Imprint impinging on lower part of picture: "3565: Indian Warriors Mr Bear-That-Runs-and-Growls. Mr Warrior. Mr One-Tooth-Gone. Mr Sole (bottom of foot). Mr Make-it-Long. Photo and Copyright Grabill '90."
Biographical / Historical:
Identification and date from article by William Powers, "The Sioux Omaha Dance," American Indian Tradition, VIII: 1 (1961), page 30, where photo is reproduced. There it is stated "Most of these men were killed at Wounded Knee three months later."
Sepia print of this photograph seen in Eastman House, Rochester, New York, by C. M. Blaker, 10/62. Imprint on mount: "J. C. H. Grabill, Official photographer of the Black Hills and F. P. R. R. Home Stake Mining Co. Studios: Deadwood and Lead City, South Dakota." "A Handsome Reward given to detection of anyone copying any of my Photographic Views."
The collection brings together images by well-known Western photographers such as A.F. Randall, John Grabill, C.S. Fly, Stanley Morrow, Ben Wittick and John Choate. Primarily images of famous Indian leaders, as well as other portraits and scenes.
Negatives: organized in individual sleeves; arranged by negative number
Prints: organized in folders; arranged by print number
General Nelson A. Miles fought for the Union in some of the Civil War's most crucial battles, including Fredericksburg, Chancellorsville and the Appomatox campaign. Wounded four times, he rose in rank to become a major general of volunteers and was awarded the Congressional Medal of Honor for his personal bravery at Chancellorsville. After the Civil War, Miles played a leading role in nearly every phase of the army's campaign against the tribes of the Great Plains. Three of the greatest Indian leaders---Sitting Bull, Chief Joseph, and Geronimo---surrendered to him. In 1874-1875, he was a field commander in the force that defeated the Kiowa, Comanche and Southern Cheyenne along the Red River. In 1876-1877, he led the winter campaign that scoured the northern Plains after Custer's defeat at the Little Bighorn, forcing the Lakota and their allies onto reservations. Then, in the winter of 1877, he drove his troops on a forced march across Montana to intercept the Nez Percé band led by Chief Joseph that had eluded or defeated every unit sent against it over the course of a 1,500 mile retreat from Oregon to the Canadian border.
The 1890 Ghost Dance "uprising" on the Lakota reservations brought Miles back into the field once again. In an effort to restore peace throughout the area, Miles directed troop movements that inadvertently panicked many Lakota bands into leaving their reservations and led both to Sitting Bull's death and to the massacre of Big Foot's band at Wounded Knee. Miles reacted to these developments by working aggressively to implement his longstanding belief that the Lakota should be forcibly disarmed and placed under military control. In his later years, Miles commanded the troops that put down the Pullman strike riots in 1894, and was commander of the army during the Spanish-American War. He retired from service in 1903, confirmed in his belief that graduates of West Point had an unfair advantage in promotion and were on the whole less capable of command than those who rose through the ranks as he had.
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Copyright: National Museum of the American Indian
General Nelson A. Miles collection, 1869-1892, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or catalog number).
The collection consists of photographs relating to Native Americans, which were submitted to the copyright office of the Library of Congress in and around the early 20th century. Many of the photographs are studio portraits as well as photographs made as part of expeditions and railroad surveys. It includes images of people, dwellings and other structures, agriculture, arts and crafts, burials, ceremonies and dances, games, food preparation, transportation, and scenic views. Some of the photographs were posed to illustrate literary works, including Henry Wadsworth Longfellow's Hiawatha, while others depict paintings or other artwork.
Collection is organized alphabetically by copyright claimant.
The collection was formed from submissions made to the Library of Congress as part of the copyright registration process. In 1949, arrangements were made to allow the Bureau of American Ethnology to copy the collection and some negatives were made at that time, largely from the Heyn and Matzen photographs. The project was soon abandoned, however, as too large an undertaking for the facilities of the BAE. In 1957-1958, arrangements were begun by William C. Sturtevant of the BAE to transfer a set of the photographs from the Library of Congress to the BAE.
Local Call Number(s):
NAA Photo Lot 59
In 1965, the Bureau merged with the Smithsonian's Department of Anthropology to form the Smithsonian Office of Anthropology, and in 1968 the Office of Anthropology Archives transformed into the National Anthropological Archives.
The collection is open for research.
Access to the collection requires an appointment.
Photo Lot 59, Library of Congress Copyright Office photograph collection of Native Americans, National Anthropological Archives, Smithsonian Institution