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In Dickens-Land

Medium:
Chromolithograph
Object Name:
Greeting card
Type:
Greeting card
Credit Line:
Gift of Horace L. Hotchkiss, Jr.
Accession Number:
1950-70-1-a
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1950-70-1-a

In Dickens-Land

Medium:
Chromolithograph
Object Name:
Greeting card
Type:
Greeting card
Credit Line:
Gift of Horace L. Hotchkiss, Jr.
Accession Number:
1950-70-1-b
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1950-70-1-b

In Dickens-Land

Medium:
Chromolithograph
Object Name:
Greeting card
Type:
Greeting card
Credit Line:
Gift of Horace L. Hotchkiss, Jr.
Accession Number:
1950-70-1-c
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1950-70-1-c

In Dickens-Land

Medium:
Chromolithograph
Object Name:
Greeting card
Type:
Greeting card
Credit Line:
Gift of Horace L. Hotchkiss, Jr.
Accession Number:
1950-70-1-d
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1950-70-1-d

In Dickens-Land

Medium:
Chromolithograph
Object Name:
Greeting card
Type:
Greeting card
Credit Line:
Gift of Horace L. Hotchkiss, Jr.
Accession Number:
1950-70-1-e
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1950-70-1-e

In Dickens-Land

Medium:
Chromolithograph
Object Name:
Greeting card
Type:
Greeting card
Credit Line:
Gift of Horace L. Hotchkiss, Jr.
Accession Number:
1950-70-1-f
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1950-70-1-f

John Haberle papers, 1882-1985, bulk bulk 1882-1931

Creator:
Haberle, John, 1856-1933  Search this
Subject:
Clairin, Georges  Search this
Benjamin-Constant  Search this
Gérôme, Jean Léon  Search this
Munkácsy, Mihály  Search this
Rochegrosse, Georges  Search this
Frankenstein, Alfred V. (Alfred Victor)  Search this
Topic:
Artists' studios -- Photographs  Search this
Trompe l'oeil painting  Search this
Painting, American  Search this
Still-life painting  Search this
Record number:
(DSI-AAA_CollID)7628
(DSI-AAA_SIRISBib)209791
AAA_collcode_habejohn
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209791

John Haberle papers

Creator:
Haberle, John, 1856-1933  Search this
Names:
Benjamin-Constant, 1845-1902  Search this
Clairin, Georges, 1843-1919  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Gérôme, Jean Léon, 1824-1904  Search this
Munkácsy, Mihály, 1844-1900  Search this
Rochegrosse, Georges, 1859-1938  Search this
Extent:
1.1 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1882-1985
bulk 1882-1931
Scope and Contents:
Biographical material, letters, notes and writings, a monograph design, printed material, a scrapbook, and photographs.
REEL 2813: Eighteen letters to Haberle regarding the exhibition and sale of his work, 1891-1901; and a letter from J. William Middendorf to Haberle's son-in-law, Victor Demmer, concerning a Haberle exhibition at the Whitney Museum of Art, 1966.
REEL 3753: 176 drawings, 1882-1931, and 24 commercially printed greeting cards.
UNMICROFILMED: Biographical material; an autobiographical account, 1925; letters to Haberle from colleagues discussing his work, 1870-1915; letters from Haberle to his wife Sarah "Sadie" Haberle, 1893-1898, and his daughter Vera, 1898; and letters to Vera and Victor Demmer and Gladys Haberle Fresnada concerning Haberle's work, 1960-1971, from Alfred Frankenstein and others; notes and writings including poems, 1925, musical annotations, a card file on writing, 8 pages from a travel journal, 1931, and "directions for finishing the painting donated to New Britain."
Also included are a monogram design, 1903; photographs of Haberle, members of his family, 1894, works of art, 1888, views of 2 houses, 1960, and artists in their studios including Georges Clairin, Benjamin Constant, Jean Léon Gérome, Mihaly Munkacsy, and Georges Rochegrosse; clippings, 1887-1970; a scrapbook containing greeting cards and stickers; and printed material, 1874-1932.
Biographical / Historical:
Still-life painter, art instructor; New Haven, Conn. Haberle was apprenticed to a lithography and engraving company during the 1870s, studied at the National Academy of Design between 1884 and 1885 and later founded the New Haven Sketch Club, where he also taught. He specialized in trompe l'oeil still-life paintings, producing most of this work between 1887 and 1900. Deteriorating eyesight caused him to paint broader, more traditional still-lifes and landscapes in later life.
Provenance:
Material on reel 2813 was donated 1969 by Mrs. Vera Haberle Demmer, the daughter of John Haberle. Material on reel 3753 lent, and unmicrofilmed material donated 1986 by James and Claudia Mize, descendants of Haberle.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Painters -- Connecticut -- New Haven  Search this
Topic:
Artists' studios -- Photographs  Search this
Trompe l'oeil painting  Search this
Painting, American  Search this
Still-life painting  Search this
Identifier:
AAA.habejohn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-habejohn

Robert Strong Woodward letters and papers

Creator:
Woodward, Robert Strong, 1885-1957  Search this
Names:
Cornell, Joseph  Search this
Woodward, Robert Strong, 1885-1957  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1890-1985
Scope and Contents:
Papers relating to the personal life and career of Robert Strong Woodward, and to the vogue for New England painting in the first half of the twentieth century, and includes letters, a ledger, writings, works of art, photographs, and printed material.
Included are numerous letters, 1902-1953, to longtime friends Helen and Anna D. Schermerhorn, including letters to Helen describing assemblage artist Joseph Cornell's early family life, Woodward's admiration of Cornell and a fragment of a letter to Cornell. The ledger lists Woodward's work handled by dealers and works in transit, 1937-1947.
Writings, 1970 and 1985, by others about Woodward include a draft of a biography for a Deerfield Academy exhibition catalog, a biographical account for the Heath Historical Society, and manuscripts from a tribute on the centennial of Woodward's birth. Writings by Woodward include a poem titled, "Night Verses to the Little Shops." Included in the works of art by Woodward, 1898-1904 and undated, are childhood sketches of greeting cards for his mother, and a sketchbook. Photographs, 1898-1904, are of family, homes and buildings, works of art and exhibitions. Printed material includes exhibition announcements and catalogs, 1919-1985, and newspaper and magazine clippings, 1928-1985.
Biographical / Historical:
Robert Strong Woodward (1885-1957) was a landscape and still-life painter from Boston, Mass. Prolific painter of still lifes, as well as landscapes and rural scenes of western Mass. and southern Vermont. At 21, a revolver accident left him paralyzed, and he was confined to a wheelchair. Painting, which had been his hobby, became his career. His only formal art training was at the School of the Museum of Fine Arts, Boston, where he studied for less than a year. In 1919, he won the first Hallgarten prize for landscape at the National Academy of Design. He had regular exhibitions at Vose Galleries of Boston and at regional museums.
Related Materials:
Also available at the Archives of American Art are the F. Earl Williams papers relating to Robert Strong Woodward, 1928-1985.
Provenance:
Donated 1986 by Florence Haeberle, Robert Woodward's cousin. She received Woodward's letters to Helen Schermerhorn, after Schermerhorn's death, from Helen's sister-in-law, Mrs. Henry Schermerhorn of Providence, Rhode Island.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.woodrobe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-woodrobe

Wally Goodman and William Stanton Picher papers

Creator:
Goodman, Wally, 1922-2008  Search this
Picher, William Stanton, d. 1981  Search this
Names:
Butterfield & Butterfield  Search this
Christo, 1935-  Search this
Garver, Thomas H.  Search this
Martin, Fred, 1927-  Search this
Nicholson, Natasha, 1945-  Search this
Oliveira, Nathan, 1928-2010  Search this
Paris, Harold, 1925-  Search this
Pasquini, Philip L.  Search this
Raffael, Joseph, 1933-  Search this
Ramos, Mel, 1935-2018  Search this
Wiley, William T., 1937-  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1940-1982
Scope and Contents:
The papers of Wally Goodman and William Stanton Picher measure 1.2 linear feet and date from 1940-1982. Included are correspondence, printed material, subject file concerning Christo's "Running Fence" project, business records, art works, notes, and photographs.
Correspondence (1966-1981) concerns Goodman's and Picher's collecting activities and friendships with artists, including letters from Fred Martin, Nathan Oliveira, Joseph Raffael, Mel Ramos, and William T. Wiley and a greeting card decorated with an Oliveira print (1940). The "Running Fence" file contains correspondence, including 2 letters from Christo, summaries of the project, receipts, clippings, and photographs.
Business records include loan requests from museums (1966-1981), bills of sale (1950-1982), insurance and appraisal lists of works and their values (1967-1981), conservation reports (1970-1976), and files concerning the "Mexican Masters Suite", Christo print documentation (1970-1972), and appraisers Butterfield and Butterfield (1979-1981).
Original art work includes rubber stamp designs by Phil Pasquini, a booklet made by Lout Sue, an illustrated booklet by William T. Wiley (1975) and 2 collages by Harold Paris (1976). Among the printed material are reproductions of works collected, clippings (1966-1981), and exhibition catalogs (1967-1981). Photographs are of the wedding of Tom Garver and Natasha Nicholson at Goodman and Picher's home.
Also included are records documenting Goodman's and Picher's Asian Collection, consisting of a few letters (1964-1971), bills of sale (1948-1978), receipts and photographs of works, loan forms (1969-1979), 2 appraisal forms (1971), "non-American" receipts, miscellaneous financial material, and notes (1946-1971), clippings (1969-1979), and photographs and slides of works.
Biographical / Historical:
Wally Goodman (1922-2008) and William Stanton Picher were art collectors in San Francisco, California.
Related Materials:
The Archives of American Art also holds the papers of Patrick Duffy and Wally Goodman.
Provenance:
Donated 1983 by Wally Goodman.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Art -- Collectors and collecting  Search this
Art, Asian -- Collectors and collecting  Search this
Rubber stamps  Search this
Identifier:
AAA.goodwalt
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goodwalt

Wood and Adelaide Lawson Gaylor papers

Topic:
Quill
Creator:
Gaylor, Wood, 1883-1957  Search this
Gaylor, Adelaide Lawson, 1889-1986  Search this
Artists Coordination Committee (New York, N.Y.)  Search this
Downtown Gallery (New York, N.Y.)  Search this
Names:
Armory Show (1913 : New York, N.Y.)  Search this
Armory Show (1913 : New York, N.Y.)  Search this
Association of American Painters and Sculptors (New York, N.Y.)  Search this
Friends of the Young Artists  Search this
Hamilton Easter Field Art Foundation  Search this
New York (N.Y.). Municipal Art Committee  Search this
New York Society of Women Artists  Search this
Penguin Club (New York, N.Y.)  Search this
Salons of America, Inc.  Search this
Thumb Box Gallery (New York, N.Y.)  Search this
Wanamaker Gallery of Modern Decorative Art  Search this
Bacon, Peggy, 1895-1987  Search this
Baker, Josephine, 1906-1975  Search this
Brook, Alexander, 1898-1980  Search this
Cahill, Holger, 1887-1960  Search this
Coady, Robert J., 1881-1921  Search this
David, Hermine, 1886-1971  Search this
Dos Passos, John, 1896-1970  Search this
Field, Hamilton Easter  Search this
Frost, A. B. (Arthur Burdett), 1851-1928  Search this
Frost, John, 1890-1937  Search this
Frueh, Alfred Joseph, 1880-1968  Search this
Ganso, Emil, 1895-1941  Search this
Gellert, Hugo, 1892-1985  Search this
Gwozdecki, Gustaw  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hart, George Overbury, 1868-1933  Search this
Hirsch, Stefan, 1899-1964  Search this
Howland, Isabella, 1895-1974  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
La Guardia, Fiorello H. (Fiorello Henry), 1882-1947  Search this
Laurent, Robert, 1890-1970  Search this
Lawson, John Howard, 1894-  Search this
Lie, Jonas, 1880-1940  Search this
Mager, Gus, 1878-  Search this
Morrison, David H. (David Herron), 1885-1934  Search this
Newton, Alice  Search this
Osborn, Frank C., b. 1887  Search this
Pascin, Jules, 1885-1930  Search this
Schack, William, b. 1898  Search this
Schmidt, Katherine, 1898-1978  Search this
Strater, Henry, 1896-  Search this
Extent:
2.56 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1866-[circa 1986]
Scope and Contents:
Biographical material, correspondence, journals, notebooks, address books, business records, writings, sketchbooks, exhibition announcements and catalogs, clippings, photographs, and subject files relating to the artistic careers of Wood Gaylor and Adelaide Lawson, to Gaylor's work as a fashion pattern desiger, and, more broadly, to the New York art scene from the 1913 Armory Show through the 1930s.
Included are reminiscences and biographical documents; letters and postcards, some illustrated, from family, friends, artists, galleries, museums, and art organizations; letters of condolence to Adelaide upon Gaylor's death and letters to her concerning his work; original holiday and greeting cards to the Gaylors; a page from Wood's 1952 journal recording names of people attending Kenneth Hayes Miller's funeral and journals kept by Adelaide recording books read, plays attended, travels, and other activities, 1906, 1910 and 1915; a notebook kept by Gaylor regarding his work organizing the 1924 Women's Club exhibition in Jacksonville, Florida, listing artists (among them Pop Hart, Marsden Hartley, Picasso, and Kuniyoshi), titles, and prices of works shipped; business records, including receipts for Gaylor's work consigned or sold to the Downtown Gallery, 1929-1934, tax returns, and other business records, 1922-1979; writings by Wood, including speeches, lectures, and articles on American art and commercial patterns, scripts for New York radio station programs, 1932 and 1949, including a discussion with Salons of America members Alexander Brook, Robert Laurent, Yasuo Kuniyoshi, David H. Morrison, and Peggy Bacon, 1932; writings by others, including 19 poems by Lillian Byrnes, the introduction to the Hamiliton Easter Field Memorial Exhibition catalog by Elsa Rogo, and an organizational memo for the Modern Artists of America with annotations by Wood; four sketchbooks by Wood, 1916, 1923, and undated, and four by Adelaide, 1920-1922 and undated, done while traveling through Europe; and loose sketches by Wood and Adelaide.
Also included are exhibition catalogs and announcements of Wood and Adelaide's group and one-person shows, among them the Wanamaker Gallery of Modern Decorative Art, Friends of the Young Artists, 1915, Thumb Box Gallery, 1916, the MacDowell Club, 1918, the Dialis at the Civic Club Gallery, 1922, the Colony Club, 1922, Gallery 134 W. 4th, 1925, Downtown Gallery, 1930 and 1932, First Municipal Art Exhibition, Rockefeller Center, 1934, Kew Gardens Art Center, 1951, and the initial exhibition of the Museum of Art of Ogunquit, 1953; catalogs and announcements for other New York artists at Mrs. H. P. Whitney's Studio, 1917, Hamilton Easter Field Memorial Show at the American Art Galleries, 1922, Rockwell Kent at the M. Knoedler & Co., 1919, Walt Kuhn at the Grand Central Art Galleries, 1927, The Wanamaker Regional Art Exhibition, 1934, Yasuo Kuniyoshi at the Municipal Art Galleries, 1939, Kenneth Hayes Miller Commemoration Exhibit at the Art Students League 1949, a hand lettered announcement for the sale of George Overbury "Pop" Hart's watercolors by the Junior Art Patrons of America, undated, and catalogs from exhibitions held at the Gaylor's Barn; newspaper and magazine clippings, mostly photocopies, 1910-1979; a book, "The Technique of Oil Paintings and other Essays" by Hamilton Easter Field, 1913, and issues of the Pagan, 1918 and the Quill, 1918, containing drawings by Wood; photographs, circa 1887-1977, of Wood, Adelaide, family, homes, friends, travel, exhibitions, works of art and works of art by others, including a photograph of Wood by Emil Ganso, of Adelaide in an art class, possibly at the Art Students League, of Adelaide's art classes at the Gaylor Barn, of Jules Pascin, Hermine L. David-Pascin, Gustaw Gwozdecki, Yasuo Kuniyoshi, Katherine Schmidt-Shubert, Robert Laurent, Frank and Alice Osborn and David H. Morrison, the Armory Show, the Carnegie Institute International in Pittsburgh, and the construction and installation of the Hamilton Easter Field Art Foundation Collection at the Museum of Art, Ogunquit, Maine; subject files containing, correspondence, business records, writings, printed material, and photographs, on: Samuel Hawk, 1877; Penguin Club, 1917-1919; Wood's trusteeship of the Jules Pascin Estate, 1930-1956; Salons of America, 1923-1953 (including a group photo of Fiorella La Guardia, Holger Cahill, Robert Laurent, David H. Morrison, and Wood from the 1935 exhibition opening at Rockefeller Center); Hamilton Easter Field Art Foundation, 1930-1966; New York City Municipal Art Committee, 1934-1937; Armory Show 50th Anniversary Exhibition, 1962-1963; and the New York Society of Women Artists, 1928-1976. The collection also contains biographical documents and correspondence of and relating to the Gaylor's daughter, Isabel Dale Gaylor.
Correspondents include Josephine Baker, Robert J. Coady, Evelyn Cutler, Margaret Di Silver, John and Betty Dos Passos, Hugo Gellert of the Artists Coordination Committee, Edith Halpert, Isabella Howland, Stefan Hirsch, Yasuo Kuniyoshi, Robert Laurent, John Howard Lawson, Jonas Lie, Gus Mager, Alice Newton, William Schack, Henry Strater, and Dr. Martin G. Vorhaus among others.
One postcard July 1916, sent from Charleston, South Carolina, from Jules Pascin To Samuel Wood Gaylor.
A circa 100 page typescript of a record of reminiscences on Gaylor's early art career. This is one of 4 parts dictated by Gaylor in 1953. This recording was used as the basis for Jean Lipman's article "Wood Gaylor: Diary of the Carefree Years," published in Art In America, December 1963.
Biographical / Historical:
Painter and lithographer Samuel Wood Gaylor (1883-1957) was born in Stamford, Connecticut and studied at the National Academy of Design, New York, under Walt Kuhn. He exhibited at the Armory Show, the Penguin Club, and the Downtown Gallery and participated in many art organizations including the Kit-Kat Club, the Penguin Club, Modern Artists of America, American Society of Painters, Sculptors and Engravers. He served on the board for the Salons of America, the Hamilton Easter Field Art Foundation, the New York City Municipal Art Committee, and the Museum of Art, Ogunquit, Maine.
Provenance:
Material on reel D9 was donated in 1958 by T. J. McCormick. Material on reel D160 was donated in 1964 by Adelaide Lawson Gaylor. The remainder was donated in 1986 by the Gaylors' sons, Wynn L. and Randall Gaylor. 16 items, mostly cards and letters to Gaylor were donated in 2008 by Christine Oaklander in honor of Dr. William Innes Homer, Art Historian and Professor Emeritus at the University of Delaware. Oaklander purchased the letters from Wyn Gaylor. An additional 21 documents, mostly cards and letters to Gaylor, were donated in 2015 by Wynn Gaylor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Lithographers -- New York (State)  Search this
Painters -- New York (State)  Search this
Sculptors -- New York (State)  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Modernism (Art) -- New York (State) -- New York  Search this
Women artists  Search this
Artist couples  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.gaylwood
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gaylwood

Edwin Reeves Euler papers

Creator:
Euler, Edwin Reeves, 1896-1982  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
[ca. 1913]-1980
Scope and Contents:
The papers of Edwin Reeves Euler reflect Euler's personal and professional life, and consist primarily of correspondence, a few art works, the artist's scrapbooks, and photographs.
genealogical material containing names, birth dates and the places of birth of Euler's maternal and paternal relatives and siblings; personal documents, including business cards; correspondence, ca. 1913-1978; original works including a woodblock print greeting card designed by Euler, and 3 unidentified cartoons;
2 scrapbooks, one containing clippings and photographs from "Reeves Euler Retrospective Exhibition, May 30 - June 15, 1980," and the other containing 13 pages of clippings, announcements, photographs and sketches, 1963-1979; clippings; announcements, and catalogues; newsletters; 3 drawings by Euler; and photograph albums containing photographs of works of art by Euler and personal photographs, 1929-1977 and undated.
Biographical / Historical:
Born December 28, 1896 in Nevada. Still-life painter, landscape painter and sculptor. Euler came to Provincetown in 1919 to study with Charles W. Hawthorne, following earlier study at the Corcoran Art School, Washington, D.C. Usage: "Eddie" Euler and Reeves Euler.
Provenance:
The donor, Lynn Olsen, is the executrix of the Euler estate and niece of the decesed.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Landscape painters -- Massachusetts  Search this
Painters -- Massachusetts  Search this
Sculptors -- Massachusetts  Search this
Still-life painters -- Massachusetts  Search this
Topic:
Greeting cards  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.euleedwi
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-euleedwi

Ben Cunningham papers, 1904-1984

Creator:
Cunningham, Ben, 1904-1975  Search this
Subject:
Hiler, Hilaire  Search this
Type:
Sound recordings
Interviews
Topic:
Painting, Modern -- 20th century -- United States  Search this
Record number:
(DSI-AAA_CollID)7566
(DSI-AAA_SIRISBib)209726
AAA_collcode_cunnben
Theme:
Art Materials, Techniques, and Studio Art Education
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209726

Ben Cunningham papers

Creator:
Cunningham, Ben, 1904-1975  Search this
Names:
Hiler, Hilaire, 1898-1966  Search this
Extent:
3 Linear feet ((on a partial microfilm reel))
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1904-1984
Scope and Contents:
Biographical material, photographs, art works, correspondence, printed material, audio tapes, and notes.
REEL 663: Detailed personal and career resume; notes taken by Cunningham's wife of his comments on color, the teaching of design, the artist in his time and the like; photographs and color slides of Cunningham's work; and exhibition catalogs.
UNMICROFILMED: Color slides of work, black and white and color photographs of art works and personal pictures of Cunningham and family; art works, including constructed transparencies in slide cases, greeting cards by Cunningham and friends, 2 sketches and sketched notes; letters from artist Hilare Hiler, studio correspondence and personal correspondence, 1968-1940; and correspondence of his widow, Patsy Cunningham, after Cunningham's husband's death. Three audio tapes of interviews of Cunningham.
Biographical / Historical:
Painter; New York, N.Y.
Related Materials:
Ben Cunningham papers also at Syracuse University.
Provenance:
Donated 1972-1989 by the estate of Patsy and Ben Cunningham.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Painting, Modern -- 20th century -- United States  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cunnben
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cunnben

Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk bulk 1958-2000

Creator:
Kiesler, Lillian Olinsey, 1911-2001  Search this
Kiesler, Frederick, 1890-1965  Search this
Subject:
Zogbaum, Wilfrid  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Mondrian, Piet  Search this
Montgomery, Chandler  Search this
Owen, Jane Blaffer  Search this
Purdy, James  Search this
MacIver, Loren  Search this
Kiesler, Frederick  Search this
Miller, Henry  Search this
Milius, Tom  Search this
Meredith, Burgess  Search this
Hofmann, Hans  Search this
Hodges, Alice  Search this
Hawkins, Erick  Search this
Kamler, Richard  Search this
Howe, George  Search this
Holtzman, Harry  Search this
Dlugoszewski, Lucia  Search this
Dorazio, Piero  Search this
Copley, Alfred L.  Search this
Diller, Burgoyne  Search this
Dubuffet, Jean  Search this
Duchamp, Marcel  Search this
Dorazio, Virginia Dortch  Search this
Dreier, Katherine Sophie  Search this
Arnaud, Leopold  Search this
Adnan, Etel  Search this
Andres, Jo  Search this
Buscemi, Steve  Search this
Castelli, Leo  Search this
Bartos, Armand P.  Search this
Bultman, Fritz  Search this
Whitney Museum of American Art  Search this
University of Iowa, Museum of Art  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Hans Hofmann School of Fine Arts  Search this
John Simon Guggenheim Memorial Foundation  Search this
Anthology Film Archives  Search this
Type:
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Topic:
Sculptors -- New York (State) -- New York  Search this
Set Designers -- New York (State) -- New York  Search this
Women artists  Search this
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Exhibition designers  Search this
Art schools -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art schools -- Massachusetts -- Provincetown  Search this
Art patrons -- New York (State) -- New York  Search this
Architects -- New York (State) -- New York  Search this
Actors -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)6310
(DSI-AAA_SIRISBib)223516
AAA_collcode_kieslill
Theme:
Women
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_223516
Online Media:

Anna Richards Brewster papers, 1887-1964

Creator:
Brewster, Anna Richards, 1870-1952  Search this
Subject:
Brewster, W. T. (William Tenney)  Search this
Richards, Anna M. (Anna Matlock)  Search this
Richards, William Trost  Search this
Type:
Scrapbooks
Sketchbooks
Topic:
Marine painting, American  Search this
Illustration -- United States  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)7245
(DSI-AAA_SIRISBib)209395
AAA_collcode_brewanna
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209395

General Information

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Type:
Archival materials
Date:
circa 1781-1957, undated
Scope and Contents:
This subseries consists of a booklet on Irish Chronological History: 2680 B.C. to 1924 A.D. published in 1927, the papers of Irish Organizations, a pamphlet announcing the publication of a book about Irish families, books containing the lyrics to Irish melodies, a book of Irish jokes and witty sayings including "Comic Drawings", and a personal recommendation note from a Minister (1781?). There are also several images of Irish designs such as engravings of St. Patrick and a St. Patrick's Day Procession, greeting cards with shamrock designs and "Erin Go Bragh" on the front, and a postcard portraying the kissing of the Blarney Stone in Co. Cork. Material is arranged according to the type of material-chronological history, organizations, information about Irish families, melodies, jokes and witty sayings, general images, and miscellaneous.
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Irish, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Irish, Subseries 1
See more items in:
Warshaw Collection of Business Americana Subject Categories: Irish
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-irish-ref516

Simon Lissim Papers

Collector:
Lissim, Simon, 1900-1981  Search this
Cooper-Hewitt Design Archives  Search this
Names:
Carl Sorensen & Son  Search this
Castleton China, Inc.  Search this
City University of New York. City College  Search this
Claude Boulme, Inc.  Search this
Cooper-Hewitt Design Archive  Search this
Georg Jensen, Inc.  Search this
Jonals & Co.  Search this
Lenox China (Firm)  Search this
Manufacture nationale de Sèvres  Search this
Boulme, Claude  Search this
Donor:
Dee, Elaine Evans  Search this
Author:
Philip, Prince, consort of Elizabeth II, Queen of Great Britain, 1921-  Search this
Extent:
1.5 Cubic feet
Type:
Collection descriptions
Archival materials
Photostats
Scrapbooks
Clippings
Correspondence
Contracts
Drawings
Photographs
Slides
Catalogs
Brochures
Invoices
Press releases
Date:
1924 - 1981
Scope and Contents:
This collection covers the period 1924-81 and consists of exhibition catalogs, correspondence, photographs, slides, drawings, photostats, contracts, book proofs, and related biographical material on Lissim. Extensive material on the designer's work for the Sevres porcelain factory includes correspondence, original contracts, photographs of porcelains and designs for porcelains, slides, drawings, and invoices.

Most of the material relating to Sevres is in French. A copy of the brochure for the Exposition Internationale des Arts Decoratifs et Industriels Modernes, 1925, is included, which features many of his designs. Also included are his designs for commencement caps and gowns, and other related ephemera for the City University of New York's City College.

The collection contains a mock-up of his 1952 publication, "How to be an Artist", which describes different techniques and how to apply them to greeting cards, porcelains, and textiles. Copies of the introduction and biographical sections of his book "An Artist's Interpretation of Nature", published in 1958 are included.

A scrapbook consists of articles, reviews, personal correspondence, press releases, and brochures. Among Lissim's personal correspondence are letters exchanged with Prince Philip of England, an avid collector of his work. Material on Lissim's work for the theater consists of exhibition brochures, correspondence, and lists of institutions in possession of his work. In addition, the collection contains photographs of Lissim's designs for jewelry, flatware, and textiles.
Biographical / Historical:
Porcelain, theater, and metalwork designer. Born, Kiev, Russia, 1900. Lissim left Russia in 1919 and moved to Paris where he resided until 1940. In all of Lissim's designs, his appreciation for nature is apparent in his use of fish, birds, flowers, and other motifs.

In 1921, he began designing scenery and costumes for the Theatre de l'Oeuve in Paris. In 1924, he created his first designs for the Sevres porcelain factory. His relationship with Sevres lasted for more than 40 years and some of his designs are still being produced. His work achieved a gold medal at the 1929 Exposition Internationale Des Arts Decoratifs et Industriels Modernes in Barcelona. Lissim made his first journey to the United States in 1935, and by 1936, his designs for the theater were featured in exhibitions in this country. His porcelains were featured in exhibitions at The Smith College Museum of Art, 1939, and Georg Jensen, Inc., 1941.

Lissim became Head of the Art Education Project at the New York Public Library in 1942. In 1947 he began teaching at the City Univerity of New York's City College campus, where he also designed commencement costumes for the Chancellor, President, and Chief Marshal. In 1952, Lissim became an art consultant for Castleton China, Inc. in New Castle, Pennsylvania. His work was featured in the exhibition, "A Designer's Interpretation of Nature", held at the American Museum of Natural History in New York in 1953. In 1954, Lissim created his first silver pieces of jewelry and flatware manufactured by Carl Sorensen & Son, Copenhagen, Denmark. In the early 60s, Lissim created three designs for plates that were executed by Claude Boulme. He continued to work and hold exhibitions at his studio in Dobbs Ferry, New York, until his death in 1981.
Related Archival Materials:
Cooper-Hewitt, National Design Museum, Applied Arts Department

A Lenox vase, plates, cups, and saucers. A sterling silver pin, paperweight, and cutlery.

Cooper-Hewitt, National Design Museum, Department of Drawings and Prints

Designs for plates, vases, and other porcelain pieces, silver cutlery, stage designs, playing cards, and greeting cards. Drawings of commencement robes, a gavel, and a mace designed for City College. Poster for the Musée Céramique de Sévres.

Additional archival materials can be found at The New York Public Library, Theater Division; City University of New York, City College Archives; and Columbia University Libraries, Bakhmeteff Archive, New York City.

Porcelains designed by Lissim are in the collections of the following museums: Musee des Arts Decoratifs, Paris; The Victoria and Albert Museum, London; The Metropolitan Museum of Art, New York City; The Brooklyn Museum, Brooklyn, New York; and The Museum of the City of New York, New York City, among others.
Provenance:
These materials were donated to Cooper-Hewitt by the museum's former Curator of Drawings and Prints, Elaine Evans Dee, in 1996. Transferred to the Archives Center in 2012.
Restrictions:
Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Theater designers  Search this
Theater design -- History -- 20th century  Search this
Porcelain design -- History -- 20th century -- France  Search this
Designers -- Porcelain  Search this
Genre/Form:
Photostats
Scrapbooks
Clippings
Correspondence
Contracts
Drawings
Photographs -- 20th century
Slides
Catalogs
Brochures
Invoices
Press releases
Citation:
Simon Lissim Papers, 1924-1981, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1276
See more items in:
Simon Lissim Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1276

Larry Zim World's Fair Collection

Collector:
Cultural History, Division of (NMAH, SI).  Search this
Cooper-Hewitt Museum.  Search this
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Cultural History, Division of (NMAH, SI).  Search this
Names:
Alaska-Yukon-Pacific Exposition (1909 : Seattle, Wash.)  Search this
Appalachian Exposition. (Knoxville, Tennessee: 1911)  Search this
Art and Techniques Exposition (Paris, France: 1937)  Search this
British Empire Exhibition (London, England : 1924-1925)  Search this
British Empire Exposition (Glasgow, Scotland: 1938)  Search this
Bronx International Exposition (New York, New York: 1917-1918)  Search this
Brussels International (1910 )  Search this
California Midwinter International Exposition (1894 : San Francisco, Calif.)  Search this
California-Pacific International Exposition (San Diego, California: 1935-1936)  Search this
Canadian National Exposition (1937)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Centennial Exposition of the Ohio Valley and Central States (1888 : Cincinnati, Ohio)  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Chicago Autumn Festival (1899)  Search this
Cincinnati Industrial Exposition (1882 : Cincinnati, Ohio)  Search this
Cotton States Exposition (1895 : Atlanta, Ga)  Search this
Esposizione Internationale (1911 : Turin, Italy)  Search this
Esposizione Internationale D'Arte (Venice, Italy: 1910)  Search this
Esposizione Internazionale d'Arte (1895 : Venice, Italy)  Search this
Exhibition of Art Treasures (1857 : Manchester, England)  Search this
Exhibition, Massachusetts Charitable Mechanic Association (1878 : Boston, Massachusetts)  Search this
Expo 67 (Montréal, Québec)  Search this
Exposicion Centro-Americana (1897 : Guatemala City, Guatemala)  Search this
Exposition Coloniale Internationale (Paris, France: 1931)  Search this
Exposition International (1894 : Lyons, France)  Search this
Exposition International Coloniale Maritime et d'Art Flammand (Antwerp, Belgium: 1930)  Search this
Exposition International de Liege (1930)  Search this
Exposition Internationale Maritime (1887 : Le Havre, France)  Search this
Exposition Nationale Belge (1880 : Belgium)  Search this
Exposition Universelle (1885 : Antwerp, Belgium)  Search this
Exposition Universelle de Paris (1855 : Paris, France)  Search this
Exposition Universelle de Paris (1878 : Paris, France)  Search this
Exposition universelle de 1867 (Paris, France)  Search this
Exposition universelle de 1889 (Paris, France)  Search this
Exposition universelle et internationale (1958: Brussels, Belgium)  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Fiera di Milano (1939)  Search this
Foreign Exhibition (1883 : Boston, Massachusetts)  Search this
Franco-British Exhibition (London, England: 1908)  Search this
Franklin Institute Exhibition (1874 : Philadelphia, Pennsylvania)  Search this
Gewerbe Austellung (1896 : Berlin, Germany)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Great Exhibition of 1851 (London, England)  Search this
Great Industrial Exhibition (1853 : Dublin, Ireland)  Search this
Great Lakes Exposition (Cleveland, Ohio: 1936-1937)  Search this
Hemisfair '68 (San Antonio, Texas: 1968)  Search this
Hudson-Fulton Celebration (1909)  Search this
Imperial International Exhibition (London, England: 1909)  Search this
International Exhibition (1897 : Brussels, Belgium)  Search this
International Exhibition of 1862 (London, England)  Search this
International Exhibition of 1871 (London, England)  Search this
International Exhibition of 1872 (London, England)  Search this
International Exhibition of Arts and Manufactures (1865: Dublin, Ireland)  Search this
International Exposition (Barcelona, Spain: 1929-1930)  Search this
International Exposition (Brussels, Belgium: 1935)  Search this
International Exposition of Decorative Arts and Modern Industries (1925 : Paris, France)  Search this
International Exposition on the Environment (Spokane, Washington: 1974)  Search this
International Fire Exhibition 1903 : London, England)  Search this
International Marine Exhibition of Marine Hygiene and Exhibition of the Italian Glories (Genoa, Italy: 1914)  Search this
International Ocean Exposition (Okinawa, Japan: 1975)  Search this
Interstate and West Indian Exposition (Charleston, South Carolina: 1901-1902)  Search this
Italian Exposition (1904 : London, England)  Search this
Jamestown Tercentennial Exposition (Hampton Roads, Virginia: 1907)  Search this
Japan World Exposition (Osaka, Japan: 1970)  Search this
Japan-British Exhibition (London, England: 1910)  Search this
Knoxville International Energy Exposition (1982)  Search this
Lewis and Clark Centennial Exposition (1905 : Portland, Or.)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Ecuadorian Exposition (Quito, Ecuador: 1909)  Search this
National Export Exposition (1899 : Philadelphia, Pennsylvania)  Search this
New York World's Fair (1939-1940)  Search this
New York World's Fair (1964-1965)  Search this
Pan-American Exposition (1901: Buffalo, N.Y.)  Search this
Panama-California Exposition (1915 : San Diego, Calif.)  Search this
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Scottish National Exposition (Edinburgh, Scotland: 1908)  Search this
Sesqui-Centennial International Exposition (1926 : Philadelphia, Pa.)  Search this
Sydney International Exhibition (Sydney, Australia: 1879)  Search this
Texas Centennial Central Exposition (Dallas, Texas: 1936)  Search this
Universal Exhibition (1873 : Vienna, Austria)  Search this
Western Pennsylvania Exposition (1915 : Pittsburgh, Pennsylvania)  Search this
World's Columbian Exposition, Chicago, 1893  Search this
World's Industrial and Cotton Centennial Exposition (1884-1885 : New Orleans, La.)  Search this
Extent:
46 Cubic feet (123 boxes and 10 oversize folders)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music
Posters
Shopping bags
Photographs
Stereographs
Menus
Place:
Disneyland (California)
Date:
1841-1988.
Scope and Contents:
Memorabilia of fairs and World's Fairs throughout history, both in the United States and abroad, including photographs, stereographs, panoramas and slides; printed materials; postcards; sheet music; philatelic material; stationery and greeting cards; menus and food service items; posters; shopping bags; motion picture films; and other items.
Arrangement:
The collection is divided into three series.

Series 1: World's Fair Materials

Series 2: Reference and Miscellaneous Materials

Series 3: Larry Zim Materials
Biographical / Historical:
Larry Zim, whose actual name was Larry Zimmerman, was an industrial designer, a historian of World's Fairs who wrote extensively on the subject, and a collector of World's Fair memorabilia.
Provenance:
Collection by bequest of Larry Zim.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Crystal Palace -- (New York, New York)  Search this
Exhibitions  Search this
Genre/Form:
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music -- 20th century
Posters
Shopping bags
Photographs -- 19th century
Sheet music -- 19th century
Stereographs
Menus
Citation:
Larry Zim World's Fair Collection, 1841-1988, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0519
See more items in:
Larry Zim World's Fair Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0519
Online Media:

Warshaw Collection of Business Americana, Series 1: Business Ephemera

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
1,108 Cubic feet (consisting of approximately 2,050 of boxes, approximately 336 oversize boxes, map case material.)
Type:
Collection descriptions
Archival materials
Business ephemera
Business records
Ephemera
Printed ephemera
Date:
circa 1544-1988
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years.

Series 1 is organized into two sub-groups. The first is divided into 468 subject categories. The second sub-group is divided into 68 geographical categories.

An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana.
VERTICAL FILES:
This material makes up the largest portion of the collection currently contained in approximately 2,050 vertical document boxes. It consists of bills, receipts, scattered correspondence on letterhead stationery, advertising cards, trade catalogues, calendars, greeting cards, business cards, timetables, labels, handbills, photographs, lithographs, certificates, fans, newspaper clippings, envelopes, bookmarks, cigarette cards, stock cards, election literature, menus, sheet music, postcards, playing cards, posters, scraps, stickers, rewards of merit, maps, printed advertisements, application forms, and an assortment of other types of business ephemera. The material dates from the late eighteenth through the mid-twentieth centuries.

The material is organized into two sub-groups. The first is divided into 468 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. Within the subject categories, the material is organized by company where applicable or type of material. Subject categories which have been fully organized, re-housed, and described are followed by an asterisk (*). A scope and content note, folder list, and a list of subject terms for the processed subject categories is available. Many of the subjects also have brand-name indexes that are available in the Archives Center.

The second sub-group is divided into 68 categories and consists of materials arranged by geographical areas. The geographical areas include regions, states, cities and countries. Materials consists of bills and receipts, printed advertisements, maps, tourist handbooks and guides, photographs, etc. These materials remain largely unprocessed and written descriptions are not available.
OVERSIZE:
This material makes up a substantial portion of the collection currently contained in approximately 336 oversize boxes and 34 map case drawers. It consists primarily of posters, newspapers, point of purchase displays, packaging, printed advertisements, illustrations from periodicals, lithographs, labels, shipping documents, promotional items, trade catalogs, pattern sheets, maps, art reproductions, fashion design drawings, membership certificates, photographs, broadsides, price lists and an assortment of other types of business ephemera. The material dates from the mid-nineteenth through the mid-twentieth centuries.

The material is arranged in alphabetical order in the same subject and geographical categories as materials in the Business Ephemera Vertical Files. Within a few of the subject categories, the material is organized by company if there was enough material to warrant it. These materials are housed in map case drawers, and 20x24 and 14x18 flat oversize boxes. Further descriptions and container lists for the oversize materials are available in the reference room.

Many of the materials are extremely fragile and require careful handling. Assistance from the reference archivist is highly recommended. Photocopies may not be made of the oversize materials due to size and condition. It is advisable to consult the notebooks containing black and white prints of collection materials. Photocopies of these prints can be made instead of the original materials. Researchers may request photographs, slides or transparencies from the Office of Printing and Photographic Services using existing negative numbers.
Arrangement note:
Arranged in 2 subseries.

1.1: -- Subject Categories

1.2: -- Geographical Categories
General note:
(*) Categories organized and described in Scope Content Notes and Container Lists available in the Archive Center.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Series 1: Business Ephemera forms part of the Warshaw Collection of Business Americana .

Warshaw Collection of Business Americana

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
The Warshaw Collection of Business Americana, Accession AC0060, was purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Select Sears, Roebuck & Co. catalogs restricted due to fragile condition. Researchers should consult microfilm in NMAH library for 1880-1983 editions, drawer 692.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
advertising -- Business ephemera  Search this
Business -- History  Search this
Genre/Form:
Business ephemera
Business records
Ephemera
Ephemera -- 20th century
Ephemera -- 19th century
Printed ephemera
Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01

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