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Meet The Artist: Rupert Garcia #shorts

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2022-02-07T16:43:07.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_tigzYXtCOuE

The Telescope, November 12, 1825

Object Name:
Print
Object Type:
relief
Other Terms:
Print; Letterpress
Place made:
United States: New York
Date made:
November 12, 1825
Associated date:
1825 11 12
ID Number:
1990.0122.112
Catalog number:
1990.0122.112
Accession number:
1990.0122
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746aa-44f3-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1185347

Democratic Review

Object Name:
Pamphlet
Print
Object Type:
relief
Other Terms:
Print; Letterpress
Place made:
United States: New York
Date made:
May 1852
Associated date:
1852 05
ID Number:
1990.0122.119
Accession number:
1990.0122
Catalog number:
1990.0122.119
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746aa-3927-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1185357

Jacob Kainen papers

Creator:
Kainen, Jacob  Search this
Kainen, Ruth Cole.  Search this
Names:
Addison Gallery of American Art  Search this
Australian National Gallery  Search this
Baltimore Museum of Art  Search this
British Museum  Search this
Brooklyn Museum  Search this
Corcoran Gallery of Art  Search this
Corcoran School of Art (Washington, D.C.)  Search this
Middendorf Gallery  Search this
National Gallery of Art (U.S.)  Search this
Smithsonian American Art Museum  Search this
Acton, David, 1953-  Search this
Agee, William C.  Search this
Berman, Avis  Search this
Broun, Elizabeth  Search this
Butler, Bryce  Search this
Cole, Phoebe  Search this
Fine, Ruth, 1941-  Search this
Fort Wayne Museum of Art  Search this
Frohlich, Newton, 1936-  Search this
Gilkey, Gordon  Search this
Gorky, Arshile, 1904-1948  Search this
Halasz, Piri  Search this
Harrison, Carol  Search this
Holden, Donald  Search this
Holladay, Wilhelmina Cole, 1922-  Search this
Hopps, Walter  Search this
Jackson, John Baptist, 1701-1780?  Search this
Jordon, Jim  Search this
Kalonyme, Louis  Search this
Lunn, Harry, 1933-1998  Search this
Morse, Peter  Search this
Nordland, Gerald  Search this
O'Connor, Francis V.  Search this
Pollack, Jerome  Search this
Powell, Richard J., 1953-  Search this
Purcell, Ann  Search this
Rand, Harry  Search this
Reynolds, Jock  Search this
Ries, Martin, 1926-  Search this
Solman, Joseph, 1909-2008  Search this
Steinberg, Leo  Search this
Taylor, Joshua Charles, 1917-  Search this
Taylor, Prentiss, 1907-1991  Search this
Tejera, V. ((Victorino))  Search this
Thornton, Valerie  Search this
Weber, Joanne  Search this
Extent:
33.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Transcripts
Videotapes
Visitors' books
Lectures
Prints
Greeting cards
Interviews
Scrapbooks
Date:
1905-2009
bulk 1940-2001
Summary:
The papers of painter, printmaker, and curator Jacob Kainen measure 33.3 linear feet and date from 1905 to 2009, with the bulk of the material from 1940-2001. The bulk of the collection consists of correspondence/subject files including personal correspondence to and from friends and family members and professional correspondence and records concerning Kainen's activities as an artist, curator, teacher, and art collector. The collection also contains biographical material, writings, diaries, calendars, inventories, interview transcripts, printed material, photographs, works of art by other artists, and nine scrapbooks.
Scope and Content Note:
The papers of painter, printmaker, and curator Jacob Kainen measure 33.3 linear feet and date from 1905 to 2009, with the bulk of the material from 1940-2001. The bulk of the collection consists of correspondence/subject files including personal correspondence to and from friends and family members and professional correspondence and records concerning Kainen's activities as an artist, curator, teacher, and art collector. The collection also contains biographical material, writings, diary and journal entries, calendars, inventories, interview and "dialog" transcripts, printed material, photographs, works of art by other artists, and nine scrapbooks.

Biographical materials include items concerning Kainen's career as a curator and artist, in addition to a useful bibliography, detailed biographical outline, and a copy of an FBI report compiled on him. Also included are five videocassette recordings of Kainen.

Alphabetical correspondence/subject files comprise the bulk of the collection and include both Jacob's and Ruth's correspondence with family, friends, colleagues, artists, art critics, curators, museums, arts organizations, galleries, and many others. There is a significant amount of correspondence with David Acton, the Addison Gallery of Art and Jock Reynolds, William Agee, Australian National Gallery, Baltimore Museum of Art, Avis Berman, the British Museum, Brooklyn Museum, Elizabeth Broun and the Smithsonian American Art Museum, Bryce Butler, Pheobe Cole, the Corcoran Gallery and School of Art, Richard Field, Ruth Fine, Fort Wayne Museum of Art, Newton Frohlich, Gordon Gilkey and the Pacific Northwest College of Art, Arshile Gorky, Piri Halesz, Carol Harrison, Donald Holden, Wilhelmina Holladay, John Baptist Jackson, Jim Jordon, Lou Kantor, Harry Lunn Jr., Middendorf Gallery, National Gallery of Art, Peter Morse, Gerald Nordland, Francis O'Connor, Jerome Pollack, Richard Powell, Ann Purcell, Harry Rand, Martin Ries, Joseph Solman, Leo Steinberg, Prentiss Taylor, Victorino Tejera, Valerie Thornton, Joanne Weber, and numerous family members.

Writings are by and about Jacob Kainen. Kainen's writings include articles, lectures, exhibition catalog essays, notes, travel notebooks, short stories, poems, and written statements about his artistic motivations and justifications. There are writings about Kainen by Avis Berman, Ruth Cole Kainen, and others. The bulk of the numerous diary entries are from Ruth Cole Kainen's diaries, many of which concern Jacob and their family. There are also annotated and revised diary entries. There is one folder of diary entries and one folder of journal entries by Jacob Kainen and two dismantled journal-like notebooks. The papers include daily calendars and travel itineraries from 1972 through 2001.

The papers include transcripts of formal interviews and informal conversations with Jacob Kainen. Transcripts are of informal dinner, telephone, and general conversations between friends, colleagues, artists, and Ruth Cole Kainen. Included are conversations with Avis Berman, Walter Hopps, Harry Rand, Joshua Taylor, and several others. Many of these transcripts were also annnotated by Jacob and Ruth Kainen. Also found are numerous transcripts of more formal interviews with Kainen by art historians, art critics, and students.

There are inventories, appraisals, and lists of sold and not sold paintings, as well as color photographs of some of Kainen's works of art. Also found are inventories of the Kainens' art collection. Printed materials include Kainen's exhibition catalogs and announcements, clippings of articles by and about Jacob Kainen, and an exhibition guestbook.

Photographs are of Kainen with his family and friends, at exhibition openings, and working in his studios. Works of art by others includes handmade greeting cards, limited edition prints, and portfolios given to Jacob Kainen. Nine scrapbooks containing news clippings and exhibition publications document the entirety of Kainen's career as an artist.
Arrangement:
The Jacob Kainen papers are arranged into 11 series.

Missing Title

Series 1: Biographical Material, 1938-2001 (Boxes 1, 32; 0.8 linear feet)

Series 2: Correspondence/Subject Files, 1936-2003 (Boxes 1-12, 32-33; 11.8 linear feet)

Series 3: Writings, circa 1920s-2002 (Boxes 12-13, 33; 1.6 linear feet)

Series 4: Diaries, circa 1952-2002 (Boxes 13-18, 33-38; 10.0 linear feet)

Series 5: Calendars, 1953-2008 (Boxes 18-20, 38; 1.7 linear feet)

Series 6: Transcripts, circa 1975-1994 (Boxes 20-21, 38; 1.4 linear feet)

Series 7: Inventories, 1927-2001 (Boxes 21-22; 1.0 linear feet)

Series 8: Printed Material, 1938-2003 (Box 22, 38, OV 31; 0.6 linear feet)

Series 9: Photographs, 1905-2000 (Boxes 22-25, 38, OV 31; 3.3 linear feet)

Series 10: Works of Art by Others, 1942-2000 (Boxes 25-26, OV 31; 1.2 linear foot)

Series 11: Scrapbooks, 1936-1998 (Boxes 27-30, 38; 1.3 linear feet)
Biographical Note:
Jacob Kainen (1909-2001) was a painter, printmaker, and curator who worked primarily in Washington, D.C.

Born on December 7, 1909 in Waterbury, Connecticut, Jacob Kainen moved with his family to New York City in 1918. Kainen studied at the Pratt Institute in Brooklyn from 1927 until 1930, and at the Art Student's League. In the early 1930s, Kainen became involved in social causes and formed close friendships with the early abstractionists, including John Graham, Arshile Gorky, and Stuart Davis. He joined the Artists' Union and a contributor to its journal, Art Front, along with Stuart Davis and Harold Rosenberg. Jacob's participation in the Artists' Union was later investigated by the FBI.

From 1935 until 1942, Kainen worked for the Graphic Arts Division of the Works Progress Administration in New York City and began exhibiting with the New York School. It was during this period that he married Bertha Friedman. Jacob and Bertha had two sons together, Dan and Paul, and divorced in 1968.

In 1942, Kainen made a life-changing decision to leave New York City and move to Washington, D.C. to accept what he thought would be a temporary position as a scientific aide in the Division of Graphic Arts at the Smithsonian Institution. Kainen quickly became Assistant Curator and Curator in 1946. He served as Curator for twenty years, completely reshaping the department and building the graphic arts collection. His print exhibitions brought the work of S.W. Hayter, Josef Albers, Adja Yunkers, Louis Lozowick, Karl Schrag, José Guerrero, Louis Schanker, Werner Drewes, and Boris Margo to Washington audiences - graphic work that might not have been shown that early in the area.

1947 marked the opening of the Washington Workshop Center for the Arts, where Kainen served as a teacher and guide to several important artists, helping to make the workshop a magnet for new talent and instrumental in furthering the careers of several artists. Although Kainen taught Gene Davis and Alma Thomas and introduced Morris Louis to Leon Berkowitz, he never considered himself a member of the "Washington Color School."

In 1949, the Corcoran Gallery of Art held a retrospective of Kainen's prints and three years later Kenneth Noland organized Kainen's first painting retrospective at Catholic University. Kainen's paintings from the 1940s illustrated a shift away from social realism toward abstract expressionism. In 1956, Jacob Kainen received a grant from the American Philosophical society to conduct research in Europe for his monograph on the English woodcut artist, John Baptist Jackson. He traveled to Europe again in 1962 to study paintings and prints from the Mannerist Period.

From 1966 until 1970, Kainen worked as the Curator of prints and drawings at the National Collection of Fine Arts (now the Smithsonian American Art Museum). He married Ruth Cole in February of 1969. Kainen retired from the Smithsonian a year later to devote himself full-time to his art, but continued to serve as a special consultant to the Smithsonian American Art Museum for nineteen years. In 1971 and 1972, Kainen taught painting and the history of printmaking at the University of Maryland. A retrospective of Kainen's paintings was held in 1993 at the National Museum of American Art (SAAM).

Throughout his artistic career, Kainen experimented with different mediums and explored different styles, yet he identified himself as a painter. Jacob Kainen participated in at least twenty-five one man shows and several group exhibitions. His works are in collections across the United States and abroad, including the National Gallery of Art, the Metropolitan Museum of Art, the Art Institute of Chicago, and the British Museum. He worked in his studio up until the time of his death on March 19, 2001 at his home in Chevy Chase, Maryland.
Related Material:
Found among the holdings of the Archives of American Art is an oral history interview of Jacob Kainen conducted by Avis Berman in 1982 for the Archives' "Mark Rothko and His Times" oral history project. Also found are microfilm copies of Bertha Kainen's correspondence with Avis Berman regarding Berman's essay about Jacob Kainen.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 565, 2147-2149, and 2200) including correspondence, writings by Kainen, and papers relating to the Smithsonian Institution Loyalty Board's investigation of Jacob Kainen from 1942-1954. Most, but not all, of the loaned materials were included in later gifts. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.
Provenance:
Jacob and Ruth Kainen first lent the Archives of American Art material for microfilming from 1973-1981, the bulk of which was included in the later gifts. Papers were then donated in multiple accretions between 1981-2007 by Jacob and Ruth Kainen, and in 2009 from the estate of Ruth Kainen via executor Teresa Covacevich Grana. Also in 2003, eight photographs of Jacob and Ruth Kainen were transferred from the National Portrait Gallery to the Archives of American Art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Curators -- Washington (D.C.)  Search this
Art teachers -- Washington (D.C.)  Search this
Topic:
Painting, Modern -- Washington (D.C.)  Search this
Painting, Abstract -- Washington (D.C.)  Search this
Artists' studios -- Photographs  Search this
Art -- Collectors and collecting -- Washington (D.C.)  Search this
Printmakers -- Washington (D.C.)  Search this
Genre/Form:
Photographs
Diaries
Transcripts
Videotapes
Visitors' books
Lectures
Prints
Greeting cards
Interviews
Scrapbooks
Citation:
Jacob Kainen papers, 1905-2008, bulk 1940-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kainjaco
See more items in:
Jacob Kainen papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974ec158d-d417-4d06-931d-44a4af17ab27
EDAN-URL:
ead_collection:sova-aaa-kainjaco
Online Media:

Seymour Robins collection

Creator:
Robins, Seymour, 1913-2011  Search this
Names:
AT & T (Firm)  Search this
Cooper-Hewitt Design Archive  Search this
Creative playthings, Inc.  Search this
Diamond International Corporation  Search this
Genesco, Inc.  Search this
Kimberly-Clark Corporation  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Mohawk Paper Mills (Cohoes, N.Y.)  Search this
Museum of Fine Arts, Boston  Search this
Neenah Paper (Firm)  Search this
Philadelphia Museum of Art  Search this
Smithsonian Institution  Search this
Whitney Museum of American Art  Search this
Extent:
0.5 Cubic feet
Type:
Collection descriptions
Archival materials
Trade catalogs
Date:
1962 - 1992
Scope and Contents:
Materials consist of project catalogs for Mohawk Paper Mills and Neenah Paper, a division of Kimberly-Clark. The collection documents Robins' work as a graphic and industrial designer.
Biographical / Historical:
Seymour Robins is a graphic and industrial designer.,Born in Canada, he has lived most of his life in New York City and had his design practice there. Although locking together slotted pieces of paper has been done for many years, in the two decades that Robins has been designing these shapes that become forms when opened, he has developed them into a unique art form in itself. Robins' interlocking paper sculptures have been called "magic". He has had successful design assignments for AT&T, Diamond International Corporation, Genesco, Mohawk Paper Mills, Neenah Paper, Creative Playthings, and a host of other names in American industry. Robins designed the complex and precise Armillary Sphere for the Smithsonian, and has done paper sculptures for the Metropolitan Museum of Art in New York, The Whitney Museum, The Museum of Fine Arts in Boston, The Philadelphia Museum, and others. Over the years his demands and guidance for perfection in production have forced graphic arts suppliers into innovative improvements that have raised the level of die-makers' and the die-cutters' crafts. His work appears regularly in international design journals and is in the permanent collection at the Cooper-Hewitt Archives. He now lives and works in Sheffield, Massachusetts, in a barn he has converted into a studio and home.
Provenance:
All materials were donated by Mr. Robins in 1992. Transferred to the Archives Center in 2012.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Industrial designers -- United States  Search this
Topic:
Design, Industrial -- Sources -- History -- 20th century -- United States  Search this
Graphic arts -- Sources -- History -- 20th century -- United States  Search this
Genre/Form:
Trade catalogs
Citation:
Seymour Robins Papers, 1962-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1270
See more items in:
Seymour Robins collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8299c24ef-53b0-4bdf-9037-8e2202371519
EDAN-URL:
ead_collection:sova-nmah-ac-1270

Oral history interview with Chuzo Tamotzu

Interviewee:
Tamotsu, Chūzō, 1888-1975  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
An American Group (Organization)  Search this
Artists Equity Association  Search this
Federal Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Eddy, Stuart  Search this
Force, Juliana, 1876-1948  Search this
Knight, Frederic C., 1898-1979  Search this
Mandelman, Beatrice  Search this
Philipp, Robert, 1895-1981  Search this
Ribak, Louis, 1902-1979  Search this
Rush, Olive, 1873-1966  Search this
Extent:
11 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 September 3
Scope and Contents:
An interview of Chuzo Tamotzu (Tamotsu) conducted 1964 September 3 by Sylvia Loomis for the Archives of American Art.
Tamotzu discusses studying Occidental, Oriental art in Japan; traveling to Korea, Manchuria and China, South Sea Islands, Singapore, then Europe for a year; coming to New York in 1920; his involvement with An American Group; Juliana Force recruiting him for the Federal Art Project; being on the Easel Project and also on the Graphic Art Project; the Works Projects Administration; given "pink-slip" on the Project since he was not a U.S. citizen; stint in the U.S. Army, Office of Strategic Service doing propaganda paintings for psychological war material for the Japanese Army and soldiers; settling in Santa Fe, N.M.; Oriental painting; and Artist Equity Association. Tamotzu mentions Beatrice Mandelman, Louis Ribak, Robert Philip, Stuart Eddy, Frederick Knight, and Olive Rush.
Biographical / Historical:
Chuzo Tamotzu (1888-1975) was a Japanese American painter based in Santa Fe, New Mexico. Tamotzu was born in Japan and came to the United States in 1920. He moved to Santa Fe in 1948.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 40 min.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Occupation:
Painters -- New Mexico -- Santa Fe  Search this
Topic:
Federal aid to the arts  Search this
Painting, Japanese  Search this
Asian American art  Search this
Asian American artists  Search this
Arts, Japanese -- Western influences  Search this
Painting, Asian  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.tamots64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9606ba830-2b86-4e11-b2ed-09c487270421
EDAN-URL:
ead_collection:sova-aaa-tamots64
Online Media:

Maine Coast Two

Artist:
Maltby Sykes, born Aberdeen, MS 1911-died Montgomery, AL 1992  Search this
Medium:
color lithograph
Dimensions:
sheet: 24 x 36 in. (61.0 x 91.4 cm)
Type:
Graphic Arts-Print
Date:
n.d.
Topic:
Landscape\coast  Search this
Landscape\Maine  Search this
Credit Line:
Smithsonian American Art Museum, Gift of Marjorie Tyre Sykes
Object number:
1994.108.11
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7c997a81f-b07c-49d9-884c-9e494068e518
EDAN-URL:
edanmdm:saam_1994.108.11

Untitled from the series Space 2007

Artist:
David Levinthal, born San Francisco, CA 1949  Search this
Medium:
instant color print
Dimensions:
20 × 24 in. (50.8 × 61.0 cm)
Type:
Photography
Date:
2007
Topic:
History\United States\space program  Search this
Credit Line:
Smithsonian American Art Museum, Gift of an anonymous donor
Copyright:
© 2007, David Levinthal
Object number:
2018.3.100
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk743c47fd7-57ad-49b1-86e6-f17dac69843e
EDAN-URL:
edanmdm:saam_2018.3.100

Untitled from the series Space 2007

Artist:
David Levinthal, born San Francisco, CA 1949  Search this
Medium:
instant color print
Dimensions:
20 × 24 in. (50.8 × 61.0 cm)
Type:
Photography
Date:
2007
Topic:
History\United States\space program  Search this
Credit Line:
Smithsonian American Art Museum, Gift of an anonymous donor
Copyright:
© 2007, David Levinthal
Object number:
2018.3.103
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7cbcde9d0-fab4-426d-bbd1-11e33e8a7253
EDAN-URL:
edanmdm:saam_2018.3.103

Untitled from the series Space 2007

Artist:
David Levinthal, born San Francisco, CA 1949  Search this
Medium:
instant color print
Dimensions:
20 × 24 in. (50.8 × 61.0 cm)
Type:
Photography
Date:
2007
Topic:
History\United States\space program  Search this
Credit Line:
Smithsonian American Art Museum, Gift of an anonymous donor
Copyright:
© 2007, David Levinthal
Object number:
2018.3.117
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7eeb20ce4-5ee9-44df-a2b4-5b91fa342098
EDAN-URL:
edanmdm:saam_2018.3.117

Untitled from the series Space 2007

Artist:
David Levinthal, born San Francisco, CA 1949  Search this
Medium:
instant color print
Dimensions:
20 × 24 in. (50.8 × 61.0 cm)
Type:
Photography
Date:
2007
Topic:
History\United States\space program  Search this
Credit Line:
Smithsonian American Art Museum, Gift of an anonymous donor
Copyright:
© 2007, David Levinthal
Object number:
2018.3.121
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7e7d98a11-60cb-46cc-8d7f-86b0b7460ed5
EDAN-URL:
edanmdm:saam_2018.3.121

Untitled from the series Space 2007

Artist:
David Levinthal, born San Francisco, CA 1949  Search this
Medium:
instant color print
Dimensions:
20 × 24 in. (50.8 × 61.0 cm)
Type:
Photography
Date:
2007
Topic:
History\United States\space program  Search this
Credit Line:
Smithsonian American Art Museum, Gift of an anonymous donor
Copyright:
© 2007, David Levinthal
Object number:
2018.3.122
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7d9c7b2b0-2395-41be-863f-97b1989238ba
EDAN-URL:
edanmdm:saam_2018.3.122

Untitled from the series Space 2007

Artist:
David Levinthal, born San Francisco, CA 1949  Search this
Medium:
instant color print
Dimensions:
20 × 24 in. (50.8 × 61.0 cm)
Type:
Photography
Date:
2007
Topic:
History\United States\space program  Search this
Credit Line:
Smithsonian American Art Museum, Gift of an anonymous donor
Copyright:
© 2007, David Levinthal
Object number:
2018.3.96
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk70fe6e21d-74f3-4409-b379-3082b91123df
EDAN-URL:
edanmdm:saam_2018.3.96

Untitled from the series Space 2007

Artist:
David Levinthal, born San Francisco, CA 1949  Search this
Medium:
instant color print
Dimensions:
20 × 24 in. (50.8 × 61.0 cm)
Type:
Photography
Date:
2007
Topic:
History\United States\space program  Search this
Credit Line:
Smithsonian American Art Museum, Gift of an anonymous donor
Copyright:
© 2007, David Levinthal
Object number:
2018.3.98
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk77863d885-5b74-4216-abde-a732ac08d98b
EDAN-URL:
edanmdm:saam_2018.3.98

Postwar Couple, from the series Snapshots of the San Fernando Valley

Artist:
Frank Romero, born East Los Angeles, CA 1941  Search this
Medium:
woodcut print on paper
Dimensions:
sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)
Type:
Graphic Arts-Print
Date:
2000
Topic:
Figure group  Search this
Landscape\road  Search this
Landscape\California  Search this
Animal\dog  Search this
Dress\uniform\military uniform  Search this
Architecture Exterior\domestic\house  Search this
Landscape\valley\San Fernando Valley  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund
Copyright:
© 2000, Frank Romero
Object number:
2020.26.2.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk76fa8377f-ff07-46f2-9ff1-b187294eccfb
EDAN-URL:
edanmdm:saam_2020.26.2.1

Space Shuttle, from the series Snapshots of the San Fernando Valley

Artist:
Frank Romero, born East Los Angeles, CA 1941  Search this
Medium:
woodcut print on paper
Dimensions:
sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)
Type:
Graphic Arts-Print
Date:
2000
Topic:
Landscape\California  Search this
Landscape\celestial\star  Search this
Architecture\vehicle\spacecraft  Search this
History\United States\space program  Search this
Landscape\valley\San Fernando Valley  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund
Copyright:
© 2000, Frank Romero
Object number:
2020.26.2.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk793e204a5-f25d-4fe2-9271-f996f17f1590
EDAN-URL:
edanmdm:saam_2020.26.2.2

Drive-In Movie, from the series Snapshots of the San Fernando Valley

Artist:
Frank Romero, born East Los Angeles, CA 1941  Search this
Medium:
woodcut print on paper
Dimensions:
sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)
Type:
Graphic Arts-Print
Date:
2000
Topic:
Figure group  Search this
Architecture\vehicle\automobile  Search this
Landscape\time\night  Search this
Landscape\California  Search this
Performing arts\theater\performer  Search this
Architecture Exterior\civic\theater  Search this
Landscape\valley\San Fernando Valley  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund
Copyright:
© 2000, Frank Romero
Object number:
2020.26.2.3
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk79c117e79-8f04-4eff-8c51-a6c31d9f4b8d
EDAN-URL:
edanmdm:saam_2020.26.2.3

Orange Groves, from the series Snapshots of the San Fernando Valley

Artist:
Frank Romero, born East Los Angeles, CA 1941  Search this
Medium:
woodcut print on paper
Dimensions:
sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)
Type:
Graphic Arts-Print
Date:
2000
Topic:
Landscape\California  Search this
Landscape\tree\orange tree  Search this
Landscape\valley\San Fernando Valley  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund
Copyright:
© 2000, Frank Romero
Object number:
2020.26.2.4
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7dc5508f3-543c-458b-989f-cf0c1fe96f0f
EDAN-URL:
edanmdm:saam_2020.26.2.4

Freeway Interchange, from the series Snapshots of the San Fernando Valley

Artist:
Frank Romero, born East Los Angeles, CA 1941  Search this
Medium:
woodcut print on paper
Dimensions:
sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)
Type:
Graphic Arts-Print
Date:
2000
Topic:
Architecture\vehicle\automobile  Search this
Landscape\California  Search this
Landscape\road\highway  Search this
Landscape\valley\San Fernando Valley  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund
Copyright:
© 2000, Frank Romero
Object number:
2020.26.2.5
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk775196b59-81ab-4eb5-8f05-8f957d8e9813
EDAN-URL:
edanmdm:saam_2020.26.2.5

Cattle Ranching, from the series Snapshots of the San Fernando Valley

Artist:
Frank Romero, born East Los Angeles, CA 1941  Search this
Medium:
woodcut print on paper
Dimensions:
sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)
Type:
Graphic Arts-Print
Date:
2000
Topic:
Figure male  Search this
Landscape\California  Search this
Animal\cattle  Search this
Occupation\other\cowboy  Search this
Equestrian  Search this
Landscape\valley\San Fernando Valley  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund
Copyright:
© 2000, Frank Romero
Object number:
2020.26.2.6
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7f96538f5-db33-4107-aa93-72bf77c2586d
EDAN-URL:
edanmdm:saam_2020.26.2.6

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