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Marian Gore "Art Scene" interviews and papers

Creator:
Gore, Marian L.  Search this
Names:
Ankrum Gallery  Search this
Ceeje Gallery  Search this
Comara Gallery  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
KPFK (Radio staion : Los Angeles, Calif.)  Search this
Silvan Simone Gallery  Search this
Albers, Josef  Search this
Albert, Michel (artist)  Search this
Ankrum, Joan  Search this
Blair, Streeter, 1888-1966  Search this
Brigante, Nicholas P., 1895-1989  Search this
Carter, Earl  Search this
Cremean, Robert, 1932-  Search this
Cuevas, José Luis, 1934-  Search this
Elliot, James, 1943-2011  Search this
Falkenstein, Claire, 1908-1997  Search this
Geoffrey, J. Iqbal, 1939-  Search this
Gerchik, Paul  Search this
Goeritz, Mathias, 1915-1990  Search this
Greene, Balcomb, 1904-1990  Search this
Hansen, Jurgen  Search this
Hopps, Walter  Search this
Kuntz, Roger, 1926-1975  Search this
Leavitt, Thomas W.  Search this
Lebrun, Rico, 1900-1964  Search this
Lipchitz, Jacques, 1891-1973  Search this
Luna, Mario  Search this
Mallary, Robert, 1917-1997  Search this
Nevelson, Louise, 1899-1988  Search this
Ortiz, Emilio, 1936-  Search this
Robles, Esther  Search this
Schniede, Otto  Search this
Schwaderer, Fritz (Fritz Karl), 1901-  Search this
Siqueiros, David Alfaro  Search this
Tamayo, Rufino, 1899-  Search this
Vicente, Esteban, 1903-2001  Search this
Wark, Robert R.  Search this
Wayne, June, 1918-2011  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Photographs
Interviews
Transcripts
Date:
1958-1969
Summary:
The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marian Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.
Scope and Contents:
The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marion Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.

The "Art Scene" Interviews series contains 36 interviews from Gore's "Art Scene" radio series of interviews relating to the contemporary art scene in Los Angeles, particularly galleries and artists showing on La Cienega Boulevard in West Hollywood. Also found is a single episode of another KPFK program called "Seen at the galleries" and hosted by Earl Carter, featuring an interview with Jacques Lipchitz on the occasion of his retrospective at UCLA. Two interviews, with Mathias Goeritz and David Siqueiros, were conducted in Mexico City. Other interview subjects include Michel Albert, Josef Albers, Joan Ankrum, Streeter Blair, Nick Brigante, Robert Cremean, José Luis Cuevas, James Elliott, Claire Falkenstein, Balcomb Greene, Paul Gerchik, Jurgen Hansen, Walter Hopps, Roger Kuntz, Rico Lebrun, Dr. Thomas Leavitt, Jacques Lipchitz, Mario Luna, Robert Mallary, Louise Nevelson, Emilio Ortiz, Esther Robles, Otto Schniede, Fritz Schwaderer, Rufino Tamayo, Esteban Vicente, Robert Wark, and June Wayne.

Artist files include mainly brief, typewritten notes created for Gore's radio interviews, with the questions she asked her interview subjects and brief introductory or concluding remarks. Correspondence is also found in files for Robert Cremean, Iqbal Geoffrey, Balcomb Greene, Robert Mallary, Emilio Ortiz, and Esteban Vicente. Louise Nevelson's file also contains a transcript of her interview with Gore. Also found scattered in some files are notes, photographs, clippings, press releases, resumes, and exhibition programs. Note that not every person in this series has a corresponding sound recording in Series 1, and not every interviewee in Series 1 has a corresponding file in this series.

Most of the material in the Printed Materials series consists of exhibition announcements, programs, and posters from Galleries in the Los Angeles, California area, particularly those along La Cienega Boulevard. Of these, Ankrum Gallery, Ceeje Gallery, Comara Gallery, Dwan Gallery, Ferus Gallery, and Silvan Simone Gallery on Olympic Boulevard contain the most material, with many of the other files containing only one or two pieces. Of note are original prints promoting exhibitions at the Ferus and Ceeje Galleries, and a poster for an art walk along La Cienega Boulevard in the file for the Los Angeles County Museum of Art.
Arrangement:
The collection is arranged in 3 series:

Series 1: "Art Scene" Interviews (1.3 linear feet, Boxes 1-2, 4)

Series 2: Artist Files (0.2 linear feet, Boxes 2, 4)

Series 3: Printed Materials (0.7 linear feet, Boxes 3-4, OV 5)
Biographical / Historical:
Marian L. Gore (1914-2009) volunteered as a radio interviewer for KPFK between 1962-1964, conducting a series of interviews with Los Angeles-area artists, curators, collectors, and gallerists in response to a growing awareness of Los Angeles' rapidly growing role as a creative center and art market.

Born Marian Lucille Moore on Feb. 27, 1914, in Los Angeles to Fred and Lucille Moore. Fred Moore, an attorney, defended Nicola Sacco and Bartolomeo Vanzetti in the infamous 1921 trial. Following her divorce in the early 1960s, Gore approached the radio station KPFK, who was looking for someone to interview local artists. In a 1997 letter that accompanied her donation of the collection to the Archives, Gore writes,

"The early 1960's were an interesting and probably unique period for the Southern California art world. In Los Angeles on La Cienega Boulevard galleries had sprung up like mushrooms, and on Friday nights those who were interested in this scene would go from one gallery to another noting what artists were featured and what trends were apparent. It was a pleasurable way to meet artists as well as a social event where one could see friends and exchange impressions.

"Because I was searching for something to do, at the suggestion of a friend I had gone to radio station KPFK to volunteer my services in any way possible. It turned out to be a most fortuitous time for this offer. The management was interested in possible intervie3ws with artists, and so it all began. I had never done an interview in my life and was astounded to discover how easy it was to get artists, gallery owners, and even museum personnel to talk aobut what they did. Once this began I was swaped with requests for taped interviews, far more than I could manage."

Gore later became an antiquarian bookseller specializing in books on food and drink. She retired in 1994 and donated her book collection to the Los Angeles Public Library.
Provenance:
Donated 1997 by Marian Gore.
Restrictions:
Use of original papers requires an appointment.
Rights:
The KPFK "Art Scene" interviews are owned by the Archives of America Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Curators -- California -- Los Angeles  Search this
Gallery owners -- California  Search this
Artists -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Photographs
Interviews
Transcripts
Citation:
KPFK "Art Scene" interviews, 1950-1969. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goremari
See more items in:
Marian Gore "Art Scene" interviews and papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goremari

Interview with Mathias Goeritz for the "Art scene" radio series

Creator:
Goeritz, Mathias, 1915-1990  Search this
Gore, Marian L.  Search this
Type:
Sound Recording
Date:
1964 September 1
Record number:
(DSI-AAA)12289
See more items in:
Marian Gore "Art Scene" interviews and papers, 1958-1969
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12289

Byron Gallery records

Creator:
Byron Gallery  Search this
Names:
Galleria dell'Ariete  Search this
Antonakos, Stephen, 1926-2013  Search this
Calder, Alexander, 1898-1976  Search this
Consagra, Pietro, 1920-  Search this
Copley, Alfred L.  Search this
De Chirico, Giorgio, 1888-  Search this
Ernst, Max, 1891-1976  Search this
Friedeberg, Pedro, 1937-  Search this
Gilliam, Sam  Search this
Goeritz, Mathias, 1915-1990  Search this
Grilo, Sarah  Search this
Matta Echaurren, Roberto Sebastián, 1911-  Search this
Meadmore, Clement  Search this
Nivola, Costantino, 1911-1988  Search this
Sleigh, Sylvia  Search this
Talman, Paul  Search this
Youngerman, Jack, 1926-  Search this
Extent:
16.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
circa 1950s-1991
Summary:
The records of New York Byron Gallery measure 16.3 linear feet and date from circa 1950s-1991, with the bulk of the material dating from 1960-1971. The records document the gallery's representation and exhibition of Surrealist and contemporary American artists, as well as the occasional pre-Columbian and Old Masters artwork. Found are over ten linear feet of artists and subject files, fifty-seven exhibition scrapbooks, exhibition catalogs, and sales records. There are also exhibitions catalogs of the Milan Galleria Dell'Arieti.
Scope and Content Note:
The records of New York Byron Gallery measure 16.3 linear feet and date from circa 1950s-1991, with the bulk of the material dating from 1960-1971. The records document the gallery's representation and exhibition of Surrealist and contemporary American artists, as well as the occasional pre-Columbian and Old Masters artwork. Found are extensive artists and subject files, exhibition files and scrapbooks, exhibition catalogs, and sales records. There are also exhibitions catalogs of the Milan Galleria Dell'Arieti.

Artist and subject files comprise over one-half of the records and contain business correspondence, sales information, photographs and transparencies, catalogs, and exhibit reviews for each artist either represented or sold by the gallery, or participated in an exhibition organized by the gallery. Particularly rich files are found for Alcopley, Stephen Antonakos, Alexander Calder, Pietro Consagra, Giorgio De Chirico, Max Ernst, Pedro Friedeberg, Sam Gilliam, Mathias Goeritz, Sarah Grilo, Roberto Sabastiano Matta, Clement Meadmore, Constantino Nivola, Sylvia Sleigh, Paul Talman, and Jack Youngerman.

Fifty-seven exhibition scrapbooks in binder sleeves represent a complete documentary record of Byron Gallery exhibits from 1963-1970. The scrapbook contain a wide variety of materials, including correspondence, catalogs, price lists, installation photographs and slides, printed reproductions of exhibited art work, and newspaper clippings and reviews. Additional printed materials include exhibition catalogs and invitations. There is also a near-complete run of catalogs from the Galleria Dell'Arieti, a contemporary gallery in Milan, Italy, 1961-1970.

Financial and business records are contained in a series of invoices from 1963-1971, and a card file of artwork sold or returned.
Arrangement:
The collection is arranged as 5 series:

Series 1: Artist and Subject Files, circa 1950s-1991, undated (Box 1-10, 17; 10.2 linear feet)

Series 2: Exhibition Scrapbooks, 1963-1970 (Box 11-14, 17; 4.1 linear feet)

Series 3: Printed Material, 1961-1970 (Box 15; 0.5 linear foot)

Series 4: Invoices, 1963-1971 (Box 15; 0.5 linear foot)

Series 5: Card Files, circa 1960s-1970s (Box 16; 1 linear foot)
Historical Note:
The Byron Gallery was founded in 1961 by Charles Byron (b. 1918) and located on Madison Avenue in New York, New York. The gallery primarily showed Surrealist masters and up-and-coming contemporary American painters and sculptures, as well as an occasional ancient and Old Masters exhibit.

Among the artists represented by the gallery were Alcopley, Herbert Bayer, Albert Kotin, Clement Meadmore, Richard Merkin, Constantino Nivola, Brian O'Doherty, and Hans Richter. Additional artists handled by the gallery or given shows were Max Ernst, Sam Gilliam, Robert Sebastian Matta, Renee Magritte, Sylvia Sleigh, and Jack Youngerman. The gallery also sold work by artists represented by other galleries, or from the secondary market.

Several prescient group shows were organized by the gallery, including the Box Show in 1965, featuring the work of over 100 artists, including Arakawa, Lee Bontecou, Chryssa, Joseph Cornell, Alcopley, Walter De Maria, Dan Flavin, Donald Judd, Edward Kienholz, Sol Lewitt, Louise Nevelson, Constantino Nivola, Robert Rauschenberg, Michell Stuart, and Andy Warhol. The Paris Review show in 1965 was another stellar event, with contributions from Richard Anuszkiewicz, Allan D'Arcangelo, Jim Dine, Helen Frankenthaler, Robert Indiana, Alex Katz, Ellsworth Kelly, Lindner, Richard Robert Motherwell, Louise Nevelson, Estaban Vicente, and Andy Warhol. In 1964, the gallery also organized an exhibition of over 40 American landscape artists, American Landscapes. The gallery also exhibited two shows based on Pre-Columbian objects, and, in the late 1960s, held two major exhibitions, 400 Years of Italian Art: Florentine Relief Fund Art Show (1967) and Greek Gold Exhibition (1967-1968).
Provenance:
The Byron Gallery papers were donated to the Archives of American Art by gallery owner Charles Byron in 1999.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Byron Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Surrealism  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Byron Gallery records, circa 1950s-1991, bulk 1960-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.byrogall
See more items in:
Byron Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-byrogall
Online Media:

Mathias Goeritz, Cuernavaca, Mexico letter to Albert Kotin, New York, N.Y.

Creator:
Goeritz, Mathias, 1915-1990  Search this
Kotin, Albert, 1907-1980  Search this
Subject:
Goeritz, Mathias  Search this
Kotin, Albert  Search this
Type:
Correspondence
Date:
1959 Sep 14
Topic:
Correspondence  Search this
Record number:
(DSI-AAA)16862
See more items in:
Albert Kotin papers, 1935-1977
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16862
Online Media:

Mathias Goeritz : modernist art and architecture in Cold War Mexico / Jennifer Josten

Title:
Modernist art and architecture in Cold War Mexico
Author:
Josten, Jennifer  Search this
Author:
Goeritz, Mathias 1915-1990 Works Selections  Search this
Subject:
Goeritz, Mathias 1915-1990  Search this
Physical description:
xi, 339 pages : illustrations (chiefly color) ; 27 cm
Type:
Books
Place:
Mexico
Date:
2018
Topic:
Modernism (Art)  Search this
Modern movement (Architecture)  Search this
Cold War  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1109635

Architectural sculpture, Mathias Goeritz : an exhibition held in conjunction with the inauguration of the Saltiel Community Center in East Talpiot, Jerusalem 1980

Author:
Goeritz, Mathias 1915-1990  Search this
Muzeʼon Yiśraʼel (Jerusalem)  Search this
Subject:
Goeritz, Mathias 1915- Exhibitions  Search this
Physical description:
[32] p. : ill. ; 21 x 27 cm
Type:
Books
Date:
1980
Call number:
N40.1.G588 M9
N40.1.G588M9
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_155172

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