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Oral history interview with Arnold Newman

Interviewee:
Newman, Arnold, 1918-2006  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Brodovitch, Alexey, 1898-1971  Search this
Epstein, Jacob, Sir, 1880-1959  Search this
Gross, Chaim, 1904-1991  Search this
Rose, Ben, 1916-1980  Search this
Shahn, Ben, 1898-1969  Search this
Extent:
144 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1971 July 17-Aug. 23
Scope and Contents:
An interview of Arnold Newman conducted 1971 July 17-Aug. 23, by Paul Cummings, for the Archives of American Art.
Newman speaks of his early life in New York, Atlantic City, and Miami; learning the basics of photography as an apprentice to Litt Brothers; his West Palm Beach studio and his exhibition at A.D. Gallery in New York. He recalls being discovered by the Museum of Modern Art and Stieglitz and his first portraits of artists. Newman comments on influences on his work; his techniques and equipment and his difficulties with color photography. He discusses commissions; judging photographic talent; LIFE, "Holiday," and "Harper's" assignments and commercial photography. Newman relates anecdotes about some of the artists he photographed and talks about the formation of his own primitive art collection. He reminisces about Ben Rose, Chaim Gross, Jacob Epstein, Ben Shahn, and Alexey Brodovitch.
Biographical / Historical:
Arnold Newman (1918-2006) was a photographer by New York, N.Y.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 4 hrs., 47 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Rights:
Authorization to publish, quote or reproduce must be obtained from Arnold Newman.
Topic:
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.newman71
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-newman71

Milton and Edith Lowenthal papers

Creator:
Lowenthal, Milton  Search this
Lowenthal, Edith  Search this
Names:
Brooklyn Museum  Search this
Avery, Milton, 1885-1965  Search this
Davis, Stuart, 1892-1964  Search this
De Creeft, José, 1884-1982  Search this
Gross, Chaim, 1904-1991  Search this
Lawrence, Jacob, 1917-2000  Search this
Miller, Henry, 1891-1980  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Rattner, Abraham  Search this
Sheeler, Charles, 1883-1965  Search this
Weber, Max, 1881-1961  Search this
Extent:
4.4 Linear feet ((on 5 microfilm reels))
Type:
Collection descriptions
Archival materials
Sound recordings
Scrapbooks
Date:
1940-1989
Scope and Contents:
Biographical material; correspondence and greeting cards; writings; business records; printed material about the Lowenthal collection, exhibitions, and artists, photographs; scrapbooks; and sound recordings.
REEL 4904, frames 1-114: Thirty-nine greeting cards from artists, illustrated with original prints, drawings, and off-set reproductions. Included are 20 from Jose de Creeft and Lorrie Goulet, 8 from Abraham and Esther Rattner, 4 each from Chaim Gross and Milton and Sally Avery, 2 from Max Weber, and 1 from Jacob Lawrence.
REELS 4904 (fr. 126-end) - 4908: Biographical material includes a resume and transcripts for Edith Lowenthal, an obituary of Isadore Lowenthal, M.D., Milton's father, and clippings related to the Lowenthals. General correspondence, 1947-1991, is primarily with museums, university galleries, and publishers regarding loans and gifts of art work, contributions, lectures, travel, and permissions to reproduce for publication. In addition, there are a correspondence file, 1963-1990, with the Brooklyn Museum, regarding loans, contributions, and conservation work, and correspondence from artists, including letters, greeting cards, and announcements from Stuart Davis, Jacob Lawrence, Josef Presser, Abraham Rattner, Charles Sheeler, Max Weber, and others.
Writings and notes by Milton Lowenthal are about the role of the art collector, his thoughts on works of art and artists, and drafts of letters. Writings by others include Henry Miller's "The Rattner Portfolio" and Elizabeth McCausland's proposal for a Marsden Hartley catalog raisonne. Material relating specifically to the Lowenthal Collection includes lists, valuations, collection exhibition records, documentation of gifts, financial records, receipts, clippings, catalogs, and a 2 v. index of acquisitions. A file containing memorabilia relating to Stuart Davis includes clippings, an address book, printed materials, and notes.
Printed materials include clippings about artists, collectors, and other art related issues and exhibitions, exhibition announcements, and catalogs. Photographs are of artists and works of art. Files relating to the "Friends of the Whitney", ca. 1956-1961, include correspondence, by-laws, annual and other reports, statements, and catalogs of loan exhibitions. Scrapbooks (4 v.), 1942-1953, contain letters and greeting cards (many illustrated) from friends, artists and associates, clippings, exhibition announcements, and catalogs about artists, museums, and exhibitions.
Unmicrofilmed material consists of negatives, slides, and transparencies of works of art and 3 phonograph albums (78 r.p.m) of a radio interview with art collectors and a recording of a school performance by Stuart Davis' son.
Biographical / Historical:
Art collectors, benefactors of the Brooklyn Museum; New York, N.Y. Mr. Lowenthal was a lawyer whose clients included Stuart Davis.
Provenance:
Donated 1993 by Louis M. Bernstein, Mrs. Lowenthal's nephew, except for illustrated greeting cards on reel 4904, frames 1-114, which were received as a loan for microfilming.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art -- Collectors and collecting  Search this
Greeting cards  Search this
Genre/Form:
Sound recordings
Scrapbooks
Identifier:
AAA.lowemilt
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lowemilt

Ruth Gikow papers

Creator:
Gikow, Ruth, 1915-1982  Search this
Names:
Drewes, Werner, 1899-1985  Search this
Fortess, Karl E. (Karl Eugene), 1907-1993  Search this
Gross, Chaim, 1904-1991  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Nordness, Lee  Search this
Soyer, Raphael, 1899-1987  Search this
Extent:
2.4 Linear feet ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Date:
1933-1982
Scope and Contents:
Biographical material, letters, financial material, an interview transcript, notes, writings, a scrapbook, printed material, photographs, and an audio tape document Gikow's career as a painter of social commentary.
REEL D230: Exhibition catalogs, 1948-1965; a scrapbook containing a biographical account and clippings, 1937-1965; an undated photograph of Gikow; and 164 photographs of works of art.
REELS 4874-4875: Biographical accounts, 1959-1971; 7 passports, 1947-1972; letters, 1949-1981, from Gikow to critics and galleries, and from colleagues including Karl Fortess and Lee Nordness, and one letter each from Werner Drewes, Jo Hopper, and Raphael Soyer; a file concerning the Kent State Memorial Exhibition, 1971; receipts, 1951-1978; price lists, 1967-1980; a 3 p. interview transcript; an engagement calendar, 1971; miscellaneous notes and writings by Gikow and others; printed material, including clippings, 1947-1979; exhibition announcements and catalogs, 1940-1982; a book, History of the Jews in America, 1957, by Deborah Pessin, illustrated by Gikow; a book, Gikow, 1970, by Matthew Josephson, with reproductions of art works used in the book; and brochures; photographs of Gikow, her husband Jack Levine, her studio, artists, including Chaim Gross, Jacob Lawrence, and Raphael Soyer, and works of art; and an untranscribed reel-to-reel tape of an interview of Gikow conducted by Karl Fortess.
UNFILMED: Correspondence; photographs of Gikow and of her art work, including one of her demonstrating mural painting at the 1939 World's Fair; reproductions of her book and magazine illustrations; and a yearbook, 1933, from the Women's Art School at The Cooper-Union, where Gikow studied with John Steuart Curry. Also found are writings by Gikow including reminiscences about her life as an artist and as an artist's wife; address books; and exhibition announcements and catalogs.
Biographical / Historical:
Painter, mural painter, illustrator, serigrapher. Died 1982. Gikow was born in the Russian Ukraine, emigrating to New York City with her parents in 1920. She studied under John Steuart Curry at the Cooper Union Art School from 1932-1935. She also studied with Louis Ross, Louis Schanker and Raphael Soyer. After working as an assistant mural painter on the Federal Art Project, Gikow was awarded a commission to paint a mural for the Bronx Hospital. Her book illustrations include Crime and Punishment, and History of the Jews in America. Gikow was married to painter Jack Levine.
Provenance:
Material on D230 was lent by Gikow, 1965. Gikow and her husband Jack Levine donated the remainder in 1978 and 1983, which was microfilmed in 1994 with grants from the Henry and Lucy Moses Fund, the Lucius N. Littauer Foundation, the Samuel Bronfman Foundation, and the Louis and Anne Abrons Foundation. After microfilming, an addition to the collection was donated by Levine in May 1999. Papers of Jack Levine donated at the same time have been cataloged separately.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Illustrators -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Serigraphers -- New York (State) -- New York  Search this
Topic:
Women artists -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Women artists -- New York (State) -- New York  Search this
Jewish artists  Search this
Artists' studios -- Photographs  Search this
Social realism  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.gikoruth
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gikoruth

Edward Beatty Rowan papers

Creator:
Rowan, Edward Beatty, 1898-1946  Search this
Names:
Little Gallery (Cedar Rapids, Iowa)  Search this
Public Works of Art Project (Iowa)  Search this
Stone City Colony and Art School (Stone City, Iowa)  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Bluemner, Oscar, 1867-1938  Search this
Cone, Marvin Dorwart, 1891-1965  Search this
Dornbush, Adrian, 1900-  Search this
Dunton, W. Herbert, 1878-1936  Search this
Gross, Chaim, 1904-1991  Search this
McCosh, David J., 1903-1980  Search this
Peirce, Waldo, 1884-1970  Search this
Poor, Henry Varnum, 1887-1970  Search this
Pyle, Arnold  Search this
Roosevelt, Eleanor, 1884-1962  Search this
Watson, Forbes, 1880-1960  Search this
Wood, Grant, 1891-1942  Search this
Extent:
3.2 Linear feet ((on 4 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1929-1946
Scope and Contents:
Correspondence, printed material, photographs, business records and a diary.
REEL 103: Clippings, 1929-1932, on exhibitions and activities of the Little Gallery, Cedar Rapids, Iowa, directed by Rowan (microfilm title: Little Gallery).
REEL 1208: Photographs used to publicize exhibitions at the Little Gallery, including 183 photographs of works of art, the Little Gallery Junior Art Club, Grant Wood, and William Herbert Dunton at work.
REEL D141-D142: Correspondence; a diary; business records of the Little Gallery, the Stone City Art Colony and Art School, and the Section of Fine Arts; photographs, including two of The Little Gallery, five of the Stone City Colony and Art School, six of Rowan and three of his paintings, and two photos showing Grant Wood, David McCosh, Arnold Pyle, Adrian Dornbush, and Marvin Cone; and catalogs, clippings and publications, including "A Report on Iowa Art Under Public Works of Art Jan. 20, 1934, under the direction of Grant Wood" containing reproductions of work, several clippings, a 2 p. report "three weeks after the beginning of work" and 2 p. typed "Notes" signed by Wood with a photograph attached.
Among the correspondents are Oscar Bluemner, Chaim Gross, Waldo Peirce, Henry Varnum Poor, Eleanor Roosevelt, Forbes Watson, and Grant Wood.
Biographical / Historical:
Gallery director, painter, sculptor, teacher; Falls Church, Va. and Cedar Rapids, Iowa. Founder and director of The Little Gallery, Cedar Rapids, Iowa, 1928-1934. The gallery was concerned with promoting education in the community. Because of his success with the Little Gallery, in 1931 he was chosen by the American Federation of Arts to be the director of a new experimental art center in Cedar Rapids. Rowan was affiliated with the Fogg Art Museum at Harvard before going to Cedar Rapids and served as Chief, Public Buildings Administration, 1930's-1940's.
Other Title:
Little Gallery records (microfilm title, reel 103)
Provenance:
Donated by Mrs. Edward Rowan, 1963.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Gallery directors -- Iowa -- Cedar Rapids  Search this
Topic:
Federal aid to the arts  Search this
Function:
Art galleries, Commercial -- Iowa -- Cedar Rapids
Identifier:
AAA.rowaedwa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rowaedwa

Louis E. Stern papers

Creator:
Stern, Louis E., 1886-1962  Search this
Names:
Ben-Gurion, David, 1886-1973  Search this
Chagall, Marc, 1887-1985  Search this
Gross, Chaim, 1904-1991  Search this
Rubin, Reuven, 1893-  Search this
Rubinstein, Artur, 1887-  Search this
Stern, Isaac, 1920-  Search this
Extent:
0.8 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Place:
Israel -- History
Date:
1897-1978
Scope and Contents:
Correspondence, writings, art work, photographs and printed material relating to Stern's art collection and his relationships with Marc Chagall and family, and with Reuvin and Esther Rubin.
Correspondence is with museums and dealers concerning Stern's collection, 1917-1978; correspondence with and greeting cards from Marc Chagall and family, 1942-1961; and correspondence with Reuven Rubin while Rubin was living in Israel and Rumania during the post World War II era, undated and 1946-1961, much of it concerning the establishment of Israel as a state and the war with the Arab states following World War II.
Writings consist a debate text, c. 1909, and a published speech "Russia Today," 1924, by Stern, and a poem, in French, "Esprit" by Henry Brigul ?. Financial material includes a notebook, 1924-1928, "Catalogue of Original Etchings," listing titles, date of purchase, and price, arranged by artist, and a list of works in Stern's collection used for probate of his estate, 1962. Art work, 1944-1962, includes 2 sketches and 2 greeting cards by Rubin, greeting cards by Chaim Gross, and 1 bookplate designed by Chagall.
Photographs and slides are of Stern and his collection, ca. 1897-1962; one of a reception in Tel Aviv attended by Stern, David Ben-Gurion, Arthur Rubinstein, and Isaac Stern; one of Reuven Rubin, 1946; 2 of Chagall, one with Stern, 1957; and 23 stereo slides of Stern, Miss Foster, Alice, and Stern's collection taken in his apartment. Printed material consists of 18 clippings, 1925-1963; an exhibition catalog for Rubin, 1955; an exhibition announcement for Chagall, 1957; 2 exhibition catalogs for the Stern collection, 1962-1964; a copy of "Brandt vs. Pennsylvania Steel" and related clippings concerning the first court decision won by Stern, 1916.
Biographical / Historical:
Art collector, attorney; New York, N.Y. Born in Balta, Russia, Stern joined his father in America ca. 1900, and earned his law degree from the University of Pennsylvania in 1909. An avid patron of the arts, Stern's collection was notable for its illustrated artists' books, prints, sculpture, ancient and primitive objects, and paintings, in particular his many works by Marc Chagall. Upon his death, his collection was given to the Philadelphia Museum of Art, his art library to Rutgers, and other additional items to the Brooklyn Museum and the Museum of Modern Art.
Provenance:
Donated 1991 by Andrew Pincus, whose mother was Stern's half sister; his father, Bernard, was the executor of Stern's estate. Microfilmed 1994 with funding provided by the Lucius N. Littauer Foundation.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art -- Collectors and collecting  Search this
Israel-Arab War, 1948-1949  Search this
Jewish artists  Search this
Greeting cards  Search this
Identifier:
AAA.sterloui
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sterloui

Moses Soyer papers

Creator:
Soyer, Moses, 1899-1974  Search this
Names:
Baskin, Leonard, 1922-2000  Search this
Bishop, Isabel, 1902-1988  Search this
Burliuk, David, 1882-1967  Search this
Cikovsky, Nicolai, 1894-  Search this
Dobkin, Alexander, 1908-  Search this
Evergood, Philip, 1901-1973  Search this
Gross, Chaim, 1904-1991  Search this
Soyer, David, 1928-  Search this
Soyer, Ida  Search this
Soyer, Raphael, 1899-1987  Search this
Photographer:
Newman, Arnold, 1918-2006  Search this
Extent:
3.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Date:
circa 1905-1974
Summary:
The papers of realist painter Moses Soyer date from circa 1905 to 1974 and measure 3.8 linear feet. Within the papers are scattered biographical materials, general correspondence with friends, artists, galleries, art organizations, and others, as well as correspondence with his family, including his son David, writings and notes by Soyer and others, exhibition materials, news clippings, and other printed material, numerous photographs of Soyer, his family, fellow artists, friends and his artwork. Also found are book illustrations and loose sketches by Soyer.
Scope and Content Note:
The papers of realist painter Moses Soyer date from circa 1905 to 1974 and measure 3.8 linear feet. Within the papers are scattered biographical materials, general correspondence with friends, artists, galleries, art organizations, and others, as well as correspondence with his family, including his son David, writings and notes by Soyer and others, exhibition materials, news clippings, and other printed material, numerous photographs of Soyer, his family, fellow artists, friends and his artwork. Also found are book illustrations and loose sketches by Soyer.

Biographical materials include awards, business documents such as records for the loan of his artwork, passports, his marriage certificate, and other official documents. Soyer's 1966 membership to the National Institute of Arts and Letters and several awards from the National Academy of Design are found here as well. Correspondence is with friends and artists such as Leonard Baskin, Isabel Bishop, Alex Dobkin, Philip Evergood, Chaim Gross, and his brother Raphael Soyer, as well as with students, galleries, art organizations, museums, universities, and others. Also found is correspondence with his son David and his grandchildren that include many letters illustrated by Soyer.

Writings and notes include Soyer's draft writings for his book Painting the Human Figure, autobiographical essays, desk diaries, and miscellaneous writings and notes. There are also writings by Ida and David Soyer, artist Philip Evergood, and others. Printed material consists of exhibition catalogs and announcements, news clippings about Soyer's career and realist painting, and scattered material such as newsletters, programs, and magazines.

The papers contain numerous photographs of Soyer, including photographs of him working in his studio, with models, with family, and with fellow artists such as David Burliuk, Nicolai Cikovsky, Chaim Gross, Raphael Soyer, and many others. Additional photographs are of Soyer's family, fellow artists, friends, events, and his artwork. Among the photographers is Arnold Newman. Original artwork includes book illustrations for First Book of Ballet and loose sketches by Soyer.
Arrangement:
The collection is arranged into 6 series:

Series 1: Biographical Material, 1925-1974 (Box 1, 5, OV 6; 12 folders)

Series 2: Correspondence, 1928-1974 (Box 1-2, 5; 1.0 linear foot)

Series 3: Writings & Notes, circa 1930s-1968, undated (Box 2; 0.6 linear feet)

Series 4: Printed Material, 1926-1974 (Box 2-3, 5, OV 6; 0.8 linear feet)

Series 5: Photographs, circa 1905-1974 (Box 3-5, OV 6; 1.1 linear foot)

Series 6: Artwork, circa 1940s-1960s (Box 4-5; 0.2 linear feet)
Biographical Note:
Moses Soyer (1899-1974) and his twin brother Raphael (1899-1987) were born on December 25, 1899, in the Russian town Borisoglebsk. Their father Abraham was a scholar and Hebrew teacher who encouraged all of his children to sketch and paint. After the family was deported from Russia, they settled in the Bronx, New York, in 1912. Moses and Raphael briefly attended school, but at 16 they began working various jobs to help support their family. They also began taking free art classes at Cooper Union and for a brief time at the National Academy of Design. Moses then enrolled at the Educational Alliance Art School where he met close friend Chaim Gross. He participated in his first exhibition in 1923 and also taught classes at the Education Alliance Art School until 1926 when he received a traveling scholarship to Europe.

Before leaving for Europe, Soyer married Ida, a former student and dancer. They spent most of their time during the next two years in France. Their son David was born in 1928. Shortly after his birth they returned to the New York City where Moses found greater inspiration for his social-realist paintings. During the Depression, he was commissioned to do artwork for the WPA and for the Federal Arts Project, depicting people doing everyday tasks. During this time Soyer also taught classes at the Contemporary Art School and the New School for Social Research.

Throughout the 1940s and 1950s Soyer continued with this subject matter, even as the abstract art movement became more prominent. Speaking out against abstract art as well as regionalism, he exhibited his work constantly, becoming a significant figure in the social realist movement. His work was represented by the American Contemporary Art (ACA) Gallery beginning in 1944, and he was also a member of several art organizations, including the Artists Equity Association. He was elected to the National Academy of Design in 1963 and to the National Institute of Arts and Letters in 1966. Soyer's later work focused on more sensitive portrayals of the female figure, especially dancers. He also painted portraits, including many of his artist friends such as Chaim Gross, Joseph Stella, and David Burliuk. He illustrated several books, including the First Book of Ballet and wrote Painting the Human Figure, which was published in 1964. Soyer continued to paint until his death in 1974.
Related Material:
Also found at the Archives of American Art are the Abe Lerner papers concerning the book Moses Soyer, 1961-1970, a Moses Soyer letter to Herbert S. Schimmel, and a Moses Soyer letter and two photographs, donated by Marilyn Mark. Also available at the Archives are the papers of Raphael Soyer, Moses Soyer's twin brother.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel D176), the majority of which was later donated. Loaned materials not donated at a later date are not described in the container listing of this finding aid.
Provenance:
Moses Soyer first lent the Archives of American Art material for microfilming in 1965. Some of these papers, along with additional material, were donated by Soyer between 1966 and 1969. His son, David Soyer, gave more material in 1974 and 1975.
Restrictions:
Use of the original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Works of art  Search this
Painters -- New York (State) -- New York  Search this
Painting, American  Search this
Artists' studios -- New York (State) -- New York -- Photographs  Search this
Social realism  Search this
Genre/Form:
Photographs
Sketches
Citation:
Moses Soyer papers, circa 1905-1974. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.soyemose
See more items in:
Moses Soyer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-soyemose
Online Media:

New York Artists Equity Association records

Creator:
New York Artists Equity Association  Search this
Names:
Art Bank (U.S.)  Search this
Artists Welfare Fund  Search this
Broome Street Gallery  Search this
Ashford, Doug  Search this
Avery, Frances  Search this
Babin, Angela  Search this
Berger, Ted  Search this
Bibro, Denise  Search this
Bolotsky, Marvin  Search this
Brodski, Judith  Search this
Carswell, Mary  Search this
Cohen, Jean  Search this
Concholar, Dan, 1939-  Search this
Diener, Bert  Search this
Facci, Domenico, 1916-1994  Search this
Fiene, Ernest, 1894-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, Sue (1914-2006)  Search this
Gillespie, Dorothy, 1920-  Search this
Golub, Leon, 1922-2004  Search this
Goulet, Lorrie, 1925-  Search this
Gross, Chaim, 1904-1991  Search this
Gussow, Alan, 1931-1997  Search this
Gussow, Roy, 1918-2011  Search this
Hall, Nan  Search this
Hasen, Burt  Search this
Hayter, Stanley William, 1901-1988  Search this
Karp, Ivan C., 1926-2012  Search this
Kertess, Klaus  Search this
Knight, Gwendolyn  Search this
Kotik, Charlotte  Search this
Kramer, Hilton  Search this
Kroll, Leon, 1884-1974  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laufman, Sidney, 1891-  Search this
Lawrence, Jacob, 1917-2000  Search this
Lipsky, Eleanor  Search this
Mandel, Howard, 1917-1999  Search this
Marinoff, Elaine  Search this
Marxer, Donna, 1934-  Search this
Millman, Edward, 1907-1964  Search this
Morris, George L. K., 1905-1975  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Elias, 1903-  Search this
O'Hanlon, Richard E. (Richard Emmett), 1906-1985  Search this
Phillips, Helen, 1913-  Search this
Phillips, Renée  Search this
Poroner, Palmer  Search this
Reeves, Ruth, 1892-1966  Search this
Refregier, Anton, 1905-  Search this
Rothschild, Lincoln, 1902-  Search this
Sandler, Irving, 1925-  Search this
Searles, Charles Robert, 1937-2004  Search this
Simon, Sidney, 1917-1997  Search this
Sloan, John, 1871-1951  Search this
Smart, Bill  Search this
Smith, David, 1906-1965  Search this
Steinbaum, Bernice  Search this
Stirton, Laura  Search this
Teller, Susan  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Waterson, Harry  Search this
Wayne, June, 1918-2011  Search this
Winters, Denny Sonke, 1907-1985  Search this
Zaleski, Jean  Search this
Zerbe, Karl, 1903-1972  Search this
deLisser, Carolyn  Search this
Extent:
26.8 Linear feet
2.99 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Date:
1920-2012
Summary:
The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and 2.99 Gb and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed and digital materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events.
Scope and Contents:
The records of the New York Artists Equity Association (NYAEA) measure 26.8 linear feet and 2.99 GB and date from 1920-2012. The records include history and founding documents, presidents' files, board of directors' files that include monthly board meeting minutes, committee files and annual membership meeting minutes, general administrative and correspondence files, financial and legal files, event and program files, artists and subject files, extensive individual membership files, art project and exhibition files, Broome Street Gallery files, NYAEA publications that include issues of The Artists Proof, printed and digital materials, four scrapbooks, sketches created by artists attending a party in honor of Yasuo Kuniyoshi, and photographs of member artists and events. The President's files appear to be complete and include files for presidents Yasuo Kuniyoshi, Louise Nevelson, Harry Waterson, Roy Gussow, Jacob and Gwendolyn Knight Lawrence, Karl Zerbe, Ernst Fiene, Sidney Laufman, Carolyn deLisser, Burt Hasen, and Bert Diener, among others. Committee files and meeting minutes are found, as well as general administrative and correspondence files which include information pertaining to the national level Association.

Event files include documentation of the Association's Art Thursday series, where they hosted talks and panels by artists. Artists referenced in these files include Jean Cohen, Charles Searles, Leon Golub, Doug Ashford, Bruno Palmer-Poroner, Dom Facci, Susan Teller, Eleanor Lipsky, Ted Berger, Hilton Kramer, Bernice Steinbaum, Laura Stirton, Jean Zaleski, Renee Philips, Denise Bibro, Dan Concholar, Irving Sandler, Angela Babin, Dorothy Gillespe, Donna Marxer, Nan Hall, Ivan Karp, Alan Gussow, Mary Carswell, Bill Smart, Charlotte Kotik, Klaus Kertess, Elaine Marinoff, and Judith Brodski. Additional events covered in this series include the annual awards dinner, masquerade balls, lectures, the Association's 55th Anniversary event, which includes recollections by Helen Frankenthaler, Sidney Simon, and Lorrie Goulet, as well as other events and programs. Videocassette and sound recordings of many of the events are found here.

Artists' and subject files contain mostly printed materials about a few artists and subjects or issues in which the Association was interested.

There are extensive files on individual members that include card files, applications, biographies, and clippings.

Project and exhibition files include material pertaining to the Artists Welfare Fund, the Art Bank artwork donation, and a few scattered exhibitions. Additional exhibition and event files are found in the series containing the Broome Street Gallery files.

Association publications consist of what appears to be a full run of Association newsletters and reports. The NYAEA newsletter changed its name to The Artists Proof in 1986. Additional printed materials include exhibition catalogs and announcements, programs, clippings, posters, and newsletters of other arts organizations. There are four scrapbooks (two unbound) that contain printed materials, and a few items of correspondence. One of the scrapbooks documents the annual "Bal Fantastique".

Artwork consists mostly of sketches and drawings by artists attending a 1948 dinner in honor of Yasuo Kuniyoshi. Photographs are of members and events. Photographers include Arnold Newman, Marvin Bolotsky, and Frances Avery, among others. Numerous notable artists are depicted in the images.
Arrangement:
The collection is arranged into sixteen series.

Series 1: History and Founding Documents, 1933-2000 (0.3 linear feet; Box 1, 27

Series 2: Presidents' Files, 1927-2007 (2.8 linear feet; Boxes 1-4)

Series 3: Board of Directors' Files, 1947-2003 (1.4 linear feet; Boxes 4-5)

Series 4: Committee and Meeting Files, 1950-2009 (1.5 linear feet; Boxes 5-6)

Series 5: General Administrative and Correspondence Files, circa 1930-2008 (2 linear feet; Boxes 7-8, 0.284 GB; ER01)

Series 6: Financial and Legal Files, 1947-2000 (1 linear foot; Box 9)

Series 7: Events and Programs, 1930-2010 (4.2 linear feet; Boxes 10-14, 27, 0.446 GB; ER02)

Series 8: Artists and Subject Files, 1930-1998 (0.4 linear feet; Box 14)

Series 9: Membership Files, 1920-2009 (4.4 linear feet; Boxes 14-18, 27, 2.26 GB; ER03)

Series 10: Project and Exhibition Files, 1934-2010 (2 linear feet; Boxes 19-20)

Series 11: Broome Street Gallery Files, 1990-2011 (2.7 linear feet; Boxes 21-23, 31)

Series 12: Association Publications, 1947-2012 (1 linear foot; Boxes 23-24)

Series 13: Printed Materials, 1930-2008 (1.6 linear feet; Boxes 24-25, 27, 31, OV 28, OV 29)

Series 14: Scrapbooks, 1947-1969 (0.3 linear feet; Box 25, OV 30)

Series 15: Artwork, 1947-2000 (0.1 linear foot; Box 26, 27)

Series 16: Photographs, 1930s-2004 (0.9 linear feet; Box 26, 27)
Biographical / Historical:
The New York Artists Equity Association (originally the Artists Equity Association) was created in 1947 to promote and support living American artists. Nine prominent New York artists founded the organization and elected Yasuo Kuniyoshi as the organization's first president. The original membership included 160 well-known American artists, but by the end of its first year, membership had grown to over one thousand. By the 1950s, the organization had grown into an influential national organization. Past and present members have included Milton Avery, Will Barnet, Romare Bearden, George Biddle, Isabel Bishop, Robert Blackburn, Paul Cadmus, Charles Burchfield, Stuart Davis, Jose de Creeft, Elaine and Willem de Kooning, Leon Golub, Chaim Gross, Rockwell Kent, Roy Lichtenstein, Robert Motherwell, Alice Neel, Isamu Noguchi, Jules Olitski, Philip Pearlstein, Henry Varnum Poor, Charles Scheeler, Ben Shahn, David Smith, Frank Stella, Andrew Wyeth, and many others.

In 1959, the New York Chapter, with more members than all of the other states combined, re-organized into the New York Artists Equity Association. The Association maintained it own gallery, Broome Street Gallery, from 1991-2011. The organization remains active today and is located in SoHo.
Provenance:
The records were donated to the Archives of American Art by the New York Artists Equity Association in several increments between 1980-2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Artists -- United States  Search this
Art -- Societies, etc. -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Citation:
New York Artists Equity Association records, 1920-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nyarteqa
See more items in:
New York Artists Equity Association records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nyarteqa

Sylvia Carewe papers

Creator:
Carewe, Sylvia, 1906-1981  Search this
American Society of Tapestry Designers  Search this
Names:
Avery, Milton, 1885-1965  Search this
Burliuk, David, 1882-1967  Search this
Gross, Chaim, 1904-1991  Search this
Newman, Arnold, 1918-2006  Search this
Walkowitz, Abraham, 1880-1965  Search this
Extent:
75 Items
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
ca. 1930-1972
Scope and Contents:
Correpsondence, writings, photographs, artwork and printed material relating to painter and tapissere Sylvia Carewe.
Correspondence includes an undated card from Milton and Sally Avery and a letter from Susan Page Tillett of the National Portrait Gallery, 1979. Writings include photocopies of poems and writings by Carewe, undated and 1943-1972 and 7 books with inscriptions by David Davidovich Burliuk, Chaim Gross, and Abraham Walkowitz. Two of the books contain a gouache and ink drawings by Burliuk and Gross with their inscriptions to Carewe. Photographs are of Carewe, her son, friends and her studio. Also included is a photograph of Carewe and husband, art collector Marvin Small, ca. 1955, signed by Arnold Newman.
Artwork includes 2 sketchbooks, ca. 1942, containing watercolor studies and sketches; a gouache, 1956, by Chaim Gross; a sketchbook of ink and pencil drawings; and a sketchbook containing the signatures of founding members of The American Society of Tapestry Designers, March 30, 1960. Printed material consists of an undated price list and description of tapestries in the exhibition CONTEMPORARY FRENCH TAPESTRIES, sponsored by Association Francaise D'Action Artistique, French & Company, New York City, and a news release about the exhibition; exhibition posters, ca. 1958-1971; 2 postcards of works by Carewe; magazine and newspaper clippings, 1960 and 1963; and other publications about Carewe's tapestries.
Biographical / Historical:
Sylvia Carewe (1906-1981) was a painter and tapissere in New York, N.Y.
Provenance:
Donated 1971 and 1979 by Sylvia Carewe and in 1983 by John Small, Carewe's son.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- New York (State) -- New York  Search this
Tapissiers -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Art -- Collectors and collecting  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.caresylp
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-caresylp

Joseph Kaplan papers

Creator:
Kaplan, Joseph, 1900-1980  Search this
Names:
Audubon Artists (New York, N.Y.)  Search this
Corcoran Gallery of Art  Search this
National Academy of Design (U.S.)  Search this
United States. Public Works Administration  Search this
United States. Works Progress Administration  Search this
Avery, Milton, 1885-1965  Search this
DeMartini, Joseph, 1896-1984  Search this
Gottlieb, Adolph, 1903-1974  Search this
Gropper, William, 1897-1977  Search this
Gross, Chaim, 1904-1991  Search this
Ishigaki, Aya  Search this
Ishigaki, Eitarō, 1893-1958  Search this
Kaplan, Virginia  Search this
Lozowick, Louis, 1892-1973  Search this
Soyer, Raphael, 1899-1987  Search this
Wilson, Sol  Search this
Extent:
4.5 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Etchings
Photographs
Date:
1915-1977
Summary:
The papers of the painter, photographer, printmaker, and teacher Joseph Kaplan measure 4.5 linear feet and date from 1915-1977. The bulk of the collection consists of printed material, specifically exhibition catalogs. Also found are a large number of photographs taken of and by Kaplan. The papers also include biographical material, correspondence, personal business records, and artwork.
Scope and Contents:
The papers of the painter, photographer, printmaker, and teacher Joseph Kaplan measure 4.5 linear feet and date from 1915-1977. The bulk of the collection consists of printed material, specifically exhibition catalogs. Also found are a large number of photographs taken of and by Kaplan. The papers also include biographical material, correspondence, personal business records, and artwork.

Biographical material contains a few of Kaplan's personal documents, a number of certificates and medals he recieved during his lifetime, a travel itinerary notebook, and a few hand-written notes.

Kaplan's correspondence is primarily from colleagues, art organizations, galleries, museums, and colleges and universities such as the Corcoran Gallery of Art, National Academy of Design, and Audubon Artists, inc. Also found are letters from friends and colleagues such as Chaim Gross, Adolph Gottlieb, Raphael Soyer, Louis Lozowick, Milton Avery, and Sol Wilson, as well as a large number of letters to his wife Virginia written during his travels.

Personal business records concern Kaplan's art sales, loans, exhibition notifications, and his involvment in the WPA. His artwork is documented in price lists and inventory lists. Some of the material consists of routine transactions not necessarily related to Kaplan's work, including bank records, an address list, and income and expense reports.

Printed Material includes news clippings, exhibition catalogs, exhibition annoucenments, and invitations for Kaplan shows. There are a few published copies and page proofs of Kaplan's commerical artwork.

Artwork includes four Kaplan etchings, three of which are metal plates and one linoleum block. Also included are a few unidentified pen and pencil sketches.

Photographs depict Kaplan, mainly later in his life, and his family. Also found are four of Virginia Kaplan's photograph albums containing images of her and friends from early adulthood. Photographs of Kaplan's friends and colleagues include images of Aya and Eitaro Ishigaki, Chaim Gross, Raphael Soyer, William Gropper, and Joseph De Martini. Also included are photographs taken by Kaplan of New York City, his travels, and artist demonstrations. There are also a large number of photographs of Kaplan's artwork.
Arrangement:
The collection is arranged into 6 series:

Series 1: Biographical Material, 1919-1975 (Box 1, 5, OV 7; 0.3 linear feet)

Series 2: Correspondence, 1929-circa 1975 (Box 1, OV 7; 0.4 linear feet)

Series 3: Personal Business Records, circa 1920-1977 (Box 1; 0.2 linear feet)

Series 4: Printed Material, 1915-1975 (Box 1, 2, 3, OV 7; 2.3 linear feet)

Series 5: Artwork, circa 1940-circa 1960 (Box 3, 5; 2 folders)

Series 6: Photographic Material, 1917-circa 1975 (Box 4, 6, OV 7; 1.3 linear feet)
Biographical / Historical:
Joseph Kaplan (1900-1980) was a painter, printmaker, photographer, and teacher who worked primarly in New York and Provincetown. He was most active in the 1940s through the 1950s. Earlier in his career he worked on several WPA Federal Art Projects and Treasury Relief Art Projects.

Joseph Kaplan was born in Minsk, Russia and immigrated with his family to the United States in 1888 at the age of 12. He married Virginia Haber in 1927 and they had no children.

Kaplan studied at the Eductional Alliance Art School and the Art Students League. He went to Provincetown in the mid-twenties as a student of Charles W. Hawthorne with whom he previously studied with at the National Academy of Design. Afterwards he revisited Provincetown intermittently and began to regard the Cape as his summer studio, working there each summer since 1948.

In 1948 he won the first of many gold medals from the Audubon Artists at the National Academy of Design for a marine painting. He was also the first recipient of the John J. Newman Memorial Medal, given by the National Society of Painters in Casein for his Wellfleet, Low Tide. The Shore Studios in Provincetown, the Harry Salpeter Gallery and then Krasner Gallery in New York City represented Kaplan's artwork.

Kaplan predominantly worked in watercolor and oil paint, depicting landscapes and seascapes, and becoming acclaimed as a Colorist and Romanticist. He occasionally painted figures and, as he gained recognition, he traveled extensively in search for subjects. In 1968 Kaplan recieved a grant from Chapelbrook Foundation to live and work for a year in Mexico.

Kaplan's work was included frequently in group exhibitions and he participated in more then 30 major shows in his lifetime. Throughout his career he was a member of many art organizations including Artists League of America, Audubon Artists, Provincetown Art Association, and Cape Cod Art Association. He was continually active in the art life in Provincetown serving as board members, trustees, and judges. He also occasionally taught at art schools including the American Artist School and John Reed Club, and taught a number of private pupils.

Joseph Kaplan died on February 28th, 1980 at the age of 79 in Brewster, Massachusetts.
Separated Materials:
307 nitrate negatives donated to the Archives of American Art with the Joseph Kaplan papers have been removed and are stored in off-site storage. Negatives were duplicated onto safety based film and only select prints were made.
Provenance:
The Joseph Kaplan papers were donated to the Archives of American Art by Marilyn Kearney in 1981.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Photographers -- Massachusetts -- Provincetown  Search this
Photographers -- New York (State)  Search this
Printmakers -- Massachusetts -- Provincetown  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Etchings
Photographs
Citation:
Joseph Kaplan papers, 1915-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kapljose
See more items in:
Joseph Kaplan papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kapljose
Online Media:

Oral history interview with Chaim Gross

Interviewee:
Gross, Chaim, 1904-1991  Search this
Interviewer:
Brown, Milton W. (Milton Wolf), 1911-1998  Search this
Names:
Gross, Renée  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Extent:
2 Sound cassettes (Sounding recording )
49 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1981 May 26- 27
Scope and Contents:
An interview of Chaim Gross conducted 1981 May 26-27, by Milton Wolf Brown, for the Archives of American Art.
Gross speaks of his early background and youth in Austria; his family's experiences when the Russian Army invaded Austria in 1914; his experiences in a refugee camp; escaping to Vienna and to Budapest; being imprisoned in Budapest and sent back to Austria; immigrating to the United States in 1921; his education at the Educational Alliance and the Beaux Arts Institute; teaching himself wood carving; selling his first works; coming to work for the WPA and later for the Treasury Department's Section of Fine Arts; meeting and marrying his wife Renée; influences, and sculptors whose work he admires; Judaic themes in his work; his art collection; and the changes in American culture during Franklin Roosevelt's presidency.
Biographical / Historical:
Chaim Gross (1904-1991) was a sculptor from New York, N.Y.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gross81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gross81

Lorrie Goulet papers

Creator:
Goulet, Lorrie, 1925-  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Carolyn Hill Gallery  Search this
Contemporaries (Gallery: New York, N.Y.)  Search this
David Findlay Galleries (New York, N.Y.)  Search this
Inwood Pottery School  Search this
Kennedy Galleries  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Museum of Women in the Arts (U.S.)  Search this
New School for Social Research (New York, N.Y.)  Search this
New York Artists Equity Association  Search this
Scarsdale Studio Workshop  Search this
Anuszkiewicz, Richard  Search this
De Creeft, José, 1884-1982  Search this
Gross, Chaim, 1904-1991  Search this
Nalle, Anna Beck  Search this
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
Vorhees, Aimee  Search this
Extent:
10 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Photographs
Interviews
Sound recordings
Video recordings
Scrapbooks
Sketches
Date:
1931-2009
Summary:
The papers of New York City sculptor, painter, educator, and writer Lorrie Goulet (1925- ) measure 10.0 linear feet and date from 1931 to 2009. Goulet's career is documented through biographical materials, correspondence, writings and notes, interviews, exhibition files, project and commission files, teaching files, personal business records, printed materials, photographs, and artwork.
Scope and Contents:
The papers of New York City sculptor, painter, educator, and writer Lorrie Goulet (1925- ) measure 10.0 linear feet and date from 1931 to 2009. Goulet's career is documented through biographical materials, correspondence, writings and notes, interviews, exhibition files, project and commission files, teaching files, personal business records, printed materials, photographs, and artwork.

Biographical materials include awards, resumes, membership documents for the New York Artists Equity Association, and a scrapbook and photograph portfolio for Jose de Creeft's birthday in 1969. Scattered school records include a photocopy of a letter from Aimee Vorhees at the Inwood Pottery School.

Goulet's correspondence is mostly professional in nature but includes some letters from friends and family, including Jose de Creeft. Other notable correspondents include Chaim Gross, Herbert and Dorothy Vogel, and Richard Anuszkiewicz.

Writings and notes by Lorrie Goulet include artists' statements; notes and essays on sculpture, including a disbound binder entitled "Quadrations"; three journals about the creation of Enigma; a statement on Green Serpentine; lectures and talks, including a memorial tribute to Jose de Creeft; and poems. There are also a few writings by others about Goulet.

There are five transcripts of interviews with Lorrie Goulet and with Lorrie Goulet and Jose de Creeft. One of the interviews includes the original sound recordings on cassette tape and one includes a version of the transcript on floppy disc.

Extensive exhibition files document fifty years of Goulet's solo and group exhibitions held at galleries, museums, and institutions throughout the United States. Many of the files are from shows at Carolyn Hill Gallery, The Contemporaries, David Findlay Jr. Gallery, and Kennedy Galleries. Also found is extensive material on Goulet's exhibition at the National Museum of Women in the Arts, Lorrie Goulet: Fifty Years of Making Sculpture (1998). File contents vary, but often contain photographs of openings and of works of art, correspondence, printed material, and price lists.

Project and commission files document Goulet's public commissioned works in the New York Public Library, 173 St. Branch, the Nurse's Residence and School at the Bronx Municipal Hospital, the New York City 48th Precinct Station House and Fire House, and the bust of King Juan Carlos I of Spain. There are also files concerning Goulet's television show Around the Corner, an educational children's show that aired from 1964-1968.

Teaching files are from Goulet's positions at the Art Students League, the school at the Museum of Modern Art, the New School for Social Research, and Scarsdale Studio Workshop. Personal business records include scattered bills and receipts for works of art by Goulet and Jose de Creeft and a file regarding Goulet's affiliation with art agent Anna Beck Nalle.

Among the printed materials are clippings, exhibition announcements and catalogs, and issues of magazines and periodicals, many of which include articles about Goulet or her exhibitions. Also found is a videocassette tape concerning Jose de Creeft's Alice in Wonderland narrated by Goulet.

Photographs and eleven photo albums depict Goulet, her family life with Jose de Creeft, celebrations with friends, her artwork and studio, and travel. Also found are photos, slides, and transparencies of works of art. Pencil sketches are by Goulet of her studio. There is also a sketch of Lorrie Goulet by Zorach.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Material, 1931-2009 (0.5 linear feet; Box 1, 11)

Series 2: Correspondence, 1940s-2006 (0.7 linear feet; Box 1)

Series 3: Writings and Notes, 1949-2002 (0.6 linear feet; Box 1-2)

Series 4: Interviews, 1967-2002 (0.3 linear feet; Box 2)

Series 5: Exhibition Files, 1948-2008 (3.1 linear feet; Box 2-5)

Series 6: Project Files, 1950s-2007 (0.8 linear feet; Box 6, 12)

Series 7: Teaching Files, 1958-2000 (0.2 linear feet; Box 6)

Series 8: Personal Business Records, 1969-1990s (2 folders; Box 6)

Series 9: Printed Materials, 1940s-1999 (1.1 linear feet; Box 7-8)

Series 10: Photographs, 1930s-2008 (2.3 linear feet; Box 8-11)

Series 11: Artwork, 1955-1956 (0.1 linear feet; Box 10)
Biographical / Historical:
Lorrie Goulet (1925- ) is a sculptor, painter, educator, and writer active in New York City, New York. She is well-known for direct sculpture on wood and stone.

Lorrie Goulet was born in Riverdale, NY in 1925. As early as the age of seven, Goulet attended the Inwood Pottery School in New York City where she studied under Aimee Vorhees. After the Goulet family moved to Los Angeles, Lorrie continued her studies in art and, in 1940, apprenticed under Jean Rose, a ceramicist in Southern California. In 1943, Goulet enrolled at Black Mountain College in North Carolina where she studied with Joseph and Annie Albers. This is also where she met her husband, sculptor Jose de Creeft; they married in 1944 and had one child, Donna Maria de Creeft. Goulet and de Creeft divided their time between Hoosick Falls, New York and New York City.

Goulet's first solo exhibition was held at the Clay Club Sculpture Center, New York, in 1948. She was represented by Kennedy Galleries in New York, David Findlay Jr. Gallery, and the Harmon Meek Gallery in Naples, Florida. She has exibited widely, including in a number of Annual Exhibitions at the Whitney Museum of American Art, New York, and in the fine arts pavilion of the New York World's Fair of 1965. In 1998, she was honored by the National Museum of Women in the Arts in Washington D.C. with a solo exhibition titled Fifty Years of Making Sculpture.

Goulet taught sculpture at the Museum of Modern Art's Peoples Center, New York, in 1957. From 1961 to 1975 she was on the faculty of the New School, New York, and in 1981 began teaching at the Art Students League of New York, where she taught until 2004. Between 1964-1968 Lorrie Goulet demonstrated sculpture techniques on a CBS Television children's program called "Around the Corner", sponsored by the New York City Board of Education.

Lorrie Goulet's sculpture can be found in the permanent collections of museums across the country. She also completed a number of public sculptures commissioned by the City of New York for several of its public buildings in the Bronx including the Branch Public Library at 173rd Street and Grand Concourse (1958), the Nurses School and Residence, Bronx Municipal Hospital (1961), and the 48th Precinct Police and Fire Station Headquarters (1971) - all in varying materials. A bronx bust of King Juan Carlos I of Spain created by Goulet is displayed in the Royal Palace in Madrid.

Goulet is also a painter, philosopher and poet and continues to work in her studio in New York City.
Related Materials:
Also found in the Archives of American Art are the papers of Lorrie Goulet's husband, sculptor Jose de Creeft.
Provenance:
Lorrie Goulet lent a portion of her papers in 1972 for microfilming and later donated those papers along with additional materials to the Archives of American Art in 2010.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Transcripts  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Artists' studios -- Photographs  Search this
Women sculptors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Diaries
Photographs
Interviews
Sound recordings
Video recordings
Scrapbooks
Sketches
Citation:
Lorrie Goulet papers, 1931-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goullorr
See more items in:
Lorrie Goulet papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goullorr
Online Media:

Anthony de Francisci papers

Creator:
Francisci, Anthony de  Search this
Names:
Cooper Union Museum for the Arts of Decoration  Search this
French, Daniel Chester, 1850-1931  Search this
Gross, Chaim, 1904-1991  Search this
Manship, Paul, 1885-1966  Search this
Montana, Pietro, 1890-1978  Search this
Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this
Extent:
2.2 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1904-1965
Scope and Contents:
Correspondence; notes; a scrapbook; sketches; photographs; announcements; and clippings.
REEL 37: Letters and telegrams, and cards of condolence to de Francisci's widow Theresa after his death, from Robert Weinman, Pietro Montana, Anthony Cirino, Max Kuehne, Donald DeLue and others. Also included is one letter, Sept. 1, 1954, from de Francisci to his daughter. Photographs, 1907-1964, show de Francisci with his Cooper Union graduating class, at work and with friends; clippings; announcements; and resumes.
UNMICROFILMED: Correspondence; notes; a scrapbook; sketches; and photographs of works of art. Correspondents include Daniel Chester French, Adolph Weinman, Paul Manship, Pietro Montana, and Chaim Gross.
Biographical / Historical:
Sculptor; New York, N.Y. and Rockport, Massachusetts.
Provenance:
Material on reel 37 donated 1971 by Theresa de Francisci, widow of de Francisci. One letter dated Sept. 1, 1954 was returned to de Francisci at her request. Unmicrofilmed material was transferred from the National Collection of Fine Arts, 1979.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors  Search this
Identifier:
AAA.defranth
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-defranth

José de Creeft papers

Creator:
De Creeft, José, 1884-1982  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Black Mountain College (Black Mountain, N.C.) -- Faculty  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Norton Gallery and School of Art  Search this
Skowhegan School of Painting and Sculpture -- Faculty  Search this
Stone Mountain Memorial (Ga.)  Search this
Albers, Josef -- Photographs  Search this
Calder, Alexander, 1898-1976  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Campos, Jules  Search this
De Creeft, William  Search this
De Diego, Julio, 1900- -- Photographs  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Diederich, William Hunt, 1884-1953  Search this
Dodd, Lamar  Search this
Escuder, Joseph  Search this
Gropius, Walter, 1883-1969 -- Photographs  Search this
Gross, Chaim, 1904-1991 -- Photographs  Search this
Gómez Gil, Alfredo, 1936-  Search this
Lawrence, Gertrude -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lipchitz, Jacques, 1891-1973 -- Photographs  Search this
Neumann, J. B. (Jsrael Ber) -- Photographs  Search this
Nivola, Costantino, 1911-1988  Search this
Rattner, Abraham -- Photographs  Search this
Roszak, Theodore, 1907-1981 -- Photographs  Search this
Soyer, Raphael, 1899-1987 -- Photographs  Search this
Sweeney, James Johnson, 1900-  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
28.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Date:
1871-2004, bulk 1910s-1980s
bulk 1910-1990
Summary:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.
Scope and Contents:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.

Biographical materials include address books, awards, recorded interviews with and about de Creeft, membership materials, naturalization records, resumes, and travel documents.

Correspondence is primarily professional in nature and concerns exhibitions, de Creeft's involvement in arts organizations, and awards. There are also scattered personal letters from family and friends. Correspondents include Alexander Calder, Nina, Alice, Barbara and William de Creeft, Hunt Diederich, Joseph Escudar, and Gil Gomez, Jacques Lipchitz, Edwin Dickinson, James Johnson Sweeney, Costantino Nivola, Abraham Rattner, and Lamar Dodd, among others.

De Creeft's fifty diaries are nearly complete for the period dating from 1926 to 1981. Some are bound volumes and others are loose pages. The bulk of the diaries are in Spanish and many include sketches. Additional writings, called "escritos varios" by José de Creeft, are mostly in Spanish and consist of typed manuscripts and essays, including "Roosty Was My Friend, 1957, notebooks, an artist's statement, and writings by others, including drafts for The Sculpture of de Creeft by Jules Campos, and a video recording entitled José de Creeft by Bob Hanson. There is one sound recording of Lorrie Goulet reading poetry.

Subject files are varied and include files on de Creeft's teaching positions at the New School for Social Research, Black Mountain College, Skowhegan School of Painting and Sculpture, and the Art Students League. There are files for some of his sculpture projects, inlcuding Alice in Wonderland, Poet, and a proposed model for the Stone Mountain Confederate Memorial in Georgia, as well as compiled information about various art related topics of interest.

De Creeft's business records include appraisals, contracts, leases, price lists, and scattered receipts. Also found are art inventories in the form of three sets of index cards, some of which include photographs.

Printed materials include books, clippings, exhibition announcements and catalogs, exhibition labels, postcards, and posters.

There are loose photographs and twenty-seven photograph albums depicting de Creeft, his family, friends, and works of art. There are photos of Alexander Calder; de Creeft and Goulet with Raphael Soyer, posing with Soyer's portrait of them; Gertrude Lawrence; art juries, which also include images of Chaim Gross, Jacques Lipchitz, Theodore Roszak, and William Zorach; students, friends, and faculties of Black Mountain College, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton School of Art, which also includes images of Joseph Albers, Alexander Calder, Julio De Diego, Walter Gropius, J. B. Neumann, and Abraham Rattner.

Seven mixed media scrapbooks document de Creeft's career from 1929 to 1982. Also found are scattered pen and pencil sketches and one sketchbook dating from the 1920s.
Arrangement:
The collection is arranged as 10 series:

Series 1: Biographical Material, 1914-1979 (Boxes 1, 27; 0.9 linear feet)

Series 2: Correspondence, 1910s-1980s (Boxes 1-6; 4.2 linear feet)

Series 3: Diaries, 1926-1981 (Boxes 6-11; 5.4 linear feet)

Series 4: Writings, 1871-1977 (Boxes 11-13, 28; 2.5 linear feet)

Series 5: Subject Files, 1924-1980 (Boxes 13-16, 27; 2.4 linear feet)

Series 6: Personal Business Records, 1909-1980s (Boxes 16-17, 27; 1.0 linear feet)

Series 7: Printed Material, 1921-1980s (Boxes 17-21, 27, 33; 4.7 linear feet)

Series 8: Photographs, 1900-2004 (Boxes 21-25, 29, 31; 5.1 linear feet)

Series 9: Scrapbooks, 1929-1982 (Box 26, 30, 32; 1.8 linear feet)

Series 10: Artwork, 1920s-1930s (Box 26; 2 folders)
Biographical / Historical:
José de Creeft (1908-1982) was a Spanish-born sculptor active in New York City, New York.

José de Creeft was born in Guadalajara, Spain and raised in Barcelona. In 1900, he apprenticed to sculptor Don Augustine Querol and studied drawing with Idalgo de Caviedas. De Creeft moved to Paris in 1905 and began formal art training at the Académie Julianand. He also took a studio in the Batteau Lavoir in Montmartre, where he interacted with Pablo Picasso, Juan Gris, Manolo, and Pablo Gargallo, all of whom also had studios there. During this period, de Creeft became friends with the artist Mateo Hernandez.

In 1915, de Creeft rejected the traditional technique of reproducing sculpture in stone from clay and plaster models and turned to direct carving in wood and stone. He was also one of the first sculptors who practiced assemblage and incorporated found objects into his work. His notable assemblage sculpture El Picador, a large figure on horseback, received worldwide press coverage and was exhibited at the Salon des Artistes Independents in 1926. Between 1919 and 1928, his work was exhibited in various Paris salons. In the late 1920s, he created 200 stone carvings for Roberto Ramonje's Forteleza (fortress) in Mallorca. It was around this time frame when de Creeft met Alexander Calder, who became his student in direct carving. De Creeft encouraged Calder to display his mechanical toys and Calder put his Circus together for the first time in de Creeft's studio.

De Creeft emigrated to the United States in 1929, right after marrying fellow sculptor Alice Robertson Carr. They divorced nine years later.

While in New York, de Creeft began sculpting with lead sheets beaten into three-dimensional forms and established a studio at 1 Washington Square. His first solo exhibition was at the Ferargil Galleries in New York City and included The Portrait of Cesar Vallejo in chased lead and The Silver Fox of found materials.

In 1932, de Creeft accepted a teaching position in sculpture at the New School for Social Research. He also taught courses at Black Mountain College, where he met his second wife, sculptor Lorrie Goulet, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton Gallery and School of Art. In 1946, de Creeft and Goulet purchased a hundred-acre farm in Hoosick Falls, NY where they established a studio and part-time residence.

Perhaps De Creeft's most well-known monumental scuplture is Alice in Wonderland in Central Park, New York City. The 12' x 16' bronze was dedicated during a public event in 1959 and gave de Creeft worldwide recognition. In 1995 a short film about the making of the sculpture was produced by J. D'Alba and narrated by Lorrie Goulet.

De Creeft was as founding member of the American Artist's Congress, the Sculptors Guild, and the Artist's Equity Association. De Creeft was represented by the Georgette Passedoit Gallery from 1936 to 1949. Later, he joined The Contemporaries (gallery) and exhibited there until 1966. Kennedy Galleries represented de Creeft from 1970 until his death in 1982.
Related Materials:
The Archives of American Art also holds an interview of José De Creeft conducted October 1-8, 1968 by Forrest Selvig and the papers of de Creeft's wife Lorrie Goulet.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels D150 and 375-378). While most of the items were included in subsequent gifts, material not donated to the Archives remain with the lender and are not described in the collection container inventory.
Provenance:
The José de Creeft papers were first lent for microfilming by the artist in 1963 and 1972. Lorrie Goulet, José de Creeft's widow, donated most of this material along with additional items in 1985 and 2009.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, Modern -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Citation:
José de Creeft papers, 1871-2004, bulk 1910s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.decrjose
See more items in:
José de Creeft papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-decrjose

Alexander Dobkin papers

Creator:
Dobkin, Alexander, 1908-  Search this
Names:
Evergood, Philip, 1901-1973  Search this
Gross, Chaim, 1904-1991  Search this
Levine, Jack, 1915-2010  Search this
Soyer, Raphael, 1899-1987  Search this
Extent:
0.62 Linear feet ((partially microfilmed on 4 reels))
Type:
Collection descriptions
Archival materials
Date:
1940-1974
Scope and Contents:
Correspondence; photographs; books; lithographs; sketchbooks with notes; exhibition catalogs and clippings.
REELS N68-99-100 & N69-2: Sketchbooks with notes, 1943-1966.
REEL N69-23: Correspondence; an exhibition catalog; and lithographs.
UNMICROFILMED: Correspondence with family members, Philip Evergood, Jack Levine, Raphael Soyer, Chaim Gross, and others; 4 illustrated letters from Dobkin to his wife, 1954; photographs of Dobkin and his work; 2 books illustrated by Dobkin; and exhibition catalogs and clippings.
Biographical / Historical:
Lithographer, illustrator; New York, N.Y. Died 1975.
Provenance:
Sketchbooks on reels N68-99-100 and N69-2 lent for microfilming 1969 by Dobkin. Material on reel N69-23 donated except for lithographs which were returned after microfilming. Unmicrofilmed material donated 1968 and 1976 by Alexander Dobkin and Kathy Dobkin.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Illustrators -- New York (State) -- New York  Search this
Lithographers -- New York (State) -- New York  Search this
Topic:
Lithography -- 20th century -- New York(N.Y.)  Search this
Identifier:
AAA.dobkalex
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dobkalex

[Photographs of artists taken by Dena]

Photographer:
Dena, 1910-1987  Search this
Names:
De Kooning, Willem, 1904-1997  Search this
Dehner, Dorothy, 1901-1994  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Grooms, Red  Search this
Gross, Chaim, 1904-1991  Search this
Ortiz, Rafael Montanez  Search this
Segal, George, 1924-2000  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
9 Items (photographic prints, b&w, 44 x 34 cm. and smaller.)
Type:
Collection descriptions
Archival materials
Date:
[1964-1975]
Scope and Contents:
Included are photographs of: Dorothy Dehner, Willem De Kooning, Edwin Dickinson, Red Grooms,Chaim Gross, Rafael Montanez Ortiz, George Segal, Moses Soyer, Raphael and Rebecca Soyer.
Biographical / Historical:
Dena (1910-1987) was a photographer from New York, N.Y. Full name Dinah Rubinstein.
Provenance:
Donated by Dena. It is unclear if the photographs were used in a publication or exhibition. The photographs were initially placed in AAA's Photographs of Artists Collection I and II, separated by artist depicted, and microfilmed on reels 439-441 and 1817-1818. They have been subsequently scanned and compiled together under Dena
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Artists' studios -- Photographs  Search this
Artists -- United States -- Photographs  Search this
Women artists  Search this
Photography  Search this
Identifier:
AAA.dena
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dena

Brooklyn Museum interviews of artists

Creator:
Brooklyn Museum  Search this
Names:
Listening to pictures (1968-1973: Brooklyn Museum)  Search this
Anderson, Lennart, 1928-  Search this
Antonakos, Stephen, 1926-2013  Search this
Arisman, Marshall  Search this
Barker, Walter  Search this
Baskin, Leonard, 1922-2000  Search this
Bauermeister, Mary, 1934-  Search this
Benton, Thomas Hart, 1889-1975  Search this
Bishop, Isabel, 1902-1988  Search this
Brackman, Robert, 1898-  Search this
Butchkes, Sydney, 1922-  Search this
Casarella, Edmond, 1920-1996  Search this
Constant, George  Search this
Dash, Robert  Search this
De Creeft, José, 1884-1982  Search this
Dombek, Blanche, 1914-  Search this
Doyle, Tom, 1928-  Search this
Ernst, Jimmy, 1920-1984  Search this
Estern, Neil, 1926-  Search this
Evergood, Philip, 1901-1973  Search this
Frankenthaler, Helen, 1928-2011  Search this
Freilicher, Jane, 1924-  Search this
Goldin, Leon, 1923-  Search this
Goodman, Sidney  Search this
Graziani, Sante, 1920-  Search this
Greene, Balcomb, 1904-1990  Search this
Grillo, John, 1917-  Search this
Gropper, William, 1897-1977  Search this
Gross, Chaim, 1904-1991  Search this
Gussow, Roy, 1918-2011  Search this
Gwathmey, Robert, 1903-1988  Search this
Hartigan, Grace  Search this
Hopper, Edward, 1882-1967  Search this
Jaffe, Nora  Search this
Jenkins, Paul, 1923-2012  Search this
Kawabata, Minoru, 1911-  Search this
Kienbusch, William, 1914-1980  Search this
Knaths, Karl, 1891-1971  Search this
Koch, John, 1909-1978  Search this
Kosama, Yayoi  Search this
Lam, Jennett, 1911-  Search this
Lang, Steven, 1944-1971  Search this
Laurent, Robert, 1890-1970  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lipton, Seymour, 1903-1986  Search this
Margo, Boris, 1902-1995  Search this
Meyer, Ursula, 1915-  Search this
Moller, Hans, 1905-  Search this
Murch, Walter  Search this
Nevelson, Louise, 1899-1988  Search this
Odate, Toshio  Search this
Offner, Elliot  Search this
Ohlson, Douglas Dean, 1936-  Search this
Okada, Kenzo, 1902-1982  Search this
Palmer, Amanda, 1931-  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Peterdi, Gabor  Search this
Reinhardt, Ad, 1913-1967  Search this
Richards, Bill, 1936-  Search this
Rivers, Larry, 1925-2002  Search this
Sanchez, Emilio, 1921-1999  Search this
Schrag, Karl  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Sopher, Aaron, 1905-1972  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Thon, William, 1906-2000  Search this
Weinberg, Albert  Search this
Zorach, Marguerite, 1887-1968  Search this
Zorach, William, 1887-1966  Search this
Interviewer:
Jacobowitz, Arlene  Search this
Extent:
7 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Interviews
Date:
1965-1968
Summary:
Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture at the Brooklyn Museum, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation at the museum.
Scope and Content Note:
Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation.

The artists interviewed are: Lennart Anderson, Stephen B. Antonakos, Marshall Arisman, Walter Barker, Leonard Baskin, Mary Bauermeister, Thomas Hart Benton, Isabel Bishop, Robert Brackman, Sydney Butchkes, Edmund Casarella, George Constant, Robert Warren Dash, Jose DeCreeft, Blanche Dombek, Tom Doyle, Jimmy Ernst, Neil Estern, Philip Evergood, Helen Frankenthaler, Jane Freilicher, Leon Goldin, Sidney Goodman, Sante Graziani, Balcomb Greene, John Grillo, William Gropper, Chaim Gross, Roy Gussow, Robert Gwathmey, Grace Hartigan, Edward Hopper, Nora Jaffe, Paul Jenkins, Minoru Kawabata, William Kienbusch, Karl Knaths, John Koch, Yayoi Kosama, Jennett Lam, Steven Lang, Robert Laurent, Jacob Lawrence, Jack Levine, Jacques Lipchitz, Seymour Lipton, Boris Margo, Ursula Meyer, Hans Moller, Walter Murch, Louise Nevelson, Toshio Odate, Elliot Offner, Douglas Ohlson, Kenzo Okada, Amanda Palmer, Irene Rice Pereira, Gabor Peterdi, Ad Reinhardt, Bill Richards, Larry Rivers, Emilio Sanchez, Karl Schrag, Ben Shahn, Charles Sheeler, Aaron Sopher, Moses Soyer, Raphael Soyer, William Thon, Albert Weinberg, and William and Marguerite Zorach.
Arrangement:
The collection is arranged as a single series:

Series 1: Interviews, 1965-1968 (Box 1-7; 7 lin. ft.)
Historical Note:
The interview program at the Brooklyn Museum was begun by Arlene Jacobowitz in the spring of 1965 with artists whose works were on exhibition at the Brooklyn Museum. In 1968, excerpts from the interviews were incorporated into an exhibition entitled "Listening to Pictures," in which visitors could access the sound recordings using headphones while standing before the painting being discussed. The exhibition opened April 28, 1968, and was gradually disassembled, 1971-1973.
Related Material:
The Brooklyn Museum Archives houses the records of the Departments of European Painting and Sculpture, American Painting and Sculpture, Contemporary Art (1897-2005), which contain records relating to the work of Arlene Jacobowitz.
Provenance:
This collection was donated to the Archives of American Art by Dierdre Lawrence of the Brooklyn Museum in 1989.
Restrictions:
Use of original papers requires an appointment. Researchers may view the original reels for the archival notations on them, but original reels are not available for playback due to fragility.
Rights:
Authorization to quote or reproduce for purposes of publication requires written permission from the interviewee. Citations must read:"Interview between [artist's name] and [interviewer's name] from the "Listening to Pictures" program of the Brooklyn Museum. Archives of American Art. Gift of the Brooklyn Museum." Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- United States -- Interviews  Search this
Art, American -- Exhibitions  Search this
Genre/Form:
Transcripts
Interviews
Citation:
Interview between [artist's name] and [interviewer's name] from the "Listening to Pictures" program of the Brooklyn Museum. Gift of the Brooklyn Museum. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.broomuse
See more items in:
Brooklyn Museum interviews of artists
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-broomuse

Henry Botkin papers

Creator:
Botkin, Henry, 1896-1983  Search this
Names:
American Abstract Artists  Search this
Artists Equity Association  Search this
Federation of Modern Painters and Sculptors  Search this
Gallery 256 (Provincetown, Mass.)  Search this
Arlen, Harold, 1905-1986  Search this
Botkin, Benjamin Albert, 1901-1975  Search this
Brice, Fanny  Search this
Brice, William, 1921-2008  Search this
Gershwin, George, 1898-1937  Search this
Gershwin, Ira, 1896-1983  Search this
Godowsky, Frances  Search this
Gross, Chaim, 1904-1991  Search this
Hasegawa, Saburō, 1906-1957  Search this
Hofmann, Hans, 1880-1966  Search this
Knaths, Karl, 1891-1971  Search this
Laurent, Toinette Botkin  Search this
Mocsanyi, Paul  Search this
Motherwell, Robert  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Barnett, 1905-1970  Search this
Picasso, Pablo, 1881-1973  Search this
Putnam, Wallace, 1899-1989  Search this
Rattner, Abraham  Search this
Robus, Hugo, 1885-1964  Search this
Schoenberg, Arnold, 1874-1951  Search this
Shadbolt, Jack, 1909-  Search this
Siqueiros, David Alfaro  Search this
Von Wicht, John, 1888-1970  Search this
Extent:
3.5 Linear feet ((on 10 microfilm reels))
4 Sound tapes (7 & 5 in.)
Type:
Collection descriptions
Archival materials
Sound tapes
Drawings
Scrapbooks
Date:
1917-1979
Scope and Contents:
Biographical material (1945-1965), letters (1917-1979), notes (1950-1970), writings (1944-1970), business records (1927-1977), art works (1932-1964), subject files (1952-1955), scrapbook (1927-1939), printed material (1923-1977), and photographs (1922-1968) documenting Botkin's career and his friendship with George and Ira Gershwin and other entertainment and artistic figures.
Among the correspondents and subjects of photographs or letters are: George and Ira Gershwin, their sister Frances Godowsky, Botkin's brother Benjamin, Botkin's daughter Toinette Botkin Laurent, and grandson Alexander Laurent, composer Harold Arlen, Fanny Brice and her son William Brice, artists Chaim Gross, Saburo Hasegawa, Hans Hofmann, Karl Knaths, Paul Manship, Paul Mocsanyi, Robert Motherwell, Louise Nevelson, Barnett Newman, Pablo Picasso, Wallace Putnam, Abrahmam Rattner, Hugo Robus, Arnold Schoenberg, Jack Shadbolt, John Von Wicht, and Abraham Walkowitz. Also included are photographs of Botkin's studio, night picnic in Provincetown attended by many artists; and material relating to American Abstract Artists, New School Art Center, Provincetown Art Association, and the Federation of Modern Painters and Sculptors. [See Finding Aid for information on location of items on the microfilm].
UNMICROFILMED: 3 untranscribed interviews of Botkin, 1 done for the "Today" show, NBC, June 4, 1965; 1 for Colette Roberts "Meet the Artist" Program, undated, and 1 by an unidentified interviewer. Also included is an untranscribed monologue, Oct. 11, 1970.
Biographical / Historical:
Painter; New York, N.Y. and Provincetown, Mass. Born in Boston and attended art schools there from 1913-1917. From 1917-1920, he attended the Art Students League and was employed as an illustrator for prominent magazines until 1929. Traveling abroad between 1926 and 1933, he attained his first one-man show in 1927 at the Billiet Galleries in Paris. Through his cousin, composer George Gershwin, Botkin became acquainted with people active in the performing arts, such as Harold Arlen, Fanny Brice, Harry Kurnitz, and Bert Lahr. Botkin was also involved in the American Abstract Artists, Artists Equity Association, Federation of Modern Painters and Sculptors, and Gallery 256 in Provincetown, Massachusetts.
Related Materials:
Henry Botkin papers also at Syracuse University.
Provenance:
Donated 1969-1982 by Henry Botkin and by his son Glenn and his assistant Rene Barilleaux. Many items were returned to Botkin after microfilming.
Restrictions:
Patrons must use microfilm copy. Use of untranscribed tapes requires an appointment at the Washington, D.C. office.
Occupation:
Composers  Search this
Painters -- New York (State) -- New York  Search this
Painters -- Massachusetts -- Provincetown  Search this
Topic:
Artists' studios -- New York (State) -- New York -- Photographs  Search this
Art, Abstract  Search this
Genre/Form:
Drawings
Scrapbooks
Identifier:
AAA.botkhenr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-botkhenr

Avis Berman research material on art and artists

Creator:
Berman, Avis  Search this
Names:
Bearden, Romare, 1911-1988  Search this
Breeskin, Adelyn Dohme, 1896-1986  Search this
Brooks, Romaine  Search this
Cassatt, Mary, 1844-1926  Search this
Child, Katherine B.  Search this
Cone, Claribel  Search this
Cone, Etta  Search this
Foster, James W., 1920-  Search this
Gross, Chaim, 1904-1991  Search this
Ivins, William Mills, 1881-1961  Search this
Knight, Gwendolyn  Search this
Lawrence, Jacob, 1917-2000  Search this
Nakian, Reuben, 1897-1986  Search this
Rosenthal, Gertrude, 1903-  Search this
Sloan, Helen Farr, 1911-2005  Search this
Sloan, John, 1871-1951  Search this
Stein, Gertrude, 1874-1946  Search this
Toklas, Alice B.  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1976-1988
Scope and Contents:
Avis Berman research material on art and artists consists of interviews conducted by Berman and scattered correspondence in preparation for various books, articles and exhibitions. Subjects include Romare Bearden, Adelyn Breeskin, Chaim Gross, Jacob Lawrence, Reuben Nakian, and Helen Farr Sloan regarding John Sloan.
Material on art historian and museum director Adelyn Breeskin (microfilm reel 2786) includes an interview conducted by Berman September 8 and November 2, 1976. Breeskin speaks of her educational background; working at the Boston Museum of Fine Arts and the Metropolitan Museum; her early interest in reading and illustrated books; her role as Curator of Prints and Director of the Baltimore Museum of Art; the Sadie May, Claghorn, Garrett, and Cone Collections; the financial management of the Baltimore Museum of Art; the Venice Biennale, 1960; and her research concerning Mary Cassatt and Romaine Brooks. She recalls Katherine B. Child, Claribel and Etta Cone, William Ivins, Jr., Gertrude Stein, Alicie B. Toklas and others. Also included are transcripts of interviews with Gertrude Rosenthal, January 14, 1977, and James Foster, December 10, 1976, in which they discuss working with Breeskin, and a copy of Berman's article "Adelyn Breeskin: 50 Years of Excellence, Part I," which appeared in the Feminist Art Journal, Summer 1977; and a manuscript draft and photocopied pages of "Profile of Adelyn Breeskin, Part 2" by Berman. (An abbreviated version of this article appeared in The Baltimore Sun, Oct. 30, 1977).
Berman's interview of painter Romare Bearden (2 cassettes, 45 page transcript) was conducted 1980 July 31 in Bearden's studio, Long Island City, New York. Bearden discusses his mural commissions; his youth; his time in Paris; working out of the blues tradition; the influence of the South; and changes in his work. He recalls Constantin Brancusi, Jacob Lawrence, Henri Matisse, Duke Ellington, Stuart Davis, and others.
The interview with painter Jacob Lawrence was conducted 1982 July 20-August 4th (3 sound cassettes, 81 page transcript). Also present is Gwendolyn Knight.
The interview with Helen Farr Sloan, widow of painter John Sloan, was conducted by Berman on 1988 July 17 for an audience at the Delaware Art Museum. The interview primarily concerns her husband, painter John Sloan including their marriage and life together as well as his life and work before they married, Farr Sloan's education including being a student of John Sloan's, as well as her own experience as a teacher. She briefly discusses art collecting.
The interview of sculptor Reuben Nakian was conducted 1981 April 1 (1 sound cassette, untranscribed).
The interview of sculptor Chaim Gross and Renee Gross was conducted 1981 March 7 (2 sound cassettes, untranscribed).
The collection also includes 13 letters to Berman from art historians and critics, and copies of 2 letters sent, in response to her query about what books they find indispensable to their work. Berman used the information in an article in ARTnews (Nov. 1983). Correspondents include John Szarkowski, Milton Brown, John Canaday, Robert Rosenblum, Julius Held, Theodore Reff, Linda Nochlin, Albert Elsen, James R. Mellow, Lewis Mumford, Dore Ashton, John Walker, and Robert Rosenblum. This material is on microfilm reel 4909.
Biographical / Historical:
Avis Berman (1949- ) is an art historian, writer, and curator from New York, N.Y.
Related Materials:
Also in the Archives are the Avis Berman research material on Katharine Kuh, 1939-2006 and an interview of Reuben Nakian conducted by Berman for the Archives Oral History Program, June 1981.
Provenance:
The collection was donated incrementally by Avis Berman 1981-1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
Interviews with Gross, Lawrence, and Nakian: Authorization to quote or reproduce for purposes of publication requires written permission from Avis Berman. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- United States -- Interviews  Search this
Art historians -- Interviews  Search this
Topic:
Museum directors -- Interviews  Search this
Genre/Form:
Interviews
Identifier:
AAA.bermavis
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bermavis

Whitney Museum of American Art artists' files and records

Creator:
Whitney Museum of American Art  Search this
Names:
Whitney Studio Club  Search this
Whitney Studio Galleries  Search this
Baziotes, William, 1912-1963  Search this
Bellows, George, 1882-1925  Search this
Benton, Thomas Hart, 1889-1975  Search this
Bloom, Hyman, 1913-  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Burlin, Paul, 1886-1969  Search this
Cadmus, Paul, 1904-1999  Search this
Cassatt, Mary, 1844-1926  Search this
Curry, John Steuart, 1897-1946  Search this
Davis, Stuart, 1892-1964  Search this
De Creeft, José, 1884-1982  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Evergood, Philip, 1901-1973  Search this
Feininger, Lyonel, 1871-1956  Search this
Gatch, Lee, 1902-1968  Search this
Glackens, William J., 1870-1938  Search this
Gorky, Arshile, 1904-1948  Search this
Graves, Morris, 1910-  Search this
Gross, Chaim, 1904-1991  Search this
Grosz, George, 1893-1959  Search this
Harnett, William Michael, 1848-1892  Search this
Hartley, Marsden, 1877-1943  Search this
Henri, Robert, 1865-1929  Search this
Hofmann, Hans, 1880-1966  Search this
Hopper, Edward, 1882-1967  Search this
Inness, George, 1825-1894  Search this
Karfiol, Bernard, 1886-1952  Search this
Kuhn, Walt, 1877-1949  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lachaise, Gaston, 1882-1935  Search this
Lawson, Ernest, 1873-1939  Search this
MacIver, Loren, 1909-1998  Search this
Marin, John, 1870-1953  Search this
Marsh, Reginald, 1898-1954  Search this
Motherwell, Robert  Search this
Mount, William Sidney, 1807-1868  Search this
Nevelson, Louise, 1899-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Pollock, Jackson, 1912-1956  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Pène Du Bois, Guy , 1884-1958  Search this
Reder, Bernard, 1897-1963  Search this
Rimmer, William, 1816-1879  Search this
Rivers, Larry, 1925-2002  Search this
Rothko, Mark, 1903-1970  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Sheeler, Charles, 1883-1965  Search this
Sloan, John, 1871-1951  Search this
Smith, David, 1906-1965  Search this
Stella, Joseph, 1877-1946  Search this
Tobey, Mark  Search this
Twachtman, John Henry, 1853-1902  Search this
Tworkov, Jack  Search this
Walkowitz, Abraham, 1880-1965  Search this
Weber, Max, 1881-1961  Search this
Wyant, A. H. (Alexander Helwig), 1836-1892  Search this
Young, Mahonri Mackintosh, 1877-1957  Search this
Zorach, William, 1887-1966  Search this
Extent:
78 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1914-1966
Scope and Contents:
REELS N591-N597: Photographs of the Museum, Juliana Force, Herman Moore; scrapbooks on the Whitney Studio Club, Whitney Studio Galleries and the Museum, 1927-1965.
REELS N599-N604: Notebooks of Edwin W. Dickinson; photographs and provenance information for works by Philip Evergood; a catalog of information and some photographs of Chinese ink drawings and other works by Reginald Marsh; and photographs and information on Bernard Reder, Jack Tworkov, Max Weber (portions also microfilmed on reel NY59-8 (fr. 497-658), reel NY59-9 (fr. 1-51), and William Zorach.
REELS N604-N609: Exhibition catalogs, 1946-1966, for artists and groups shows at the Museum, including Robert Feke, William Rimmer, Ralph Blakelock, Albert Maurer, Albert Pinkham Ryder, Yasuo Kuniyoshi, Thomas Cole, Max Weber, Arshile Gorky, Mark Tobey, John Sloan, Loren MacIver, I. Rice Pereira, George Grosz, Reginald Marsh, Charles Burchfield, Morris Graves, Theodore Roszak, John Marin, Hans Hofmann, Bradley Tomlin, Stuart Davis, Milton Avery, Lee Gatch, Jose De Creeft, Maurice Prendergast, Edward Hopper, Hyman Bloom, Robert E. Jones, Balcomb Greene, Karl Zerbe, Arthur G. Dove, William Zorach, Philip Evergood, Bernard Reder, Herbert Feber, Oliver O'Connor Barrett,Arthur B. Davies, Jose De Rivera, Paul Burlin, Joseph Stella, Jack Tworkov, Ivan Albright, Stuart Davis, Edwin Dickinson, John Quidor, and Niles Spencer.
REELS N646-N694: Artists' files on: Oliver O'Connor Barrett,William Baziotes, George Bellows, Thomas Hart Benton, Peter Blume, James Brooks, Patrick Henry Bruce, Charles Burchfield, Paul Burlin, David Burliuk, Paul Cadmus, Mary Cassatt, Thomas Cole, Glenn Coleman, Jon Corbino, John Steuart Curry, Jo Davidson, Arthur B. Davies, Jose DeCreeft, Charles Demuth, Jose De Rivera, Arthur Dove, Guy Pène du Bois, Stuart Davis, Frank Duveneck, Ralph Earl, Eastman Johnson, The Eight, Philip Evergood, Robert Feke, Lyonel Feininger, Ernest Fiene, George Fuller, Lee Gatch, William Glackens, Arshile Gorky, Balcomb Greene, Chaim Gross, George Grosz, William Harnett, Marsden Hartley, Childe Hassam, John Heliker, Robert Henri, Hans Hofmann, George Inness, Leon Kelly, Franz Kline, Karl Knaths, Leon Kroll, Walt Kuhn, Yasuo Kuniyoshi, Gaston Lachaise, Robert Laurent, Ernest Lawson, Jack Levine, Seymour Lipton, George B. Luks,
Stanton Macdonald-Wright, Loren MacIver, John Marin, Reginald Marsh, Alfred Maurer, K. H. Miller, Robert Motherwell, William Mount, Jerome Myers, Louise Nevelson, Georgia O'Keeffe (portions also microfilmed on reels NY59-13 (fr. 98-115, 406-424, 586-685), reel NY59-14 (entire), and reel NY59-15 (fr. 1-140, 145-153), I. Rice Pereira, Bernard Perlin, Joseph Pollett, Jackson Pollock, Reginald Pollack, Henry V. Poor, Richard Pousette-Dart, Maurice Prendergast, Abraham Rattner, Bernard Reder, Ad Reinhardt, William Rimmer, Larry Rivers, Hugo Robus, Theodore Roszak, Mark Rothko, Concetta Scarvaglione, Henry Schnakenberg, Ben Shahn, John Sloan, David Smith, Eugene Speicher, Theodoros Stamos, Joseph Stella, Maurice Sterne, Mark Tobey, Bradley Tomlin,Trajan, Allen Tucker, John Twachtman, Jack Tworkov, Abraham Walkowitz (also on reel NY/59-15) , Max Weber, James M. Whistler, Gertrude Whitney, Grant Wood, Alexander Wyant, Mahonri Young, and William Zorach.
REELS NWH 1-NWH 7: Artist files on Charles Sheeler, Bernard Karfiol, Louis Eilshemius; scatterred records of the Whitney Studio Club and Museum, 1914-1945, including minutes, Oct. 15, 1930, and Whitney Studio ledgers, 1928-1931; catalogs of one-man shows, 1932-1945; catalogs of annual painting exhibitions, 1932-1940, sculpture, watercolor and drawing exhibitions, 1933-1945, and group exhibitions, 1932-1945; and clippings, Oct. 1935-1936.
REELS NY59/8 (fr. 256-end)-NY59/10: Files on Max Weber, including biographical material, lists of work, and miscellany. Also found (NY59/8 frames 354-383) are ca.20 letters from Weber to Abraham Walkowitz, 1907-1924.
Biographical / Historical:
Whitney Museum of American Art is an American art museum in New York, New York. Founded by Gertrude Vanderbilt Whitney and formally opened in 1931. Previous to its opening as a museum it was known as the Whitney Studio Club (1914-28) and Whitney Studio Galleries (1928-30).
Provenance:
The Weber files on reels NY59/8-10 were lent for microfilming 1959 by the Whitney Museum of American Art; the remainder was lent 1964-1967; additional material from the Museum was lent at the same time, and subsequently donated, including the papers of Lloyd Goodrich, Juliana Force, Thomas B. Clarke, the American Art Research Council, and Gertrude Vanderbilt Whitney; these have each been cataloged separately. Portions of Weber, and O'Keeffe material that was microfilmed in 1959 were refilmed in 1967.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, Modern -- 20th century -- United States  Search this
Artists -- Exhibitions -- New York (State) -- New York  Search this
Art, American  Search this
Function:
Art museums -- New York (State) -- New York
Identifier:
AAA.whitmuse
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-whitmuse

Max Weber papers

Creator:
Weber, Max, 1881-1961  Search this
Names:
American Artists' Congress  Search this
Forum Gallery (New York, N.Y.)  Search this
Biddle, George, 1885-1973  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Gropper, William, 1897-1977  Search this
Gross, Chaim, 1904-1991  Search this
Hartley, Marsden, 1877-1943  Search this
Kent, Rockwell, 1882-1971  Search this
Kroll, Leon, 1884-1974  Search this
Newman, Barnett, 1905-1970  Search this
Soyer, Raphael, 1899-1987  Search this
Zorach, William, 1887-1966  Search this
Extent:
11.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Motion pictures (visual works)
Date:
1902-2008
Summary:
The papers of New York painter and sculptor Max Weber measure 11.8 linear feet and date from 1902-2008. The collection documents Weber's career as an artist through scattered biographical material; correspondence with artists, curators, universities, arts organizations, and others; exhibition and gallery files; personal business records; writings by Weber and others; exhibition catalogs, news clippings, and other printed material; photographs of Weber, exhibitions, and works of art; audio recordings and motion picture films. Also included are records maintained by Joy Weber on the exhibition and sale of Weber's work after his death.
Scope and Content Note:
The papers of New York painter and sculptor Max Weber measure 11.8 linear feet and date from 1902-2008. The collection documents Weber's career as an artist through scattered biographical material; correspondence with artists, curators, universities, arts organizations, and others; exhibition and gallery files; personal business records; writings by Weber and others; exhibition catalogs, news clippings, and other printed material; photographs of Weber, exhibitions, and works of art; audio recordings and motion picture films. Also included are records maintained by Joy Weber on the exhibition and sale of Weber's work after his death.

Biographical material includes biographical summaries, obituaries, award certificates, and a small amount of family memorabilia. Weber's personal and professional correspondence includes discussions of exhibitions, sales, and donations of his work, as well was requests to teach, write, or lecture. Also found is correspondence with arts organizations, clubs, and committees in which he participated. A small amount of family correspondence is also included. Artists that Weber corresponded with include George Biddle, Arthur Davies, William Gropper, Chaim Gross, Marsden Hartley, Rockwell Kent, Leon Kroll, Barnett Newman, Raphael Soyer, and William Zorach, among many others. Weber also corresponded with many art historians and critics, gallery owners, and art patrons. Joy Weber's correspondence primarily concerns the exhibition, loan, sale, and authentication of her father's artwork.

Exhibition files document various solo and group exhibitions of Weber's work. Five reels of motion picture film include footage of an exhibition at the Forum Gallery in 1975. Gallery files include correspondence, inventories, sales and loan records, gallery publications, and other documentation. Most files for exhibitions and galleries were created by Joy Weber after Max Weber's death in 1961. Personal business records include documents on sales, loans, and gifts of Max Weber's artwork; scattered financial documents; and mortgage and property records. Also found are files regarding his participation in the American Artists' Congress and art juries. Weber's writings primarily concern art theory, impressions of other artists, and social and political issues. Additionally there are notes, drafts speeches, and writings by others about Weber.

Printed material is extensive and includes exhibition publications, press releases, and two published booklets written by Weber: "Art Consciousness" and "Things." Also found are news clippings, brochures, newsletters, and publications produced by art organizations, schools, and museums. Photographs include portraits and snapshots of Weber, depicting him working in his studio, participating in art juries, at art openings, and with his family. Photographs also depict installation views of exhibitions and numerous photographs of Weber's artwork. Audiovisual materials include one sound recording of a National Gallery program on Max Weber and five reels of motion picture film that include home movies and footage of an exhibition at the Forum Gallery in 1975.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Material, 1905-1995 (Box 1; 10 folders)

Series 2: Correspondence, 1902-2007 (Box 1-5; 4.2 linear feet)

Series 3: Exhibition Files, 1919-2003 (Box 5-6; 0.7 linear feet)

Series 4: Gallery Files, 1926-2005 (Box 6-7; 0.9 linear feet)

Series 5: Personal Business Records, 1906-2006 (Box 7; 0.8 linear feet)

Series 6: Writings, circa 1910s-1999 (Box 7-8; 0.6 linear feet)

Series 7: Printed Material, 1909-2008 (Box 8-10, 12; 2.6 linear feet)

Series 8: Photographs, 1930s-circa 2000 (Box 10-11; 1.1 linear feet)

Series 9: Audiovisual Material, 1954-2000 (Box 11, FC 13-17; 0.7 linear feet)
Biographical Note:
Max Weber (1881-1961) was a painter and sculptor in New York City.

Weber was born in Bialystok, Russia. When he was ten years old his family moved to Brooklyn, New York. From 1898 to 1900 he attended Pratt Institute and studied theory and practice of design under Arthur Wesley Dow. After graduating he briefly taught drawing in Lynchburg, Virginia, and Duluth, Minnesota. In 1905 he moved to Paris to attend the Académie Julian, studying under Jean-Paul Laurens, and later attended classes at the Académie Colarossi and Académie de la Grande Chaumiere. In 1907 he attended Henri Matisse's studio class. The influence of Matisse and friend Henri Rousseau transformed Weber's painting style to include elements of cubism and fauvism.

Weber returned to New York in 1909, and over the next few years he frequently exhibited at Alfred Stieglitz's gallery 291. Initially his work was panned by American critics for being too modern. Despite criticism, Weber exhibited his work extensively in the 1910s and also began creating abstract sculptures. In 1914 he helped his friend Clarence H. White open the White School of Photography and taught art history there for four years. Also in 1914 his Cubist Poems were published in London. His second book of poetry Primitives was published in 1926.

In 1916 Weber married Frances Abrams. He began to explore narrative subjects in his paintings and in 1918 began carving woodblock prints. He also taught at the Art Students League for the 1919-1921 and 1926-1927 sessions. By the early 1920s he was recognized as an important American artist, serving as a leader in art organizations such as the Society of Independent Artists. In 1930 Weber became the first American modernist to have a retrospective exhibition at the Museum of Modern Art.

In the 1930s Weber became more active in political and socialist causes, participating in many organizations throughout the Depression and World War II. In 1937 he became the National Chairman of the American Artists' Congress. By the 1940s, his work was widely known and influenced a new generation of American painters. He continued to exhibit extensively, received many awards, such as the Temple Gold Medal at the Pennsylvania Academy of Fine Arts, and often served on art juries. In 1955 he was elected to the National Institute of Arts and Letters and received an honorary doctorate from Brandeis University. He died in Great Neck, New York, in 1961.
Related Material:
Also found at the Archives of American Art is an Allen L. Wetmore letter from Max Weber, April 15, 1946.
Separated Material:
Material lent for microfilming in 1959 and 1969 which was not included in the 2011 donation is available on microfilm reels NY59-6 to NY59-10, N69-82 to N69-88, and N69-112.
Provenance:
Material was lent for microfilming in 1959 by Max Weber and in 1969 by Mrs. Max Weber and daughter, Joy Weber. The bulk of the microfilmed material and additional papers were donated in 2011 by Joy Weber.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Sculptors -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Painters -- New York (State) -- New York  Search this
Painting, American  Search this
Genre/Form:
Photographs
Sound recordings
Motion pictures (visual works)
Citation:
Max Weber papers, 1902-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.webemax
See more items in:
Max Weber papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-webemax
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