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MS 4883 Posters from the Indian Court in the Federal Building at the Golden Gate International Exposition

Creator:
Siegriest, Louis Bassi, 1899-1989  Search this
United States. Works Progress Administration  Search this
Names:
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Extent:
16 Posters (color silkscreen, 25 x 36 inches; 12x 18 inches)
Culture:
Anishinaabe (Chippewa/Ojibwa)  Search this
Apache  Search this
Diné (Navajo)  Search this
Haida  Search this
Eskimos  Search this
Pomo  Search this
Pueblo  Search this
Seneca  Search this
Type:
Collection descriptions
Archival materials
Posters
Works of art
Place:
San Francisco (Calif.)
North America
Date:
1939
Scope and Contents:
The collection consists of posters created for the Indian Court exhibit at the Golden Gate International Exposition. The posters were created as part of the Federal Art Project (FAP) of the Works Progress Administration (WPA). The designs were adapted by Louis Siegriest from work produced by indigenous artists. The artists who contributed resource material received limited recognition for their work; some remain unknown.

Siegriest created eight (8) posters for the Indian Court exhibit. This collection includes one complete set of all eight (8) posters and one (1) explanatory label, and one incomplete set of seven (7) posters.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Biographical Note:
Louis Bassi Siegriest (1899-1989) was an American painter and commerical artist based in California.
Historical Note:
The Golden Gate International Exposition (1939=1940) was a World's Fair celebrating "Pacific Unity" and the opening of the San Francisco–Oakland Bay Bridge and the Golden Gate Bridge.
Local Numbers:
NAA MS 4883
Related Materials:
The Archives of American Art holds the Louis Siegriest papers and an Oral history interview with Louis Siegriest.
Provenance:
The provenance of the collection is unknown. It is possible that the two sets of posters were received from different sources.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Works of art
Posters
Citation:
MS 4883 Posters from the Indian Court in the Federal Building at the Golden Gate International Exposition, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4883
See more items in:
MS 4883 Posters from the Indian Court in the Federal Building at the Golden Gate International Exposition
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw316518c2d-b47b-442f-9cc0-a919aaf05f5a
EDAN-URL:
ead_collection:sova-naa-ms4883
Online Media:

Dorothy Liebes papers

Creator:
Liebes, Dorothy  Search this
Names:
Bigelow-Sanford Carpet Company  Search this
E.I. du Pont de Nemours & Company. Textile Fibers Department  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Morin, Relman, 1907-1973  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
24.7 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Scrapbooks
Diaries
Drawings
Interviews
Date:
circa 1850-1973
bulk 1922-1970
Summary:
The papers of weaver, textile designer, and consultant Dorothy Liebes date from circa 1850-1973 (bulk 1922-1970) and comprise 24.7 linear feet. Through biographical material including a sound recording of an interview, family and general correspondence, writings including a draft of Liebes's autobiography, subject files providing detailed records of her influential consulting work, financial and legal files, printed material, scrapbooks, artwork, textile samples, and photographic material picturing a wide variety of career and personal activities, the collection provides rich and extensive documentation of Liebes's career and personal life.
Scope and Content Note:
The papers of weaver, textile designer, and consultant Dorothy Liebes date from circa 1850-1973 (bulk 1922-1970) and comprise 24.7 linear feet. Through biographical material including a sound recording of an interview, family and general correspondence, writings including a draft of Liebes's autobiography, subject files providing detailed records of her influential consulting work, financial and legal files, printed material, scrapbooks, artwork, textile samples, and photographic material picturing a wide variety of career and personal activities, the collection provides rich and extensive documentation of Liebes's career and personal life.

Biographical material consists of awards, biographical notes, membership and identification cards, passports, a will, and a sound recording of a 1945 interview with Liebes.

Correspondence is personal with family and friends, and general with friends and colleagues including artists, and fellow weavers and designers. Notable correspondents include Dorr Bothwell, Daren Pierce, Beatrice Wood, and Frank and Olgivanna Lloyd Wright.

Diaries and calendars record Liebes's busy professional and personal life, with notations on daily activities and, beginning in 1952, detailed notes by staff recording activities at the studio on days when Liebes was absent.

Writings by Dorothy Liebes include notes, drafts, and manuscripts of published and unpublished writings, including an autobiography, speeches, and drafts for an unpublished book on weaving.

Subject files contain correspondence, printed material, photographs, and miscellaneous items in varying combinations, and focus heavily on Liebes's consulting work for businesses in the textile industry, including her work with DuPont, Bigelow-Sanford, Goodall, Dow, and others. The files document the importance of her work as a colorist and show how she successfully adapted craft weaving to machine methods. Furthermore, they record how Liebes used her marketing instincts and broad media appeal to rebrand the image of companies such as DuPont from one of chemistry and utility, to one that represented high style and glamor in durable and practical fabrics that were affordable and desirable in home furnishings. Other subject files document organizations, individuals, and topics of interest to Liebes, including files recording her involvement with arts and crafts organizations, her role as director for the Decorative Arts Display at the Golden Gate Exposition in 1939, her work as director of the Red Cross's Arts and Skills workshop, scattered exhibition records, and files on weavers and weaving. Files on Liebes's extensive promotional work for multiple clients are also included here, as are files documenting Liebes's relationship with Relman Morin, such as correspondence and scattered records of Morin's career as a Pullitzer Prize winning journalist.

Financial and legal records are comprised of accounting records from the 1930s-1940s, financial summaries, investment statements, personal and business inventories, personal and business tax returns, and some legal records.

Printed material includes advertisements, articles, and exhibition announcements and catalogs, recording Liebes's career. This material is supplemented by thirty-three bound scrapbooks of printed publicity material, photographs, and documents recording Liebes's career in substantial depth.

Artwork by Dorothy Liebes consists of designs, feather weavings, a small hooked composition, and tapestry samples. Artwork by others includes prints by Dorr Bothwell, designs by Lawrence J. Colwell, and painted sketches of clothing designs by Daren Pierce. Two linear feet of samples consist primarily of textile swatches primarily designed by Dorothy Liebes Studio, Inc.

Photographic material includes professional portraits of Liebes and others, photos of Liebes at events and parties, with staff and other weavers, at work in her studio, and traveling. Of note are a series of pictures taken at Taliesin West with Frank and Olgivanna Wright, Relman Morin, and others. Photographic material also provides examples of Liebes's design work in homes, hotels, offices, and elsewhere, and shows her work pictured in exhibitions and showrooms. Photographs of other subjects include portraits of unidentified women by Man Ray and Consuela Canaga.
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, circa 1934-circa 1970 (Box 1, OV 23; 0.28 linear feet)

Series 2: Correspondence, 1922-1973 (Boxes 1-2; 1.5 linear feet)

Series 3: Diaries and Calendars, 1948-1971 (Boxes 2-4; 1.5 linear feet)

Series 4: Writings, 1920-circa 1971 (Boxes 4-5; 1.05 linear feet)

Series 5: Subject Files, circa 1933-1971 (Boxes 5-13, 20, OVs 23, 59; 8.43 linear feet)

Series 6: Financial and Legal Records, circa 1935-1972 (Box 13, 20; 0.6 linear feet)

Series 7: Printed Material, 1897-1971 (Boxes 14, 20-21, OV 38; 1.1 linear feet)

Series 8: Scrapbooks, 1933-1972 (Box 21-22, 24-36; 5 linear feet)

Series 9: Artwork, circa 1920s-circa 1960s (Boxes 14, 22, OVs 23, 39, 42, RD 37; 1.24 linear feet)

Series 10: Samples, circa 1850-1855, circa 1930s-circa 1970 (Boxes 15-16; 2.0 linear feet)

Series 11: Photographic Material, circa 1875, circa 1897-circa 1970 (Boxes 17-19, 36, OVs 38, 40-41; 2.0 linear feet)
Biographical Note:
California and New York weaver, textile designer, and consultant Dorothy Wright Liebes (1899-1972) was known for distinctive textiles featuring bold color combinations and unusual textures achieved through the use of materials such as glass rods, sequins, bamboo, grass, leather, ribbon, wire, and ticker tape. Her work with companies in the synthetic fiber industry to make craft weaving compatible with man-made fabrics and machine looms, produced an innovative and exciting new aesthetic in interior design that was both functional and affordable, and made Liebes a mid-century household name.

Born Dorothy Wright in Santa Rosa, California, Liebes was the daughter of chemistry professor Frederick L. Wright and teacher Bessie Calderwood Wright. She studied art, education, and anthropology at San Jose State Teachers College and the University of California, Berkeley. During her college years, a teacher encouraged her to experiment with weaving and textile design since many of her paintings resembled textiles.

Liebes was a teacher for several years before deciding to pursue a career in textile design. She then studied weaving at Hull House in Chicago and traveled to France, Italy, Guatemala, and Mexico to learn the traditional weaving forms of those cultures. Upon her return to the United States, Liebes opened her first professional studio for weaving and textile design on Powell Street in San Francisco; Dorothy Liebes Design, Inc. was established in 1934, and eventually employed a staff of weavers. Liebes moved her studio to 545 Sutter Street in 1942.

Her first client in the industry was Goodall-Sanford Mills, with whom Liebes worked as a consultant for more than a decade. As her client base expanded, she decided to open a New York studio and maintained both studios until 1948 when she closed her San Francisco operation and relocated to New York City.

Liebes became a color and design consultant to corporations such as DuPont, Dow, and Bigelow-Sanford and tested and promoted newly developed synthetic fibers. She advised textile chemists in the development of fibers that were versatile enough to produce many different textures and worked with engineers and technicians to develop new machines that could reproduce the irregularities of hand-loomed fabrics. Liebes became a sought-after speaker by textile industry and consumer groups, and sometimes taught workshops on color and design.

Liebes's commissions included the United Nations Delegates Dining Room, the Persian Room at the Plaza Hotel and the King of Saudi Arabia's traveling royal throne room. Between 1937 and 1970, Liebes participated in more than thirty solo and group exhibitions at the San Francisco Museum of Art, Museum of Modern Art, de Young Museum, Cranbrook Museum, Detroit Institute of Art, Massachusetts Institute of Technology, Museum of Contemporary Crafts, and other venues. She received prizes and awards from institutions and corporations such as Lord and Taylor, Neiman-Marcus, the Paris Exposition, the American Institute of Decorators, the American Institute of Architects and the Architectural League. She was also awarded the Elsie de Wolfe Award and an honorary degree from Mills College in 1948.

Liebes's other notable activities included her work a director of the Decorative Arts Display for the 1939 San Francisco World's Fair, which she credited with establishing her as an authority in the field, and her work as organizer and director of "Arts and Skills," a Red Cross occupational therapy project that included training in weaving for soldiers injured in World War II. In the 1950s, she worked with the Bureau of Indian Affairs, journeying though the southwest to study Indian schools and weaving techniques.

Liebes was married to businessman Leon Liebes from 1928 until their divorce in 1940 and continued to use the name Liebes for the remainder of her life. In 1948, she married Pulitzer prize winning Associated Press special correspondent Relman "Pat" Morin.

During the last year of her life, Dorothy Liebes was semi-retired due to a heart ailment. She died in New York City on 10 September 1972.
Provenance:
Gift of the Estate of Dorothy Liebes through Relman Morin, 1972, and Ralph Higbee, 1973-1974.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Textile designers -- California -- San Francisco  Search this
Textile designers -- New York (State) -- New York  Search this
Weavers -- California -- San Francisco  Search this
Weavers -- New York (State) -- New York  Search this
Art consultants -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women textile designers  Search this
Genre/Form:
Sound recordings
Scrapbooks
Diaries
Drawings
Interviews
Citation:
Dorothy Liebes papers, circa 1850-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.liebdoro
See more items in:
Dorothy Liebes papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9512b8d71-3c95-4e72-96be-0af0437f2a5f
EDAN-URL:
ead_collection:sova-aaa-liebdoro
Online Media:

Larry Zim World's Fair Collection

Collector:
Cooper-Hewitt Museum  Search this
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
National Museum of American History (U.S.). Division of Cultural History  Search this
Names:
Alaska-Yukon-Pacific Exposition (1909 : Seattle, Wash.)  Search this
Appalachian Exposition. (Knoxville, Tennessee: 1911)  Search this
Art and Techniques Exposition (Paris, France: 1937)  Search this
British Empire Exhibition (Wembley, London, England: 1924-1925)  Search this
British Empire Exposition (Glasgow, Scotland: 1938)  Search this
Bronx International Exposition (New York, New York: 1917-1918)  Search this
Brussels International (1910 )  Search this
California Midwinter International Exposition (1894 : San Francisco, Calif.)  Search this
California-Pacific International Exposition (San Diego, California: 1935-1936)  Search this
Canadian National Exposition (1937)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Centennial Exposition of the Ohio Valley and Central States (1888 : Cincinnati, Ohio)  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Chicago Autumn Festival (1899)  Search this
Cincinnati Industrial Exposition (1882 : Cincinnati, Ohio)  Search this
Cotton States Exposition (1895 : Atlanta, Ga)  Search this
Esposizione Internationale (1911 : Turin, Italy)  Search this
Esposizione Internationale D'Arte (Venice, Italy: 1910)  Search this
Esposizione Internazionale d'Arte (1895 : Venice, Italy)  Search this
Exhibition of Art Treasures (1857 : Manchester, England)  Search this
Exhibition, Massachusetts Charitable Mechanic Association (1878 : Boston, Massachusetts)  Search this
Expo 67 (Montréal, Québec)  Search this
Exposicion Centro-Americana (1897 : Guatemala City, Guatemala)  Search this
Exposition International (1894 : Lyons, France)  Search this
Exposition International Coloniale Maritime et d'Art Flammand (Antwerp, Belgium: 1930)  Search this
Exposition International de Liege (1930)  Search this
Exposition Internationale Maritime (1887 : Le Havre, France)  Search this
Exposition Nationale Belge (1880 : Belgium)  Search this
Exposition Universelle (1885 : Antwerp, Belgium)  Search this
Exposition Universelle de Paris (1855 : Paris, France)  Search this
Exposition Universelle de Paris (1878 : Paris, France)  Search this
Exposition coloniale internationale de Paris (1931)  Search this
Exposition universelle de 1867 à Paris  Search this
Exposition universelle de 1889 (Paris, France)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Fiera di Milano (1939)  Search this
Foreign Exhibition (1883 : Boston, Massachusetts)  Search this
Franco-British Exhibition (London, England: 1908)  Search this
Franklin Institute Exhibition (1874 : Philadelphia, Pennsylvania)  Search this
Gewerbe Austellung (1896 : Berlin, Germany)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Great Exhibition of 1851 (London, England)  Search this
Great Industrial Exhibition (1853 : Dublin, Ireland)  Search this
Great Lakes Exposition (Cleveland, Ohio: 1936-1937)  Search this
Hemisfair '68 (San Antonio, Texas: 1968)  Search this
Hudson-Fulton Celebration (1909)  Search this
Imperial International Exhibition (London, England: 1909)  Search this
International Exhibition (1897 : Brussels, Belgium)  Search this
International Exhibition of 1862 (London, England)  Search this
International Exhibition of 1871 (London, England)  Search this
International Exhibition of 1872 (London, England)  Search this
International Exhibition of Arts and Manufactures (1865: Dublin, Ireland)  Search this
International Exposition (Barcelona, Spain: 1929-1930)  Search this
International Exposition (Brussels, Belgium: 1935)  Search this
International Exposition of Decorative Arts and Modern Industries (1925 : Paris, France)  Search this
International Exposition on the Environment (Spokane, Washington: 1974)  Search this
International Fire Exhibition 1903 : London, England)  Search this
International Marine Exhibition of Marine Hygiene and Exhibition of the Italian Glories (Genoa, Italy: 1914)  Search this
International Ocean Exposition (Okinawa, Japan: 1975)  Search this
Interstate and West Indian Exposition (Charleston, South Carolina: 1901-1902)  Search this
Italian Exposition (1904 : London, England)  Search this
Jamestown Tercentennial Exposition (Hampton Roads, Virginia: 1907)  Search this
Japan World Exposition (Osaka, Japan: 1970)  Search this
Japan-British Exhibition (London, England: 1910)  Search this
Knoxville International Energy Exposition (1982)  Search this
Lewis and Clark Centennial Exposition (1905 : Portland, Or.)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Ecuadorian Exposition (Quito, Ecuador: 1909)  Search this
National Export Exposition (1899 : Philadelphia, Pennsylvania)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
New York World's Fair (1964-1965)  Search this
Pan-American Exposition (1901: Buffalo, N.Y.)  Search this
Panama-California Exposition (1915 : San Diego, Calif.)  Search this
Panama-Pacific International Exposition (1915 : San Francisco, Calif.)  Search this
Scottish National Exposition (Edinburgh, Scotland: 1908)  Search this
Sesqui-Centennial International Exposition (1926 : Philadelphia, Pa.)  Search this
Sydney International Exhibition (Sydney, Australia: 1879)  Search this
Texas Centennial Central Exposition (Dallas, Texas: 1936)  Search this
Universal Exhibition (1873 : Vienna, Austria)  Search this
Western Pennsylvania Exposition (1915 : Pittsburgh, Pennsylvania)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
World's Industrial and Cotton Centennial Exposition (1884-1885 : New Orleans, La.)  Search this
Extent:
46 Cubic feet (123 boxes and 150 map-folders)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music
Posters
Shopping bags
Photographs
Stereographs
Menus
Place:
Disneyland (California)
Date:
1841-1988
Scope and Contents:
Memorabilia of fairs and World's Fairs throughout history, both in the United States and abroad, including photographs, stereographs, panoramas and slides; printed materials; postcards; sheet music; philatelic material; stationery and greeting cards; menus and food service items; posters; shopping bags; motion picture films; and other items.
Arrangement:
The collection is divided into three series.

Series 1: World's Fair Materials, 1841-1988

Series 2: Reference and Miscellaneous Materials

Series 3: Larry Zim Materials

Series 4: Oversize Materials, 1909-1968
Biographical / Historical:
Larry Zim, whose actual name was Larry Zimmerman, was an industrial designer, a historian of World's Fairs who wrote extensively on the subject, and a collector of World's Fair memorabilia.
Provenance:
Collection by bequest of Larry Zim.
Restrictions:
Collection is open for research but two oversize folders are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Crystal Palace -- (New York, New York)  Search this
Exhibitions  Search this
Genre/Form:
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music -- 20th century
Posters
Shopping bags
Photographs -- 19th century
Sheet music -- 19th century
Stereographs
Menus
Citation:
Larry Zim World's Fair Collection, 1841-1988, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0519
See more items in:
Larry Zim World's Fair Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8523c6615-9c45-41fc-86c2-ca7717969437
EDAN-URL:
ead_collection:sova-nmah-ac-0519
Online Media:

Division of Community Life World's Fairs Collection

Collector:
National Museum of American History (U.S.). Division of Community Life  Search this
National Museum of American History (U.S.). Division of Political History  Search this
Vogel, Robert M.  Search this
Names:
Ameriflora '92 (Columbus, Ohio)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Christopher Columbus Quincentenary Jubilee (Genova, Italy: 1992)  Search this
Expo '93 (Stuttgart, Germany)  Search this
Expo '93 (Taejŏn-si, Korea)  Search this
Exposición Universal de 1992 (Seville, Spain)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Floriade Zoetermeer (The Hague, Netherlands: 1992)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
New York World's Fair (1964-1965)  Search this
Salon International de l'Aeronautique et de l'Espace (Paris, France: 1991)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Donor:
Annis, Esther Pauline  Search this
Carmody, Stella  Search this
Coppola, John  Search this
Frick, Margaret  Search this
Grossman, Walter  Search this
Hallwig, Elizabeth Ann  Search this
Hallwig, O.Morton  Search this
Holt, C.W.  Search this
Krause, Roy  Search this
Landor, Josephine  Search this
Landor, Walter  Search this
Lindsay, Elizabeth R.  Search this
Meggars, Edith R.  Search this
Shafer, Mary C.  Search this
Sheppard, Stephen  Search this
Willcutts, Viola E.  Search this
Former owner:
Warner, Peter M.  Search this
Extent:
3.3 Cubic feet (11 boxes, 12 map-folders)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Leaflets
Stickers
Guidebooks
Brochures
Commemoratives
Schedules
Stationery
Fans
Calendars
Postcards
Shopping bags
Press releases
Tickets
Certificates
Bumper stickers
Pamphlets
Maps
Catalogs
Date:
1876-1993
Summary:
Collection documents World's Fairs from 1876 to 1993.
Scope and Contents:
The collection is a compilation of gifts from numerous donors, of printed materials and ephemera relating to World's Fairs.
Arrangement:
The collection is arranged into one series chronologically by fair.
Provenance:
Collected from numerous donors by the Division of Community Life (now called the Division of Home and Community Life.) A number of items in the collection were also collected for the National Museum of American History by the Division. Donors include Viola E. Willcuts, Peter M. Warner, Edith B. Meggars, Elizabeth R. Lindsay, C.W. Holt, Walter Grossman, Margaret Frick, Peter M. Warner, Esther Pauline Annis, Roy Krause, Ameriflora, Expo '92, Expo '93, Colombo, O. Morton Hallwig and Elizabeth Ann Hallwig, Mary C. Shafer, Robert Vogel, John Coppola, Stella M. Carmody, Walter and Josephine Landor, and Stephen Sheppard.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Exhibitions  Search this
World's fairs  Search this
Genre/Form:
Photographs -- Color transparencies -- 1950-2000
Programs
Clippings
Leaflets
Stickers
Guidebooks
Brochures
Commemoratives
Schedules
Stationery
Fans
Calendars
Postcards
Shopping bags
Press releases
Tickets
Certificates
Bumper stickers
Pamphlets
Maps
Catalogs
Citation:
Division of Community Life World's Fairs Collection, 1876-1993, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1132
See more items in:
Division of Community Life World's Fairs Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82197e99b-7898-4422-9249-ca8c9abf0798
EDAN-URL:
ead_collection:sova-nmah-ac-1132

Dorothy Liebes papers, circa 1850-1973, bulk 1922-1970

Creator:
Liebes, Dorothy, 1899-1972  Search this
Subject:
Morin, Relman  Search this
Wright, Frank Lloyd  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Bigelow-Sanford Carpet Company  Search this
E.I. du Pont de Nemours & Company. Textile Fibers Department  Search this
Type:
Sound recordings
Scrapbooks
Diaries
Drawings
Interviews
Citation:
Dorothy Liebes papers, circa 1850-1973, bulk 1922-1970. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women textile designers  Search this
Theme:
Women  Search this
Craft  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9143
(DSI-AAA_SIRISBib)211337
AAA_collcode_liebdoro
Theme:
Women
Craft
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211337
Online Media:

Eugen Neuhaus papers, [ca. 1906-1966]

Creator:
Neuhaus, Eugen, 1879-1963  Search this
Subject:
Nahl, Charles Christian  Search this
Doerner, Max  Search this
Hagemeyer, Johan  Search this
Heil, Walter  Search this
Neuhaus, Robert  Search this
Partridge, Roi  Search this
Sproul, Robert Gordon  Search this
University of California, Berkeley. Department of Art  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Type:
Sketchbooks
Citation:
Eugen Neuhaus papers, [ca. 1906-1966]. Archives of American Art, Smithsonian Institution.
Topic:
Art -- California  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9576
(DSI-AAA_SIRISBib)211777
AAA_collcode_neuheuge
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211777

Brents Carlton papers, 1903-2014

Creator:
Carlton, Brents, 1903-1962  Search this
Subject:
Smith, Judson  Search this
Nichols, Dale  Search this
Neuhaus, Eugen  Search this
Dean, Mallette  Search this
De Patta, Margaret  Search this
Arnautoff, Victor Mikhail  Search this
Helser, Carrie Carlton  Search this
Art Students League (New York, N.Y.)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Type:
Photographs
Prints
Sketches
Scrapbooks
Citation:
Brents Carlton papers, 1903-2014. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors -- California  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10811
(DSI-AAA_SIRISBib)214545
AAA_collcode_carlbren
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214545
Online Media:

I never realized how important the coffee-tester is! [black & white advertisement; tear sheet]

Advertiser:
Hills Bros. Coffee, Inc.  Search this
Names:
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Collection Creator:
Ayer (N W) Incorporated.  Search this
Extent:
1 Item (Ink on paper., 16.5" x 12.2".)
Type:
Archival materials
Tear sheets
Advertisements
Date:
1939
Scope and Contents:
Illustrations of a coffee-tester at work, five methods of making coffee and a small inset about the film "Behind the Cup" showing at the Hills Bros. Exposition Theatre, Golden Gate International Exposition..
Arrangement:
In Series 3?, Box O/S 265, Folder Hills Bros 1930-1939.
Local Numbers:
AC0059-0000020 (AC Scan)
Collection Restrictions:
The collection is open for research use.

Physical Access: Researchers must use microfilm copy. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audiovisual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Technical Access: Viewing the film portion of the collection without reference copies requires special appointment, please inquire; listening to audio discs requires special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Publication and production quality duplication is restricted due to complex copyright, publicity rights, and right to privacy issues. Potential users must receive written permission from appropriate rights holders prior to obtaining high quality copies. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beverages -- advertising  Search this
Coffee  Search this
World expositions  Search this
advertising  Search this
Genre/Form:
Tear sheets
Advertisements -- 1930-1940
Collection Citation:
NW Ayer & Sons, incorporated Advertising Agency Records, Archives Center, National Museum of American History
See more items in:
N W Ayer Advertising Agency Records
N W Ayer Advertising Agency Records / Series 3: Proof Sheets / Hills Bros.
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ddcd423c-c3e5-4378-8d14-2ebfed3f8501
EDAN-URL:
ead_component:sova-nmah-ac-0059-ref8434

Oral history interview with Leo Holub, 1997 July 3

Interviewee:
Holub, Leo, 1916-2010  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Adams, Ansel  Search this
Arnautoff, Victor Mikhail  Search this
Barnes, Matthew Rackham  Search this
Corbett, Edward  Search this
Cunningham, Imogen  Search this
Gaw, William A.  Search this
Hackett, Dick  Search this
Holub, Florence  Search this
Mackey, Spencer  Search this
Mondale, Walter F.  Search this
Oldfield, Otis  Search this
Packard, Emmy Lou  Search this
Piazzoni, Gottardo  Search this
Randolph, Lee F.  Search this
Rivera, Diego  Search this
Sinel, Joseph Claude  Search this
Smith, Hassel  Search this
Sterne, Maurice  Search this
Weston, Edward  Search this
White, Minor  Search this
Wilson, Charis  Search this
San Francisco Bay Area Rapid Transit District (Calif.)  Search this
Stanford University. Dept. of Art  Search this
University of California, San Francisco. School of Fine Arts  Search this
Art Schools in California Oral History Project  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Leo Holub, 1997 July 3. Archives of American Art, Smithsonian Institution.
Topic:
Photographers -- California -- San Francisco -- Interviews  Search this
Art -- Study and teaching -- California  Search this
Photography  Search this
Photography -- California -- San Francisco Bay Area  Search this
Theme:
Photography  Search this
Record number:
(DSI-AAA_CollID)12356
(DSI-AAA_SIRISBib)216329
AAA_collcode_holub97
Theme:
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216329
Online Media:

Oral history interview with Leo Holub

Interviewee:
Holub, Leo, 1916-2010  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Creator:
Art Schools in California Oral History Project  Search this
Names:
Art Schools in California Oral History Project  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
San Francisco Bay Area Rapid Transit District (Calif.)  Search this
Stanford University. Dept. of Art  Search this
University of California, San Francisco. School of Fine Arts -- Faculty  Search this
University of California, San Francisco. School of Fine Arts -- Students  Search this
Adams, Ansel, 1902-1984  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
Barnes, Matthew Rackham, 1880-1951  Search this
Corbett, Edward, 1919-  Search this
Cunningham, Imogen, 1883-1976  Search this
Gaw, William A., 1891-1973  Search this
Hackett, Dick  Search this
Holub, Florence  Search this
Mackey, Spencer, 1880-1958  Search this
Mondale, Walter F., 1928-  Search this
Oldfield, Otis, 1890-1969  Search this
Packard, Emmy Lou, 1914-1998  Search this
Piazzoni, Gottardo, 1872-1945  Search this
Randolph, Lee F., b. 1880  Search this
Rivera, Diego, 1886-1957  Search this
Sinel, Joseph Claude, 1889-1975  Search this
Smith, Hassel, 1915-2007  Search this
Sterne, Maurice, 1878-1957  Search this
Weston, Edward, 1886-1958  Search this
White, Minor  Search this
Wilson, Charis, 1914-2009  Search this
Extent:
2 Sound cassettes (Sound recording (90 min), analog)
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1997 July 3
Scope and Contents:
An interview of Leo Holub conducted 1997 July 3, by Paul Karlstrom, for the Archives of American Art, in San Francisco, Calif.
Holub discusses his background, being born in Arkansas, moving to New Mexico, and then to Oakland, Calif. (1923); early educational experiences in Oakland, and later at the Art Institute of Chicago; seeing Edward Weston's photographic work at an exhibition in Chicago, and admiring Weston's nude studies of Charis Wilson; his return to the Bay Area; his studio on Montgomery St. (Monkey Block); meeting painter Matthew Barnes, who had assisted Diego Rivera with his murals at the California School of Fine Arts (CSFA), 1931-1932; his experiences as a student at CSFA- its program and instructors which included Maurice Sterne, Gottardo Piazzoni, Lee Randolph, Dick Hackett, Otis Oldfield, William Gaw, Spencer Mackey, and Victor Arnautoff; fellow students including Hassel Smith, Ed Corbett, and Florence Michelson (his future wife); and his beginning awareness of modernism.
Holub discusses his involvement with the Golden Gate International Exposition (1939); apprenticeship with industrial designer Joe Sinel and the advent of the product design era; his founding of Design Development Associates, and staying only a year before moving to Grass Valley, Calif. for his son's health; his return to the Bay Area, succeeding Emmy Lou Packard at the San Francisco Planning Office graphic arts dept.; working at the housing agency and redevelopment agency and as chief designer for the Bay Area Rapid Transit report.
He recalls his encounter with Ansel Adams at the 1955 Yosemite workshop where Holub produced a pictorial map of Yosemite; Adam's "zone system" of exposing for shadows and developing for highlights; going on to teach at CSFA (1955-1957), where Imogen Cunningham was a guest instructor; Minor White replacing him; his ten years at Stanford University's planning office (1960-1970); his campus views "Stanford Scene" that were used by the university to appeal for more space for the art dept., and his shows at Stanford's art gallery in 1964 and at the Washington, D.C. home of Vice President Walter Mondale in 1980.
Biographical / Historical:
Leo Holub (1916-2010) was a photographer, lithographer, and teacher from San Francisco, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Photographers -- California -- San Francisco -- Interviews  Search this
Art -- Study and teaching -- California  Search this
Photography  Search this
Photography -- California -- San Francisco Bay Area  Search this
Function:
Art Schools -- California
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.holub97
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94a5ec6a4-7e88-40a7-8b1c-4379fe338240
EDAN-URL:
ead_collection:sova-aaa-holub97
Online Media:

Brents Carlton doing finishing work on his sculpture Polynesian boy

Photographer:
Bigelow, Marvyn Jay  Search this
Subject:
Carlton, Brents  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Type:
Photographs
Date:
1938 Oct.
Citation:
Marvyn Jay Bigelow. Brents Carlton doing finishing work on his sculpture Polynesian boy, 1938 Oct.. Brents Carlton papers, 1903-2014. Archives of American Art, Smithsonian Institution.
Topic:
Artists at or with their work  Search this
Sculptors  Search this
Record number:
(DSI-AAA)11872
See more items in:
Brents Carlton papers, 1903-2014
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11872
Online Media:

RCA Exhibit building at the Golden Gate International Exhibition and inset image of TRK-12 receiver designed by John Vassos

Subject:
Vassos, John  Search this
Radio Corporation of America  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Type:
Photographs
Date:
circa 1939
Citation:
RCA Exhibit building at the Golden Gate International Exhibition and inset image of TRK-12 receiver designed by John Vassos, circa 1939. John Vassos Papers, 1915-1989. Archives of American Art, Smithsonian Institution.
Topic:
Buildings  Search this
Design drawings  Search this
Record number:
(DSI-AAA)8186
See more items in:
John Vassos Papers, 1915-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8186

RCA pavilion designed by John Vassos at the Golden Gate International Exposition

Subject:
Vassos, John  Search this
Radio Corporation of America  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Type:
Photographs
Date:
1939 or 1940
Citation:
RCA pavilion designed by John Vassos at the Golden Gate International Exposition, 1939 or 1940. John Vassos Papers, 1915-1989. Archives of American Art, Smithsonian Institution.
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)8187
See more items in:
John Vassos Papers, 1915-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8187

Brents Carlton papers

Creator:
Carlton, Brents, 1903-1962  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Arnautoff, Victor Mikhail, 1896-1979  Search this
De Patta, Margaret, 1903-1964  Search this
Dean, Mallette, 1907-  Search this
Helser, Carrie Carlton  Search this
Neuhaus, Eugen, 1879-1963  Search this
Nichols, Dale, 1904-  Search this
Smith, Judson, 1880-1962  Search this
Extent:
4.7 Linear feet
0.528 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Prints
Sketches
Scrapbooks
Date:
1903-2014
Summary:
The papers of sculptor and painter Brents Carlton measure 4.7 linear feet and 0.528 GB and date from 1903 through 2014. The collection consists of biographical material, correspondence, personal business records, notes, a scrapbook, exhibition files, art work, photographs, digital photographs, and printed material.
Scope and Contents:
The papers of sculptor and painter Brents Carlton measure 4.7 linear feet and 0.528 GB and date from 1903 through 2014. The collection consists of biographical material, correspondence, personal business records, notes, a scrapbook, exhibition files, art work, photographs, digital photographs, and printed material.

Biographical materials include several autobiographical accounts, school-related materials, a student card from the Art Students' League, and other identification cards.

Correspondence consists primarily of letters from family members and colleagues, including letters from Victor Arnautoff, H. Mallette Dean, Margaret De Patta, Eugen Neuhaus, Dale Nichols, and Judson T. Smith.

Personal business records include bank passbooks, pharmacy licensing records, receipts, income tax records, and ledgers of income, expenses, and art work sold.

Notes consists of Brents Carlton's address book, notebooks, and meeting minutes, as well as notes written by his daughter Carrie Carlton Helser.

There is one scrapbook. Exhibition files include correspondence, notes, photographs, and printed material related to the Golden Gate International Exhibition and other shows. There are also sketches, drawings, and prints by Carlton in the artwork series.

Photographic material includes an album, slides, negatives, and prints depicting Brents Carlton and his artwork, friends, family, and studios.

Printed material includes magazines, brochures, catalogs, and clippings.

A 2015 addition to the Brents Carlton papers includes additional biographical material, correspondence, personal business records, photographic material, and printed material.
Arrangement:
The collection is arranged as 10 series. Series 10 consists of a 2015 addition to the papers that was not integrated into the other series, although there are similar types of materials.

Missing Title

Series 1: Biographical Material, 1921-1944 (0.1 linear feet; Box 1)

Series 2: Correspondence, 1922-1987 (0.2 linear feet; Boxes 1, 6)

Series 3: Personal Business Records, 1924-1959 (0.2 linear feet; Box 1)

Series 4: Notes, circa 1923-2009 (0.1 linear feet; Boxes 1, 6, 0.013 GB; ER01)

Series 5: Scrapbook, 1928-1962 (0.2 linear feet; Box 6)

Series 6: Exhibition Files, 1927-1983 (0.3 linear feet; Box 1, OV 8)

Series 7: Art Work, 1924-1962 (0.3 linear feet; Box 1, 6, OV 8)

Series 8: Photographs, 1923-circa 1960 (0.6 linear feet; Boxes 1-2, 6-7)

Series 9: Printed Material, 1923-2012 (0.2 linear feet; Box 2)

Series 10: 2015 Addition to the Brents Carlton Papers, 1903-2014 (2.3 linear feet; Boxes 2-5, 7, 0.515 GB; ER02-ER03)
Biographical / Historical:
Brents Carlton was a sculptor and painter who worked primarily in San Francisco, California.

Brents Carlton was born on October 31, 1903, in Roswell, New Mexico; his family later moved to Arkansas. In 1924, Carlton moved to San Francisco to attend the California School of Fine Arts for four years. From 1928 to 1929, he studied under a scholarship at the Art Students' League in New York, after which he returned to San Francisco and established his own studio at Polk Street. In order to support his family, Carlton was also employed as a pharmacist for 30 years.

In 1937, Carlton moved to a studio on Montgomery Street. In 1938, Carlton was commissioned to create four of his most notable works for the Golden Gate International Exposition (1939-1940) on Treasure Island: two large cast concrete figures for the Fountain of Western Waters at the Court of Pacifica, and two 18-foot bas-relief figures for the façade of the California State Building. He married Jessie Bosworth in 1939 and they had a daughter Carrie.

In the mid-1940s, Carlton relocated to a new studio above the pharmacy on Mission Street, where he worked. Due to failing health in the late 1950s, Carlton switched from sculpture to painting. Brents Carlton died of cancer on September 6, 1962 in San Francisco. His works have been exhibited in the California Palace of the Legion of Honor, the Oakland Art Gallery, and the San Francisco Museum.
Provenance:
The Brents Carlton papers were donated by the artist's daughter Carrie Carlton Helser in 1991 and 2015.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California  Search this
Topic:
Sculptors -- California  Search this
Genre/Form:
Photographs
Prints
Sketches
Scrapbooks
Citation:
Brents Carlton papers, 1903-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.carlbren
See more items in:
Brents Carlton papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90c442493-a9cb-43e5-a7f1-1b3e1d362974
EDAN-URL:
ead_collection:sova-aaa-carlbren
Online Media:

Contemporary art; official catalog, Department of Fine Arts, Division of Contemporary Painting and Sculpture

Author:
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.). Department of Fine Arts  Search this
Physical description:
2 preliminary leaves, 3-82 pages illustrations, plates 26 cm
Type:
Exhibitions
Date:
1939
[1939]
Topic:
Painting  Search this
Sculpture  Search this
Call number:
N4875 .A52
N4875.A52
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_72261

Art of Treasure Island; first-hand impressions of the architecture, sculpture, landscape design, color effects, mural decorations, illumination, and other artistic aspects of the Golden Gate International Exposition of 1939

Author:
Neuhaus, Eugen 1879-1963  Search this
Subject:
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Physical description:
xviii, 185 p. plates, diagrs. 26 cm
Type:
Books
Date:
1939
Call number:
N4875 .N4 1939X
N4875.N4 1939X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_380639

Treasure Island and the world's greatest spans of steel

Subject:
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Physical description:
[32] p. : chiefly ill. ; 19 x 27 cm
Type:
Books
Pictorial works
Place:
Treasure Island (Calif.)
Golden Gate Bridge (San Francisco, Calif.)
San Francisco-Oakland Bay Bridge (Oakland and San Francisco, Calif.)
Date:
1939
C1939
Call number:
T876 1939.C1 T74 1939
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_916671

San Francisco World's Fair 1940

Title:
Treasure Island : go by train
Author:
Chicago, Milwaukee, St. Paul, and Pacific Railroad Company  Search this
Subject:
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Physical description:
24 unnumbered pages : illustrations (some color), maps ; 23 x 20 cm folded to 23 x 10 cm
Type:
Books
World's fairs
Place:
California
San Francisco
West (U.S.)
Date:
1940
Topic:
Exhibitions  Search this
Railroad travel  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1059256

1939 Golden Gate International Exposition on San Francisco Bay, February eighteenth - December second

Title:
Golden Gate International Exposition on San Francisco Bay
Author:
San Francisco (Calif.) Golden Gate International Exposition, 1939-40  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Former owner:
Rice, Eleanor DSI  Search this
Subject:
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Physical description:
32 unnumbered pages illustrations (some color) maps, plans 36 cm
Type:
Books
Place:
California
San Francisco
Date:
1939
Topic:
Exhibitions  Search this
Call number:
T876 1939.B1 A2 1939 folio
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1049759

Historical American paintings : official catalog, Department of Fine Arts

Issuing body:
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Author:
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Subject:
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Physical description:
[12] pages : illustrations, portraits ; 26 cm
Type:
Exhibitions
Exhibition catalogs
Date:
1939
Topic:
Painting, American  Search this
Call number:
ND205 .S195
ND205.S195
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_88179

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