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Yosemite Falls, Supplement to the Traveler, January 1894

Graphic artist:
H. S. Crocker Company, Inc.  Search this
Publisher:
Union Photo Engraving Company  Search this
Original artist:
Jackson, W. H.  Search this
Measurements:
overall: 40.5 cm x 31.9 cm; 15 15/16 in x 12 9/16 in
Object Name:
Print
Object Type:
Photomechanical Relief Processes
Place made:
United States: California, San Francisco
Credit Line:
Judith Jaidinger Szesko
ID Number:
1996.0197.389
Catalog number:
1996.0197.389
Accession number:
1996.0197
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a0-eb48-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1187044

James Brooks and Charlotte Park papers

Creator:
Brooks, James, 1906-1992  Search this
Names:
Kootz Gallery (N.Y.)  Search this
New York University -- Students  Search this
Southern Methodist University -- Students  Search this
United States. Army  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Gottlieb, Adolph, 1903-1974  Search this
Guston, Philip, 1913-1980  Search this
King, William, 1925-2015  Search this
Park, Charlotte  Search this
Extent:
20.1 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Sound recordings
Transcripts
Interviews
Drawings
Photographs
Diaries
Date:
1909-2010
bulk 1930-2010
Summary:
The papers of Abstract Expressionist painters James Brooks and Charlotte Park measure 18.7 linear feet and are dated 1909-2010, bulk 1930-2010. Correspondence, subject files, personal business records, printed material, and a sound recording document his painting career, interests, professional and personal activities. Also found are biographical materials, interviews, writings, and art work. The collection also includes papers of his wife, Abstract Expressionist painter Charlotte Park, regarding her painting career, personal life, activities as executor of James Brooks' estate, and some material concerning the James Brooks and Charlotte Park Brooks Foundation. There is a 1.4 linear foot addition to this collection donated in 2017 that includes 58 "week-at-a-glance" appointment books, three journals and one address/ telephone book of Charlotte Park; a hand written chronology with significant dates and notes; postcards and exhibition announcements sent to Charlotte and James; doodles; and a sketch, possibly by Don Kingman.
Scope and Contents:
The papers of Abstract Expressionist painters James Brooks and Charlotte Park measure 18.7 linear feet and are dated 1909-2010, bulk 1930-2010. Correspondence, subject files, personal business records, printed material, and a sound recording document his painting career, interests, professional and personal activities. Also found are biographical materials, interviews, writings, and art work. The collection also includes papers of his wife, Abstract Expressionist painter Charlotte Park, regarding her painting career, personal life, activities as executor of James Brooks' estate, and some material concerning the James Brooks and Charlotte Park Brooks Foundation. There is a 1.4 linear foot addition to this collection donated in 2017 that includes 58 "week-at-a-glance" appointment books, three journals and one address/ telephone book of Charlotte Park; a hand written chronology with significant dates and notes; postcards and exhibition announcements sent to Charlotte and James; doodles; and a sketch, possibly by Don Kingman.

Biographical materials include biographical notes and documents such as copies of birth and death certificates, curricula vitae, family history. Educational records are from Southern Methodist University and documentation of flight training courses at New York University. Brooks' military service in World War II is well documented by United States Army records with related correspondence. Also found is extensive documentation of his death and funeral.

Professional and personal correspondence is addressed to Brooks, the couple, and to Charlotte Park during the later years of Brooks' life when she managed his affairs. A significant amount of correspondence is categorized as art, autograph requests, personal, and teaching; also include is general correspondence that overlaps all categories. Art correspondence with museums, galleries, collectors, artists, and friends concerns exhibitions, Brooks' work, and invitations to exhibit, speak, or serve as a juror. Of note is the correspondence with Samuel M. Kootz Gallery. The personal correspondence is mainly social, and teaching correspondence consists largely of requests that he teach in summer programs, serve as a visiting artist/critic.

Six interviews with James Brooks are in the form of published and unpublished transcripts; a seventh is a sound recording with no known transcript. Charlotte Park participates in one interview.

Writings by Brooks are statements about his work and a tribute to Ilya Bolotowsky. Among the writings by others about Brooks are a catalog essay, academic papers, and lecture; also found are a few short pieces on miscellaneous topics. Three diaries include brief entries regarding his work, exhibitions, and activities.

Subject files maintained by Brooks concerning organizations, exhibitions, mural projects, a commission and teaching document his professional activities, relationships and interests. Personal business records concern appraisals, conservation, gifts, insurance, loans, sales, shipping, and storage of artwork. Gallery records include agreements, consignments, lists, and receipts. Also, there are accounts for lettering work and personal income tax returns.

Printed material is mostly exhibition announcements, invitations, catalogs, and checklists, as well as articles and reviews. The majority are about/mention Brooks or include reproductions of his work; some concern artist friends, former students, and others.

Artwork by Brooks consists of pencil and ink drawings, two sketchbooks, and "telephone doodles." Other artists include Adolph Gottlieb (ink drawing of sculpture), Philip Guston (three pencil drawings of Brooks), and William King (two silhouettes of Brooks).

Photographic materials (photographs, digital prints, negatives, slides, and color transparencies) provide extensive documentation of Brooks' artwork and, to a lesser extent, exhibitions.There are pictures of Brooks as a very young boy, though the most views of him date from the 1930s through 1980s, and with friends. Places include Brooks' homes and studios in Montauk, New York and the Springs, East Hampton, New York; travel to Maine, Oregon and California. Views of the Middle East from World War II show Brooks with colleagues, local people engaged in daily activities, and scenery. Also of note are a copy print of "The Irascibles" by Nina Leen, and attendees at the dedication of Flight dining in view of Brook's LaGuardia Ariport mural.

Charlotte Park papers document the professional career and personal life of the Abstract Expressionist painter, art teacher, and wife of James Brooks through correspondence, personal business records, exhibition records, printed material, and photographs. In addition, this series documents artwork in the estate of James Brooks and posthumous exhibitions. Twelve years younger than her husband, Park began handling business matters for him as he aged and developed Alzheimer's disease. She also served as his executor. In the 1990s, a curator assumed management of the artwork and loans for exhibitions. After the James Brooks and Charlotte Park Brooks Foundation was established in 2000, its director handled most business activities. Some copies of Foundation minutes and correspondence are found among Park's papers.
Arrangement:
The collection is arranged in 11 series:

Series 1: Biographical Materials, 1924-1995 (Box 1, OV 19; 0.6 linear feet)

Series 2: Correspondence, 1928-1995 (Boxes 1-3; 1.7 linear feet)

Series 3: Interviews, 1965-1990 (Box 3; 0.2 linear feet)

Series 4: Writings, 1952-1999 (Box 3; 0.4 linear feet)

Series 5: Diaries, 1975-1984 (Box 3; 0.1 linear feet)

Series 6: Subject Files, 1926-2001 (Boxes 3-5, OV 20; 2.0 linear feet)

Series 7: Personal Business Records, 1932-1992 (Boxes 5-6; 1.0 linear feet)

Series 8: Printed Material, 1928-1992 (Boxes 6-11, OV 21-OV 22; 4.8 linear feet)

Series 9: Artwork, 1930s-1992 (Box 11; 0.2 linear feet)

Series 10: Photographic Materials, 1909-2000s (Boxes 11-15; 4.1 linear feet)

Series 11: Charlotte Park papers, 1930s-2010 (Boxes 15-18, OV 23; 3.6 linear feet)

Series 12: Unprocessed Additition, circa 1930-2010 (Boxes 25-26; 1.4 linear feet)
Biographical / Historical:
James Brooks (1906-1992) and Charlotte Park (1919-2010) were Abstract Expressionist painters in East Hampton, N.Y. A native of St. Louis, Missouri, Brooks spent his childhood in Colorado, Oklahoma, Illinois, and Texas. He begn drawing as a young boy, finding inspiration in magazine illustrations and comic strips. Before moving to New York City in 1926, he studied at Southern Methodist University (1923-1924) and at the Dallas Art Institute.

In New York, Brooks studied illustration at the Grand Central Art School. After exposure to museums led him to differentiate between illustration and fine art, Brooks enrolled at Art Students League. During this period he supported himself by doing lettering for magazine advertisements. From 1936-1942 he participated in the WPA Federal Art Project, executing murals at Woodside Library, Queens, New York (destroyed); the Post Office, Little Falls, New Jersey; and his famous Flight at LaGuardia Airport's Marine Air Terminal (painted over in the 1950s and restored in 1980).

During World War II Brooks served in the United States Army as an art correspondent in Cairo. When at the Office of Special Services, Washington, DC, he met Charlotte Park who worked there as a graphic artist and later became his wife. The couple moved to New York City in 1945 and married in 1947. Brooks resumed friendships with artists he knew from the WPA including Philip Guston, Bradley Walker Tomlin, and Jackson Pollock. Brooks and Park were especially close with Pollock and Lee Krasner; after they moved to Long Island, Brooks and Park, soon followed, first to Montauk and later to the Springs, East Hampton, New York.

By the late 1940s, Brooks had turned away from figural painting in the social realist style and moved toward abstraction. In the early 1950s, he was experimenting with enamel, gouache, and diluted oil paints, staining various grounds in ways that produced interesting shapes, adding spontaneous splashes of color over which he painted more deliberately. In the 1960s he switched to acrylics, leading to wider use of color and broader strokes.

Peridot Gallery presented Brooks' first solo exhibition in 1949. He helped organize and participated in the famous Ninth Street Show of 1951, earning critical acclaim. This assured him a place in two of the Museum of Modern Art's most important exhibitions of the period, Twelve Americans (1956) and New American Painting (1958). He showed at the Stable Gallery, Kootz Gallery, Martha Jackson Gallery and others. During his lifetime Brooks enjoyed five traveling retrospective exhibitions.

Prizes and awards included Carnegie Institute's Pittsburgh International Exhibition 5th prize for painting (1952), The Art Institue of Chicago's 62nd American Exhibition Logan Medal and Prize for Painting (1957) and 64th American Exhibition Harris Prize (1961), The National Arts Club Medal (1985), and a citation of appreciation for Flight from The North Beach Club Marine Air Terminal, LaGuardia Airport (1986).

Brooks taught for nearly three decades: drawing at Columbia University (1947-1948) and lettering at Pratt Institute (1948-1955); was a visiting critic, Yale University (1955-1960), University of Pennsylvania (1971-1972), and Cooper Union (1975); and served on the Queens College faculty (1966-1969). In addition, he was an artist-in-residence at The American Academy in Rome (1963), the recipient of a Guggenheim Fellowship (1969), and a National Endowment for the Humanities Grant (1973).

Brooks developed Alzheimer's disease around 1985 and died in East Hampton, New York in 1992.

Charlotte Park graduated from the Yale School of Fine Art (1939) and during World War II, when working in Washington, D.C., she met James Brooks. They moved to New York City in 1945, where she studied with Australian artist Wallace Harrison. Park taught children's art classes at several private schools in the early 1950s and at the Museum of Modern Art, 1955-1967.

Park's approach to Abstract Expressionism featured curved or linear shapes with vibrant colors and dynamic brushstrokes. Tanager Gallery presented her first solo show in 1957 and her work was included in numerous group exhibitions from the 1950s through 2000s, mainly in New York City and Long Island. After Park's second solo exhibition, held in 1973 at Elaine Benson Gallery, Bridgehampton, New York, interest in her work revived; other one-person shows followed at Guild Hall (1979), Ingber Gallery (1980), and paired with James Brooks at Louise Himelfarb Gallery. The National Institute of Arts and Letters honored Park with its Art Award in 1974. Her work is in the permanent collections of the Parrish Art Museum, Guild Hall Museum, Telfair Museum of Art, and in many private collections.

Charlotte Park died in 2010.
Related Materials:
Also among the Archives of American Art's holdings are letters from James Brooks and Sean Scully, 1980-1989 addressed to Theodora ["Teddy"] S. Greenbaum, and an oral history interview with James Brooks conducted by Dorothy Seckler, 1965 June 10 and June 12.
Separated Materials:
Correspondence, interview transcripts, photographs, and printed material were loaned by James Brooks for microfilming in 1969 (reel N69-132). With the exception of an address book, a scrapbook, and a few photographs, Brooks donated almost all of the loan in 1979.
Provenance:
The majority of the collection was donated in 2013 by the James Brooks and Charlotte Brooks Foundation and an additional 1.4 linear feet donated 2017 by the Foundation. In 1979 James Brooks donated most of the material lent for microfilming in 1969.
Restrictions:
ACCESS RESTRICTED: Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access requires written permission from The James Brooks and Charlotte Park Brooks Foundation. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
World War, 1939-1945  Search this
Painters -- New York (State) -- New York  Search this
Abstract expressionism  Search this
Genre/Form:
Sketchbooks
Sound recordings
Transcripts
Interviews
Drawings
Photographs
Diaries
Citation:
James Brooks and Charlotte Park papers, 1909-2010, bulk 1930-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.broojame
See more items in:
James Brooks and Charlotte Park papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-broojame

Oral history interview with Rudolph de Harak

Interviewee:
Harak, Rudolph de  Search this
Interviewer:
Larsen, Susan C.  Search this
Names:
Cooper Union for the Advancement of Science and Art -- Faculty  Search this
McGraw-Hill Book Company, Inc. -- Employees  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
U.S. Atomic Energy Commission  Search this
World Trade Center (New York, N.Y.) -- Design  Search this
Burtin, Will, 1908-  Search this
Golden, William, 1911-1959  Search this
Kepes, Gyorgy, 1906-2001  Search this
Tritel, Hal  Search this
Weingart, Wolfgang, 1941-  Search this
Extent:
Sound recording: 3 sound cassettes (270 min.) : analog + printed material and drawings
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Drawings
Interviews
Sound recordings
Date:
2000 April 27
Scope and Contents:
An interview of Rudolph de Harak conducted 2000 April 27, by Susan Larsen, for Archives of American Art, in Trenton, Maine. Also received from De Harak at the time of the interview are a photocopy of an article reprinted in Design Culture that de Harak wrote for the American Institute of Graphic Arts; photocopy of an interview transcript with Gyorgy Kepes conducted by de Harak, de Harak's vitae, 2 exhibition catalogs, an article in recognition of de Harak by Daniel Forte, and a pencil drawing and a design with color chart.
De Harak discusses his childhood in California and moving to both Chicago and New York in support of his sisters' dancing careers, as well as his education and career. He attended the New York School of Industrial Arts, graduating in 1940, at the age of sixteen. After graduation he worked in an upholstery factory etching zinc plates for printed and painted silk fabric for use in draperies. At age eighteen he was drafted into the Army and served throughout WWII. After the war he returned to California, to be with his sisters and mother. Eventually he found work in a Los Angeles design studio, where he became reacquainted with Hal Tritel, whom he had known in New York. Together, they attended an inspirational lecture by Will Burtin, the art director of Fortune magazine.
In 1947, De Harak and Tritel opened their own design firm. In 1950, De Harak moved back the New York in search of more opportunities as a designer. He worked at a variety of tasks including a stint at Seventeen magazine, starting his own design firm, and teaching at Cooper Union School of Visual Arts. His clients included McGraw Hill Publishers, the Atomic Energy Commission, and the Metropolitan Museum of Art. He also worked on the World Trade Center. Through his work with the Atomic Energy Commission, De Harak became friends with Gyorgy Kepes. He also became friends with Will Burtin and Bill Golden, the designer of the "CBS eye" logo. De Harak also discusses the effect computers have had on design, the influence of Wolfgang Weingart, and his decision to focus on painting.
Biographical / Historical:
Rudolph de Harak (1924-2002) was a graphic designer and painter from Trenton, Maine.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Interviews  Search this
Topic:
Designers -- Interviews  Search this
Exhibitions -- Design  Search this
Graphic artists -- Interviews  Search this
Genre/Form:
Drawings
Interviews
Sound recordings
Identifier:
AAA.harak00
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-harak00

Clippings and Press

Collection Creator:
Zarina  Search this
Container:
Box 1, Folder 18
Type:
Archival materials
Date:
2000-2013
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of electronic records requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Zarina Hashmi papers, 1950-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Zarina Hashmi papers
Zarina Hashmi papers / Series 5: Printed Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-zarina-ref549
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Oral history interview with Rudolph de Harak, 2000 April 27

Interviewee:
Harak, Rudolph de, 1924-2002  Search this
Harak, Rudolph de, 1924-2002  Search this
Interviewer:
Larsen, Susan C., 1946-  Search this
Subject:
Burtin, Will  Search this
Golden, William  Search this
Kepes, Gyorgy  Search this
Tritel, Hal  Search this
Weingart, Wolfgang  Search this
Cooper Union for the Advancement of Science and Art  Search this
McGraw-Hill Book Company, Inc.  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
U.S. Atomic Energy Commission  Search this
World Trade Center (New York, N.Y.)  Search this
Type:
Drawings
Interviews
Sound recordings
Topic:
Designers -- Interviews  Search this
Exhibitions -- Design  Search this
Graphic artists -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12339
(DSI-AAA_SIRISBib)228107
AAA_collcode_harak00
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_228107

A Quartette from China-town, No. 501

Graphic artist:
Rieder, M.  Search this
Measurements:
overall: 4 in x 6 in; 10.16 cm x 15.24 cm
Object Name:
Card, post
postcard
Other Terms:
Print; Card, post; Chromolithograph
Place made:
United States: California, Los Angeles
Associated Place:
United States: New York, New York
Date made:
circa 1900
ID Number:
GA.24880.020
Catalog number:
24880.020
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-1540-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_809275

The Heathen Chinee, Plain Language From Truthful James [Table Mountain, 1870]

Graphic artist:
Nash, John Henry  Search this
Author:
Harte, Bret  Search this
Coolbrith, Ina  Search this
Rowell, J. C.  Search this
Cowan, Robert Ernest  Search this
Measurements:
overall: 44.5 cm x 32.5 cm; 17 1/2 in x 12 13/16 in
Object Name:
Book
Place made:
United States: California, San Francisco
Associated Place:
United States: New York, New York
Date made:
1924
ID Number:
GA.14089
Catalog number:
14089
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a9-4c97-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1096518

Chinatown Market-San Francisco

Graphic artist:
Barton, Loren  Search this
Measurements:
overall: 26.7 cm x 34.2 cm; 10 1/2 in x 13 7/16 in
Object Name:
Print
Object Type:
Etching
Other Terms:
Print; Etching
Place made:
United States: California, Los Angeles
Associated Place:
United States: New York, New York
Date made:
post 1900
1900-1975
ID Number:
GA.13351
Catalog number:
13351
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-c2a9-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_780820

The Bamboo Gate

Graphic artist:
Hyde, Helen  Search this
Measurements:
overall: 26 cm x 19.4 cm; 10 1/4 in x 7 5/8 in
Object Name:
Print
Other Terms:
Print; Intaglio; Etching
Place made:
United States: California, San Francisco
Associated Place:
United States: New York, New York
Date made:
1915
Credit Line:
Gift of Bertha Jaques
ID Number:
GA.13192.1
Catalog number:
13192.1
Accession number:
69819
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-c507-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_782387

The Family Umbrella

Graphic artist:
Hyde, Helen  Search this
Measurements:
overall: 27.3 cm x 19.3 cm; 10 3/4 in x 7 5/8 in
Object Name:
Print
Object Type:
Woodcut
Other Terms:
Print; Relief; Wood Cut
Place made:
United States: California, San Francisco
Associated Place:
United States: New York, New York
Date made:
1915
ID Number:
GA.13280
Catalog number:
13280
Accession number:
69905
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-c433-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_784457

The Bamboo Gate

Graphic artist:
Hyde, Helen  Search this
Physical Description:
metal, copper (overall material)
Measurements:
overall: 17.8 cm x 12.6 cm; 7 in x 4 15/16 in
Object Name:
Plate
plate, printing
Object Type:
plate
Other Terms:
Plate; Etching
Place made:
United States: California, San Francisco
Associated Place:
United States: New York, New York
Date made:
1915
Credit Line:
Gift of Bertha Jaques
ID Number:
GA.13192
Catalog number:
13192
Accession number:
69819
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-e5bf-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_794071

25: Reading the Latest News Bulletins Chinatown San Francisco California

Graphic artist:
Scenic View Card Company  Search this
Measurements:
overall: 8.9 cm x 13.8 cm; 3 1/2 in x 5 7/16 in
Object Name:
Postcard
Object Type:
Halftone
Associated Place:
United States: New York, New York
Date made:
circa Sept. 30, 1953
Subject:
Chinese  Search this
Newspaper  Search this
ID Number:
2003.0081.02
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746aa-6936-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1195210

S.F. 47. Tea House and Entrance, Japanese Tea Garden. Golden Gate Park, San Francisco, California

Graphic artist:
Pacific Novelty Co  Search this
Measurements:
overall: 9 cm x 14 cm; 3 9/16 in x 5 1/2 in
Object Name:
Postcard
Object Type:
Halftone
Place made:
United States: California, San Francisco
Associated Place:
United States: New York, New York
Date made:
post 1917
ID Number:
1986.639.392
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-70af-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1275819

"On the Road of a Thousand Wonders"

Graphic artist:
Pacific Novelty Co  Search this
Measurements:
overall: 9 cm x 13.5 cm; 3 9/16 in x 5 5/16 in
Object Name:
Postcard
Object Type:
Halftone
Place made:
United States: California, San Francisco
Associated Place:
United States: New York, New York
Date made:
post 1917
ID Number:
1986.639.442
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-70b2-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1275821

S.F. 48. The Arch Bridge Japanese Tea Garden, Golden Gate Park. San Francisco, California

Graphic artist:
Pacific Novelty Co  Search this
Measurements:
overall: 8.8 cm x 14 cm; 3 7/16 in x 5 1/2 in
Object Name:
Postcard
Object Type:
Halftone
Place made:
United States: California, San Francisco
Associated Place:
United States: New York, New York
Date made:
post 1917
ID Number:
1986.639.447
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-70c4-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1275822

3043- Japanese Tea Garden, from Breakwater, Pacific Grove, California

Graphic artist:
Mitchell, Edward H.  Search this
Measurements:
overall: 14 cm x 8.8 cm; 5 1/2 in x 3 7/16 in
Object Name:
Postcard
Object Type:
Halftone
Place made:
United States: California, San Francisco
Associated Place:
United States: New York, New York
Date made:
post 1917
ID Number:
1986.639.556
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-70c5-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1275823

Official Miniature View Book; Panama Pacific Internation Exposition; Seventy New Views

Graphic artist:
Reid, Robert A.  Search this
Measurements:
overall: 10.4 cm x 15 cm; 4 1/8 in x 5 7/8 in
Object Name:
Pamphlet
Object Type:
Halftone
Place made:
United States: California, San Francisco
Associated Place:
United States: New York, New York
Date made:
1915
ID Number:
1986.639.1917
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-7192-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1275829

4277. Private Japanese Tea Garden, San Diego, California

Graphic artist:
Eno, I. L.  Search this
Maker:
Eno, I. L.  Search this
Measurements:
overall: 8.6 cm x 13.8 cm; 3 3/8 in x 5 7/16 in
Object Name:
postcard
Object Type:
Halftone
Other Terms:
Print; Halftone
Associated place:
United States: California
Associated Place:
United States: New York, New York
Date made:
post 1907
ID Number:
1986.0639.0277
Accession number:
1986.0639
Catalog number:
86.639.0277
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-21fd-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_826563

Chinese Man

Graphic artist:
Kistler, Lynton R.  Search this
Measurements:
overall: 66.2 cm x 50.9 cm; 26 1/16 in x 20 1/16 in
Object Name:
Print
Object Type:
offset lithography
Other Terms:
Print; Offset
Place made:
United States: California, Los Angeles
Associated Place:
United States: New York, New York
Date made:
1930s-1970s
Credit Line:
Kistler Collection
ID Number:
1978.0650.2609
Accession number:
1978.0650
Catalog number:
1978.0650.2609
78.0650.2609
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-b22a-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_798835

Chinatown

Graphic artist:
Kistler, Lynton R.  Search this
Measurements:
overall: 60.9 cm x 45.6 cm; 24 in x 17 15/16 in
Object Name:
Print
Object Type:
Lithograph
Other Terms:
Print; Offset
Place made:
United States: California, Los Angeles
Associated Place:
United States: New York, New York
Date made:
1930s-1970s
Credit Line:
Kistler Collection
ID Number:
1978.0650.2723
Accession number:
1978.0650
Catalog number:
1978.0650.2723
78.0650.2723
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-b22b-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_798868

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