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Seymour Robins collection

Creator:
Robins, Seymour, 1913-2011  Search this
Names:
AT & T (Firm)  Search this
Cooper-Hewitt Design Archive  Search this
Creative playthings, Inc.  Search this
Diamond International Corporation  Search this
Genesco, Inc.  Search this
Kimberly-Clark Corporation  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Mohawk Paper Mills (Cohoes, N.Y.)  Search this
Museum of Fine Arts, Boston  Search this
Neenah Paper (Firm)  Search this
Philadelphia Museum of Art  Search this
Smithsonian Institution  Search this
Whitney Museum of American Art  Search this
Extent:
0.5 Cubic feet
Type:
Collection descriptions
Archival materials
Trade catalogs
Date:
1962 - 1992
Scope and Contents:
Materials consist of project catalogs for Mohawk Paper Mills and Neenah Paper, a division of Kimberly-Clark. The collection documents Robins' work as a graphic and industrial designer.
Biographical / Historical:
Seymour Robins is a graphic and industrial designer.,Born in Canada, he has lived most of his life in New York City and had his design practice there. Although locking together slotted pieces of paper has been done for many years, in the two decades that Robins has been designing these shapes that become forms when opened, he has developed them into a unique art form in itself. Robins' interlocking paper sculptures have been called "magic". He has had successful design assignments for AT&T, Diamond International Corporation, Genesco, Mohawk Paper Mills, Neenah Paper, Creative Playthings, and a host of other names in American industry. Robins designed the complex and precise Armillary Sphere for the Smithsonian, and has done paper sculptures for the Metropolitan Museum of Art in New York, The Whitney Museum, The Museum of Fine Arts in Boston, The Philadelphia Museum, and others. Over the years his demands and guidance for perfection in production have forced graphic arts suppliers into innovative improvements that have raised the level of die-makers' and the die-cutters' crafts. His work appears regularly in international design journals and is in the permanent collection at the Cooper-Hewitt Archives. He now lives and works in Sheffield, Massachusetts, in a barn he has converted into a studio and home.
Provenance:
All materials were donated by Mr. Robins in 1992. Transferred to the Archives Center in 2012.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Industrial designers -- United States  Search this
Topic:
Design, Industrial -- Sources -- History -- 20th century -- United States  Search this
Graphic arts -- Sources -- History -- 20th century -- United States  Search this
Genre/Form:
Trade catalogs
Citation:
Seymour Robins Papers, 1962-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1270
See more items in:
Seymour Robins collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8299c24ef-53b0-4bdf-9037-8e2202371519
EDAN-URL:
ead_collection:sova-nmah-ac-1270

Saul Nesbitt Papers

Creator:
Nesbitt, Saul, 1920-1993  Search this
Names:
Archway Cookies, Inc.  Search this
Borden's Farm Products Co. of Illinois  Search this
Campbell Soup Company  Search this
Cooper-Hewitt Design Archive  Search this
Eastman Kodak Company  Search this
Florists' Telegraph Delivery Association  Search this
Franco American Food Co.  Search this
Lever Brothers and Unilever, ltd.  Search this
National Distillers and Chemical Corporation  Search this
Nesbitt Associates, Ltd.  Search this
P. Ballantine & Sons  Search this
Philip Morris Incorporated  Search this
Revlon, Inc.  Search this
Schick (Firm)  Search this
Scott Paper Company  Search this
Seagram Company  Search this
Collector:
Cooper-Hewitt Design Archive  Search this
Extent:
3.5 Cubic feet (11 boxes)
Type:
Collection descriptions
Archival materials
Slides
Sketches
Transparencies
Press releases
Correspondence
Photographs
Media lists
Blueprints
Drawings
Clippings
Client lists
Date:
1951-1984
Scope and Contents:
Background and biographical information consists of Nesbitt's resume, an artist/designer statement, list of clients and accomplishments of Nesbitt Associates, Ltd., press releases, articles, and photographs of the designer.,The materials in this collection document Nesbitt's work from 1951 through 1984.
The records of the office of public relations cover the years 1955-1963 and include press releases and clippings describing some Nesbitt's products, his theories on consumer motivation, and the results of his surveys, as well as correspondence with members of the press. General office correspondence is boxed separately.
Color slides, color and black & white transparencies, and black & white photographs of most of Nesbitt's designs for packaging from 1951-1981 are included. Oversized materials include books jackets and booklets designed by Nesbitt, as well as some renderings for packaging designs done in color.
Three samples of fitted presentation boxes designed by Nesbitt are included, as well as a prototype for a design award for Parsons School of Design in New York, and two "Multiplication" cubes commissioned by the Museum of Modern Art in New York.
Arrangement:
This collection has been reboxed in archivally-sound containers, but the materials have only been partially processed and arranged. Record groups include: 1) Backgound and Biographical Information; 2) Records of the Public Relations Office, 1955-1963; 3) Correspondence; 4) Slides, Transparencies, and Photographs; 5) Oversized Materials; and 6) Samples.
Biographical / Historical:
Packaging, industrial, and graphic designer. Born in New York City, August 10, 1920. Nesbitt was a student of sculptor Chaim Gross and studied art at many New York institutions including: Art Students League; New York University; Columbia University; Pratt Institute of Art; and the New School.

He served in the U.S. Army from 1942 to 1945 where he worked as a cartographer and as the head of the visual aid section in a military intelligence training center. In 1945, he joined the staff of Harper's Bazaar magazine where he was an illustrator assisting art director Alexey Brodovich. In 1946, Nesbitt was hired by the industrial design studio of Raymond Loewy as a handletterer and packaging designer.

He worked with Lippincott Industrial Design from 1948 to 1951. Nesbitt opened his own design studio, Nesbitt Associates, Ltd. in 1951. The firm specialized in package design, trademarks, and corporate identities. Some of his most recognizable designs were for the label for Campbell's Soup and the Florists' Telegraph Delivery (F.T.D.) Winged Mercury 'Interflora' figure, still used today. Nesbitt's other clients included: Franco American; Revlon; Ballantine Beer; Borden; Champion spark plugs; Kodak; Philip Morris cigarettes; Schick razors; and Archway cookies. In addition, Nesbitt developed the "Karry Kit" for Ballantine Beer which came to be widely used and known as the six pack.

Nesbitt was known for his revealing studies and surveys of the buying needs and preferences of the "average American housewife" and consumers in general. His opinions on what he referred to as "underpackaging" were widely publicized in professional magazines and journals. In 1984, Nesbitt retired from the design field and went to California to resume his career as a sculptor until his death in 1993.
Related Materials:
Materials in the Archives Center

NMAH.AC.0367 Campbell Soup Advertising Oral History and Documentation Project

NMAH.AC.0552 Caroline R. Jones Papers

NMAH.AC.0060 Warshaw Collection of Business Americana

NMAH.AC.0939 Revlon, Incorporated Advertising Collection

NMAH.AC.0561 Albert W. Hampson Commercial Artwork Collection

Materials at the Smithsonian Institution

Archives of American Art, Esta Nesbitt Papers, circa 1942-1981

Smithsonian Institution Archives, Archives Collection Management Records, 1989-2006
Provenance:
Collection donated by the designer's wife, Mrs. Saul Nesbitt, in 1994.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Industrial designers  Search this
Packaging designers  Search this
Graphic designers  Search this
Topic:
Consumers -- Research  Search this
Consumers' preferences -- United States  Search this
Housewives as consumers  Search this
Labels -- Design  Search this
Corporate image -- Design  Search this
Logos (Symbols) -- Design  Search this
Graphic arts -- United States  Search this
Design, Industrial -- United States  Search this
Packaging -- Design  Search this
Genre/Form:
Slides
Sketches
Transparencies
Press releases
Correspondence
Photographs -- 20th century
Media lists
Blueprints
Drawings
Clippings
Client lists
Citation:
Saul Nesbitt Papers, 1951-1984, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1275
See more items in:
Saul Nesbitt Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep857e2f039-d3d5-4307-a474-a5e5072e4e74
EDAN-URL:
ead_collection:sova-nmah-ac-1275

Edward J. Orth Memorial Archives of the New York World's Fair

Collector:
Orth, Edward J.  Search this
Exhibition Collectors Historical Organization  Search this
Names:
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Extent:
130 Cubic feet (417 boxes, 25 map-folders)
Type:
Collection descriptions
Archival materials
Souvenirs
Photographs
Pamphlets
Guidebooks
Exhibition posters--1930-1940
Diaries
Ephemera
Film transparencies
Motion picture film
Posters
Place:
Flushing Meadows Park (New York, N.Y.)
New York (N.Y.)
Date:
1835-2000, undated
Summary:
Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes material relating to other fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and The Walt Disney Company.
Scope and Contents:
Collection primarily documents the conception, planning, construction, management, and operations of the 1939 New York World's Fair located in Flushing Meadows, New York. Materials provide historical context and cultural significance as recorded in publications, artwork, photographs, ephemera, postcards, maps, plans, exhibitor's literature, souvenirs, and motion picture film. Most of the materials were primarily created for people who attended the fair. Some of the materials include scrapbooks created by fair visitors to document their experiences. There is a significant amount of material relating to other fairs, New York tourism, the Exhibition Collectors Historical Organization (ECHO) and the World's Fair Collector's Society. Other forms of entertainment such as festivals, the Olympic games, and Disney World are also found among these materials. There is little information relating to Edward Orth's personal and professional life as a city planner. The collection is arranged into eleven series.
Arrangement:
The collection is arranged into eleven series.

Series 1, Edward J. Orth Personal Papers, 1915-1989, undated

Subseries 1.1, Correspondence, 1939-1989

Subseries 1.2, Other Materials, 1915-1989, undated

Series 2, Exhibition Collectors Historical Organization (ECHO) and World's Fair Collector's Society, Incorporated Records, 1942-1990, undated

Subseries 2.1, General Information, 1960-1988, undated

Subseries 2.2, Correspondence, 1942-1990, undated

Subseries 2.3, Classified and Wanted Advertisements, 1956-1988, undated

Subseries 2.4, Financial Records, 1976-1989

Subseries 2.5, Newsletters, 1969-1988, undated

Subseries 2.6, Membership Materials, 1970s-1989, undated

Series 3, New York World's Fair, Incorporated Records, 1900-1988, undated

Subseries 3.1, Administrative Files, 1900-1977, undated

Subseries 3.2, Amusement Zone, 1937-1940, undated

Subseries 3.3, Communications and Business Systems Zone, 1939-1965, undated

Subseries 3.4, Community Interest Zone, 1939-1949, undated

Subseries 3.5, Food Zone, 1939-1975

Subseries 3.6, Government Zone, 1939-1940

Subseries 3.7, Production and Distribution Zone, 1939-1940

Subseries 3.8, Transportation Zone, 1939-1940

Subseries 3.9, Ephemera, 1938-1988, undated

Series 4, Photographic Materials, 1939-1968, undated

Subseries 4.1, General, 1939-1940, undated

Subseries 4.2, Amusement Area, 1939-1940, undated

Subseries 4.3, Business Systems Zone, 1939-1940, undated

Subseries 4.4, Communications Zone, 1939-1940, undated

Subseries 4.5, Community Interest Zone, 1939-1940, undated

Subseries 4.6, Food Zone, 1939-1940, undated

Subseries 4.7, Government Zone, 1939-1940, undated

Subseries 4.8, Production and Distribution Zone, 1939-1940, undated

Subseries 4.9, Transportation Zone, 1939-1940, undated

Subseries 4.10, Miscellaneous, 1939-1940, undated

Subseries 4.11, Oversize Photographs, 1939-1940, undated

Subseries 4.12, Color Slides, 1939-1940, undated

Subseries 4.13, Color Transparencies, 1940-1942, undated

Subseries 4.14, Edward Orth, 1967-1968

Series 5, Scrapbooks, 1938-1981

Series 6, Postcards, 1906-1985, undated

Subseries 6.1, Amusement Area, 1939-1940, undated

Subseries 6.2, Business Systems Zone, 1939-1940, undated

Subseries 6.3, Communications Zone, 1939-1940, undated

Subseries 6.4, Community Interest Zone, 1939-1940, undated

Subseries 6.5, Food Zone, 1939-1940, undated

Subseries 6.6, Government Zone, International, 1939-1940, undated

Subseries 6.7, Government Zone, Federal and States, 1939-1940, undated

Subseries 6.8, Production and Distribution Zone, 1939-1940, undated

Subseries 6.9, Transportation Zone, 1939-1940, undated

Subseries 6.10, General, 1940, undated

Subseries 6.11, By Type, 1906-1985, undated

Series 7, Publications Related to World's Fairs, 1922-1989, undated

Subseries 7.1, Magazines, 1922-1988, undated

Subseries 7.2, Newspaper Articles, 1935-1989, undated

Subseries 7.3, Other Publications, 1937-1989, undated

Subseries 7.4, Other Subjects, 1962-1989

Series 8, Materials Relating to Other Fairs, 1851-2000, undated

Subseries 8.1, Great Exhibition of the Works of Industry of All Nations or Crystal Palace Exhibition, 1851

Subseries 8.2, Exhibition of the Industry of All Nations, 1853-1853

Subseries 8.3, International Exhibition of Arts, Manufactures, and Products of the Soil and Mine or Centennial International Exhibition, 1876

Subseries 8.4, World's Columbian Exposition or Chicago World's Fair, 1893

Subseries 8.5, Exposition Internationale D'Anvers, Antwerp, Belgium

Subseries 8.6, Tennessee Centennial and International Exposition, 1897

Subseries 8.7, Trans-Mississippi and International Exposition, 1898

Subseries 8.8, Expositions, 1901

Subseries 8.9, Louisiana Purchase Exposition, 1906

Subseries 8.10, Jamestown Tercentennial Exposition, 1907

Subseries 8.11, Alaska, Yukon, Pacific Exposition, 1909

Subseries 8.12, Panama-California Exposition, 1915-1916

Subseries 8.13, Bronx International Exposition of Science, Arts, and Industries, 1918

Subseries 8.14, Sesquicentennial Exposition, 1926

Subseries 8.15, Barcelona International Exposition, 1929

Subseries 8.16, L'Exposition Coloniale, Paris, 1931

Subseries 8.17, Olympics, 1932

Subseries 8.18, A Century of Progress International Exposition, 1933

Subseries 8.19, Expositions, 1933-1935

Subseries 8.20, Expositions, 1936-1937

Subseries 8.21, Exposition Internationale des Arts et Techniques dans la Vie Moderne, 1937

Subseries 8.22, Golden Gate International Exposition, 1939

Subseries 8.23, Festival of Britain, Britain, London, United Kingdom, 1951

Subseries 8.24, Milan Fair, 1955

Subseries 8.25, Exposition Universelle et venti Internationale de Bruxelles, 1958

Subseries 8.26, American National Exhibition, 1959

Subseries 8.27, New York's World Fair, 1961-1977, undated

Subseries 8.28, Century 21 Exhibition, 1961-1962

Subseries 8.29, International and Universal Exposition or Expo 67, 1967

Subseries 8.30, Long Beach, California, 1967-1968

Subseries 8.31, HemisFair 68, 1968

Subseries 8.32, Expo 70 or Japan World Exposition, 1970

Subseries 8.33, Expo 74 or International Exposition on the Environment

Subseries 8.34, Expo 75 or International Ocean Exposition, 1975

Subseries 8.35, American Revolution Bicentennial, 1776-1976, 1976

Subseries 8.36, Queen's Bicentennial Festival, 1975-1976

Subseries 8.37, Plovdiv International Exhibition of 1981 or Expo 81

Subseries 8.38, Kobe Port Island Exposition or Portopia 81, 1981

Subseries 8.39, Knoxville International Energy Exposition or 1982 World's Fair, 1982

Subseries 8.40, Louisiana World Exposition, 1984

Subseries 8.41, Games of the XXIII Olympiad, 1984

Subseries 8.42, The International Exposition, Tsukuba, Japan or The International Science Technology Exposition, 1985

Subseries 8.43, Queen's Festival, 1985

Subseries 8.44, 1986 World Exposition on Transportation and Communication or Expo 86, 1986

Subseries 8.45, World Expo 88, 1988

Subseries 8.46, Universal Exposition of Seville or Expo 92, 1992

Subseries 8.47, Expo 2000, 2000

Subseries 8.48, Other Events and Celebrations, 1886-1989

Subseries 8.49, Combined Fairs, 1968-1994

Subseries 8.50, General information about world's fairs, 1964-1980

Series 9, Ephemera, 1892-1989, undated

Subseries 9.1, New York and New York World's Fair, 1892-1989, undated

Subseries 9.2, Other States and Countries, 1835, 1939, undated

Subseries 9.3, Motion Picture Film and Entertainment, 1937-1981, undated

Series 10, Audio Visual Materials, 1939, 1964-1965, undated

Subseries 10.1, Moving Images, 1939, 1964-1965, undated

Subseries 10.2, Sound Recordings, undated

Series 11, Oversize, 1835-1992, undated
Biographical / Historical:
Biographical / Historical

Edward Joseph Orth grew up with a strong interest in history, particularly the history of the 1939 New York World's Fair. Orth's visit to the fair as a twelve-year-old boy led to a life-long passion of collecting. At the time of his death, he had amassed enough materials to fill two homes in California. Orth also collected materials from several other fairs. In addition, he saved some of the records of the Exhibition Collectors Historical Organization (ECHO) and the World's Fair Collector's Society.

Orth was born April 19, 1927, to Andrew Joseph Orth and Florence Minnie Gordon Orth in Glendale, New York. In the 1930s, the Orth family lived in several locations in New York including Ridgewood, Brooklyn, Glendale, and Queens. The home that made the most impact in young Orth's life came in 1935 when the family moved to St. Albans, Queens seven miles from Flushing Meadow Park, the future site of the 1939 fair. Sadly in 1939 there were several deaths in the family including three grandparents. The severe loss of life limited family social activities but a drive by the future site of the fair provided Orth a glimpse of the Trylon and Perisphere. He would later remark that the sight appeared to be magic. In the summer of 1939, he went to the fair with his classmates from Public School 136. The next summer Orth and his father purchased a 10-admission ticket from an elementary school in Hollis, Queens, New York. He saved every souvenir and any information he could find about the fair. He filled scrapbooks with images from newspapers and postcards from the Curt Teich and Manhattan Postcard companies. When his family moved from an apartment to a house, he acquired a fair bench which was kept in the backyard.

In 1941, Orth attended Newton High School in Elmhurst, and Queens, New York. The high school offered a college preparatory program with heavy emphasis on mathematics, science, mechanical drawing, and workshop courses. Orth's education and training combined with the knowledge he gained from motion picture films viewed at the fair, including Thomas Edison's "The City of Light," Ford Motor Company's "Road of Tomorrow," "Democracy," and General Motors' "Futurama" provided the foundation and inspiration for a career in architecture and landscaping. He ultimately became a city planner for the state of California. By 1943, Orth was exploring used magazine and bookstores in New York City to acquire more fair materials before enlisting in the United States Army in 1945. Upon his discharge he resumed buying and trading fair postcards. From 1948-1953, Orth attended the University of California and the University of Connecticut where he studied architecture and landscape design. During these years he posted advertisements in various publications in his continued pursue for fair materials.

In March 1953, Mr. Orth moved to Los Angeles, California. There he formed lasting friendships with other collectors. By 1967, Orth and several of his closest friends including Peter Warner, Oscar Hengstler, David Oats, Larry Zim, and Ernest Weidhaas conceived the idea of a fair collector's organization. By the summer of 1968, the group had formally created the Exhibition Collectors Historical Organization (ECHO).

As time passed Orth became increasing concerned about the welfare of his collection. He wanted it to go to a museum rather than be sold in parts. In his will he stipulated that the collection would be given to the Smithsonian Institution upon his death. Jon Zackman, former Smithsonian employee, interviewed Orth's brother George and fair collector Peter Warner. Orth and Warner corresponded and traded objects over many years. Mr. Orth primarily covered the west coast area while Peter Warner was his east coast counterpart. Edward Orth died on September 6,1989 in Los Angeles, California at the age of sixty-two.
Related Materials:
Materials in the Archives Center

New York World's Fair Collection, NMAH.AC.0134

Landor Design Collection, NMAH.AC.0500

Warshaw Collection of Business Americana, Subject Category, World Expos, NMAH.AC.0060

Larry Zim World's Fair Collection, NMAH.AC.0519

Alice R. Hillis World's Fair Film, NMAH.AC.0531

Borden Company 1939 New York World's Fair Collection, NMAH.AC.1063

Memories of the New York World's Fair, NMAH.AC.0592

Archives Center World Expositions Collection, NMAH.AC.0825

Daniel H. Meyerson World's Fair Collection, NMAH.AC.0745

Division of Community Life World's Fairs Collection, NMAH.AC.1132

Princeton University Posters Collection, NMAH.AC.0433

Hills Bros. Coffee Company, Incorporated Records, NMAH.AC.0395

Smithsonian Speech Synthesis History Project, NMAH.AC.0417

Messmore and Damon Company Records, NMAH.AC.0846

Thomas Norrell Railroad Collection, NMAH.AC.1174

William L. Bird Holidays on Display Collection, NMAH.AC.1288

Wurlitzer Company Records, NMAH.AC.0469

Victor A. Blenkle Postcard Collection, NMAH.AC.0200

Materials at Other Organizations

New York Public Library The New York World's Fair 1939 and 1940 Incorporated Records, 1935-1945, MssCol 2233.

New York City 1939 World's Fair architectural drawings, circa 1935. Museum of the City of New York. Museum of the City of New York.

New York City 1939 World's Fair Collection, 1939-1940. Museum of the City of New York. New York World's Fair 1939/40 Collection. Queens Museum.

1939 New York World's Fair Postcards, Identifier: 1972-320, Audiovisual Collections Repository, Hagley Museum & Library
Separated Materials:
Materials at the National Museum of American History

Artifacts from the collection include several thousand souvenirs and examples of memorabilia commemorating the fair to include buttons and badges, ceramics, glassware, clothing, costume jewelry, coins and medals, commemorative spoons and flatware, toys and games, and philatelic material which are all part of the Division of Home and Community Life's holdings (now Division of Cultural and Community Life).
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Viewing film portion of collection requires special appointment, please inquire. Do not use when original materials are available on reference video or audio tapes. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Exhibitions -- 1930-1940 -- New York (State) -- New York  Search this
World's fairs  Search this
Amusement parks--History  Search this
Amusement parks--New York (State)--History  Search this
Architecture--Exhibitions  Search this
Architecture--New York (State)--New York  Search this
Architecture--United States--Designs and plans  Search this
Burlesque shows--New York (State)--New York--1930-1940  Search this
Business history Business enterprises--United States--History  Search this
Chicago's Century of Progress  Search this
Construction and civil engineering  Search this
Construction industry--United States--Management--History  Search this
Corporate culture--History  Search this
Corporate culture--United States  Search this
Engineering--History--20th century  Search this
Exhibition buildings – New York (State) – New York  Search this
Exhibition buildings--1920-1940  Search this
Exhibitions -- Design  Search this
Fairs -- New York (State) -- New York -- History  Search this
Fashion--History--20th century  Search this
Flushing Meadows-Corona Park (New York, N.Y.)--History  Search this
Food in popular culture--New York (State)--New York  Search this
Graphic arts--United States--History--20th century  Search this
International exhibitions  Search this
International Exhibitions Bureau  Search this
Lighting, Architectural and decorative--History--20th century  Search this
Technology -- United States -- History -- 20th century  Search this
Transportation--New York Metropolitan Area--Planning  Search this
Transportation--New York (State)  Search this
United States --Foreign relations --1933-1945  Search this
Urban parks--United States--History  Search this
Urban design  Search this
World War, 1939-1945 -- Economic aspects -- United States  Search this
Consumerism  Search this
Consumers--History--20th century  Search this
General Motors Corporation  Search this
Grand Central Parkway extension  Search this
Organizational behavior--United States--History  Search this
Public relations--History  Search this
New York World's Fair Commission  Search this
Queens (New York, N.Y.) Buildings, structures, etc.  Search this
Genre/Form:
Souvenirs -- 1930-1940
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1930-1940
Pamphlets -- 1930-1940
Guidebooks -- 1930-1940
Exhibition posters--1930-1940
Diaries
Ephemera -- 20th century
Film transparencies
Motion picture film
Posters -- 1930-1940
Citation:
Edward J. Orth Memorial Archives of the New York World's Fair, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0560
See more items in:
Edward J. Orth Memorial Archives of the New York World's Fair
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep808504c62-92bb-48b1-8a76-f9d279516c33
EDAN-URL:
ead_collection:sova-nmah-ac-0560
Online Media:

Sheldon-Claire Company Records

Donor:
Shalett, Lew  Search this
Photographer:
Lee, Russell, 1903-1986  Search this
Creator:
Sheldon-Claire Company  Search this
Extent:
10 Cubic feet (11 boxes, 21 map-folders, 2 films, 1 videocassette)
Type:
Collection descriptions
Archival materials
Posters
Date:
1926-1968
Summary:
Employee motivational materials, circa 1926-1968, produced by the Sheldon-Claire Company.
Scope and Contents:
Employee motivational materials, circa 1926-1968, produced by the Sheldon-Claire Company. Materials include posters, pamphlets, manuals and other materials, in addition to the papers documenting the development and promotion of these products. Many are reproductions of work by famous photographers, such as Russell Lee. Some reflect World War II themes or constitute wartime propaganda.
Arrangement:
The collections is arranged into 14 series.

Series 1: Poster Campaigns, 1943-1964

Series 2: Bulletins, 1949-1963

Series 3: Supervisors Manuals, undated

Series 4: Small versions of Posters by Topics, undated

Series 5: Mail-O-Grams, undated

Series 6: Meet Bill Jones Service, 1926-1927

Series 7: Endorsements and Acknowledgments, undated

Series 8: The Greenly Plan, undated

Series 9: Scrapbook, undated

Series 10: Papers on Client Relations

Series 11: Background and Historical Materials, undated

Series 12: Copyright Papers, 1936-1968

Series 13: Posters, 1927-1962

Series 14: Miscellaneous, undated
Biographical / Historical:
In 1981, Mr. Lew Shallet sold his employee motivation program to Pratt, Whitney. However, that firm found that there was no market for it and it was discontinued. Mr. And Mrs. Lew Shalett moved to Florida in 1981. Mr. Shalett passed away on January 29, 1994.
Materials at Other Organizations:
Franklin D. Roosevelt Presidential Library and Museum

In 1943, Mr. Shalett donated a set of his "This is America" posters to President Franklin D. Roosevelt; they were placed into the collection at Roosevelt's Hyde Park Library, where they joined previous poster series that Shalett had donated. In 1980, Mr. Shalett donated to the Chicago Historical Society his "valuable personal and private organized collection of graphic arts and related material consisting of original lithographed posters produced in the 20's [sic], 30's [sic], and during World War II."
Provenance:
Donated to the Archives Center by Mrs. Wanda Shalett in December 2001.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
World War, 1939-1945 -- Art and the war  Search this
Industrial relations  Search this
World War, 1939-1945 -- Posters -- United States  Search this
Propaganda  Search this
Genre/Form:
Posters -- 20th century
Citation:
Sheldon-Claire Company Records, 1926-1980, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0768
See more items in:
Sheldon-Claire Company Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8458da57e-ddf0-4157-bfa7-2336461062f2
EDAN-URL:
ead_collection:sova-nmah-ac-0768
Online Media:

Lili Réthi Papers

Artist:
Rethi, Lili, 1894-1969  Search this
Extent:
8 Cubic feet (21 boxes, 8 map folders)
Type:
Collection descriptions
Archival materials
Bookplates
Books
Christmas cards
Drawings
Newspaper clippings
Photographs
Transcripts
Watercolor drawings
Date:
1918-1969
Summary:
Papers document artist and illustrator Lili Réthi who was best known for her drawings of industrial subjects such as bridges, construction scenes and mines.
Scope and Contents:
Drawings, sketches, watercolors, biographical material, photographs, printed material, correspondence and books relating to the career of artist and illustrator Lili Réthi. The bulk of the collection consists of originals and copies of Réthi's drawings and sketches for various projects in Europe and the United States.
Arrangement:
The collection is arranged into five series.

Series 1: Biographical Materials, 1928-1968

Series 2: Projects, 1918-1969

Series 3: Exhibits, 1940-1943, 1965

Series 4: Portraits, 1919-1965

Series 5: Illustrated Books, 1916-1969
Biographical / Historical:
Lilly (Lili) Maria Réthi (1894-1969) was born in Vienna, Austria to Leopold Réthi (1857-1924), a professor of medicine and Marie née Mauther (1863-1955). Réthi had one sister, Elizabeth "Elsie" (1889-1970). Lili attended the Viennese Kunstschule für Frauen und Mädchen (The Art School for Women and Girls), established in 1897. The school existed until 1945, but it closed to Jewish women artists in 1938, when the school was subordinated to the municipality of Vienna and used to inculcate Nazi ideology. (Ben-Eli, 1999). Réthi learned to sketch the human form at the Vienna Anatomical Institute—training, no doubt, that her physician father encouraged. This training, which sharpened her sense of form and function, helped her later when drawing complicated machinery and illustrating Victor Hecht's book, Leitfaden der Physikalisch-Therapeutischen, (Guide to Physical Therapy, 1916). Réthi became fascinated with construction at a young age. "When I was a little girl in Vienna, I used to take walks and watch men building houses. I was fascinated by the men working as well as the excitement of watching the building grow." (Constructor, December 1967, page 25) Her burgeoning interest would grow, and she became one of the best-known illustrators of engineering, construction, and industrial sites. She was named a Royal Society of Art Fellow in 1961.

During the inter-war years (1918-1939) Réthi interrupted her academic studies to work across Europe, illustrating sites in Austria, Belgium, Czechoslovakia, Denmark, France, Germany, the Netherlands, and Switzerland. The bulk of her work captured coal mines, coal yards, factories, chemical plants, blast furnaces, iron foundries, shipyards, steel production, buildings, aircraft, and bridges.

In 1929, Réthi moved to Berlin where she worked recording engineering projects and was an illustrator for the magazine "Der Bücherkreis" (Book Circle). She illustrated many of the "Dortmunder Union" activities during this period. The Union, a vertically integrated mining group (mining and iron and steel production), was founded in 1872 and was located in the Ruhr area of Germany. This work for the Union resulted in an exhibition in Berlin at the Verein Deutscher Ingenieure (1931) and "Wien- Berlin: Das Gesicht zwei Städte" (Vienna and Berlin: The Face of Two Cities") (1932); at the World Power Conference in Stockholm (1933); and the Technical Museum of Vienna (1934). While in the Ruhr, Rethi documented workers, elevating their significance as subjects in their own right. She recorded the working conditions, many of which depicted harsh and dangerous physical labor. Her published work Germinal (1924) highlighted, through seven lithographs, the terrible conditions in French mines. Her work with the Union provided exposure and elevated her growing artistic status, especially with the Third Reich. With war imminent in Europe, the erosion of her personal rights as a Jewish woman, and a commission invitation by Hermann Göring to create propaganda images for the Nazi Regime, she left for England, never to return to her homeland in Austria.

Her portfolio of work is immense and while she primarily focused on engineering, industrial and construction sites, trade publications, industry magazines and newspapers, she branched into other areas. She illustrated the German version of Upton Sinclair´s Letters to Judd, an American Workingman (Briefe an einen Arbeiter, Leipzig- Wien, 1932) and was widely published in Austrian, Danish and German newspapers such as Aften-Avisen, Bergland Wien, Børsen, Der Welt Spiegel, Beitbilder, and VDI Nachrichten. Later projects included books, primarily for children, commissions to sketch churches, portraits of individuals, illustrated book plates, pamphlets, and Christmas cards. Catholic entities such as St. John the Divine and the Capuchin Friars in New York, also sought her services to sketch church interiors and illustrate brochures. And, in 1950, Réthi sketched the interior renovation (1948-1952) of the White House during the Truman Administration.

The Illustrated London News hired Réthi in 1937 to sketch the coronation of King George. While in England, she also created sketches for a booklet issued by the London, North Eastern Railway (L.N.E.R.) posters for the London, Midland and Scottish Railway (L.M.S.) and the General Post Office (GPO): Post Office Motor Transport Depot (1937); the Post Office Underground Mail Train (1935); and LMS Crewe Works, Building Coronation Class Engine (1937). The Illustrated London News sent her to the 1939 New York World's Fair where her introduction and love of New York City was launched. Réthi arrived in the United States on March 23, 1939, and became a citizen in 1944.

In the United States, Réthi continued illustrating engineering and construction activities, many of which were major post war projects. Réthi was attracted to the great industrial scene of 1940s America, and New York City provided a fertile location for most of her projects. The first public showing of her work in the United States was at the Architectural League of New York (1940) and her "American Industry at War" exhibit was held at the Metropolitan Museum of Art (1943). She documented some of the most significant projects in North America such as the New York City Pavilion at the World's Fair (1964), the United Nations Building (1949), the Pan Am Building (1962), Pennsylvania Station (1965), and the World Trade Center (1967-1968).

She had commissions from Surveyer, Nenniger & Chênevert (an engineering and construction firm that used her images on company Christmas cards), Sperry Gyroscope Company, U.S. Tobacco Company, Turner Construction, Walsh Construction, Atlas Steel Plant, Bliss Manufacturing, George A. Fuller Company, Standard Chemicals, and the United States Pipe and Foundry Company, to name a few.

Réthi also worked with several book publishers, especially, McGraw-Hill and Harcourt Brace. She illustrated over 40 books, many for children. Her work also appeared on the covers of many trade publications and magazines such as Pencil Points, Service, Factory, Product Engineering, and the Journal of the American Society of Automotive Engineers. Réthi was one of a few, if not the only female artist who devoted her career to portraying engineering works.
Related Materials:
Materials at the Smithsonian Institution

Archives Center, National Museum of American History

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

Contains negatives and prints of drawings for the Verranzo-Narrows Bridge, New York, New York

Smithsonian Instituton Archives

Records, circa 1948-1988

Contains documentation about a Lili Réthi exhibit, 1964-1965, curated by the then Museum of the History of Technology.

Archives of American Art

Associated American Artists Records, circa 1934-1983

Includes three file folders in the Series: Artists Files about Lili Réthi.

Materials at Other Organizations

Hagley Museum and Library

Sperry Gyroscope Company Division photographs and films (1986-273)

Contains Lili Réthi graphic arts, 1943, consisting of 24 reproductions.
Provenance:
The collection was bequeathed by Lili Réthi to the United States National Museum (now known as the National Museum of American History) through Herbert G. Fenison in 1971.
Restrictions:
Collection is open for research. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Artists  Search this
Book illustrators  Search this
Illustrators  Search this
Topic:
Bridges  Search this
Buildings  Search this
Construction  Search this
Construction and civil engineering  Search this
Engineering -- 20th century  Search this
Illustrated books, Children's  Search this
Women artists -- United States  Search this
Genre/Form:
Bookplates
Books -- 20th century
Christmas cards
Drawings -- 20th century
Newspaper clippings
Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century
Transcripts -- 20th century
Watercolor drawings
Citation:
Lili Réthi Papers, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0749
See more items in:
Lili Réthi Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep876ee6154-c5e2-4c2f-a217-9c4044b6a002
EDAN-URL:
ead_collection:sova-nmah-ac-0749
Online Media:

Interviews of Helen Boyer and Warrington Colescott, 1984 Nov. 13 - 1986 Mar. 20

Creator:
Wright, Helena, 1946-  Search this
Boyer, Helen King, 1919-  Search this
Subject:
Boyer, Louise  Search this
Boyer, Ernest W.  Search this
Colescott, Warrington  Search this
National Museum of American History (U.S.). Department of Social and Cultural History. Division of Graphic Arts  Search this
Type:
Interviews
Sound recordings
Citation:
Interviews of Helen Boyer and Warrington Colescott, 1984 Nov. 13 - 1986 Mar. 20. Archives of American Art, Smithsonian Institution.
Topic:
Printmakers -- Interviews  Search this
Prints -- 20th century -- Technique  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)6432
(DSI-AAA_SIRISBib)215567
AAA_collcode_wrighele
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215567

Oral history interview with Eleanor M. Garvey, 1997 February 28-June 13

Interviewee:
Garvey, Eleanor M. (Eleanor Martha)  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Abbot, Agnes Anne  Search this
Bentinck-Smith, William  Search this
Campbell, Alexander  Search this
Campbell, Louisa Dresser  Search this
Coffey, Katherine  Search this
Conant, Kenneth J.  Search this
Der Nersessian, Sirarpie  Search this
Freedberg, S. J. (Sydney Joseph)  Search this
Hofer, Philip  Search this
McAndrew, John  Search this
O'Gorman, James F.  Search this
Richardson, H. H. (Henry Hobson)  Search this
Sawyer, Charles Henry  Search this
Winship, George Parker  Search this
Clark University (Worcester, Mass.)  Search this
Houghton Library  Search this
Newark Museum  Search this
Wellesley College  Search this
Worcester Art Museum  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Eleanor M. Garvey, 1997 February 28-June 13. Archives of American Art, Smithsonian Institution.
Topic:
Artists' books  Search this
Book design  Search this
Illustrated books -- 19th century  Search this
Illustrated books -- 20th century  Search this
Women museum curators  Search this
Record number:
(DSI-AAA_CollID)12667
(DSI-AAA_SIRISBib)216049
AAA_collcode_garvey97
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216049
Online Media:

Oral history interview with Eleanor M. Garvey

Interviewee:
Garvey, Eleanor M.  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Clark University (Worcester, Mass.)  Search this
Houghton Library  Search this
Newark Museum  Search this
Wellesley College  Search this
Worcester Art Museum  Search this
Abbot, Agnes Anne, 1897-1992  Search this
Bentinck-Smith, William, 1914-  Search this
Campbell, Alexander  Search this
Campbell, Louisa Dresser, 1907-1989  Search this
Coffey, Katherine, d. 1972  Search this
Conant, Kenneth J.  Search this
Der Nersessian, Sirarpie, 1896-1989  Search this
Freedberg, S. J. (Sydney Joseph), 1914-1997  Search this
Hofer, Philip, 1898-1984  Search this
McAndrew, John  Search this
O'Gorman, James F.  Search this
Richardson, H. H. (Henry Hobson), 1838-1886  Search this
Sawyer, Charles Henry, 1906-2005  Search this
Winship, George Parker, 1871-1952  Search this
Extent:
76 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1997 February 28-June 13
Scope and Contents:
An interview of Eleanor M. Garvey conducted 1997 February 28-June 13, by Robert F. Brown, for the Archives of American Art in Garvey's office, Houghton Library, Harvard University, Cambridge, Massachusetts.
Garvey discusses her childhood in Worcester, Massachusetts; majoring in art history at Wellesley College under Serape der Nersessian, Alexander Campbell, Agnes Abbott, and Kenneth Conant; study of education at Clark University, with drawing classes at the art school of the Worcester Art Museum; and the extremely useful experience working at the Museum under Charles Sawyer and Louisa Dresser.
Working as an art librarian and museum curator at Wellesley College (1947-1952), and art history professors John McAndrew, Sidney Freedberg, James O'Gorman; moving on to the Newark Museum (1952-1953) and its collections and administration under Katherine Coffey.
Joining the Dept. of Printing and Graphic Arts of the Houghton Library in 1953 beginning as secretary to curator Philip Hofer; Hofer's work on illustrated books; the development of the Houghton Library from the so-called "Treasure Room" of the main Harvard Library under the direction of George Parker Winship; Garvey's close relationship with William Bentinck-Smith, a Houghton patron and an authority on type design; the status of women professionals at Harvard.
Continued discussion of Houghton patron William Bentinck-Smith; publications and exhibitions while at Houghton, including: "The Artist and the Book, 1860-1960" (1961), "The Turn of a Century, 1885-1970" (1970), "Henry Hobson Richardson and His Office: Selected Drawings" (1974), and "Artists of the Book in Boston, 1890-1910" (1988), as well as her current project producing a catalog of 18th century Venetian illustrated books and her involvement in seminars on artists' books.
Biographical / Historical:
Eleanor M. Garvey (1918- ) is a curator and writer from Cambridge, Massachusetts.
General:
Originally recorded on 3 sound cassettes as X digital wav files. Duration is 3 hrs., 30 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Museum curators -- Massachusetts  Search this
Topic:
Artists' books  Search this
Book design  Search this
Illustrated books -- 19th century  Search this
Illustrated books -- 20th century  Search this
Women museum curators  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.garvey97
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ace508c0-0cbf-4909-a16d-8ab7a5e20be4
EDAN-URL:
ead_collection:sova-aaa-garvey97
Online Media:

HarperCollins College Outline: 20th-Century United States History

Designer:
Agnethe Glatved, Norwegian, active late-20th and early-21st century  Search this
Christopher Johnson, probably American, active late-20th and early-21st century  Search this
Office of:
Drenttel Doyle Partners, New York, New York, USA  Search this
Photographer:
Len Jenshel, American, b. 1949  Search this
Author:
Daniel Preston, probably American, active 20th and 21st century  Search this
Publisher:
HarperCollins, New York, New York, USA  Search this
Medium:
Lithograph on paper
Dimensions:
38.7 × 23.5 cm (15 1/4 × 9 1/4 in.)
Type:
graphic design
Book cover
Object Name:
Book cover
Made in:
USA
Date:
1991–92
Credit Line:
Gift of Steven Heller
Accession Number:
1996-74-49
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4f65a2105-57dd-479f-a3cb-0d2076b75c32
EDAN-URL:
edanmdm:chndm_1996-74-49

Preliminary sketch for mural The History of Labor in America, The 20th Century: Technology (U. S. Department of Labor, Washington, DC)

Artist:
Jack Beal, born Richmond, VA 1931-died Oneonta, NY 2013  Search this
Medium:
brush and ink and conte crayon on paper
Dimensions:
14 x 10 3/4 in. (35.6 x 27.3 cm)
Type:
Drawing
Date:
ca. 1975
Topic:
Figure male  Search this
Occupation\industry  Search this
Study\mural study  Search this
General Services Administration\Art-in-Architecture Program  Search this
History\United States\twentieth century  Search this
History\United States\technology  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program
Object number:
1977.47.146
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7854ee8d9-b8a5-4e1b-8249-3e5c64eb1f0b
EDAN-URL:
edanmdm:saam_1977.47.146

Preliminary sketch for mural The History of Labor in America, The 20th Century: Technology (U. S. Department of Labor, Washington, DC)

Artist:
Jack Beal, born Richmond, VA 1931-died Oneonta, NY 2013  Search this
Medium:
brush and ink, ink wash and conte crayon on paper
Dimensions:
11 x 14 in. (27.9 x 35.6 cm)
Type:
Drawing
Date:
ca. 1975
Topic:
Figure group  Search this
Study\mural study  Search this
General Services Administration\Art-in-Architecture Program  Search this
Object\tool\ladder  Search this
History\United States\twentieth century  Search this
History\United States\technology  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program
Object number:
1977.47.147
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk740eb34b9-0b58-4b5c-ab35-cc588d569654
EDAN-URL:
edanmdm:saam_1977.47.147

Preliminary sketch for mural The History of Labor in America, The 20th Century: Technology (U. S. Department of Labor, Washington, DC)

Artist:
Jack Beal, born Richmond, VA 1931-died Oneonta, NY 2013  Search this
Medium:
brush and ink and conte crayon on paper
Dimensions:
10 3/4 x 14 in. (27.3 x 35.6 cm)
Type:
Drawing
Date:
ca. 1975
Topic:
Figure group  Search this
Study\mural study  Search this
General Services Administration\Art-in-Architecture Program  Search this
History\United States\twentieth century  Search this
History\United States\technology  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program
Object number:
1977.47.148
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk75ed505f4-387b-4b37-9bce-2cbdfc5e7491
EDAN-URL:
edanmdm:saam_1977.47.148

Preliminary sketch for mural The History of Labor in America, The 20th Century: Technology (U. S. Department of Labor, Washington, DC)

Artist:
Jack Beal, born Richmond, VA 1931-died Oneonta, NY 2013  Search this
Medium:
brush and ink, ink wash, and conte crayon on paper
Dimensions:
14 x 12 in. (35.6 x 30.5 cm)
Type:
Drawing
Topic:
Figure group\male  Search this
Occupation\industry  Search this
Study\mural study  Search this
General Services Administration\Art-in-Architecture Program  Search this
History\United States\technology  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program
Object number:
1977.47.149
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk781a9087f-2b72-4792-a864-48af62f94bae
EDAN-URL:
edanmdm:saam_1977.47.149

Preliminary sketch for mural The History of Labor in America, The 20th Century: Technology (U. S. Department of Labor, Washington, DC)

Artist:
Jack Beal, born Richmond, VA 1931-died Oneonta, NY 2013  Search this
Medium:
brush and ink, ink wash, and conte crayon on paper
Dimensions:
14 x 10 3/4 in. (35.6 x 27.3 cm)
Type:
Drawing
Date:
ca. 1975
Topic:
Figure group  Search this
Study\mural study  Search this
General Services Administration\Art-in-Architecture Program  Search this
History\United States\technology  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program
Object number:
1977.47.150
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk776154be4-5c81-48ba-988c-99151373d1b2
EDAN-URL:
edanmdm:saam_1977.47.150

Preliminary sketch for mural The History of Labor in America, The 20th Century: Technology (U. S. Department of Labor, Washington, DC)

Artist:
Jack Beal, born Richmond, VA 1931-died Oneonta, NY 2013  Search this
Medium:
brush and ink, ink wash, and conte crayon on paper
Dimensions:
14 x 10 3/4 in. (35.6 x 27.3 cm)
Type:
Drawing
Date:
ca. 1975
Topic:
Figure group  Search this
Study\mural study  Search this
General Services Administration\Art-in-Architecture Program  Search this
History\United States\technology  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program
Object number:
1977.47.151
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk717550f4b-476c-4d38-8bc5-95960844495d
EDAN-URL:
edanmdm:saam_1977.47.151

Preliminary sketch for mural The History of Labor in America, The 20th Century: Technology (U. S. Department of Labor, Washington, DC)

Artist:
Jack Beal, born Richmond, VA 1931-died Oneonta, NY 2013  Search this
Medium:
ink wash and conte crayon on paper
Dimensions:
10 3/4 x 14 in. (27.3 x 35.6 cm)
Type:
Drawing
Date:
ca. 1975
Topic:
Figure\head  Search this
Study\mural study  Search this
General Services Administration\Art-in-Architecture Program  Search this
History\United States\technology  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program
Object number:
1977.47.152
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7da13d362-249c-406e-9d9e-756a4d7d13a2
EDAN-URL:
edanmdm:saam_1977.47.152

Preliminary sketch for mural The History of Labor in America, The 20th Century: Technology (U. S. Department of Labor, Washington, DC)

Artist:
Jack Beal, born Richmond, VA 1931-died Oneonta, NY 2013  Search this
Medium:
felt-tipped pen and ink on paper
Dimensions:
5 1/2 x 8 1/2 in. (14.0 x 21.6 cm)
Type:
Drawing
Date:
ca. 1975
Topic:
Study\mural study  Search this
General Services Administration\Art-in-Architecture Program  Search this
History\United States\technology  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program
Object number:
1977.47.153
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7f3418966-8ed7-4998-8dd3-b20b568abadf
EDAN-URL:
edanmdm:saam_1977.47.153

Preliminary sketch for mural The History of Labor in America, The 20th Century: Technology (U. S. Department of Labor, Washington, DC)

Artist:
Jack Beal, born Richmond, VA 1931-died Oneonta, NY 2013  Search this
Medium:
brush and ink and conte crayon on paper
Dimensions:
9 x 12 in. (22.9 x 30.5 cm)
Type:
Drawing
Date:
ca. 1975
Topic:
Occupation\industry  Search this
Figure male\full length  Search this
Study\mural study  Search this
General Services Administration\Art-in-Architecture Program  Search this
History\United States\technology  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program
Object number:
1977.47.154
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7dfd4b864-2ab0-4c5f-b5c4-8a5b1744f1a6
EDAN-URL:
edanmdm:saam_1977.47.154

Art & graphic design George Maciunas, Ed Ruscha, Sheila Levrant De Bretteville Benoît Buquet ; translated by Jane Marie Todd

Title:
Art and graphic design
George Maciunas, Ed Ruscha, Sheila Levrant De Bretteville
Author:
Buquet, Benoît  Search this
Artist:
Maciunas, George 1931-1978  Search this
Ruscha, Edward  Search this
De Bretteville, Sheila Levrant  Search this
Translator:
Todd, Jane Marie 1957-  Search this
Physical description:
ix, 220 pages illustrations (some color) 26 x 22 cm
Type:
Books
Criticism, interpretation, etc
Place:
United States
États-Unis
Date:
2021
20th century
20e siècle
Topic:
Graphic arts--History  Search this
Art and design  Search this
Fluxus (Group of artists)  Search this
Pop art  Search this
Graphic design (Typography)  Search this
Art et design  Search this
Fluxus (Groupe d'artistes)  Search this
Pop'art  Search this
Arts graphiques  Search this
Arts graphiques--Histoire  Search this
Fluxus  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155418

Market Plaza Mexico

Title (Spanish):
Plaza del Mercado
Graphic artist:
Hart, George O. "Pop"  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 40.1 cm x 28.6 cm; 15 13/16 in x 11 1/4 in
Object Name:
print
Object Type:
Aquatint
Other Terms:
print; Intaglio; Aquatint
Place made:
Mexico
Associated Place:
Mexico
Date made:
ca 1925
Associated Date:
20th century
Subject:
Latino  Search this
Immigration  Search this
Credit Line:
George O. Hart
ID Number:
GA.14183
Catalog number:
14183
Accession number:
92987
See more items in:
Work and Industry: Graphic Arts
Cultures & Communities
Mexican America
Art
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-b89e-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_782286
Online Media:

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