Search Results

Creator:

Smithsonian American Art Museum  Search this

Type:

YouTube Videos

Uploaded:

2022-02-07T16:43:07.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_tigzYXtCOuE

Object Name:

Print

Object Type:

relief

Other Terms:

Print; Letterpress

Place made:

United States: New York

Date made:

November 12, 1825

Associated date:

1825 11 12

ID Number:

1990.0122.112

Catalog number:

1990.0122.112

Accession number:

1990.0122

See more items in:

Work and Industry: Graphic Arts

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746aa-44f3-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1185347

Object Name:

Pamphlet

Print

Object Type:

relief

Other Terms:

Print; Letterpress

Place made:

United States: New York

Date made:

May 1852

Associated date:

1852 05

ID Number:

1990.0122.119

Accession number:

1990.0122

Catalog number:

1990.0122.119

See more items in:

Work and Industry: Graphic Arts

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746aa-3927-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1185357

Creator:

Kainen, Jacob  Search this

Kainen, Ruth Cole.  Search this

Names:

Addison Gallery of American Art  Search this

Australian National Gallery  Search this

Baltimore Museum of Art  Search this

British Museum  Search this

Brooklyn Museum  Search this

Corcoran Gallery of Art  Search this

Corcoran School of Art (Washington, D.C.)  Search this

Middendorf Gallery  Search this

National Gallery of Art (U.S.)  Search this

Smithsonian American Art Museum  Search this

Acton, David, 1953-  Search this

Agee, William C.  Search this

Berman, Avis  Search this

Broun, Elizabeth  Search this

Butler, Bryce  Search this

Cole, Phoebe  Search this

Fine, Ruth, 1941-  Search this

Fort Wayne Museum of Art  Search this

Frohlich, Newton, 1936-  Search this

Gilkey, Gordon  Search this

Gorky, Arshile, 1904-1948  Search this

Halasz, Piri  Search this

Harrison, Carol  Search this

Holden, Donald  Search this

Holladay, Wilhelmina Cole, 1922-  Search this

Hopps, Walter  Search this

Jackson, John Baptist, 1701-1780?  Search this

Jordon, Jim  Search this

Kalonyme, Louis  Search this

Lunn, Harry, 1933-1998  Search this

Morse, Peter  Search this

Nordland, Gerald  Search this

O'Connor, Francis V.  Search this

Pollack, Jerome  Search this

Powell, Richard J., 1953-  Search this

Purcell, Ann  Search this

Rand, Harry  Search this

Reynolds, Jock  Search this

Ries, Martin, 1926-  Search this

Solman, Joseph, 1909-2008  Search this

Steinberg, Leo  Search this

Taylor, Joshua Charles, 1917-  Search this

Taylor, Prentiss, 1907-1991  Search this

Tejera, V. ((Victorino))  Search this

Thornton, Valerie  Search this

Weber, Joanne  Search this

Extent:

33.3 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Diaries

Transcripts

Videotapes

Visitors' books

Lectures

Prints

Greeting cards

Interviews

Scrapbooks

Date:

1905-2009

bulk 1940-2001

Summary:

The papers of painter, printmaker, and curator Jacob Kainen measure 33.3 linear feet and date from 1905 to 2009, with the bulk of the material from 1940-2001. The bulk of the collection consists of correspondence/subject files including personal correspondence to and from friends and family members and professional correspondence and records concerning Kainen's activities as an artist, curator, teacher, and art collector. The collection also contains biographical material, writings, diaries, calendars, inventories, interview transcripts, printed material, photographs, works of art by other artists, and nine scrapbooks.

Scope and Content Note:

The papers of painter, printmaker, and curator Jacob Kainen measure 33.3 linear feet and date from 1905 to 2009, with the bulk of the material from 1940-2001. The bulk of the collection consists of correspondence/subject files including personal correspondence to and from friends and family members and professional correspondence and records concerning Kainen's activities as an artist, curator, teacher, and art collector. The collection also contains biographical material, writings, diary and journal entries, calendars, inventories, interview and "dialog" transcripts, printed material, photographs, works of art by other artists, and nine scrapbooks.

Biographical materials include items concerning Kainen's career as a curator and artist, in addition to a useful bibliography, detailed biographical outline, and a copy of an FBI report compiled on him. Also included are five videocassette recordings of Kainen.

Alphabetical correspondence/subject files comprise the bulk of the collection and include both Jacob's and Ruth's correspondence with family, friends, colleagues, artists, art critics, curators, museums, arts organizations, galleries, and many others. There is a significant amount of correspondence with David Acton, the Addison Gallery of Art and Jock Reynolds, William Agee, Australian National Gallery, Baltimore Museum of Art, Avis Berman, the British Museum, Brooklyn Museum, Elizabeth Broun and the Smithsonian American Art Museum, Bryce Butler, Pheobe Cole, the Corcoran Gallery and School of Art, Richard Field, Ruth Fine, Fort Wayne Museum of Art, Newton Frohlich, Gordon Gilkey and the Pacific Northwest College of Art, Arshile Gorky, Piri Halesz, Carol Harrison, Donald Holden, Wilhelmina Holladay, John Baptist Jackson, Jim Jordon, Lou Kantor, Harry Lunn Jr., Middendorf Gallery, National Gallery of Art, Peter Morse, Gerald Nordland, Francis O'Connor, Jerome Pollack, Richard Powell, Ann Purcell, Harry Rand, Martin Ries, Joseph Solman, Leo Steinberg, Prentiss Taylor, Victorino Tejera, Valerie Thornton, Joanne Weber, and numerous family members.

Writings are by and about Jacob Kainen. Kainen's writings include articles, lectures, exhibition catalog essays, notes, travel notebooks, short stories, poems, and written statements about his artistic motivations and justifications. There are writings about Kainen by Avis Berman, Ruth Cole Kainen, and others. The bulk of the numerous diary entries are from Ruth Cole Kainen's diaries, many of which concern Jacob and their family. There are also annotated and revised diary entries. There is one folder of diary entries and one folder of journal entries by Jacob Kainen and two dismantled journal-like notebooks. The papers include daily calendars and travel itineraries from 1972 through 2001.

The papers include transcripts of formal interviews and informal conversations with Jacob Kainen. Transcripts are of informal dinner, telephone, and general conversations between friends, colleagues, artists, and Ruth Cole Kainen. Included are conversations with Avis Berman, Walter Hopps, Harry Rand, Joshua Taylor, and several others. Many of these transcripts were also annnotated by Jacob and Ruth Kainen. Also found are numerous transcripts of more formal interviews with Kainen by art historians, art critics, and students.

There are inventories, appraisals, and lists of sold and not sold paintings, as well as color photographs of some of Kainen's works of art. Also found are inventories of the Kainens' art collection. Printed materials include Kainen's exhibition catalogs and announcements, clippings of articles by and about Jacob Kainen, and an exhibition guestbook.

Photographs are of Kainen with his family and friends, at exhibition openings, and working in his studios. Works of art by others includes handmade greeting cards, limited edition prints, and portfolios given to Jacob Kainen. Nine scrapbooks containing news clippings and exhibition publications document the entirety of Kainen's career as an artist.

Arrangement:

The Jacob Kainen papers are arranged into 11 series.

Missing Title

Series 1: Biographical Material, 1938-2001 (Boxes 1, 32; 0.8 linear feet)

Series 2: Correspondence/Subject Files, 1936-2003 (Boxes 1-12, 32-33; 11.8 linear feet)

Series 3: Writings, circa 1920s-2002 (Boxes 12-13, 33; 1.6 linear feet)

Series 4: Diaries, circa 1952-2002 (Boxes 13-18, 33-38; 10.0 linear feet)

Series 5: Calendars, 1953-2008 (Boxes 18-20, 38; 1.7 linear feet)

Series 6: Transcripts, circa 1975-1994 (Boxes 20-21, 38; 1.4 linear feet)

Series 7: Inventories, 1927-2001 (Boxes 21-22; 1.0 linear feet)

Series 8: Printed Material, 1938-2003 (Box 22, 38, OV 31; 0.6 linear feet)

Series 9: Photographs, 1905-2000 (Boxes 22-25, 38, OV 31; 3.3 linear feet)

Series 10: Works of Art by Others, 1942-2000 (Boxes 25-26, OV 31; 1.2 linear foot)

Series 11: Scrapbooks, 1936-1998 (Boxes 27-30, 38; 1.3 linear feet)

Biographical Note:

Jacob Kainen (1909-2001) was a painter, printmaker, and curator who worked primarily in Washington, D.C.

Born on December 7, 1909 in Waterbury, Connecticut, Jacob Kainen moved with his family to New York City in 1918. Kainen studied at the Pratt Institute in Brooklyn from 1927 until 1930, and at the Art Student's League. In the early 1930s, Kainen became involved in social causes and formed close friendships with the early abstractionists, including John Graham, Arshile Gorky, and Stuart Davis. He joined the Artists' Union and a contributor to its journal, Art Front, along with Stuart Davis and Harold Rosenberg. Jacob's participation in the Artists' Union was later investigated by the FBI.

From 1935 until 1942, Kainen worked for the Graphic Arts Division of the Works Progress Administration in New York City and began exhibiting with the New York School. It was during this period that he married Bertha Friedman. Jacob and Bertha had two sons together, Dan and Paul, and divorced in 1968.

In 1942, Kainen made a life-changing decision to leave New York City and move to Washington, D.C. to accept what he thought would be a temporary position as a scientific aide in the Division of Graphic Arts at the Smithsonian Institution. Kainen quickly became Assistant Curator and Curator in 1946. He served as Curator for twenty years, completely reshaping the department and building the graphic arts collection. His print exhibitions brought the work of S.W. Hayter, Josef Albers, Adja Yunkers, Louis Lozowick, Karl Schrag, José Guerrero, Louis Schanker, Werner Drewes, and Boris Margo to Washington audiences - graphic work that might not have been shown that early in the area.

1947 marked the opening of the Washington Workshop Center for the Arts, where Kainen served as a teacher and guide to several important artists, helping to make the workshop a magnet for new talent and instrumental in furthering the careers of several artists. Although Kainen taught Gene Davis and Alma Thomas and introduced Morris Louis to Leon Berkowitz, he never considered himself a member of the "Washington Color School."

In 1949, the Corcoran Gallery of Art held a retrospective of Kainen's prints and three years later Kenneth Noland organized Kainen's first painting retrospective at Catholic University. Kainen's paintings from the 1940s illustrated a shift away from social realism toward abstract expressionism. In 1956, Jacob Kainen received a grant from the American Philosophical society to conduct research in Europe for his monograph on the English woodcut artist, John Baptist Jackson. He traveled to Europe again in 1962 to study paintings and prints from the Mannerist Period.

From 1966 until 1970, Kainen worked as the Curator of prints and drawings at the National Collection of Fine Arts (now the Smithsonian American Art Museum). He married Ruth Cole in February of 1969. Kainen retired from the Smithsonian a year later to devote himself full-time to his art, but continued to serve as a special consultant to the Smithsonian American Art Museum for nineteen years. In 1971 and 1972, Kainen taught painting and the history of printmaking at the University of Maryland. A retrospective of Kainen's paintings was held in 1993 at the National Museum of American Art (SAAM).

Throughout his artistic career, Kainen experimented with different mediums and explored different styles, yet he identified himself as a painter. Jacob Kainen participated in at least twenty-five one man shows and several group exhibitions. His works are in collections across the United States and abroad, including the National Gallery of Art, the Metropolitan Museum of Art, the Art Institute of Chicago, and the British Museum. He worked in his studio up until the time of his death on March 19, 2001 at his home in Chevy Chase, Maryland.

Related Material:

Found among the holdings of the Archives of American Art is an oral history interview of Jacob Kainen conducted by Avis Berman in 1982 for the Archives' "Mark Rothko and His Times" oral history project. Also found are microfilm copies of Bertha Kainen's correspondence with Avis Berman regarding Berman's essay about Jacob Kainen.

Separated Material:

The Archives of American Art also holds microfilm of material lent for microfilming (reels 565, 2147-2149, and 2200) including correspondence, writings by Kainen, and papers relating to the Smithsonian Institution Loyalty Board's investigation of Jacob Kainen from 1942-1954. Most, but not all, of the loaned materials were included in later gifts. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.

Provenance:

Jacob and Ruth Kainen first lent the Archives of American Art material for microfilming from 1973-1981, the bulk of which was included in the later gifts. Papers were then donated in multiple accretions between 1981-2007 by Jacob and Ruth Kainen, and in 2009 from the estate of Ruth Kainen via executor Teresa Covacevich Grana. Also in 2003, eight photographs of Jacob and Ruth Kainen were transferred from the National Portrait Gallery to the Archives of American Art.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Washington (D.C.)  Search this

Curators -- Washington (D.C.)  Search this

Art teachers -- Washington (D.C.)  Search this

Topic:

Painting, Modern -- Washington (D.C.)  Search this

Painting, Abstract -- Washington (D.C.)  Search this

Artists' studios -- Photographs  Search this

Art -- Collectors and collecting -- Washington (D.C.)  Search this

Printmakers -- Washington (D.C.)  Search this

Genre/Form:

Photographs

Diaries

Transcripts

Videotapes

Visitors' books

Lectures

Prints

Greeting cards

Interviews

Scrapbooks

Citation:

Jacob Kainen papers, 1905-2008, bulk 1940-2001. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.kainjaco

See more items in:

Jacob Kainen papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw974ec158d-d417-4d06-931d-44a4af17ab27

EDAN-URL:

ead_collection:sova-aaa-kainjaco

Creator:

Robins, Seymour, 1913-2011  Search this

Names:

AT & T (Firm)  Search this

Cooper-Hewitt Design Archive  Search this

Creative playthings, Inc.  Search this

Diamond International Corporation  Search this

Genesco, Inc.  Search this

Kimberly-Clark Corporation  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

Mohawk Paper Mills (Cohoes, N.Y.)  Search this

Museum of Fine Arts, Boston  Search this

Neenah Paper (Firm)  Search this

Philadelphia Museum of Art  Search this

Smithsonian Institution  Search this

Whitney Museum of American Art  Search this

Extent:

0.5 Cubic feet

Type:

Collection descriptions

Archival materials

Trade catalogs

Date:

1962 - 1992

Scope and Contents:

Materials consist of project catalogs for Mohawk Paper Mills and Neenah Paper, a division of Kimberly-Clark. The collection documents Robins' work as a graphic and industrial designer.

Biographical / Historical:

Seymour Robins is a graphic and industrial designer.,Born in Canada, he has lived most of his life in New York City and had his design practice there. Although locking together slotted pieces of paper has been done for many years, in the two decades that Robins has been designing these shapes that become forms when opened, he has developed them into a unique art form in itself. Robins' interlocking paper sculptures have been called "magic". He has had successful design assignments for AT&T, Diamond International Corporation, Genesco, Mohawk Paper Mills, Neenah Paper, Creative Playthings, and a host of other names in American industry. Robins designed the complex and precise Armillary Sphere for the Smithsonian, and has done paper sculptures for the Metropolitan Museum of Art in New York, The Whitney Museum, The Museum of Fine Arts in Boston, The Philadelphia Museum, and others. Over the years his demands and guidance for perfection in production have forced graphic arts suppliers into innovative improvements that have raised the level of die-makers' and the die-cutters' crafts. His work appears regularly in international design journals and is in the permanent collection at the Cooper-Hewitt Archives. He now lives and works in Sheffield, Massachusetts, in a barn he has converted into a studio and home.

Provenance:

All materials were donated by Mr. Robins in 1992. Transferred to the Archives Center in 2012.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Occupation:

Industrial designers -- United States  Search this

Topic:

Design, Industrial -- Sources -- History -- 20th century -- United States  Search this

Graphic arts -- Sources -- History -- 20th century -- United States  Search this

Genre/Form:

Trade catalogs

Citation:

Seymour Robins Papers, 1962-1992, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.1270

See more items in:

Seymour Robins collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8299c24ef-53b0-4bdf-9037-8e2202371519

EDAN-URL:

ead_collection:sova-nmah-ac-1270

Interviewee:

Tamotsu, Chūzō, 1888-1975  Search this

Interviewer:

Loomis, Sylvia Glidden  Search this

Creator:

New Deal and the Arts Oral History Project  Search this

Names:

An American Group (Organization)  Search this

Artists Equity Association  Search this

Federal Art Project  Search this

New Deal and the Arts Oral History Project  Search this

Eddy, Stuart  Search this

Force, Juliana, 1876-1948  Search this

Knight, Frederic C., 1898-1979  Search this

Mandelman, Beatrice  Search this

Philipp, Robert, 1895-1981  Search this

Ribak, Louis, 1902-1979  Search this

Rush, Olive, 1873-1966  Search this

Extent:

11 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1964 September 3

Scope and Contents:

An interview of Chuzo Tamotzu (Tamotsu) conducted 1964 September 3 by Sylvia Loomis for the Archives of American Art.

Tamotzu discusses studying Occidental, Oriental art in Japan; traveling to Korea, Manchuria and China, South Sea Islands, Singapore, then Europe for a year; coming to New York in 1920; his involvement with An American Group; Juliana Force recruiting him for the Federal Art Project; being on the Easel Project and also on the Graphic Art Project; the Works Projects Administration; given "pink-slip" on the Project since he was not a U.S. citizen; stint in the U.S. Army, Office of Strategic Service doing propaganda paintings for psychological war material for the Japanese Army and soldiers; settling in Santa Fe, N.M.; Oriental painting; and Artist Equity Association. Tamotzu mentions Beatrice Mandelman, Louis Ribak, Robert Philip, Stuart Eddy, Frederick Knight, and Olive Rush.

Biographical / Historical:

Chuzo Tamotzu (1888-1975) was a Japanese American painter based in Santa Fe, New Mexico. Tamotzu was born in Japan and came to the United States in 1920. He moved to Santa Fe in 1948.

General:

Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 40 min.

Provenance:

Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Occupation:

Painters -- New Mexico -- Santa Fe  Search this

Topic:

Federal aid to the arts  Search this

Painting, Japanese  Search this

Asian American art  Search this

Asian American artists  Search this

Arts, Japanese -- Western influences  Search this

Painting, Asian  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American painters  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.tamots64

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9606ba830-2b86-4e11-b2ed-09c487270421

EDAN-URL:

ead_collection:sova-aaa-tamots64

Artist:

Maltby Sykes, born Aberdeen, MS 1911-died Montgomery, AL 1992  Search this

Medium:

color lithograph

Dimensions:

sheet: 24 x 36 in. (61.0 x 91.4 cm)

Type:

Graphic Arts-Print

Date:

n.d.

Topic:

Landscape\coast  Search this

Landscape\Maine  Search this

Credit Line:

Smithsonian American Art Museum, Gift of Marjorie Tyre Sykes

Object number:

1994.108.11

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7c997a81f-b07c-49d9-884c-9e494068e518

EDAN-URL:

edanmdm:saam_1994.108.11

Artist:

David Levinthal, born San Francisco, CA 1949  Search this

Medium:

instant color print

Dimensions:

20 × 24 in. (50.8 × 61.0 cm)

Type:

Photography

Date:

2007

Topic:

History\United States\space program  Search this

Credit Line:

Smithsonian American Art Museum, Gift of an anonymous donor

Copyright:

© 2007, David Levinthal

Object number:

2018.3.100

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk743c47fd7-57ad-49b1-86e6-f17dac69843e

EDAN-URL:

edanmdm:saam_2018.3.100

Artist:

David Levinthal, born San Francisco, CA 1949  Search this

Medium:

instant color print

Dimensions:

20 × 24 in. (50.8 × 61.0 cm)

Type:

Photography

Date:

2007

Topic:

History\United States\space program  Search this

Credit Line:

Smithsonian American Art Museum, Gift of an anonymous donor

Copyright:

© 2007, David Levinthal

Object number:

2018.3.103

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7cbcde9d0-fab4-426d-bbd1-11e33e8a7253

EDAN-URL:

edanmdm:saam_2018.3.103

Artist:

David Levinthal, born San Francisco, CA 1949  Search this

Medium:

instant color print

Dimensions:

20 × 24 in. (50.8 × 61.0 cm)

Type:

Photography

Date:

2007

Topic:

History\United States\space program  Search this

Credit Line:

Smithsonian American Art Museum, Gift of an anonymous donor

Copyright:

© 2007, David Levinthal

Object number:

2018.3.117

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7eeb20ce4-5ee9-44df-a2b4-5b91fa342098

EDAN-URL:

edanmdm:saam_2018.3.117

Artist:

David Levinthal, born San Francisco, CA 1949  Search this

Medium:

instant color print

Dimensions:

20 × 24 in. (50.8 × 61.0 cm)

Type:

Photography

Date:

2007

Topic:

History\United States\space program  Search this

Credit Line:

Smithsonian American Art Museum, Gift of an anonymous donor

Copyright:

© 2007, David Levinthal

Object number:

2018.3.121

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7e7d98a11-60cb-46cc-8d7f-86b0b7460ed5

EDAN-URL:

edanmdm:saam_2018.3.121

Artist:

David Levinthal, born San Francisco, CA 1949  Search this

Medium:

instant color print

Dimensions:

20 × 24 in. (50.8 × 61.0 cm)

Type:

Photography

Date:

2007

Topic:

History\United States\space program  Search this

Credit Line:

Smithsonian American Art Museum, Gift of an anonymous donor

Copyright:

© 2007, David Levinthal

Object number:

2018.3.122

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7d9c7b2b0-2395-41be-863f-97b1989238ba

EDAN-URL:

edanmdm:saam_2018.3.122

Artist:

David Levinthal, born San Francisco, CA 1949  Search this

Medium:

instant color print

Dimensions:

20 × 24 in. (50.8 × 61.0 cm)

Type:

Photography

Date:

2007

Topic:

History\United States\space program  Search this

Credit Line:

Smithsonian American Art Museum, Gift of an anonymous donor

Copyright:

© 2007, David Levinthal

Object number:

2018.3.96

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk70fe6e21d-74f3-4409-b379-3082b91123df

EDAN-URL:

edanmdm:saam_2018.3.96

Artist:

David Levinthal, born San Francisco, CA 1949  Search this

Medium:

instant color print

Dimensions:

20 × 24 in. (50.8 × 61.0 cm)

Type:

Photography

Date:

2007

Topic:

History\United States\space program  Search this

Credit Line:

Smithsonian American Art Museum, Gift of an anonymous donor

Copyright:

© 2007, David Levinthal

Object number:

2018.3.98

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk77863d885-5b74-4216-abde-a732ac08d98b

EDAN-URL:

edanmdm:saam_2018.3.98

Artist:

Frank Romero, born East Los Angeles, CA 1941  Search this

Medium:

woodcut print on paper

Dimensions:

sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)

Type:

Graphic Arts-Print

Date:

2000

Topic:

Figure group  Search this

Landscape\road  Search this

Landscape\California  Search this

Animal\dog  Search this

Dress\uniform\military uniform  Search this

Architecture Exterior\domestic\house  Search this

Landscape\valley\San Fernando Valley  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund

Copyright:

© 2000, Frank Romero

Object number:

2020.26.2.1

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk76fa8377f-ff07-46f2-9ff1-b187294eccfb

EDAN-URL:

edanmdm:saam_2020.26.2.1

Artist:

Frank Romero, born East Los Angeles, CA 1941  Search this

Medium:

woodcut print on paper

Dimensions:

sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)

Type:

Graphic Arts-Print

Date:

2000

Topic:

Landscape\California  Search this

Landscape\celestial\star  Search this

Architecture\vehicle\spacecraft  Search this

History\United States\space program  Search this

Landscape\valley\San Fernando Valley  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund

Copyright:

© 2000, Frank Romero

Object number:

2020.26.2.2

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk793e204a5-f25d-4fe2-9271-f996f17f1590

EDAN-URL:

edanmdm:saam_2020.26.2.2

Artist:

Frank Romero, born East Los Angeles, CA 1941  Search this

Medium:

woodcut print on paper

Dimensions:

sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)

Type:

Graphic Arts-Print

Date:

2000

Topic:

Figure group  Search this

Architecture\vehicle\automobile  Search this

Landscape\time\night  Search this

Landscape\California  Search this

Performing arts\theater\performer  Search this

Architecture Exterior\civic\theater  Search this

Landscape\valley\San Fernando Valley  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund

Copyright:

© 2000, Frank Romero

Object number:

2020.26.2.3

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk79c117e79-8f04-4eff-8c51-a6c31d9f4b8d

EDAN-URL:

edanmdm:saam_2020.26.2.3

Artist:

Frank Romero, born East Los Angeles, CA 1941  Search this

Medium:

woodcut print on paper

Dimensions:

sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)

Type:

Graphic Arts-Print

Date:

2000

Topic:

Landscape\California  Search this

Landscape\tree\orange tree  Search this

Landscape\valley\San Fernando Valley  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund

Copyright:

© 2000, Frank Romero

Object number:

2020.26.2.4

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7dc5508f3-543c-458b-989f-cf0c1fe96f0f

EDAN-URL:

edanmdm:saam_2020.26.2.4

Artist:

Frank Romero, born East Los Angeles, CA 1941  Search this

Medium:

woodcut print on paper

Dimensions:

sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)

Type:

Graphic Arts-Print

Date:

2000

Topic:

Architecture\vehicle\automobile  Search this

Landscape\California  Search this

Landscape\road\highway  Search this

Landscape\valley\San Fernando Valley  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund

Copyright:

© 2000, Frank Romero

Object number:

2020.26.2.5

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk775196b59-81ab-4eb5-8f05-8f957d8e9813

EDAN-URL:

edanmdm:saam_2020.26.2.5

Artist:

Frank Romero, born East Los Angeles, CA 1941  Search this

Medium:

woodcut print on paper

Dimensions:

sheet: 16 1/2 in. × 13 in. (41.9 × 33 cm) image: 10 1/4 × 7 3/4 in. (26 × 19.7 cm)

Type:

Graphic Arts-Print

Date:

2000

Topic:

Figure male  Search this

Landscape\California  Search this

Animal\cattle  Search this

Occupation\other\cowboy  Search this

Equestrian  Search this

Landscape\valley\San Fernando Valley  Search this

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund

Copyright:

© 2000, Frank Romero

Object number:

2020.26.2.6

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Graphic Arts

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7f96538f5-db33-4107-aa93-72bf77c2586d

EDAN-URL:

edanmdm:saam_2020.26.2.6