Venice and American studio glass edited by Tina Oldknow and William Warmus ; [contributors, Rosa Barovier Mentasti, Tina Oldknow, William Warmus [and seven others]]
4.89 Cubic feet (consisting of 10.5 boxes, 2 folders, 5 oversize folders, 2 map case folders.)
Type:
Collection descriptions
Archival materials
Business records
Business cards
Publications
Trade catalogs
Advertisements
Sales catalogs
Business letters
Printed materials
Receipts
Printed material
Invoices
Illustrations
Business ephemera
Letterheads
Design patents
Advertising mail
Patents
Print advertising
Catalogs
Sales records
Advertising
Trade cards
Advertising fliers
Periodicals
Catalogues
Manufacturers' catalogs
Advertising cards
Commercial correspondence
Ephemera
Printed ephemera
Manuals
Reports
Commercial catalogs
Trade literature
Sales letters
Legal documents
Correspondence
Mail order catalogs
Date:
1804-1967
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Glassware forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
Covers glassware in its many forms and application including in building design and sculpture, both as a structural and an aesthetic component, in lighting, in art as a medium and as a method to protect and display art (picture frames, cases, etcetera.), in industry (insulators, electronics), in transportation (lighthouses, railroad signal glasses, headlamps), and in science with medical and lab supplies and instruments, and equipment such as telescopes. Daily and practical use consumer products feature prominently in the form of household and decorative goods (jarring, canning, dish and serving ware, daily and special use), windows, lamps and lighting, storage of liquids and solids, including detergents, medicine storage, plus beverages and foodstuffs, and cleaning of glass. Colored, ornamental, ground, etched, leaded, stained, and mosaic glasswork related material appears sporadically. China and other ceramic and pottery breakable wear is sometimes categorized along with clear, cut, opaque, and colored glass. Related aspects, such as stoppers, are also included.
Collection materials represent a sampling of businesses and products. The Patent and Design folder has numerous submission summaries, along with schematics, some hand drawn, and a few blueprints, mostly related to bottle design. A limited amount of industry publications and union documents are present, especially for the Glass Workers.
Arrangement:
Glassware is arranged in three subseries.
Business Records and Marketing Material
Genre
Subject
Partial List of Companies in the Oversize Materials:
Oversize materials include, but are not limited to the following companies:
Averbeck, M.J., New York, NY
Cleveland Glass Works, Cleveland, NY
Cold Spring Distilling Company Cincinatti, OH
Craft House Williamsburg Restoration, Inc. Williamsburg, VA
Cullen & Newman Knoxville, TN
French, Richards, and Company Philadelphia, PA
Glassware: Union Wages and Rules
Jones, Thomas New York, NY
Libby Owens Ford Class Company Manufacturers of Safety Glass Location unknown
Metropolitan Plate Glass Insurance Company New York, NY
Morgantown, WV
New Jersey Plate Glass Insurance Company Newark, NJ
New York Plate Glass Insurance Company New York, NY
Seneca Glass Company
Smalley, A.G. and Company Boston, MA
Woods, Sherwood and Company Lowell, MA
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Glassware is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Glassware, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Joel Philip Myers : exhibition, May 22nd-September 19th 1993, Glasmuseum Ebeltoft, Denmark ... / [editors, Charlotte Sahl-Madsen, Sandra Blach ; translation, Edward & Hanna Broadbridge ... et al.]
3+3x7: : sculpture in glass and works on paper : University Art Museum, Arizona State University, Tempe, Arizona, 18 January-22 February, 1987 / [editors: Lucinda H. Gedeon, Dianne Cripe]
Biographical materials, correspondence, business records, writings, art works, photographs, and printed material.
Biographical material includes ID cards and an autobiographical statement. Correspondence, 1935-1964, includes letters sent to Nickelsen as Supervisor for the WPA Massachusetts Federal Art Project; correspondents include Beaumont Newhall and muralist Elizabeth Tracy. Project files regard mural and stained glass commissions, among them the East Boston murals; Nebraska capitol murals; Springfield, Mass. Museum of Fine Arts library murals; Worcester, Mass. Parcel Post Building murals; and stained glass commissions, ca.1938-1942. Files contain correspondence, art work, including large mural cartoons, reference photographs, photographs of works of art, and printed material. Also included are a list of mural ingredients and notes; business records, 1927-1937; photocopies of articles and writings, 1930-1967; art work by Nickelsen including stained glass rendering and mural drawings by Elizabeth Tracy Montminy; exhibition catalogs, clippings, photographs of Nickelsen and his art work, including one of him painting a window for St. Patricks Church, N.Y. in the Charles Connick Studio, Boston, 1950; and of Montminy and her murals.
Biographical / Historical:
Stained glass artist; mural painter; Boston, Mass. Born in Hamburg, Germany. Initially studied at the stained-glass studio of his father, John R. Nickelsen, and later went to the State Art School, Hamburg. He came to the United States in 1922 and attended the Art Students' League, N.Y. and the School of the Museum of Fine Arts, Boston. Participated as an artist and as a supervisor on the WPA Art Project in Boston, and was associated with the stained-glass design firm of Charles J. Connick Associates for many years.
Provenance:
Donated 1991-1999 by Nickelsen's widow, Ingeborg R. Nickelsen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
American glass art, evolution and revolution : an exhibition / organized by Morris Museum of Arts and Sciences ; [compiled by Douglas Heller, Nan Helene Mutnick]
