The collection consists of studio portraits and expedition photographs of anthropologists, administrators, scholars, and others. It includes some photographs of an American Indian demonstrating sign language, possibly made during W J McGee's Seriland expedition.
Photographers represented in the collection are Charles Milton Bell, A. E. Dumbie; De Lancey W. Gill, Mme de Hermann, of Paris; Holland, of Trenton, New Jersey; Charles Lainer, J. Notman; Parker, George Prince, Macnabb, of New York; Moses P. Rice; Napolean Sarony; S. S. Teel; and A. Yasvoin, of St. Petersburg, Russia.
Local Call Number(s):
NAA Photo Lot 70
Location of Other Archival Materials:
Additional photograph collections of anthropologists held in the National Anthropological Archives are Photo Lot 4822, Photo Lot 33, Photo Lot 39, and Photo Lot 77-80.
See others in:
Department of Anthropology photograph collection of anthropologists, circa 1864-1921
The collection is open for research.
Access to the collection requires an appointment.
Photo lot 70, Department of Anthropology photograph collection of anthropologists, National Anthropological Archives, Smithsonian Institution
Most of Stevenson's scientific notes are included as separate items in the series of numbered manuscript and the papers of John Peabody Harrington. This particular set of materials is made up of papers that passed into the hands of the executor of her estate. It consists of a miscellany of letters, notes, legal documents, cartographic materials, genealogical materials, photographs, newspaper clippsing, other printed material, and other types of documents. Although tehc ollection largely concerns Stevenson, it also includes some material of her husband, James Stevenson, and members of her family, especially her father, Alexander H. Evans, a Washington, D.C. attorney.
Many of the documents concern Stevenson's field work among the Pueblo Indians and other official duties with the Smithsonian. some material relates to her activities with the World's Columbian Exposition and the Louisiana Purchase Exposition. A few items concern her membership in scientific organizations. Still other documents are of a personal nature, and some are mementoes, especially of James Stevenson. A significant group of documents concern Matilda CoxeStevenson's friendly and, later, very difficult relationship with Clara True.
The photographs include some items of ethnographic interest but it consists largely of portraits of James andMatilda Stevensonand Mrs. Stevenson's relatives. Also included are images in albums apparently gathered by Stevenson as a collector of photographs. They include images of Kit Carson, Charles Darwin, Charles Dickens, Ferdinand Vandiveer Hayden, Henry Wadsworth Longfellow, and William Tecumseh Shermn. In the albums are also a nubmer of photographic portraits with unidentified subjects, many of whom appear to be actors and actresses.
circa 1814-1897 and undated, with related materials to 1925
The bulk of the George Brown Goode Collection (Record Unit 7050) predates the establishment of the present-day Smithsonian Institution Archives. A small addition of
autograph letters was received from the Division of Political History, National Museum of American History in 1983 under accession number 83-081.
The George Brown Goode Collection provides partial documentation of his professional career and personal life. The collection is strongest in documenting his research
on fishes and fisheries. His administrative career at the United States National Museum, his theories on museums, and his historical research are documented to a lesser extent.
Goode's correspondence is found in three separate series. He assembled a large collection of autograph letters and signatures of scientists, government officials, diplomats,
artists, literary figures, and socialites. The autograph collection represents a good part of Goode's official and professional correspondence since most of the letters were
removed from his files. He also acquired letters and signatures of many historical figures. Series 2 consists of incoming and outgoing correspondence relating to Goode's professional
career. Included are letters documenting his activities in professional societies; his career at Wesleyan University; and his research on the history of science.
Incoming correspondence with several of the leading ichthyologists of the 19th century is a part of a large group of collected materials on fish and fisheries. Also included
are voluminous notes, lists, manuscripts, statistics, news clippings, maps, and drawings relating to Goode's ichthyological research. Other records documenting Goode's work
on fish and fisheries include publications, news clippings, memorabilia, and related materials collected during his service at the Great International Fisheries Exhibition
in London in 1883; and manuscripts, drafts, and research data from his unpublished ichthyological bibliography.
The remainder of the collection consists of assembled materials relating to Goode's professional career and his personal life. Included are scrapbooks and notebooks maintained
during his childhood, college days, and early career; biographical materials on Goode including obituaries, memorials, and news clippings; collected manuscripts, notes, photographs,
and drawings relating to most aspects of his professional work; and an unpublished manuscript on the history of American science.
Goode's career at the USNM is thoroughly documented in several record units in the Smithsonian Archives. Researchers interested in his work as Assistant Director and Assistant
Secretary in charge of the United States National Museum should consult Record Units 54, 112, and 189. Record Unit 54 also contains records concerning his work for the United
States Commission of Fish and Fisheries. Goode's role in international expositions can be examined in record unit 70.
George Brown Goode (1851-1896), ichthyologist and museum administrator, was born in New Albany, Indiana. His childhood was spent in Anenia, New York, where he developed
a strong interest in natural history. He entered Wesleyan University at Middletown, Connecticut, in 1866, and was graduated in 1870. In 1870, Goode was admitted to Harvard
University for a year of post-graduate study under Louis Agassiz. The following year he received an invitation from Wesleyan to undertake the arrangement and direction of
the newly established Judd Museum of Natural History. He retained his official connection with Wesleyan until 1877.
In 1872, Goode met Spencer F. Baird, Assistant Secretary of the Smithsonian Institution and United States Fish Commissioner. Baird invited him to work as a volunteer collector
for the United States Commission of Fish and Fisheries (USCFF). Goode accepted and became Baird's chief pupil and assistant. For the next several years, Goode spent his summers
collecting fishes off the Atlantic coasts of Long Island, Florida, and Bermuda. In 1873, he was appointed Assistant Curator in the United States National Museum (USNM), a
position he retained until 1877 when his title was changed to Curator. In 1881, when the new USNM building was completed, Goode was promoted to Assistant Director. On January
12, 1887, Goode was appointed Assistant Secretary in charge of the USNM and he remained the chief administrative officer of the Museum until his death in 1896.
Goode's primary scientific interest was ichthyology, and he published both scientific and popular works on fish and fisheries. After receiving an appointment at the USNM,
Goode continued to work for the USCFF in various capacities. He acted as statistical expert for the Halifax Fishery Arbitration Commission, 1877-1878; chief of the Fisheries
Division of the Tenth Census, 1879-1880; and United States Commissioner at the Fisheries Exhibitions in Berlin,1880, and in London, 1883. After the death of Spencer F. Baird
in 1887, Goode assumed the position of Fish Commissioner until January, 1888.
Goode has been described as the father of the modern American museum. Through his administration of the USNM and writings on the subject, Goode served as a strong advocate
of the role of museums in the education of the general public. Shortly after he was appointed Assistant Director in 1881, Goode issued Circular No. 1 of the National Museum,
which set forth a comprehensive scheme of organization for the museum. He oversaw a period of tremendous growth at the USNM. Under his direction museum staff grew from thirteen
to over 200 and specimens increased from two hundred thousand to over three million. Goode published several articles geared toward the museum professional including "Museum
History and Museums of History," 1888; "Museums of the Future," 1890; and "Principles of Museum Administration," 1895.
A logical extension of Goode's talents was his service at many of the international expositions held during the latter part of the nineteenth century. In fact, Goode's
work designing the Smithsonian exhibits at the Centennial Exposition of 1876 helped to plant the ideas that would blossom in his organization of the USNM in the early 1880s.
Goode is generally credited with applying museum theories to expositions and helping to " . . . widen their scope from the merely commercial and industrial to the educational
Goode was also a historian, bibliographer, and genealogist. He studied the history of American science and produced several papers on the subject. These included "The Beginnings
of Natural History in America," 1886; "The Beginnings of American Science: The Third Century," 1888; and "The Origin of the National Scientific and Educational Institutions
of the United States," 1890. He also planned, edited, and wrote several chapters of the posthumously published "The Smithsonian Institution, 1846-1896: The History of Its
First Half Century, 1897." He compiled bibliographies of several prominent naturalists, and his "Virginia Cousins," 1887, was considered a model genealogy.
In addition to the standard biographical memoirs, an excellent discussion of Goode and his work is found in Edward P. Alexander's "Museum Masters," 1984.
February 13, 1851 -- Born in New Albany, Indiana
1870 -- Graduated, Wesleyan University
1870-1871 -- Graduate work, Harvard University under Louis Agassiz
1871-1877 -- Curator of the Orange Judd Museum of Natural History, Wesleyan University
1872 -- Met Spencer F. Baird in Eastport, Maine
1872-1878 -- Made collections of Atlantic Coast fishes for U.S. Fish Commission
1873 -- Elected member of the American Association for the Advancement of Science
1873-1878 -- Assistant Curator, U.S. National Museum
1876 -- Installed Smithsonian exhibits at the Centennial Exposition, Philadelphia
1876 -- Published "Catalogue of the Fishes of the Bermudas"
1877 -- Employed by Department of State on statistical work for Halifax Commission
1877-1881 -- Curator, U.S. National Museum
1879 -- Published "Catalogue of the Collection to illustrate the Animal Resources and the Fisheries of the United States"
1879-1880 -- Directed U.S. Fish Commission survey of American fisheries for 10th census
1880 -- U.S. Commissioner, Berlin International Fisheries Exposition
1881 -- Issued Circular No. 1 of the U.S. National Museum
1881-1887 -- Assistant Director, U.S. National Museum
1883 -- U.S. Commissioner, Great International Fisheries Exposition, London