descriptions

Archival materials

Interviews

Sound recordings

Date:

1933-1982

Scope and Contents:

Biographical material, letters, financial material, an interview transcript, notes, writings, a scrapbook, printed material, photographs, and an audio tape document Gikow's career as a painter of social commentary.

REEL D230: Exhibition catalogs, 1948-1965; a scrapbook containing a biographical account and clippings, 1937-1965; an undated photograph of Gikow; and 164 photographs of works of art.

REELS 4874-4875: Biographical accounts, 1959-1971; 7 passports, 1947-1972; letters, 1949-1981, from Gikow to critics and galleries, and from colleagues including Karl Fortess and Lee Nordness, and one letter each from Werner Drewes, Jo Hopper, and Raphael Soyer; a file concerning the Kent State Memorial Exhibition, 1971; receipts, 1951-1978; price lists, 1967-1980; a 3 p. interview transcript; an engagement calendar, 1971; miscellaneous notes and writings by Gikow and others; printed material, including clippings, 1947-1979; exhibition announcements and catalogs, 1940-1982; a book, History of the Jews in America, 1957, by Deborah Pessin, illustrated by Gikow; a book, Gikow, 1970, by Matthew Josephson, with reproductions of art works used in the book; and brochures; photographs of Gikow, her husband Jack Levine, her studio, artists, including Chaim Gross, Jacob Lawrence, and Raphael Soyer, and works of art; and an untranscribed reel-to-reel tape of an interview of Gikow conducted by Karl Fortess.

UNFILMED: Correspondence; photographs of Gikow and of her art work, including one of her demonstrating mural painting at the 1939 World's Fair; reproductions of her book and magazine illustrations; and a yearbook, 1933, from the Women's Art School at The Cooper-Union, where Gikow studied with John Steuart Curry. Also found are writings by Gikow including reminiscences about her life as an artist and as an artist's wife; address books; and exhibition announcements and catalogs.

Biographical / Historical:

Painter, mural painter, illustrator, serigrapher. Died 1982. Gikow was born in the Russian Ukraine, emigrating to New York City with her parents in 1920. She studied under John Steuart Curry at the Cooper Union Art School from 1932-1935. She also studied with Louis Ross, Louis Schanker and Raphael Soyer. After working as an assistant mural painter on the Federal Art Project, Gikow was awarded a commission to paint a mural for the Bronx Hospital. Her book illustrations include Crime and Punishment, and History of the Jews in America. Gikow was married to painter Jack Levine.

Provenance:

Material on D230 was lent by Gikow, 1965. Gikow and her husband Jack Levine donated the remainder in 1978 and 1983, which was microfilmed in 1994 with grants from the Henry and Lucy Moses Fund, the Lucius N. Littauer Foundation, the Samuel Bronfman Foundation, and the Louis and Anne Abrons Foundation. After microfilming, an addition to the collection was donated by Levine in May 1999. Papers of Jack Levine donated at the same time have been cataloged separately.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Painters -- New York (State) -- New York  Search this

Muralists -- New York (State) -- New York  Search this

Illustrators -- New York (State) -- New York  Search this

Serigraphers -- New York (State) -- New York  Search this

Printmakers -- New York (State) -- New York  Search this

Topic:

Painting, Modern -- 20th century -- New York (State) -- New York  Search this

Social realism  Search this

Jewish artists  Search this

Women artists  Search this

Women painters  Search this

Women printmakers  Search this

Artists' studios -- Photographs  Search this

Genre/Form:

Interviews

Sound recordings

Identifier:

AAA.gikoruth

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f4e661dc-8dcf-4d0e-923a-58b2ab3805a5

EDAN-URL:

ead_collection:sova-aaa-gikoruth

Photographer:

Dena, 1910-1987  Search this

Names:

De Kooning, Willem, 1904-1997  Search this

Dehner, Dorothy, 1901-1994  Search this

Dickinson, Edwin Walter, 1891-1978  Search this

Grooms, Red  Search this

Gross, Chaim, 1904-1991  Search this

Ortiz, Rafael Montanez  Search this

Segal, George, 1924-2000  Search this

Soyer, Moses, 1899-1974  Search this

Soyer, Raphael, 1899-1987  Search this

Warhol, Andy, 1928-1987  Search this

Extent:

9 Items (photographic prints, b&w, 44 x 34 cm. and smaller.)

Type:

Collection descriptions

Archival materials

Photographs

Date:

[1964-1975]

Scope and Contents:

Included are photographs of: Dorothy Dehner, Willem De Kooning, Edwin Dickinson, Red Grooms,Chaim Gross, Rafael Montanez Ortiz, George Segal, Moses Soyer, Raphael and Rebecca Soyer.

Biographical / Historical:

Dena (1910-1987) was a photographer from New York, N.Y. Full name Dinah Rubinstein.

Provenance:

Donated by Dena. It is unclear if the photographs were used in a publication or exhibition. The photographs were initially placed in AAA's Photographs of Artists Collection I and II, separated by artist depicted, and microfilmed on reels 439-441 and 1817-1818. They have been subsequently scanned and compiled together under Dena

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

Occupation:

Photographers -- New York (State) -- New York  Search this

Topic:

Artists' studios -- Photographs  Search this

Photography  Search this

Women artists  Search this

Women photographers  Search this

Genre/Form:

Photographs

Identifier:

AAA.dena

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9189adb2d-ca5b-4ef4-bcca-08dd42ee2293

EDAN-URL:

ead_collection:sova-aaa-dena

Creator:

Berman, Avis  Search this

Names:

Bearden, Romare, 1911-1988  Search this

Breeskin, Adelyn Dohme, 1896-1986  Search this

Foster, James W., 1920-  Search this

Gross, Chaim, 1904-1991  Search this

Lawrence, Jacob, 1917-2000  Search this

Nakian, Reuben, 1897-1986  Search this

Rosenthal, Gertrude, 1903-  Search this

Sloan, Helen Farr, 1911-2005  Search this

Extent:

2.4 Linear feet

Type:

Collection descriptions

Archival materials

Interviews

Sound recordings

Date:

1976-1994

Summary:

Avis Berman research material on art and artists measures 2.4 linear feet and dates from 1976-1994. Included are interviews conducted by Berman, correspondence, printed material, and drafts of writing for articles and essays published by Berman in preparation for various books, articles and exhibitions, magazines and museum and gallery catalog essays. Subjects include Romare Bearden, Adelyn Breeskin, Howard Chandler Christy, Chaim Gross, Geoffrey Holder and Carmen de Lavallade, Jacob Lawrence, Marisol, Mary Miss, Reuben Nakian, Maxfield Parrish, Helen Farr Sloan, John Sloan, Raphael Soyer, and others.

Scope and Contents:

Avis Berman research material on art and artists measures 2.4 linear feet and dates from 1976-1994. Included are interviews conducted by Berman, correspondence, printed material, and drafts of writing for articles and essays published by Berman in preparation for various books, articles and exhibitions, magazines and museum and gallery catalog essays. Subjects include Romare Bearden, Adelyn Breeskin, Howard Chandler Christy, Chaim Gross, Geoffrey Holder and Carmen de Lavallade, Jacob Lawrence, Marisol, Mary Miss, Reuben Nakian, Maxfield Parrish, Helen Farr Sloan, John Sloan, Raphael Soyer, and others.

Correspondence consists primarily of letters received from artists and art professionals Berman contacted during her research process for various assignments. This type of correspondence also appears in the artist and art workers files and the topical files of this collection.

The artist and art workers files contains a wide range of research material including correspondence, notes, and copies of published articles and book chapters, generally collected in preparation for a writing assignment. Some drafts for those writing assignments appear in the files as well.

Topical files consist of research materials compiled by Avis Berman on topics she researched and deloped primarily for the sake of writing projects, including correspondence, notes, and copies of published sources.

Arrangement:

The collection is arranged in three series:

Series 1: Correspondence, 1983-1989 (0.1 Linear feet: Box 1)

Series 2: Artists and Art Workers Files, circa 1976-1990 (1.2 Linear feet: Box 1-2)

Series 3: Topical Files, circa 1980-1994 (1.1 Linear feet: Box 2-3)

Biographical / Historical:

Avis Berman (1949- ) is a writer, curator, and historian of American art, architecture and culture based in New York, N.Y. She holds a bachelor's degree from Bucknell University and an master's degree from Rutgers Univerisy, both in English literature. She is the author of numerous books including Rebels on Eighth Street: Juliana Force and the Whitney Museum of American Art; James McNeill Whistler; and Edward Hopper's New York. She was also co-author and editor of Katharine Kuh's memoir, My Love Affair with Modern Art: Behind the Scenes with a Legendary Curator.

Berman has written numerous articles on subjects including painting, sculpture, photography, illustration, design, architecture, and the social history of the visual arts for a broad range of publications including The New York Times, The New York Review of Books, The Washington Post, Smithsonian, Saturday Review, The Boston Book Review, American Art, ARTnews, The San Francisco Examiner, The Boston Globe, The Philadelphia Inquirer, The Baltimore Sun, Art in America, Art & Antiques, House & Garden, and Architectural Digest.

Throughout the 1980s 1990s and 2000s Avis served as a consultant for the Archives of American Art, Washington, D.C., in her capacity as interviewer for the oral history project for which she has researched and interviewed countless artists, collectors, and other figures in the art world in Europe and the United States.

Related Materials:

Also in the Archives are the Avis Berman research material on Katharine Kuh, 1939-2006, research material on Julianna Force, circa 1930-2020, research material on Elie Nadelman, 2001, and an interview of Reuben Nakian conducted by Berman for the Archives Oral History Program, June 1981.

Provenance:

The collection was donated incrementally by Avis Berman 1981-1993 and 2021.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

Interviews with Gross, Lawrence, and Nakian: Authorization to quote or reproduce for purposes of publication requires written permission from Avis Berman. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

The donor has retained all intellectual property rights, including copyright, that they may own in the following material: All writings by Avis Berman.

Occupation:

Art historians -- New York (State) -- New York  Search this

Art critics -- New York (State) -- New York  Search this

Authors -- New York (State) -- New York  Search this

Topic:

Women art dealers  Search this

Women art historians  Search this

Women authors  Search this

Genre/Form:

Interviews

Sound recordings

Citation:

Avis Berman Research Material on Art and Artists, 1976-1994. Archives of American Art., Smithsonian Institution.

Identifier:

AAA.bermavis

See more items in:

Avis Berman research material on art and artists

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw931cc7ccb-00f0-4063-aa72-d41609a612e5

EDAN-URL:

ead_collection:sova-aaa-bermavis

Creator:

Sylvan Cole Gallery  Search this

Names:

Associated American Artists  Search this

Cole, Sylvan  Search this

Florsheim, Richard A., 1916-1979  Search this

Gross, Chaim, 1904-1991  Search this

Soyer, Raphael, 1899-1987  Search this

Extent:

29.4 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1935, 1959-2004

Summary:

The Sylvan Cole Gallery records and Sylvan Cole papers measure 29.4 linear feet and date from 1935 to 2004, with the bulk of the records dating from 1959 to 2003. The records shed light on the gallery's operations through administrative records, artist files, exhibition and event files, institution and museum files, gallery and dealer files, client and collector files, financial records, and appraisal and legal records. The collection also includes papers of Sylvan Cole, including material generated during his career as president and director of Associated American Artists Gallery; an appraiser of fine-art prints; and an authority on twentieth-century American prints. Some personal material is present as well.

Scope and Contents:

The Sylvan Cole Gallery records and Sylvan Cole papers measure 29.4 linear feeet and date from 1959 to 2004, with one item, A Modern Pilgrim's Print Book, from 1935. The records shed light on the gallery's operations through administrative records, artist files, exhibition and event files, institution and museum files, gallery and dealer files, client and collector files, financial records, and appraisal and legal records. The collection also includes papers of Sylvan Cole, including material generated during his career as president and director of Associated American Artists Gallery; an appraiser of fine-art prints; and an authority on twentieth-century American prints. Some personal material is present as well.

Gallery administrative records consist of correspondence files, organization and membership records, daily planners, files on art conservation and restoration, and an essay by Sylvan Cole titled "Some Observations" about buyers in the commercial print industry. Artist files shed light on the gallery's dealings with artists Raphael Soyer, Martha Bloom, Stuart Davis, Clare Leighton, Ben Shahn, and others through correspondence, biographical summaries and resumes, clippings, price lists, exhibition catalogs and announcements, financial papers, and scattered photos.

Exhibition and event files consist of price lists, announcements, catalogs, press releases, newspaper clippings, and more related to solo and group exhibitions held at Sylvan Cole Gallery and elsewhere that involved either artwork from the Cole Gallery or Sylvan Cole himself. The series also includes materials from art auctions and fairs.

Both institution and museum files as well as gallery and dealer files contain correspondence, printed material, shipping records, exhibition announcements and catalogs, consignment records, invoices, inventories, price lists, and some appraisal records. Galleries and dealer files shed light on the book companies, galleries, and print-dealers that Sylvan Cole and his gallery conducted business with. Client and collector files consist of correspondence, sales records, receipts and invoices, inventories, price lists, and some appraisal records.

Financial records are comprised of sales and consignment records, remittances, paid bills, receipts, and invoices. The collection's appraisal and legal records consist of material documenting laws in New York and at the federal level relevant to fine-art prints and multiples; one file containing the Sylvan Cole Gallery's incorporation records; and records of appraisals performed by Sylvan Cole.

The papers of Sylvan Cole shed light on his career as president and director of Associated American Artists Gallery, a well-known appraiser and authority of fine-art prints, and art lecturer. The papers include correspondence, memos, price lists, and other administrative records from AAAG. Of particular note in this series are letters between Sylvan Cole and lithographer, painter, and sculptor Richard Florsheim as well as material related to the Richard Florsheim Art Fund. Some family and biographical material, membership records, photographs, and clippings are also present.

Arrangement:

The collection is arranged as nine series.

Series 1: Sylvan Cole Gallery Administrative Records, 1970-2003 (Box 1-3; 2.8 linear feet)

Series 2: Artist Files, 1965-2003 (Box 3-8; 4.5 linear feet)

Series 3: Exhibition and Event Files, 1964-2003 (Box 8-11 ; 3.8 linear feet)

Series 4: Institution and Museum Files, 1976-2004 (Box 12-14; 2.8 linear feet)

Series 5: Gallery and Dealer Files, 1973-2004 (Box 14-18; 3.5 linear feet)

Series 6: Client and Collector Files, 1966-2003 (Box 18-20; 2.8 linear feet)

Series 7: Financial Records,1982-2003 (Box 21-24; 3.6 linear feet)

Series 8: Legal and Appraisal Records, 1967-2003 (Box 24-26, 30-32; 3.2 linear feet)

Series 9: Sylvan Cole Jr. Papers, 1935, 1959-2003 (Box 26-29; 2.4 linear feet)

Biographical / Historical:

The Sylvan Cole Gallery was founded in 1984 in New York City by Sylvan Cole (1918-2005). The gallery specialized in twentieth-century fine art prints, including lithographs, etchings, screenprints, and woodcuts by European and American artists. Cole started the gallery after his career as the director of the Associated American Artists Gallery (AAAG), an organization that helped transform the commercial print industry in the United States. The Sylvan Cole Gallery exhibited the work of number of artists including Stanley William Hayter, Raphael Soyer, Martha Bloom, Grant Wood, Stuart Davis, and John Taylor Arms. In addition to the individual artists exhibited, the Sylvan Cole Gallery also held group shows of U.S. and European prints; and exhibited at art fairs held in New York, Cleveland, Washington, D.C., and Chicago.

Sylvan Cole, commonly referred to as Sylvan Cole Jr., was born in Manhattan in 1918 to Sylvan Cole Sr. and Ballin Cole. (His family's name was Cohn at the time of his birth.) "Junior" graduated from Cornell University in 1939 and then worked for Sears Roebuck & Co. while getting his master's at Rutgers University. He then served in the U.S. Army during World War II. Shortly after returning from the war, Cole began working at AAAG, ultimately serving as its director and president from 1958 to 1983. While at AAAG, Cole appraised artwork, curated exhibitions, and purchased and sold many prints on behalf of the gallery. He developed a lasting relationship with painter, lithographer, and sculptor Richard Florsheim, and after Florsheim's death in 1979, Cole became involved with the Richard Florsheim Art Fund. Cole was well-known as a primary authority on fine-art prints of the twentieth century when he established his gallery in 1984. Cole wrote about and publicly discussed twentieth-century prints over the next few decades, performed appraisals, and worked with the government and Internal Revenue Service from the 1980s to 1990s on laws and court cases involving prints. He helped establish the International Fine Print Dealers Association and was involved in several other organizations including the Fire Island Fine Arts Project, Friends of the Herbert F. Johnson Museum at Cornell University, and Appraisers Association of America.

Sylvan Cole's first marriage was with Vivian Vanderpool, and they had three children: Robert, James, and Nancy. Cole's second wife, Lilyan, died in 1988; he then married Mary Myers Cole, who passed away in 2008.

Related Materials:

Also found in the Archives of American Art is an oral history interview with Sylvan Cole conducted by Avis Berman, 2000 June-October.

Provenance:

The Sylvan Cole Gallery records and Sylvan Cole Papers were donated by Sylvan Cole in 2003.

Restrictions:

Sylvan Cole files that pertain to his role as an IRS expert witness from 1985 to 1991 are access restricted. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art dealers -- New York (State) -- New York  Search this

Topic:

Prints, American  Search this

Law and art -- United States  Search this

Function:

Art galleries, Commercial -- New York (State)

Citation:

Sylvan Cole Gallery Records and Sylvan Cole Papers, 1935-2004. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.colesylv

See more items in:

Sylvan Cole Gallery Records and Sylvan Cole Papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9657e80c6-6de7-4e6d-acb1-117e23b102f7

EDAN-URL:

ead_collection:sova-aaa-colesylv

Creator:

Harriton, Abraham, 1893-1987  Search this

Names:

Syracuse University  Search this

Bishop, Isabel, 1902-1988  Search this

Evergood, Philip, 1901-1973  Search this

Gross, Chaim, 1904-1991  Search this

Hofmann, Hans, 1880-1966  Search this

Rattner, Abraham  Search this

Soyer, Raphael, 1899-1987  Search this

Extent:

2 Items (linear ft.(partially microfilmed on 1 reel))

0.4 Linear feet (Addition)

Type:

Collection descriptions

Archival materials

Sketchbooks

Place:

Europe -- description and travel

Date:

1910-1986

Scope and Contents:

REEL 268: Letters, writings, biographical material, catalogs, clippings, and miscellaneous material.

UNMICROFILMED: Curricula vitae and a copy of an award from the Mark Rothko Foundation; correspondence, ca. 1960-1977, with Syracuse University regarding the acquisition of Harriton's papers, with Philip and Julia Evergood, Isabel Bishop, David D. Delafield, Marya and Horace Gregory, Bernard Berenson, and Hans Hofmann concerning his membership to the National Institute of Arts and Letters, and with other institutions and colleagues; Christmas cards, 1967-1972, some with original drawings or graphics by Chaim Gross, Raphael Soyer, Abraham Rattner, Harriton, and others; a journal of his 1963 trip to Europe and other writings; a self-portrait in gouache and crayon; exhibition catalogs and announcements; photocopies of clippings; and photographs of Harriton and photographs and slides of works of art.

ADDITION: Biographical material; journal, 1963; sketchbooks, 26 v., 1948-1977, and undated, and loose sketches; artwork for Christmas cards, 1970s-1980s; photographs of Harriton and his work and a manuscript of "On Underpainting," by Abraham Harriton.

Biographical / Historical:

Painter, teacher, etcher, Long Island, New York.

Related Materials:

Abraham Harriton papers also at Syracuse University.

Provenance:

Donated 1972-1977 by Abraham and Estelle Harriton, and in 1990 by their daughter, Maria Harriton.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Etchers  Search this

Genre/Form:

Sketchbooks

Identifier:

AAA.harrabra

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw995471e85-08a2-4e79-b731-d06d1bd5ac1e

EDAN-URL:

ead_collection:sova-aaa-harrabra

Creator:

Dobkin, Alexander, 1908-  Search this

Names:

Evergood, Philip, 1901-1973  Search this

Gross, Chaim, 1904-1991  Search this

Levine, Jack, 1915-2010  Search this

Soyer, Raphael, 1899-1987  Search this

Extent:

0.62 Linear feet ((partially microfilmed on 4 reels))

Type:

Collection descriptions

Archival materials

Date:

1940-1974

Scope and Contents:

Correspondence; photographs; books; lithographs; sketchbooks with notes; exhibition catalogs and clippings.

REELS N68-99-100 & N69-2: Sketchbooks with notes, 1943-1966.

REEL N69-23: Correspondence; an exhibition catalog; and lithographs.

UNMICROFILMED: Correspondence with family members, Philip Evergood, Jack Levine, Raphael Soyer, Chaim Gross, and others; 4 illustrated letters from Dobkin to his wife, 1954; photographs of Dobkin and his work; 2 books illustrated by Dobkin; and exhibition catalogs and clippings.

Biographical / Historical:

Lithographer, illustrator; New York, N.Y. Died 1975.

Provenance:

Sketchbooks on reels N68-99-100 and N69-2 lent for microfilming 1969 by Dobkin. Material on reel N69-23 donated except for lithographs which were returned after microfilming. Unmicrofilmed material donated 1968 and 1976 by Alexander Dobkin and Kathy Dobkin.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Illustrators -- New York (State) -- New York  Search this

Lithographers -- New York (State) -- New York  Search this

Topic:

Lithography -- 20th century -- New York(N.Y.)  Search this

Identifier:

AAA.dobkalex

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94513d3a6-2424-4b07-b872-6aeba554d384

EDAN-URL:

ead_collection:sova-aaa-dobkalex