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Glass workshop report

Creator:
Toledo Museum of Art  Search this
Toledo Museum of Art  Search this
Type:
Writings
Date:
1962 June
Topic:
Glass artists  Search this
Glass blowing and working  Search this
Glass painting and staining  Search this
Record number:
(DSI-AAA)203
See more items in:
Harvey K. Littleton papers, 1946-1975
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_203

Oral history interview with Marvin Lipofsky, 2003 July 30-August 5

Interviewee:
Lipofsky, Marvin B. (Marvin Bentley), 1938-2016  Search this
Lipofsky, Marvin B. (Marvin Bentley), 1938-2016  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Glass art -- California  Search this
Glass artists -- California -- Interviews  Search this
Glass blowing and working -- Technique  Search this
Glass blowing and working -- Study and teaching  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12658
(DSI-AAA_SIRISBib)245773
AAA_collcode_lipofs03
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_245773
Online Media:

Oral history interview with Frances Higgins, 2003 November 8

Interviewee:
Higgins, Frances Stewart, 1912-2004  Search this
Higgins, Frances Stewart, 1912-2004  Search this
Interviewer:
Adamson, Glenn, 1972-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Glass blowing and working -- Technique  Search this
Glass blowing and working -- Study and teaching  Search this
Women artists -- Illinois -- Chicago -- Interviews  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)12151
(DSI-AAA_SIRISBib)246706
AAA_collcode_higgin03
Theme:
Craft
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_246706
Online Media:

Oral history interview with Robert Levin, 2004 December 11

Interviewee:
Levin, Rob, 1948-  Search this
Levin, Rob, 1948-  Search this
Interviewer:
Byrd, Joan Falconer, 1939-  Search this
Subject:
Bernstein, William  Search this
Brown, William J. (William Joseph)  Search this
Dreisbach, Fritz  Search this
Handler, Audrey  Search this
Levin, Robert  Search this
Littleton, Harvey K.  Search this
Peiser, Mark  Search this
Ritter, Richard Q.  Search this
Denison University  Search this
Glass Art Society  Search this
Penland School of Crafts  Search this
Pilchuck School  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Southern Illinois University (System)  Search this
Type:
Interviews
Sound recordings
Topic:
Art -- North Carolina  Search this
Decorative arts  Search this
Glass art -- Equipment and supplies  Search this
Glass art -- Technique  Search this
Glass artists -- North Carolina -- Interviews  Search this
Glass blowing and working -- Technique  Search this
Jewish art  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)11702
(DSI-AAA_SIRISBib)249435
AAA_collcode_levin04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249435
Online Media:

Oral history interview with Henry Halem, 2005 May 14

Interviewee:
Halem, Henry, 1938-  Search this
Halem, Henry, 1938-  Search this
Interviewer:
Warmus, William, 1953-  Search this
Subject:
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Glass blowing and working -- Technique  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12072
(DSI-AAA_SIRISBib)252332
AAA_collcode_halem05
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_252332
Online Media:

Oral history interview with Joey Kirkpatrick, 2005 August 17-18

Interviewee:
Kirkpatrick, Joey, 1952-  Search this
Kirkpatrick, Joey, 1952-  Search this
Interviewer:
Herman, Lloyd E., 1936-  Search this
Subject:
Burford, Byron  Search this
Calder, Alexander  Search this
Chihuly, Dale  Search this
Cohen, Reba  Search this
Demetrion, James  Search this
Doty, Mark  Search this
Dove, Arthur Garfield  Search this
Edwards, Steven Dale  Search this
Giacometti, Alberto  Search this
Handler, Audrey  Search this
Hinds, Chuck  Search this
Mace, Flora  Search this
Moore, Ben  Search this
Morris, William  Search this
O'Keeffe, Georgia  Search this
Patrick, Peggy  Search this
Ragovin, Howard  Search this
Scanga, Italo  Search this
Schiele, Egon  Search this
Tagliapietra, Lino  Search this
Vigeletti, Sylvia  Search this
Art Institute of Chicago  Search this
Des Moines Art Center  Search this
Iowa State University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck School  Search this
University of Iowa  Search this
Type:
Interviews
Sound recordings
Place:
Iowa -- Description and travel
Topic:
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Glass blowing and working  Search this
Sculpture -- Technique  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12851
(DSI-AAA_SIRISBib)255873
AAA_collcode_kirkpa05
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_255873
Online Media:

Oral history interview with Flora Mace and Joey Kirkpatrick, 2005 August 17-18

Interviewee:
Mace, Flora, 1949-  Search this
Mace, Flora, 1949-  Search this
Interviewer:
Kirkpatrick, Joey, 1952-  Search this
Subject:
Anderson, Dale  Search this
Anderson, Doug  Search this
Benglis, Lynda  Search this
Ben Tré, Howard  Search this
Borenstein, Joan  Search this
Chihuly, Dale  Search this
Dehoff, Bill  Search this
Dehoff, Sarah  Search this
Littleton, Harvey K.  Search this
Moore, Ben  Search this
Morris, William  Search this
Pfaff, Judy  Search this
Pilloff, Bensen  Search this
Pilloff, Francine  Search this
Rooney, Alice  Search this
Rosenfield, Betsy  Search this
Royal, Rich  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo  Search this
Shirley, Jon  Search this
Shirley, Mary  Search this
Statom, Therman  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil  Search this
Welch, Ann  Search this
Wilmarth, Christopher  Search this
Wolff, Ann  Search this
Zynsky, Toots  Search this
Foster/White Gallery  Search this
Habatat Galleries  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Rhode Island School of Design  Search this
Walla Walla Foundry  Search this
Type:
Sound recordings
Interviews
Topic:
Decorative arts  Search this
Glass art -- Study and teaching  Search this
Glass art -- Technique  Search this
Glass art -- Equipment and supplies  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Glass blowing and working -- Technique  Search this
Glass blowing and working -- Study and teaching  Search this
Women artists  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11940
(DSI-AAA_SIRISBib)255912
AAA_collcode_mace05
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_255912
Online Media:

Oral history interview with Paul Stankard, 2006 June 9-August 20

Interviewee:
Stankard, Paul J., 1943-  Search this
Stankard, Paul J., 1943-  Search this
Interviewer:
Heller, Doug, 1946-  Search this
Subject:
Hollister, Paul M.  Search this
Eisch, Erwin  Search this
Peiser, Mark  Search this
Patti, Tom  Search this
Labino, Dominick  Search this
Littleton, Harvey K.  Search this
Penland School of Handicrafts  Search this
Heller Gallery  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Paperweights  Search this
Glass blowing and working  Search this
Glass blowing and working -- Technique  Search this
Dyslexia  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13579
(DSI-AAA_SIRISBib)263901
AAA_collcode_stanka06
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_263901
Online Media:

Oral history interview with Joel Philip Myers, 2007 May 1

Interviewee:
Myers, Joel Philip, 1934-  Search this
Myers, Joel Philip, 1934-  Search this
Interviewer:
Klein, Daniel, 1938-2009  Search this
Subject:
Blenko, William H.  Search this
Dreisbach, Fritz  Search this
Huchthausen, David R. (David Richard)  Search this
Lewis, John  Search this
Lipofsky, Marvin  Search this
Littleton, Harvey K.  Search this
Marquis, Richard  Search this
Ness, Bob  Search this
Popelka, John  Search this
Randall, Theodore  Search this
Smith, Paul J.  Search this
Vallien, Bertil  Search this
Alfred University  Search this
Blenko Glass Company  Search this
Donald Deskey Associates  Search this
Mint Museum of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parsons School of Design  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Toledo Art Museum  Search this
University of California, Berkeley  Search this
University of Illinois.  Search this
World Crafts Council  Search this
Type:
Interviews
Sound recordings
Place:
Japan -- Description and Travel
Topic:
Craft Horizons  Search this
Art -- Study and teaching -- Philosophy  Search this
Ceramics -- Design  Search this
Ceramics -- Study and teaching -- Denmark  Search this
Decorative arts  Search this
Glass blowing and working -- Study and teaching  Search this
World War, 1914-1918  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13605
(DSI-AAA_SIRISBib)270854
AAA_collcode_myers07
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_270854
Online Media:

Oral history interview with Preston Singletary, 2011 March 23-24

Interviewee:
Singletary, Preston, 1963-  Search this
Singletary, Preston, 1963-  Search this
Interviewer:
Savig, Mary, 1982-  Search this
Subject:
Chihuly, Dale  Search this
Cribbs, Keke  Search this
Dailey, Dan  Search this
David, Joe  Search this
Feddersen, Joe  Search this
Garcia, Tammy  Search this
Gardiner, Lewis  Search this
Hauberg, John H. (John Henry)  Search this
Jojola, Tony  Search this
Jungen, Brian  Search this
Libenský, Stanislav  Search this
Luna, James  Search this
Marioni, Dante  Search this
Marioni, Paul  Search this
Martinuzzi, Napoleone  Search this
Moore, Benjamin P.  Search this
Royal, Richard  Search this
Svenson, David  Search this
Tagliapietra, Lino  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Museum of the American Indian (U.S.).. George Gustav Heye Center  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Type:
Interviews
Sound recordings
Topic:
Glass art -- Technique  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Glass blowing and working  Search this
Modernism (Art)  Search this
Primitivism in art  Search this
Tlingit art  Search this
Tlingit Indians  Search this
Tlingit sculpture  Search this
Theme:
Native American  Search this
Record number:
(DSI-AAA_CollID)15931
(DSI-AAA_SIRISBib)299007
AAA_collcode_single11
Theme:
Native American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_299007
Online Media:

Ginny Ruffner papers, 1987-2007

Creator:
Ruffner, Ginny, 1952-  Search this
Ruffner, Ginny, 1952-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Interviews
Video recordings
Topic:
Glass blowing and working -- Technique  Search this
Theme:
Women  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)13696
(DSI-AAA_SIRISBib)276746
AAA_collcode_ruffginn
Theme:
Women
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_276746

Oral history interview with Joey Kirkpatrick

Interviewee:
Kirkpatrick, Joey  Search this
Interviewer:
Herman, Lloyd E.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Art Institute of Chicago -- Student  Search this
Des Moines Art Center  Search this
Iowa State University -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck School  Search this
University of Iowa -- Students  Search this
Burford, Byron, 1920-2011  Search this
Calder, Alexander, 1898-1976  Search this
Chihuly, Dale, 1941-  Search this
Cohen, Reba  Search this
Demetrion, James  Search this
Doty, Mark  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Edwards, Steven Dale  Search this
Giacometti, Alberto, 1901-1966  Search this
Handler, Audrey  Search this
Hinds, Chuck  Search this
Mace, Flora, 1949-  Search this
Moore, Ben  Search this
Morris, William, 1957-  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Patrick, Peggy  Search this
Ragovin, Howard  Search this
Scanga, Italo, 1932-2001  Search this
Schiele, Egon, 1890-1918  Search this
Tagliapietra, Lino  Search this
Vigeletti, Sylvia  Search this
Extent:
2 Items (Sound recording: 2 sound files (2 hr., 2 min.), digital, wav, 2 5/8 in.)
51 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Iowa -- Description and Travel
Date:
2005 August 17-18
Scope and Contents:
An interview of Joey Kirkpatrick conducted 2005 August 17-18, by Lloyd E. Herman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, which she shares with Flora Mace, in Seattle, Washington.
Ms. Kirkpatrick discusses her childhood in Des Moines, Iowa, as the third daughter among four; her early interest in art and, beginning in fifth grade, working at the Des Moines Art Center; her mother's creativity and love for art and design; visiting her aunt Elaine in Chicago and attending adult classes at the Art Institute of Chicago; seeing an Egon Schiele show at the Des Moines Art Center and its influence on her; her sense, even at an early age, that she was going to be an artist; going to college at the University of Iowa and getting a BFA in drawing; working in ceramics at the University of Iowa and studying under her mentor, Howard Ragovin; beginning to make sculptures out of chicken wire and papier-mâché and becoming interested in three-dimensional forms and planes; her most profound artistic influences, including Arthur Dove, Georgia O'Keeffe, Alexander Calder, and Alberto Giacometti; meeting Steven Dale Edwards during her last year in college and learning how to blow glass from him; blowing glass at a facility geared towards ceramic engineers at Iowa State University in Ames, Iowa, after college; working at the Art Center throughout and continuing to paint while living with her grandmother; working at a daycare center where she functioned as an art therapist; seeing an advertisement in Craft Horizons magazine for Pilchuck Glass School; working as a tree topper in Des Moines to get the money to go to Pilchuck; showing up at Pilchuck with an armful of her drawings; meeting Flora Mace, her collaborator and life partner, at Pilchuck; how the two eventually came to collaborate and cosign their work; and how they work together. A more in-depth discussion of the pair's lifelong collaboration is discussed in a joint interview of Kirkpatrick and Mace. Kirkpatrick also recalls Byron Burford, Peggy Patrick, Reba Cohen, Mark Doty, Jim Demetrion, Dale Chihuly, Chuck Hinds, Italo Scanga, Bill Morris, Ben Moore, Sylvia Vigeletti, Audrey Handler, and Lino Tagliapetra, and others.
Biographical / Historical:
Joey Kirkpatrick (1952- ) is a glass artist from Seattle, Washington. Lloyd E. Herman (1936- ) is a curator and former director of the Smithsonian American Art Museum's Renwick Gallery of Art and is currently from Seattle, Washington.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 2 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Glass blowing and working  Search this
Sculpture -- Technique  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.kirkpa05
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kirkpa05

Oral history interview with Paul Stankard

Interviewee:
Stankard, Paul, 1943-  Search this
Interviewer:
Heller, Doug, 1946-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Heller Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Faculty  Search this
Pilchuck Glass Center (Stanwood, Wash.) -- Faculty  Search this
Eisch, Erwin, 1927-  Search this
Hollister, Paul M., 1918-2004  Search this
Labino, Dominick  Search this
Littleton, Harvey K.  Search this
Patti, Tom  Search this
Peiser, Mark, 1938-  Search this
Extent:
64 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2006 June 9-August 20
Scope and Contents:
An interview of Paul Stankard conducted 2006 June 9 and August 20, by Doug Heller, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Heller Gallery, in New York, N.Y.
Stankard speaks of his family heritage and growing up in rural Massachusetts; attending Catholic school in North Attelboro, Massachusetts; his struggle with undiagnosed dyslexia throughout school; studying scientific glassblowing at Salem County Vocational Technical Institute; working in the scientific glass industry and feeling creatively stifled by its monotony; being intrigued by the flameworking of Charles Kaziun and Francis Whittemore, who both worked from the scientific glassblowing tradition; the satisfaction he felt from early experiments in making paperweights; the decision to leave his industry job to focus on flameworking and paperweight making; the secretive nature of the paperweight world; his early representation by paperweight dealers including Jack Feingold; experiences with Heller Gallery and Habatat Gallery; teaching experiences at Penland School of Crafts, Pilchuck Glass School, and Salem Community College; travels to Singapore, Japan, and Scotland; his involvement as a founding member of Creative Glass Center of America; his induction into the American Craft Council College of Fellows; the differences between the studio glass and paperweight fields in the 1960s and 1970s; working with his three daughters at Stankard Studio; the spirituality of his work; being influenced by Walt Whitman, Morris Graves, Robert Grant, and Edward Hopper; and being an enthused art collector. Stankard also recalls Harvey Littleton, Dominic Labino, Reese Paley, Mark Peiser, Erwin Eisch, Paul Hollister, Tom Patti, and others.
Biographical / Historical:
Paul Stankard (1943- ) is a studio glass artist of Mantua, N.J. Doug Heller (1946- ) is a gallery owner and director of the Heller Gallery, New York, N.Y.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 32 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Paperweights  Search this
Glass blowing and working  Search this
Glass blowing and working -- Technique  Search this
Dyslexia  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.stanka06
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stanka06

Oral history interview with Preston Singletary

Interviewee:
Singletary, Preston, 1963-  Search this
Interviewer:
Savig, Mary, 1982-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Museum of the American Indian (U.S.).. George Gustav Heye Center  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Chihuly, Dale, 1941-  Search this
Cribbs, Keke  Search this
Dailey, Dan, 1947-  Search this
David, Joe, 1946-  Search this
Feddersen, Joe, 1958-  Search this
Garcia, Tammy  Search this
Gardiner, Lewis, 1972-  Search this
Hauberg, John H. (John Henry), 1916-  Search this
Jojola, Tony  Search this
Jungen, Brian  Search this
Libenský, Stanislav, 1921-2002  Search this
Luna, James  Search this
Marioni, Dante, 1964-  Search this
Marioni, Paul  Search this
Martinuzzi, Napoleone, 1892-1977  Search this
Moore, Benjamin P.  Search this
Royal, Richard  Search this
Svenson, David, 1953-  Search this
Tagliapietra, Lino  Search this
Extent:
8 Items (Sound recording: 8 sound files (3 hr., 48 min.), digital, wav)
55 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 March 23-24
Scope and Contents:
An interview of Preston Singletary conducted 2011 March 23-24, by Mary Savig, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Singletary's studio, in Seattle, Washington.
Singletary speaks of his family background, especially his Tlingit heritage and his grandmother; his early interest in music; his job at the Glass Eye Studio in Seattle; his formative years as a glass blower in Seattle and at Pilchuck Glass School; his early styles and processes in the modern Venetian tradition; his interest in Tlingit motifs; early mentors including David Svenson, Joe David, and Tony Jojola; collaboration in the studio with other glass artists and other native artists who work with various media; his interest in the modernist primitivist art movement; the character of significant exhibitions and commissions; his collaborative project with David Svenson and native Alaskans on the Pilchuck Founders' Totem; how he met his wife in Sweden; descriptions of his processes and techniques, including lighting techniques; his retrospective at the Museum of Glass in Tacoma and the Smithsonian's Gustave Heye Center in New York; current and future directions of his work; the character of his studio, including the contributions of his assistants; collaborations with other native artists including Tammy Garcia, Joe Feddersen, and Maori jade carver Lewis Gardiner; his interest in Jungian psychology and shamanism; his relationship with critics, collectors, and dealers; and his involvement with native communities. Singletary also recalls Dante Marioni, Paul Marioni, Benjamin Moore, Lino Tagliapietra, Dale Chihuly, Dan Dailey, Stanislav Libensky, Napoleone Martinuzzi, David Svenson, Keke Cribbs, Joe David, Tony Jojola, John Hauberg, Richard Royal, Tammy Garcia, Joe Feddersen, Brian Jungen, and James Luna.
Biographical / Historical:
Preston Singletary (1963- ) is a glass artist in Seattle, Washington.
General:
Originally recorded on 3 memory cards as 8 digital sound files. Duration is 3 hr., 48 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Glass art -- Technique  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Glass blowing and working  Search this
Modernism (Art)  Search this
Primitivism in art  Search this
Tlingit art  Search this
Tlingit Indians  Search this
Tlingit sculpture  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.single11
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-single11

Ginny Ruffner papers

Creator:
Ruffner, Ginny  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
1987-2007
Scope and Contents:
Letters and printed e-mails from galleries, museums, collectors and others; 15 DVDs; slides of works of art; and printed material.
Biographical / Historical:
Glass artist; Seattle, Wash.
Provenance:
This collection was donated by Ginny Ruffner in 2008 as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Glass artists -- Washington (State)  Search this
Topic:
Glass blowing and working -- Technique  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.ruffginn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ruffginn

Oral history interview with Joel Philip Myers

Topic:
Craft Horizons
Interviewee:
Myers, Joel Philip, 1934-  Search this
Interviewer:
Klein, Daniel, 1938-2009  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Students  Search this
Blenko Glass Company  Search this
Donald Deskey Associates  Search this
Mint Museum of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parsons School of Design -- Students  Search this
Pilchuck Glass Center (Stanwood, Wash.) -- Faculty  Search this
Toledo Art Museum  Search this
University of California, Berkeley -- Students  Search this
University of Illinois. -- Faculty  Search this
World Crafts Council  Search this
Blenko, William H., 1921-2016  Search this
Dreisbach, Fritz  Search this
Huchthausen, David R. (David Richard), 1951-  Search this
Lewis, John, 1942-  Search this
Lipofsky, Marvin, 1938-2016  Search this
Littleton, Harvey K.  Search this
Marquis, Richard, 1945-  Search this
Ness, Bob  Search this
Popelka, John  Search this
Randall, Theodore, 1914-1985  Search this
Smith, Paul J., 1931-  Search this
Vallien, Bertil, 1938-  Search this
Extent:
6 Items (Sound recording: 6 sound files (4 hr., 15 min.), digital, wav)
63 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Japan -- Description and Travel
Date:
2007 May 1
Scope and Contents:
An interview of Joel Philip Myers conducted 2007 May 1, by Daniel Klein, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's home, in Marietta, Pennsylvania.
Myers speaks of his childhood in Patterson, New Jersey; making charcoal drawings as a child and taking private courses in oil painting; choosing to pursue a career in advertising design; attending Parsons School of Design in New York City; working as a package designer for Donald Deskey Associates; being influenced by Scandinavian design he saw in New York City to study abroad in Denmark; studying ceramic design at Kunsthaandvaerkerskolen in Copenhagen; meeting and marrying his wife, Birthe, while in Copenhagen; returning to the United States and going back to work for Donald Deskey; attending Alfred University and receiving his B.F.A. and M.F.A. in ceramics; accepting the position director of design for Blenko Glass Company in Milton, West Virginia with no previous experience in glass; teaching himself how to blow glass in the factory alongside the workers; the intense heat and extreme noise of a glass factory; learning of Harvey Littleton's glass workshop in 1962 in Toledo, Ohio, but being unable to attend; having limited exposure to the glass movement and developing his glass art without knowledge of the work of Littleton and his students; designing 50 to 60 different vases, bowls, decanters, and decorative objects a year from 1963 - 1970 at Blenko Glass Company; creating sculptural glass forms in his penetration pieces for his masters thesis; learning of what was happening in the studio glass world by attending the World Craft Council in 1964 in New York City; Paul Smith discovering his work and thereby gaining some publicity in Craft Horizons; being invited by Littleton to give a workshop at the University of California, Berkeley in 1968; the initial shock of seeing glass sculpture made with no real technique; his early attraction to cold-work in order to work intimately with the surface of the glass; acquisition of his work by the Toledo Art Museum and the Mint Museum of Art in Charlotte, North Carolina; establishing a glass program at Illinois University in Bloomington-Normal; his attempts to recruit international students; taking a semester sabbatical in Baden, Austria; being heavily influenced by the natural world; the series Garden, Perfume Bottle, Contiguous Fragment, Dr. Zharkov, The Dialogues, and others; teaching at Pilchuck School of Glass; studying the First World War and consequently creating Musée des Beaux Arts [1996]; travels to Japan; his teaching philosophies; the prevalence of independent glass studios in the world today; and plans for the future. Myers recalls Ted Randall, William H. Blenko, Sr., William H. Blenko, Jr., Marvin Lipofsky, Fritz Dreisbach, Richard Marquis, John Lewis, Bob Ness, Bertil Vallien, David Huchthausen, John Popelka, and others.
Biographical / Historical:
Joel Philip Myers (1934- ) is a glass artist from Milton, West Virginia. Daniel Klein (1938- ) is an art consultant from London, England.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 15 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists -- Pennsylvania  Search this
Topic:
Art -- Study and teaching -- Philosophy  Search this
Ceramics -- Design  Search this
Ceramics -- Study and teaching -- Denmark  Search this
Decorative arts  Search this
Glass blowing and working -- Study and teaching  Search this
World War, 1914-1918  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.myers07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-myers07

Oral history interview with Marvin Lipofsky

Interviewee:
Lipofsky, Marvin, 1938-2016  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
103 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 July 30-August 5
Scope and Contents:
An interview of Marvin Lipofsky conducted 2003 July 30-August 5, by Paul Karlstrom, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, California.
Lipofsky speaks of growing up in the retail clothing trade; relating immediately in his early career to artists Peter Voulkos and John Mason; studying industrial design at the University of Illinois and sculpture at the University of Madison, Wisconsin, where Harvey Littleton introduced him to glass blowing; traveling to Europe to learn about glass; his desire to share education experiences with others; setting up education programs at Berkeley and the California College of Arts and Crafts; establishing the Great California Glass Symposium and creating a sense of community of glass art; artists versus artisans and craftsmen; studio glass as an American phenomenon; functional versus non-functional glass art; spirituality in his work; glassblowing associated with the breath of life; the Bay Area art scene; symbolic forms and organic quality of works; influences from working in factories and other countries; his experience working at the Venini Factory in Murano, Italy; his involvement in the California College of Arts and Crafts, Glass Arts Society, and National Council on Education for the Ceramic Arts; abstraction as his main subject of works; inspirations of colorful clothing and color in nature; and the "American Glass Now" exhibition at the Toledo Museum of Art, the first major glass exhibit in the United States. Lipfosky also recalls Dante Marioni, Paul Marioni, Beatrice Wood, Christopher Wilmarth, Ken Holston, Dale Chihuly, and others.
Biographical / Historical:
Marvin Bentley Lipofsky (1938- ) is a glass artist and educator from Berkeley, California. Paul Karlstrom (1941- ) is an art historian from San Marino, California.
General:
Originally recorded on 6 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 6 hrs., 31 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Glass art -- California  Search this
Glass artists -- California -- Interviews  Search this
Glass blowing and working -- Technique  Search this
Glass blowing and working -- Study and teaching  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lipofs03
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lipofs03

Oral history interview with Robert Levin

Interviewee:
Levin, Robert, 1948-  Search this
Interviewer:
Byrd, Joan Falconer  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Denison University -- Students  Search this
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Pilchuck School -- Students  Search this
Southern Illinois University (System) -- Students  Search this
Bernstein, William, 1945-  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Dreisbach, Fritz  Search this
Handler, Audrey  Search this
Levin, Robert, 1948-  Search this
Littleton, Harvey K.  Search this
Peiser, Mark, 1938-  Search this
Ritter, Richard Q.  Search this
Extent:
32 Pages (Transcript)
3 Items (Sound recordings: 3 sound files (3 hr., 14 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2004 December 11
Scope and Contents:
An interview of Robert Levin conducted 2004 December 11, by Joan Byrd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Burnsville, North Carolina.
Levin speaks of growing up in Dundalk, Maryland; participating in theater in high school; attending Denison University; becoming interested in ceramics and glass; attending graduate school at Southern Illinois University; working as an assistant to Fritz Dreisbach at Pilchuck Glass School; teaching at Penland School of Crafts; becoming resident glass artist at Penland; influential artists; moving to Celo; the North Carolina craft community; the element of play in his work; mixing glass colors; keeping variety in his work; the process of making sculptural and functional pieces; the influence of nature and other cultures on his work; including political and social statements in his work; making mixed-media pieces; working on commission; making Judaica pieces; the glass blowing process; being part of an international glass tradition; participating in the Glass Art Society; the reasons he enjoys teaching; attending GAS conferences; participating in regional art organizations; his home studio and the equipment he uses; how his working process has changed; designing a series of awards; his interest in music and guitar; the qualities of glass; and the importance of intuitiveness in creating his pieces. Levin also recalls Audrey Handler, Bill Boysen, Bill Brown, Richard Ritter, Bill Bernstein, Mark Peiser, Harvey Littleton, and others.
Biographical / Historical:
Robert Levin (1948- ) is a glass artist from Burnsville, North Carolina. Joan Falconer Byrd (1939- ) is a professor in the art department, Western Carolina University, Cullowhee, North Carolina.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 3 digital wav files. Duration is 3 hr., 14 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art -- North Carolina  Search this
Decorative arts  Search this
Glass art -- Equipment and supplies  Search this
Glass art -- Technique  Search this
Glass artists -- North Carolina -- Interviews  Search this
Glass blowing and working -- Technique  Search this
Jewish art  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.levin04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-levin04

Oral history interview with Frances Higgins

Interviewee:
Higgins, Frances Stewart, 1912-2004  Search this
Interviewer:
Adamson, Glenn  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
43 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 November 8
Scope and Contents:
An interview of Frances Higgins conducted 2003 November 8, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Riverside Illinois.
Higgins speaks of her education at the Georgia College for Women and the Chicago Institute of Design; her marriage to fellow artist Michael Higgins; and the development of her glass techniques such as fused glass and the slumped method. She discusses her work for the Dearborn Glass Company, Heager Potteries, and General Electric; and the significance of several of these designs and patterns, including the popularity of Rondelays. She also comments on the Midwest Designer-Craftsmen; the glass blowing movement; the studio in Riverside; and the book, "Higgins: Adventures in Glass." Higgins also recalls Harvey Littleton, Maurice Heaton, Earl McCutcheon, Charles and Ray Eames, and others.
Biographical / Historical:
Frances Stewart Higgins (1912-2004) was a glass artist of Riverside, Illinois. Glenn Adamson is an art historian.
General:
Originally recorded on 1 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 21 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Glass artists -- Illinois -- Chicago  Search this
Topic:
Glass blowing and working -- Technique  Search this
Glass blowing and working -- Study and teaching  Search this
Women artists -- Illinois -- Chicago -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.higgin03
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-higgin03

Oral history interview with Henry Halem

Interviewee:
Halem, Henry  Search this
Interviewer:
Warmus, William, 1953-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
81 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2005 May 14
Scope and Contents:
An interview of Henry Halem conducted 2005 May 14, by William Warmus, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Kent, Ohio.
Halem speaks of his family background and growing up in the Bronx; learning to throw pots; taking art classes as a child; attending the Rhode Island School of Design and studying ceramics; joining the National Guard; his interest in music; working as resident craftsman at the Virginia Museum of Fine Arts; attending George Washington University; exhibiting at the Renwick Gallery; opening a gallery and studio in Alexandria, Virginia.; transferring to the University of Wisconsin for his graduate degree; and becoming Harvey Littleton's glass studio assistant. Halem also speaks of Harvey Littleton's teaching methods; teaching at Kent State University; learning the glass making process; making goblets and glass castings; making political pieces; selling work to the Corning Museum of Glass; forming the Glass Art Society; the studio glass community; getting color into glass; how the Glass Art Society has changed; his teaching method; exhibiting his artwork; how his technique changed during his career; writing his book, "Glass Notes"; visiting glass studios in Europe; his friendship with artists Stanislav Libensky and Jaroslava Brychtova; influences on his artwork; and working with enamel. Halem also recalls Peter Voulkos, Don Reitz, Fritz Dreisbach, Erwin Eisch, Dominick Labino, Marvin Lipofsky, Mark Peiser, Audrey Handler, Dale Chihuly, and others.
Biographical / Historical:
Henry Halem (1938- ) is a glass artist from Kent, Ohio. William Warmus is a writer and curator.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 12 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists -- Ohio  Search this
Topic:
Glass blowing and working -- Technique  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.halem05
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halem05

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