This unpublished manuscript constituted a field report that chronicled Bishop's Gallery-sponsored expeditions in northern and central China during the period 1923 to 1934. The reader is provided with a record of the day-to-day operations completed, of obstacles and opposition encountered, and the results obtained from their work. Key diplomatic and scientific representatives from the West and China are recorded who aided and contributed to the investigations. Moreover, there are descriptions of the academic, social and political climate in China during a period of civil war and economic strife. Against this background, Bishop also discussed their efforts in view of the history of China, with commentary on the country's geography, topography, climate, flora and fauna, mineral products, and ancient customs and legends.The manuscript consists of an introduction, 19 numbered chapters, 3 appendices and a series of plates and figures related to his text.
Archaeological Research in China (Plates and Figures)
Biographical / Historical:
Carl Whiting Bishop was an Associate Curator and Associate in Archaeology at the Freer Gallery of Art from 1922 to 1942.
Local Numbers:
FSA A.02 1.01.03
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Postcards, some postmarked, with images of Apache, Hopi, Seminole, Sioux, Minneconjou, and other Native Americans. They include images of Apache men at a powwow near a mud house in Yuma, Arizona; the Hopi House at the Grand Canyon; a blanket weaver at Hopi House; a street scene from Pueblo Acoma; a Seminole wedding in Fort Lauderdale, Florida; women with leatherwork, baskets, and blankets; a horse-drawn travois used in a parade at the Annual Crow Indian Fair; Sioux people and tipis at Frontier Days in Cheyenne, Wyoming; Apache chief James A. Garfield, Ute Chief Sevaro and his family; and Iron Hail (also known as Dewey Beard (Minneconjou).
Biographical/Historical note:
Thomas Howard Woody (1935-2011) was a professor of sculpture at the University of South Carolina, co-author of several books on South Carolina history and postcards, and an avid collector of postcards. He received his undergraduate degree from Richmond Professional Institute and a master's degree from East Carolina University. Retiring after a 46-year long career at the University of South Carolina, he was awarded the title Distinguished Professor Emeritus.
Local Call Number(s):
NAA Photo Lot 92-37
Location of Other Archival Materials:
The National Anthropological Archives holds the Albertype Company Native American and Hawaiian photographs (Photo Lot 25).
Additional E.C. Kropp Co., Curt Teich, Detroit Photographic Company, and Fred Harvey postcards held in National Museum of American History Archives Center in the Victor A. Blenkle Postcard Collection.
Additional Detroit Photographic Company photographs held in National Anthropological Archives Photo Lot 24, Photo Lot 59, MS 4510, and MS 4559.
The collection consists of photographs, possibly part of a travelog, depicting mostly American landscapes (particularly tourist destinations), transportation (railroads, roads, and boats), towns, and hotels. A few photographs of Native Americans including images of a Crow burial, a Pueblo ceremony, and men on horseback at Eagle Butte on the Yellowstone River. There are also scenic views made in Yellowstone National Park, California, the Teton Mountains, Badlands National Park, and the Grand Canyon; the latter includes an image of Theodore Roosevelt and party. Some images from outside of the United States include people and streets in Holland.
Most of the photographs were probably made by T. Parks Brownrigg, and the slides were prepared by Art and Travel Company, George W. Bond (for the Santa Fe Railroad), Detroit Photographic Company, Frank Jay Haynes, T. H. McAllister, G. L. Nichols, Pancoast and Hand, Scott and Van Altena, Sunset Engraving Company, and Underwood and Underwood.
Local Call Number(s):
NAA Photo Lot 35
Location of Other Archival Materials:
Additional photographs published by Frank Jay Haynes held in National Anthropological Archives Photo Lot 92-3, Photo Lot 90-1, and BAE 4543 (Photo Lot 24).
Additional lantern slides published by Underwood and Underwood held in National Anthropological Archives Photo Lot 98 and the Archives Center, National Museum of American History holds the Underwood & Underwood Glass Stereograph Collection.
Additional photographs published by Detroit Photographic Company held in National Anthropological Archives Photo Lot 92-37 and Photo Lot 92-3.
In photographs division, stereographs sub-series, box 7.
Restrictions:
Unrestricted research use on site. Photographs must be handled with white cotton gloves, unless protected by plastic sleeves.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Indians of North America -- Great Basin Search this
Type:
Collection descriptions
Archival materials
Contact prints
Enlarged prints
Negatives
Photographs
Place:
Colorado River
Grand Canyon (Ariz.)
Chelly, Canyon de (Ariz.)
Date:
1871-1874
Scope and Contents note:
Stereographic photographs made on the geographical explorations and surveys west of the 100th meridian, under Lieutenant George M. Wheeler, War Department, Corps of Engineers, U.S.A. 1871-74. The bulk of the photographs were made by Timothy H. Sullivan during the years 1871-1872 and 1874, but there are also some taken by William Bell in 1873. The photos include images of expedition party members, camps, and transportation, as well as pueblos, (including Zuni, Navajo, Apache, Coyotero Apache, Jicarilla Apache, Ute, and Mohave), puebloan people, and scenic views in canyons of the Colorado River, Canyon de Chelly, Apache Lake, and the Cerro Blanco Mountains.
Biographical/Historical note:
The geographical surveys west of the 100th meridian were operated under the United States Army Corps of Engineers and supervised by First Lieutenant (later Captain) George Montague Wheeler from 1869 through 1879. They were intended to document the geography in order to make accurate maps, record locations of Native American tribes in the region, select possible sites for military installations and rail or common roads, and note resources in the area. In total, the surveys analyzed the region now covered by Texas, New Mexico, Arizona, California, Nevada, Utah, Colorado, Wyoming, Idaho, and Oregon, and the expeditions produced 164 maps, 41 publications, and a series of stereoviews. Timothy H. O'Sullivan began photographing geographical surveys in 1867-1869 when he was the official photographer for Clarence King's United States Geological Exploration of the 40th Parallel. He served as the official photographer for the Wheeler surveys in 1871, 1872, and 1874, with William Bell taking over in 1873. O'Sullivan later became the United States Geological Survey's first photographer in Washington, D.C.
Local Call Number(s):
NAA Photo Lot 167
Location of Other Archival Materials:
This collection has been relocated from Photo Lot 78.
Contact prints and enlargements, previously filed in MS 4498, have been relocated and merged with Photo Lot 167.
Published stereographs and associated papers relating to the surveys are held in National Anthropological Archives Photo Lot 4501.
Additional O'Sullivan and Bell photographs are held in National Anthropological Archives Photo lot 40, Photo Lot 37, Photo Lot 90-1, Photo Lot 24, and Photo Lot 97.
Some survey negatives were transferred to the National Archives, circa 1948. They are held there in Record Group 106.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 167, Timothy O'Sullivan photographs from the "Geographical Surveys West of the 100th Meridian," National Anthropological Archives, Smithsonian Institution.
This collection contains photographs that were commissioned by Fred Harvey Co. and shot by Carl Moon circa 1907-1914. The photographs depict American Indian communities in the southwest including A:shiwi (Zuni), Acoma Pueblo, Diné (Navajo), Hopi, Laguna Pueblo, and Taos Pueblo among many others.
Scope and Contents:
This collection contains 203 glass transparencies, 2 nitrate negatives, and 1 autochrome (plus 228 copy negatives and copy transparencies) that were commissioned by Fred Harvey Co. and shot by Carl moon circa 1905-1914. The photographs depict the southwest American Indian communities of A:shiwi (Zuni), Acoma Pueblo, Dine (Navajo), Havasupai (Coconino), Hopi Pueblo, Isleta Pueblo, K'apovi (Santa Clara Pueblo), Kewa (Santo Domingo Pueblo), Laguna Pueblo, Nambe Pueblo, Ohkay Owingeh (San Juan Pueblo), San Felipe Pueblo, San Ildefonso Pueblo, Taos Pueblo, Tesuque Pueblo, and White Mountain Apache. Some images were also shot in Grand Canyon National Park in Arizona. The photographs are a mix of portraits, posed action shots, and architecture shots. Some of the photographs appear to have been staged by the photographer. There are a few photographs in this collection that may have been shot by Moon prior to his employment with the Fred Harvey Company.
The copy negatives and transparencies were created by the Museum of the American Indian (NMAI's predecessor museum). There are sometimes multiple copy negatives and copy transparencies per glass plate transparency.
Arrangement:
The collection is arranged into 17 series by culture group or location. Series 1: A:shiwi (Zuni), Series 2: Acoma Pueblo, Series 3: Diné (Navajo), Series 4: Havasupai (Coconino), Series 5: Hopi, Series 6: Isleta Pueblo, Series 7: K'apovi (Santa Clara Pueblo), Series 8: Kewa (Santa Domingo Pueblo), Series 9: Laguna Pueblo, Series 10: Nambe Pueblo, Series 11: Ohkay Owingeh (San Juan Pueblo), Series 12: San Felipe Pueblo, Series 13: San Ildefonso Pueblo, Series 14: Taos Pueblo, Series 15: Tesuque Pueblo, Series 16: White Mountain Apache, Series 17: Grand Canyon National Park, Arizona
The collection is physically arranged first by collection type (transparencies and negatives) and then in photo numeric order.
Biographical / Historical:
Born in 1878 in Wilmington, Ohio, Carl E. Moon (originally spelled Karl) took up photography after serving with the Ohio National Guard. He moved to Albuquerque, N.M. in 1903 and opened a photograph studio where he began photographing American Indians in the U.S. southwest region. After publishing and exhibiting many of his photographs nationally, he was commissioned by the Fred Harvey Company in 1907 to take photographs of American Indian communities in the southwest. The Fred Harvey Company was founded by Frederick Henry Harvey and consisted of a chain of successful gift shops, restaurants, and hotels know as Harvey Houses. Moon photographed individuals in his El Tovar Studio in the Grand Canyon, Ariz. and also traveled to communities in the region including A:shiwi (Zuni), Diné (Navajo), Hopi, and Laguna Pueblo, among many others. The Fred Harvey Company used these photographs in their postcards, brochures, and publications for the tourist industry. The Fred Harvey Company also partnered with the Sante Fe Railroad to help generate tourism to the southwest region and Moon became the official photographer for the railroad. Moon also took up drawing and painting and studied with American painter Thomas Moran. Moon stayed with the Fred Harvey Company until 1914.
After Moon left the Fred Harvey Company, he opened a studio in Pasadena, California and continued his career as a photographer and painter. During this period, Moon painted and donated 26 works depicting Southwest American Indians to the Smithsonian Institution (now in the Smithsonian American Art Museum's collection). He also sold 24 oil paintings and 293 photographic prints to Henry E. Huntington that are now part of the Huntington Library in San Marino California. With his wife Grace Purdie Moon, he also produced and illustrated children's books of collected Native American stories and legends. Moon died in San Francisco, Calif. in 1948.
Related Materials:
The Huntington Library in San Marino California holds a large collection of Carl Moon works, including oil paintings and photographic prints. The University of Arizona Libraries, Special Collections also holds photographs shot by Carl Moon and the Smithsonian American Art Museum holds 26 Carl Moon paintings.
Separated Materials:
Two nitrate negatives are stored at an offsite storage facility.
Provenance:
Donated to the Museum of the American Indian by the Fred Harvey Company in 1963.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Indians of North America -- New Mexico Search this
Citation:
Identification of specific item; Date (if known); Fred Harvey Company collection of Carl Moon Southwest photographs, Box and Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Indians of North America -- Southwest, New Search this
Indians of North America -- Great Basin Search this
Type:
Collection descriptions
Archival materials
Stereographs
Photographs
Place:
Zuni (N.M.)
Chelly, Canyon de (Ariz.)
Grand Canyon (Ariz.)
Colorado River
Date:
1871-1874
Scope and Contents note:
Photographs made on the Geographical Explorations and Surveys west of the 100th meridian, under Lieutenant George M. Wheeler, War Department, Corps of Engineers, U.S.A. 1871-74. They include images of expedition party members, archeological sites, pueblos and puebloan and other Indigenous people of the southwest (including Zuni, Navajo, Apache, Coyotero Apache, Jicarilla Apache, Ute, and Mohave), and scenic views in Canyon de Chelly, canyons of the Colorado River (including the Grand Canyon and Black Canyon), Apache Lake, and the Cerro Blanco Mountains.
The collection includes two complete sets of the stereographs published by the War Department Corps of Engineers, which were collected by John R. Swanton and Alice C. Fletcher, and an incomplete set donated by Vincent McMullen. It also includes lists and notes (circa 1935-1948) regarding the photographs prepared by F. M. Fryxell and Bruno Klinger, as well as stereographs published by the Corps of Engineers.
Biographical/Historical note:
The geographical surveys west of the 100th meridian were operated under the United States Army Corps of Engineers and supervised by First Lieutenant (later Captain) George Montague Wheeler from 1869 through 1879. They documented Native American tribes and geography in the region, in order to make accurate maps; selected possible sites for military installations and rail or common roads; and noted resources in the area. In total, the surveys analyzed the region now covered by Texas, New Mexico, Arizona, California, Nevada, Utah, Colorado, Wyoming, Idaho, and Oregon, and the expeditions produced 164 maps, 41 publications, and a series of stereoviews. Timothy H. O'Sullivan began photographing geographical surveys in 1867-1869 when he was official photographer for Clarence King's United States Geological Exploration of the 40th Parallel. He served as official photographer for the Wheeler surveys in 1871, 1872, and 1874, with William Bell taking over in 1873. O'Sullivan would go on to become the United States Geological Survey's first photographer in Washington, DC.
Local Call Number(s):
NAA Photo Lot 4501, NAA MS 4500, NAA MS 4499, NAA Photo Lot 4558
Location of Other Archival Materials:
Descriptive lists and notes relating to the expedition photographs, previously filed in MS 4499, have been relocated and merged with Photo Lot 4501.
Complete sets of Wheeler Expedition stereographs published by the Corps of Engineers, previously filed in MS 4500 and Photo Lot 4558, have been relocated and merged with Photo Lot 4501.
Additional O'Sullivan and Bell photographs held in National Anthropological Archives Photo lot 40, Photo Lot 37, Photo Lot 90-1, Photo Lot 24, Photo Lot 97, and Photo Lot 167.
Contained in:
Numbered manuscripts 1850s-1980s (some earlier)
See others in:
Timothy H. O'Sullivan and William Bell photographs from the Geographical Surveys West of the 100th Meridian, 1871-1874
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Stereographs
Photographs
Citation:
Photo Lot 4501, Timothy H. O'Sullivan and William Bell photographs from the "Geographical Surveys West of the 100th Meridian" and associated papers, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Copy negatives
Photographs
Negatives
Place:
Hopi Indian Reservation (Ariz.)
Navajo Indian Reservation
Grand Canyon (Ariz.)
Date:
circa 1922-1934
Scope and Contents note:
Photographs made during Elizabeth Compton Hegemann's trips to Hopi and Navajo reservations in the 1920s and early 1930s. They include images of Navajo, Hopi, and some Havasupai Indians, as well as the Grand Canyon and trading posts. Her photographs relating to Southwest Indians depict agriculture, crafts, and ceremonies, including a Navaho Squaw Dance and Hopi Niman Kachina ceremonies. There are also some images of Charles F. Lummis, Earl Halstead Morris, and John Wetherill.
Biographical/Historical note:
Elizabeth Compton Hegemann (1897-1962) was born near Cincinatti, Ohio, though she spent many of her summers visiting her grandparents in Southern California. She married her first husband, Mike Harrison, in 1925 and moved with him to the South Rim of the Grand Canyon, where he worked for the National Park Service. They developed strong relationships with the Navajo, Hopi, and Havasupai Indians in that region. Hegemann separated from Harrison in 1928 and moved to Tuba City. She married Harry Rorick in 1929 and the two co-owned the Shonto Trading Post near Tsegi Canyon on the Navajo Reservation from 1929-1938.
Local Call Number(s):
NAA Photo Lot R81A
Reproduction Note:
Copy negatives made by Elizabeth Compton Hegemann.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Copies may be obtained from the Huntington Library.
17 Reels (16mm, black and white/color, silent. camera original reversal/print, 18,180 feet)
Type:
Collection descriptions
Archival materials
Reels
Home movies
Photographs
Place:
Hawaii
Mexico
Tahiti (French Polynesia : Island)
New Zealand
Guatemala
Japan
South America
Central America
North America
Oceania
United States
New York
Grand Canyon (Ariz.)
Asia
Date:
1937-1961
Summary:
Little is known about the filmmaker Joseph Ross He travelled extensively and also had an intense interest in gardens and gardening. The films reflect these interests. Although most document his travels, several were shot around his home of gardens being planted and mature gardens.
Scope and Contents:
The colletion consists of footage presumably shot by Joseph Ross during his travels and around his home. Hawaii, Japan, New Zealand, Tahiti, Mexico, and Guatemala are featured in the travel films. The travel films include tourist footage as well as limited documenation of local peoples and traditional cultural activities.
Arrangement:
The collection is arranged in two series:(1) Motion Picture Films, 1937-1961; (2) Photographs, 1947
Biographical / Historical:
Little is known about the filmmaker Joseph Ross. He was the great uncle of the donor's wife and he owned a business in Albany, New York. He travelled extensively and also had an intense interest in gardens and gardening. The films reflect these interests. Although most document his travels, several were shot around his home of gardens being planted and finished gardens.
Provenance:
These films were donated to the National Anthropological Film Collection by Jim Shreve in 2018.
Restrictions:
Collection is open for research use although only reference copies may be used. For more information contact the staff at HSFA@si.edu .
Joseph Ross Travel Film Collection, National Anthropogical Film Collection (fomerly the Human Studies Film Archives), National Anthropological Archives
Photographs made or collected by William E. Hughes during his travels in the United States, Greenland, Japan, Grenada, Trinidad, Barbados, Dominica, Guadeloupe, Martinique, Montserrat, St. Croix, St. Kitts, St. Lucia, St. Vincent, Cuba, Venezuela, France, Brazil, Costa Rica, Yugoslavia, Greece, and Turkey. They document the landscapes, churches, public buildings, parks, statues, artisans, markets, and city streets of these locations. Films and some photographs depict Hughes's family and trips to the Grand Canyon; Hawaii; Maine; New York; New Brunswick in Canada; and Washington, D. C. A scrapbook in the collection contains newspaper clippings relating to the 1891 Peary expedition to Greenland and a few letters accompany the photographs.
Lantern slides of Japan appear to be commercially made and hand-tinted, and slides relating to the Peary Expedition may have been made by Dr. Benjamin Sharpe, another scientist on the expedition.
Biographical/Historical note:
William E. Hughes (1857-1944) was a Philadelphia physician who accompanied Robert E. Peary on the first part of his expedition to Greenland in 1891. He received both his MD and PhD from the University of Pennsylvania in 1880.
Local Call Number(s):
NAA Photo Lot 75-18
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Scrapbooks
Motion pictures (visual works)
Lantern slides
Citation:
Photo lot 75-18, William E. Hughes photographs, scrapbook, and motion picture film, National Anthropological Archives, Smithsonian Institution
Currently stored in box 3.1.29 [128], moved from [107].
Copy and Version Identification Note:
248537
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Currently stored in box 3.1.29 [128], moved from [28].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Incomparable Void--North from head of Red Canon Trail, Grand Canyon of Arizona. Copyright 1903 by Underwood & Underwood. [on negative] [Active no. 22097 : non-stereo photonegative]
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
[...???...the brink of a fearful Chasm thirteen miles across, Grand Canon, Arizona. Copyright 1901 by Underwood & Underwood.] on negative 23310 Photonegative
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
