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Oral history interview with Mark Peiser, 2004 February 26

Interviewee:
Peiser, Mark, 1938-  Search this
Peiser, Mark, 1938-  Search this
Interviewer:
Halem, Henry, 1938-  Search this
Subject:
Brown, William J. (William Joseph)  Search this
Bernstein, William  Search this
Dreisbach, Fritz  Search this
Littleton, Harvey K.  Search this
Art Institute of Chicago  Search this
Glass Art Society  Search this
Illinois Institute of Technology. Institute of Design  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
Purdue University  Search this
Type:
Interviews
Sound recordings
Topic:
Decorative arts  Search this
Glass art -- Equipment and supplies  Search this
Glass art -- Study and teaching  Search this
Glass art -- Technique  Search this
Glass artists -- North Carolina -- Interviews  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13040
(DSI-AAA_SIRISBib)247259
AAA_collcode_peiser04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_247259
Online Media:

Oral history interview with Joel Philip Myers, 2007 May 1

Interviewee:
Myers, Joel Philip, 1934-  Search this
Myers, Joel Philip, 1934-  Search this
Interviewer:
Klein, Daniel, 1938-2009  Search this
Subject:
Blenko, William H.  Search this
Dreisbach, Fritz  Search this
Huchthausen, David R. (David Richard)  Search this
Lewis, John  Search this
Lipofsky, Marvin  Search this
Littleton, Harvey K.  Search this
Marquis, Richard  Search this
Ness, Bob  Search this
Popelka, John  Search this
Randall, Theodore  Search this
Smith, Paul J.  Search this
Vallien, Bertil  Search this
Alfred University  Search this
Blenko Glass Company  Search this
Donald Deskey Associates  Search this
Mint Museum of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parsons School of Design  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Toledo Art Museum  Search this
University of California, Berkeley  Search this
University of Illinois.  Search this
World Crafts Council  Search this
Type:
Interviews
Sound recordings
Place:
Japan -- Description and Travel
Topic:
Craft Horizons  Search this
Art -- Study and teaching -- Philosophy  Search this
Ceramics -- Design  Search this
Ceramics -- Study and teaching -- Denmark  Search this
Decorative arts  Search this
Glass blowing and working -- Study and teaching  Search this
World War, 1914-1918  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13605
(DSI-AAA_SIRISBib)270854
AAA_collcode_myers07
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_270854
Online Media:

Oral history interview with Preston Singletary, 2011 March 23-24

Interviewee:
Singletary, Preston, 1963-  Search this
Singletary, Preston, 1963-  Search this
Interviewer:
Savig, Mary, 1982-  Search this
Subject:
Chihuly, Dale  Search this
Cribbs, Keke  Search this
Dailey, Dan  Search this
David, Joe  Search this
Feddersen, Joe  Search this
Garcia, Tammy  Search this
Gardiner, Lewis  Search this
Hauberg, John H. (John Henry)  Search this
Jojola, Tony  Search this
Jungen, Brian  Search this
Libenský, Stanislav  Search this
Luna, James  Search this
Marioni, Dante  Search this
Marioni, Paul  Search this
Martinuzzi, Napoleone  Search this
Moore, Benjamin P.  Search this
Royal, Richard  Search this
Svenson, David  Search this
Tagliapietra, Lino  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Museum of the American Indian (U.S.).. George Gustav Heye Center  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Type:
Interviews
Sound recordings
Topic:
Glass art -- Technique  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Glass blowing and working  Search this
Modernism (Art)  Search this
Primitivism in art  Search this
Tlingit art  Search this
Tlingit Indians  Search this
Tlingit sculpture  Search this
Theme:
Native American  Search this
Record number:
(DSI-AAA_CollID)15931
(DSI-AAA_SIRISBib)299007
AAA_collcode_single11
Theme:
Native American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_299007
Online Media:

Oral history interview with Marvin Lipofsky, 2003 July 30-August 5

Interviewee:
Lipofsky, Marvin B. (Marvin Bentley), 1938-2016  Search this
Lipofsky, Marvin B. (Marvin Bentley), 1938-2016  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Glass art -- California  Search this
Glass artists -- California -- Interviews  Search this
Glass blowing and working -- Technique  Search this
Glass blowing and working -- Study and teaching  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12658
(DSI-AAA_SIRISBib)245773
AAA_collcode_lipofs03
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_245773
Online Media:

Oral history interview with Fritz Dreisbach, 2004 April 21-22

Interviewee:
Dreisbach, Fritz, 1941-  Search this
Dreisbach, Fritz, 1941-  Search this
Interviewer:
Frantz, Susanne  Search this
Subject:
Bailey, Clayton  Search this
Bernstein, William  Search this
Boysen, Bill  Search this
Brown, William J. (William Joseph)  Search this
Chihuly, Dale  Search this
Dailey, Dan  Search this
Eisch, Erwin  Search this
Giberson, Dudley  Search this
Halem, Henry  Search this
Labino, Dominick  Search this
Leafgreen, Harvey  Search this
Lipofsky, Marvin  Search this
Littleton, Harvey K.  Search this
McGlauchlin, Tom  Search this
Myers, Joel Philip  Search this
Noffke, Gary  Search this
Tamura, Ruth  Search this
Voulkos, Peter  Search this
Alfred University  Search this
Glass Art Society  Search this
Hiram College  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Toledo Museum of Art  Search this
University of Iowa  Search this
University of Wisconsin--Madison  Search this
Type:
Interviews
Sound recordings
Place:
Ohio -- Description and travel
Topic:
Decorative arts  Search this
Glass art -- Technique  Search this
Painting -- Study and teaching  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)11904
(DSI-AAA_SIRISBib)247287
AAA_collcode_dreisb04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_247287
Online Media:

Oral history interview with Henry Halem, 2005 May 14

Interviewee:
Halem, Henry, 1938-  Search this
Halem, Henry, 1938-  Search this
Interviewer:
Warmus, William, 1953-  Search this
Subject:
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Glass blowing and working -- Technique  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12072
(DSI-AAA_SIRISBib)252332
AAA_collcode_halem05
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_252332
Online Media:

Oral history interview with Paul Marioni, 2006 September 18-19

Interviewee:
Marioni, Paul, 1941-  Search this
Marioni, Paul, 1941-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Ben Tré, Howard  Search this
Blaine, Sandy  Search this
Bolles, John S.  Search this
Bosworth, Thomas L. (Thomas Lawrence)  Search this
Brychtová, Jaroslava  Search this
Chihuly, Dale  Search this
Dreisbach, Fritz  Search this
Libenský, Stanislav  Search this
Lipofsky, Marvin  Search this
Marioni, Dante  Search this
Marquis, Richard  Search this
McCann, Cecile  Search this
Milhoan, Randy  Search this
Nelson, Gunvor  Search this
Nelson, Robert A.  Search this
North, Judy  Search this
Signoretto, Pino  Search this
Sindler, Allan P.  Search this
Sindler, Leonore  Search this
Troutner, Ann Margaret  Search this
Vallien, Bertil  Search this
A.C. Fischer Glashütte  Search this
California College of Arts and Crafts  Search this
College of Marin  Search this
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
San Francisco State University  Search this
Spectrum Glass Co.  Search this
University of Cincinnati  Search this
University of Dayton  Search this
Type:
Interviews
Sound recordings
Place:
Europe -- description and travel
Japan -- Description and Travel
Mexico -- description and travel
South America -- description and travel
Thailand -- description and travel
Topic:
Art -- Political aspects  Search this
Cast glass  Search this
Decorative arts  Search this
Glass art  Search this
Glass art -- Study and teaching  Search this
Glass art -- Technique  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Parenting  Search this
Politics in art  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13577
(DSI-AAA_SIRISBib)265439
AAA_collcode_marion06
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_265439
Online Media:

Oral history interview with Preston Singletary

Interviewee:
Singletary, Preston, 1963-  Search this
Interviewer:
Savig, Mary, 1982-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Museum of the American Indian (U.S.).. George Gustav Heye Center  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Chihuly, Dale, 1941-  Search this
Cribbs, Keke  Search this
Dailey, Dan, 1947-  Search this
David, Joe, 1946-  Search this
Feddersen, Joe, 1958-  Search this
Garcia, Tammy  Search this
Gardiner, Lewis, 1972-  Search this
Hauberg, John H. (John Henry), 1916-  Search this
Jojola, Tony  Search this
Jungen, Brian  Search this
Libenský, Stanislav, 1921-2002  Search this
Luna, James  Search this
Marioni, Dante, 1964-  Search this
Marioni, Paul  Search this
Martinuzzi, Napoleone, 1892-1977  Search this
Moore, Benjamin P.  Search this
Royal, Richard  Search this
Svenson, David, 1953-  Search this
Tagliapietra, Lino  Search this
Extent:
8 Items (Sound recording: 8 sound files (3 hr., 48 min.), digital, wav)
55 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 March 23-24
Scope and Contents:
An interview of Preston Singletary conducted 2011 March 23-24, by Mary Savig, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Singletary's studio, in Seattle, Washington.
Singletary speaks of his family background, especially his Tlingit heritage and his grandmother; his early interest in music; his job at the Glass Eye Studio in Seattle; his formative years as a glass blower in Seattle and at Pilchuck Glass School; his early styles and processes in the modern Venetian tradition; his interest in Tlingit motifs; early mentors including David Svenson, Joe David, and Tony Jojola; collaboration in the studio with other glass artists and other native artists who work with various media; his interest in the modernist primitivist art movement; the character of significant exhibitions and commissions; his collaborative project with David Svenson and native Alaskans on the Pilchuck Founders' Totem; how he met his wife in Sweden; descriptions of his processes and techniques, including lighting techniques; his retrospective at the Museum of Glass in Tacoma and the Smithsonian's Gustave Heye Center in New York; current and future directions of his work; the character of his studio, including the contributions of his assistants; collaborations with other native artists including Tammy Garcia, Joe Feddersen, and Maori jade carver Lewis Gardiner; his interest in Jungian psychology and shamanism; his relationship with critics, collectors, and dealers; and his involvement with native communities. Singletary also recalls Dante Marioni, Paul Marioni, Benjamin Moore, Lino Tagliapietra, Dale Chihuly, Dan Dailey, Stanislav Libensky, Napoleone Martinuzzi, David Svenson, Keke Cribbs, Joe David, Tony Jojola, John Hauberg, Richard Royal, Tammy Garcia, Joe Feddersen, Brian Jungen, and James Luna.
Biographical / Historical:
Preston Singletary (1963- ) is a glass artist in Seattle, Washington.
General:
Originally recorded on 3 memory cards as 8 digital sound files. Duration is 3 hr., 48 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Glass art -- Technique  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Glass blowing and working  Search this
Modernism (Art)  Search this
Primitivism in art  Search this
Tlingit art  Search this
Tlingit Indians  Search this
Tlingit sculpture  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.single11
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-single11
Online Media:

Oral history interview with Mark Peiser

Interviewee:
Peiser, Mark, 1938-  Search this
Interviewer:
Halem, Henry  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Art Institute of Chicago  Search this
Glass Art Society  Search this
Illinois Institute of Technology. Institute of Design -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Penland School of Crafts -- Students  Search this
Purdue University -- Students  Search this
Bernstein, William, 1945-  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Dreisbach, Fritz  Search this
Littleton, Harvey K.  Search this
Extent:
68 Pages (Transcript)
6 Items (Sound recording: 6 sound files (3 hr., 55 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2004 February 26
Scope and Contents:
An interview of Mark Peiser conducted 2004 February 26, by Henry Halem, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Penland, North Carolina.
Peiser speaks of growing up in Chicago; his relationship with his parents; developing an early interest in music and engineering; attending Perdue University and transferring to the Institute of Design, Illinois Institute of Technology; working for a design firm in Chicago; becoming interested in glass after seeing an exhibit at the Art Institute of Chicago; attending a workshop at Penland School of Crafts; becoming Penland's first Artist-in-Residence in glass and developing a technique on his own; working with Fritz Dreisbach to set up the first Glass Art Society conference; making improvements to the Penland glass studio; teaching at Penland; making a living as an artist; making opal glass for the first time; choosing certain imagery and color in his work; experimenting with technique including glass casting; making his Innerspace series; his relationship with collectors; finding challenges with his latest body of work; and the influence of Zen on his art. Peiser also recalls Harvey Littleton, Bill Brown, Billy Bernstein, and others.
Biographical / Historical:
Mark Peiser (1938- ) is a glass artist from Penland, North Carolina. Henry Halem (1938- ) is a glass artist from Kent, Ohio.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Decorative arts  Search this
Glass art -- Equipment and supplies  Search this
Glass art -- Study and teaching  Search this
Glass art -- Technique  Search this
Glass artists -- North Carolina -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.peiser04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-peiser04
Online Media:

Oral history interview with Joel Philip Myers

Topic:
Craft Horizons
Interviewee:
Myers, Joel Philip, 1934-  Search this
Interviewer:
Klein, Daniel, 1938-2009  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Students  Search this
Blenko Glass Company  Search this
Donald Deskey Associates  Search this
Mint Museum of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parsons School of Design -- Students  Search this
Pilchuck Glass Center (Stanwood, Wash.) -- Faculty  Search this
Toledo Art Museum  Search this
University of California, Berkeley -- Students  Search this
University of Illinois. -- Faculty  Search this
World Crafts Council  Search this
Blenko, William H., 1921-2016  Search this
Dreisbach, Fritz  Search this
Huchthausen, David R. (David Richard), 1951-  Search this
Lewis, John, 1942-  Search this
Lipofsky, Marvin, 1938-2016  Search this
Littleton, Harvey K.  Search this
Marquis, Richard, 1945-  Search this
Ness, Bob  Search this
Popelka, John  Search this
Randall, Theodore, 1914-1985  Search this
Smith, Paul J., 1931-  Search this
Vallien, Bertil, 1938-  Search this
Extent:
6 Items (Sound recording: 6 sound files (4 hr., 15 min.), digital, wav)
63 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Japan -- Description and Travel
Date:
2007 May 1
Scope and Contents:
An interview of Joel Philip Myers conducted 2007 May 1, by Daniel Klein, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's home, in Marietta, Pennsylvania.
Myers speaks of his childhood in Patterson, New Jersey; making charcoal drawings as a child and taking private courses in oil painting; choosing to pursue a career in advertising design; attending Parsons School of Design in New York City; working as a package designer for Donald Deskey Associates; being influenced by Scandinavian design he saw in New York City to study abroad in Denmark; studying ceramic design at Kunsthaandvaerkerskolen in Copenhagen; meeting and marrying his wife, Birthe, while in Copenhagen; returning to the United States and going back to work for Donald Deskey; attending Alfred University and receiving his B.F.A. and M.F.A. in ceramics; accepting the position director of design for Blenko Glass Company in Milton, West Virginia with no previous experience in glass; teaching himself how to blow glass in the factory alongside the workers; the intense heat and extreme noise of a glass factory; learning of Harvey Littleton's glass workshop in 1962 in Toledo, Ohio, but being unable to attend; having limited exposure to the glass movement and developing his glass art without knowledge of the work of Littleton and his students; designing 50 to 60 different vases, bowls, decanters, and decorative objects a year from 1963 - 1970 at Blenko Glass Company; creating sculptural glass forms in his penetration pieces for his masters thesis; learning of what was happening in the studio glass world by attending the World Craft Council in 1964 in New York City; Paul Smith discovering his work and thereby gaining some publicity in Craft Horizons; being invited by Littleton to give a workshop at the University of California, Berkeley in 1968; the initial shock of seeing glass sculpture made with no real technique; his early attraction to cold-work in order to work intimately with the surface of the glass; acquisition of his work by the Toledo Art Museum and the Mint Museum of Art in Charlotte, North Carolina; establishing a glass program at Illinois University in Bloomington-Normal; his attempts to recruit international students; taking a semester sabbatical in Baden, Austria; being heavily influenced by the natural world; the series Garden, Perfume Bottle, Contiguous Fragment, Dr. Zharkov, The Dialogues, and others; teaching at Pilchuck School of Glass; studying the First World War and consequently creating Musée des Beaux Arts [1996]; travels to Japan; his teaching philosophies; the prevalence of independent glass studios in the world today; and plans for the future. Myers recalls Ted Randall, William H. Blenko, Sr., William H. Blenko, Jr., Marvin Lipofsky, Fritz Dreisbach, Richard Marquis, John Lewis, Bob Ness, Bertil Vallien, David Huchthausen, John Popelka, and others.
Biographical / Historical:
Joel Philip Myers (1934- ) is a glass artist from Milton, West Virginia. Daniel Klein (1938- ) is an art consultant from London, England.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 15 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists -- Pennsylvania  Search this
Topic:
Art -- Study and teaching -- Philosophy  Search this
Ceramics -- Design  Search this
Ceramics -- Study and teaching -- Denmark  Search this
Decorative arts  Search this
Glass blowing and working -- Study and teaching  Search this
World War, 1914-1918  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.myers07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-myers07
Online Media:

Oral history interview with Paul Marioni

Interviewee:
Marioni, Paul  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
A.C. Fischer Glashütte  Search this
California College of Arts and Crafts -- Faculty  Search this
College of Marin -- Faculty  Search this
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Faculty  Search this
Pilchuck Glass Center (Stanwood, Wash.) -- Faculty  Search this
San Francisco State University -- Students  Search this
Spectrum Glass Co.  Search this
University of Cincinnati -- Students  Search this
University of Dayton -- Students  Search this
Ben Tré, Howard, 1949-2020  Search this
Blaine, Sandy  Search this
Bolles, John S.  Search this
Bosworth, Thomas L. (Thomas Lawrence), 1930-  Search this
Brychtová, Jaroslava, 1924-  Search this
Chihuly, Dale, 1941-  Search this
Dreisbach, Fritz  Search this
Libenský, Stanislav, 1921-2002  Search this
Lipofsky, Marvin, 1938-2016  Search this
Marioni, Dante, 1964-  Search this
Marquis, Richard, 1945-  Search this
McCann, Cecile  Search this
Milhoan, Randy  Search this
Nelson, Gunvor  Search this
Nelson, Robert A.  Search this
North, Judy, 1937-  Search this
Signoretto, Pino, 1944-  Search this
Sindler, Allan P.  Search this
Sindler, Leonore  Search this
Troutner, Ann Margaret  Search this
Vallien, Bertil, 1938-  Search this
Extent:
11 Items (Sound recording: 11 sound files (8 hrs., 18 min.), digital, wav)
112 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Japan -- Description and Travel
Mexico -- description and travel
South America -- description and travel
Thailand -- description and travel
Date:
2006 September 18-19
Scope and Contents:
An interview of Paul Marioni conducted 2006 September 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, Seattle, Washington. Marioni speaks of his childhood in Ohio; excelling in math as a young student; being labeled a troublemaker in high school; his interest and skill in fixing cars and motorcycles; attending the University of Dayton, the University of Cincinnati, and San Francisco State University; receiving bachelor's degrees in English and philosophy; an interest in filmmaking; the joys and struggles of raising two children by himself; his unorthodox parenting philosophy; learning glass techniques from Judy Raffeal North; teaching experiences at College of Marin, California College of Arts and Crafts, Pilchuck Glass School, and Penland School of Crafts, among others; the importance of fostering idea formation and creativity in educational institutions; his experiences as Artist-in-Residence at A.C. Fischer Glashutte and Spectrum Glass Co.; the development of his process for producing cast glass; the great number of public architectural commissions that resulted from the ability to work with cast glass; the more than 85 commissions he has completed alone and in collaboration with Ann Troutner; the difference between his gallery work and commission work; the pleasure he gets from working in the studio; travels throughout Europe, South America, Japan, Thailand, Mexico; his use of ambient light; strong responses received from his political artwork; his dislike of art critics; the vital role Glass Art Society played in supporting the studio glass art movement; the emphasis of human nature in his art; and plans for the future. Marioni also recalls Robert Nelson, Gunvar Nelson, John Bolles, Cecile McCann, Marvin Lipofsky, Dale Chihuly, Tom Bosworth, Fritz Dreisbach, Richard Marquis, Howard Ben Tré, Bertil Vallien, Jaroslava Brychtová, Stanislav Libenský, Randy Milhoan, Dante Marioni, Pino Signoretto, Sandy Blaine, Allan and Lenore Sindler, and others.
Biographical / Historical:
Paul Marioni (1941- ) is a glass artist from Seattle, Washington. Mija Riedel (1958- ) is a curator and writer, from San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 8 hrs., 18 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art critics  Search this
Topic:
Art -- Political aspects  Search this
Cast glass  Search this
Decorative arts  Search this
Glass art  Search this
Glass art -- Study and teaching  Search this
Glass art -- Technique  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Parenting  Search this
Politics in art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.marion06
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marion06
Online Media:

Oral history interview with Marvin Lipofsky

Interviewee:
Lipofsky, Marvin, 1938-2016  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
103 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 July 30-August 5
Scope and Contents:
An interview of Marvin Lipofsky conducted 2003 July 30-August 5, by Paul Karlstrom, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, California.
Lipofsky speaks of growing up in the retail clothing trade; relating immediately in his early career to artists Peter Voulkos and John Mason; studying industrial design at the University of Illinois and sculpture at the University of Madison, Wisconsin, where Harvey Littleton introduced him to glass blowing; traveling to Europe to learn about glass; his desire to share education experiences with others; setting up education programs at Berkeley and the California College of Arts and Crafts; establishing the Great California Glass Symposium and creating a sense of community of glass art; artists versus artisans and craftsmen; studio glass as an American phenomenon; functional versus non-functional glass art; spirituality in his work; glassblowing associated with the breath of life; the Bay Area art scene; symbolic forms and organic quality of works; influences from working in factories and other countries; his experience working at the Venini Factory in Murano, Italy; his involvement in the California College of Arts and Crafts, Glass Arts Society, and National Council on Education for the Ceramic Arts; abstraction as his main subject of works; inspirations of colorful clothing and color in nature; and the "American Glass Now" exhibition at the Toledo Museum of Art, the first major glass exhibit in the United States. Lipfosky also recalls Dante Marioni, Paul Marioni, Beatrice Wood, Christopher Wilmarth, Ken Holston, Dale Chihuly, and others.
Biographical / Historical:
Marvin Bentley Lipofsky (1938- ) is a glass artist and educator from Berkeley, California. Paul Karlstrom (1941- ) is an art historian from San Marino, California.
General:
Originally recorded on 6 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 6 hrs., 31 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Glass art -- California  Search this
Glass artists -- California -- Interviews  Search this
Glass blowing and working -- Technique  Search this
Glass blowing and working -- Study and teaching  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lipofs03
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lipofs03
Online Media:

Oral history interview with William Douglas Carlson

Interviewee:
Carlson, William, 1950-  Search this
Creator:
Riedel, Mija, 1958-  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Students  Search this
Art Students League (New York, N.Y.) -- Students  Search this
Cleveland Institute of Art -- Students  Search this
Lowe Art Museum  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
University of Illinois at Urbana-Champaign -- Faculty  Search this
University of Miami -- Faculty  Search this
Billeci, Andre  Search this
Carpenter, James, 1949-  Search this
Chihuly, Dale, 1941-  Search this
Dailey, Dan, 1947-  Search this
Daley, William, 1925-  Search this
Fereighi, Christine  Search this
Heizer, Michael, 1944-  Search this
Heller, Doug, 1946-  Search this
Hilton, Eric  Search this
Marquis, Richard, 1945-  Search this
Marx, Bonnie  Search this
Matta-Clark, Gordon, 1943-1978  Search this
Serra, Richard, 1938-  Search this
Smith, Terry, 1960 June 15-  Search this
Stella, Frank  Search this
Young, Brent  Search this
Extent:
7 Items (Sound recording: 7 sound files (4 hr., 6 min.), digital, wav)
89 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2009 June 24-25
Scope and Contents:
An interview of William Douglas Carlson conducted 2009 June 24-25, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Carlson's home, in Miami, Florida.
Carlson discusses his move to the University of Miami in 2003 after 27 years at the University of Illinois in Urbana-Champaign; his recent site-specific installation Procellous Wall at the Lowe Art Museum in Coral Gables, Florida; the change in his work since his move to Miami, finishing a series of pieces that began in 2000 dealing with language, and his sense of being in a transitional period with his work; growing up in a small town in Ohio, and his early use of adhesives, the field his father worked in, as the spur for his later work in laminating glass; classes at the Art Students League in New York City and Woodstock, New York; attending the Cleveland Institute of Art; spending the summer of 1971 in Stanwood, Washington, helping set up the Pilchuck Glass School, then returning to set up a glass program at the Cleveland Institute of Art with Christine Federighi; the lure of glass, and the danger that its beauty can overshadow artistic substance, which led in part to his decision to mix it with other materials; the influence of minimalism and of Russian constructivism, architecture and modern design; graduate studies at Alfred University, Alfred, New York; accepting a teaching job at the University of Illinois in 1976; work with lamination and expanding scale in his work; use of Vitrolite; large-scale installation work, beginning in the early 1980s, including Optional Refractions and Allele; reflection on the deliberate, design-focused nature of his work; his language series beginning in 2000; the series Pragnanz; philosophy of teaching; the value of intensive learning environments such as craft schools compared with the cross pollination of ideas available at a larger university; the imperative for craft to integrate new materials, technology, and ideas while retaining the importance of the hand; the role of galleries and collectors, and involvement in larger art and craft venues, including the May Show and SOFA; his stint as a judge in a barbecued rib cook-off; the effect of seminal exhibitions such as like "Objects: USA," [1969] and "Poetry of the Physical" (1986) in setting a standard of professionalism for and providing visibility to makers; impact of his international travel; a turn away from pure design and towards a more poetic ambiance in the language series; the use of projected light and his use of cast prismatic shadows in his installation The Nature of Things in Jacksonville, Florida; the issue of scale in his work; artists whose work he admires, including Frank Stella, Richard Serra, Michael Heizer, Tony Smith, Gordon Matta-Clark, William Daley; studio glass as an international movement; involvement with various craft organizations, and wrestling with the definition of a craft artist; preparations to move to Massachusetts and spend some contemplative time thinking about and working on new directions. He recalls Brent Young, Dale Chihuly, Jamie Carpenter, Christine Federighi, Richard Marquis, Eric Hilton, Andre Billeci, Dan Dailey, Doug Heller and Bonnie Marx.
Biographical / Historical:
William Douglas Carlson (1950- ) is a glass artist and educator in Miami, Florida. Carlson was educated at Alfred University.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 6 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Constructivism (Art)  Search this
Glass art -- Technique  Search this
Glass art -- Study and teaching  Search this
Glass artists -- Florida -- Interviews  Search this
Minimal art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.carlso09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-carlso09
Online Media:

Oral history interview with Howard Ben Tré

Interviewee:
Ben Tré, Howard, 1949-2020  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Appalachian Center for Craft  Search this
Brooklyn College -- Students  Search this
Brooklyn Technical High School (Brooklyn, New York, N.Y.)  Search this
Cristallerie Daum  Search this
Hadler/Rodriguez Gallery  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Missouri Valley College -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck School  Search this
Portland State University -- Students  Search this
Rhode Island School of Design -- Students  Search this
Venceremos Brigade  Search this
Aycock, Alice  Search this
Brychtová, Jaroslava, 1924-  Search this
Chihuly, Dale, 1941-  Search this
Dailey, Dan, 1947-  Search this
Hampson, Ferdinand  Search this
LaMonte, Karen, 1967-  Search this
Labino, Dominick  Search this
Libenský, Stanislav, 1921-2002  Search this
Littleton, Harvey K.  Search this
Onorato, Ronald J.  Search this
Parker, Anthony  Search this
Polander, Steve  Search this
Scanga, Italo, 1932-2001  Search this
Extent:
63 Pages (Transcript)
3 Sound discs (Sound recording (4 hr., 3 min.), digital, 2 5/8 in.)
Type:
Collection descriptions
Archival materials
Pages
Sound discs
Interviews
Sound recordings
Place:
Cuba -- Description and Travel
Europe -- description and travel
Date:
2007 July 7
Scope and Contents:
An interview of Howard Ben Tré conducted 2007 July 7, by Josephine Shea, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's studio, in Pawtucket, Rhode Island.
Ben Tré speaks of his childhood in Rockaway Park, New York; his Polish immigrant father who was a woodworker and artist; inheriting a particular aesthetic and sense of hard work from his father; attending Brooklyn Technical High School to play football but not graduating; moving to Marshall, Missouri to attend Missouri Valley College for one year; attending Brooklyn College; becoming involved in Students for a Democratic Society, the antiwar movement and civil rights movement of the 1960s; traveling to Cuba as part of the first Venceremos Brigade to cut sugarcane in 1969; meeting his first wife, Gay, in Cuba and returning to New York with her; organizing a food co-op and community events in Brooklyn; moving to Portland, Oregon; working in construction for the city before going back to school to study veterinarian medicine at Portland State University; discovering the glass studio in a garage at Portland State; meeting Dale Chihuly and working at Pilchuck Glass School; utilizing the foundry skills learned from Brooklyn Technical High to work with glass in casting and cope and drag methods; his series Burial Boxes and the influence of ancient architecture and ceremonial Chinese bronzes; the rise of the studio glass movement as symptomatic of socio-political-economic times, not just the pioneering efforts of Harvey Littleton and Dominic Labino; traveling throughout Europe with Gay; visiting Stanislav Libenský and Jaraslava Brychtová in Czechoslovakia; visiting Dan Dailey at Cristallerie Daum in France; attending Rhode Island School of Design [RISD]; his first show at Hadler/Rodriguez Gallery in 1980; teaching experiences at Haystack Mountain School of Craft and Appalachian Center for Craft; building and installing an oven at Blenko Glass in Milton, West Virginia and at Super Glass in Brooklyn; working with Mold Melted Glass Studio in Pelechov, Czech Republic; the history of glass and early glass-working techniques; his many commissions, including sited public projects such as Post Office Square in Boston; the adoption of his name, Ben Tré; return visits to Cuba; working with RISD to create a winter study session in Havana; and his view of artists as artists, not defined by medium. Ben Tré also recalls Anthony Parker, Italo Scanga, Ron Onorato, Alice Aycock, Ferdinand Hampson, Steven Polander, Karen LaMonte, among others.
Biographical / Historical:
Howard Ben Tré (1949- 2020) was a glass artist from Pawtucket, Rhode Island. Josephine Shea is a curator from Grosse Pointe Park, Michigan.
General:
Originally recorded 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 4 hr., 3 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists  Search this
Topic:
Art commissions  Search this
Civil rights -- United States  Search this
Decorative arts  Search this
Glass art -- Technique  Search this
Peace movements  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bentre07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bentre07
Online Media:

Oral history interview with Flora Mace and Joey Kirkpatrick

Interviewee:
Mace, Flora, 1949-  Search this
Kirkpatrick, Joey  Search this
Interviewer:
Herman, Lloyd E.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Foster/White Gallery  Search this
Habatat Galleries  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Rhode Island School of Design -- Students  Search this
Walla Walla Foundry  Search this
Anderson, Dale, 1944-  Search this
Anderson, Doug, 1943-  Search this
Ben Tré, Howard, 1949-2020  Search this
Benglis, Lynda, 1941-  Search this
Borenstein, Joan  Search this
Chihuly, Dale, 1941-  Search this
Dehoff, Bill  Search this
Dehoff, Sarah  Search this
Littleton, Harvey K.  Search this
Moore, Ben  Search this
Morris, William, 1957-  Search this
Pfaff, Judy, 1946-  Search this
Pilloff, Bensen  Search this
Pilloff, Francine  Search this
Rooney, Alice, 1926-2019  Search this
Rosenfield, Betsy  Search this
Royal, Rich  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo, 1932-2001  Search this
Shirley, Jon, 1938-  Search this
Shirley, Mary  Search this
Statom, Therman, 1953-  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil, 1938-  Search this
Welch, Ann  Search this
Wilmarth, Christopher  Search this
Wolff, Ann  Search this
Zynsky, Toots, 1951-  Search this
Extent:
5 Items (Audio: 5 wav files (3 hrs., 17 min.), digital)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
2005 August 17-18
Scope and Contents:
An interview of Flora Mace and Joey Kirkpatrick conducted 2005 August 17-18, by Lloyd E. Herman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artists' home and studio, in Seattle, Washington.
They discuss their first meeting at Pilchuck Glass School in Stanwood, Washington, in 1979; the structure of classes and teaching philosophies at Pilchuck in the late '70s and early '80s; the change in equipment and the growth of the Pilchuck campus through the years; their first projects together, which were wire drawings made by Flora and based on Joey's sketches; leaving Pilchuck after the summer session and moving together to Waterville, New Hampshire, where they worked in a studio at the Rhode Island School of Design with Dale Chihuly; building up a body of work and then having to decide whose work it was, at a time when collaborating and co-signing was not standard practice; going back to Pilchuck every summer for 14 years after first meeting there in 1979; beginning to teach as a collaborative team at Pilchuck in 1981, the first women to teach glass blowing at that school; building their house together on the grounds of Pilchuck, a design which was then emulated for dormitories at the school; convincing Dale Chihuly to lower the class size at Pilchuck to 10, down from 20, to allow teachers to work more closely with the students; early shows of their work at Habatat Galleries in Royal Oak, Michigan, Ivor Kurland Gallery in Los Angeles, California, and Foster-White Galleries in Seattle, Washington; the support of their sisters and families throughout the years, mostly in providing them a place to stay as they traveled cross country; their relationships with collectors; what each artist brings to the partnership, including vision, inspiration, and technique; the influence of water on their work, as both artists are drawn to the sea and the tides; the purpose of their work, and what they feel it can bring to the viewer; the challenge given to the artists by Joan Borenstein to make 30 glass goblets, all with different fruits and vegetables; having their work cast at the Walla Walla Foundry; and the ideas behind various bodies of work, including the "Bird Pages" and the large latticino fruit. A more in-depth discussion of each artist's childhood, education, and artistic experiences prior to their meeting at Pilchuck can be found in the individual artist's interviews. They recall Italo Scanga, Bill Morris, Ben Moore, Rich Royal, Howard Ben Tre, Toots Zynsky, Therman Statom, Harvey Littleton, Lino Tagliapetra, Chris Wilmarth, Judy Pfaff, Lynda Benglis, Alice Rooney, Bertil Vallien, Ann Wolff, Betsy Rosenfield, George and Dorothy Saxe, Doug and Dale Anderson, Jon and Mary Shirley, Sarah and Bill Dehoff, Francine and Benson Pilloff, George Stroemple, Ann Welch, and others.
Biographical / Historical:
Joey Kirkpatrick (1952- ) and Flora Mace (1949- ) are glass artists from Seattle, Washington. Lloyd E. Herman (1936- ) is a curator and former director of the Smithsonian American Art Museum's Renwick Gallery of Art and is currently from Seattle, Washington. Mace and Kirkpatrick have been working collaboratively on glass since the late 1970s.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 3 hrs., 17 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Decorative arts  Search this
Glass art -- Study and teaching  Search this
Glass art -- Technique  Search this
Glass art -- Equipment and supplies  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Glass blowing and working -- Technique  Search this
Glass blowing and working -- Study and teaching  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mace05
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mace05
Online Media:

Oral history interview with Robert Levin

Interviewee:
Levin, Robert, 1948-  Search this
Interviewer:
Byrd, Joan Falconer  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Denison University -- Students  Search this
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Pilchuck School -- Students  Search this
Southern Illinois University (System) -- Students  Search this
Bernstein, William, 1945-  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Dreisbach, Fritz  Search this
Handler, Audrey  Search this
Levin, Robert, 1948-  Search this
Littleton, Harvey K.  Search this
Peiser, Mark, 1938-  Search this
Ritter, Richard Q.  Search this
Extent:
32 Pages (Transcript)
3 Items (Sound recordings: 3 sound files (3 hr., 14 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2004 December 11
Scope and Contents:
An interview of Robert Levin conducted 2004 December 11, by Joan Byrd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Burnsville, North Carolina.
Levin speaks of growing up in Dundalk, Maryland; participating in theater in high school; attending Denison University; becoming interested in ceramics and glass; attending graduate school at Southern Illinois University; working as an assistant to Fritz Dreisbach at Pilchuck Glass School; teaching at Penland School of Crafts; becoming resident glass artist at Penland; influential artists; moving to Celo; the North Carolina craft community; the element of play in his work; mixing glass colors; keeping variety in his work; the process of making sculptural and functional pieces; the influence of nature and other cultures on his work; including political and social statements in his work; making mixed-media pieces; working on commission; making Judaica pieces; the glass blowing process; being part of an international glass tradition; participating in the Glass Art Society; the reasons he enjoys teaching; attending GAS conferences; participating in regional art organizations; his home studio and the equipment he uses; how his working process has changed; designing a series of awards; his interest in music and guitar; the qualities of glass; and the importance of intuitiveness in creating his pieces. Levin also recalls Audrey Handler, Bill Boysen, Bill Brown, Richard Ritter, Bill Bernstein, Mark Peiser, Harvey Littleton, and others.
Biographical / Historical:
Robert Levin (1948- ) is a glass artist from Burnsville, North Carolina. Joan Falconer Byrd (1939- ) is a professor in the art department, Western Carolina University, Cullowhee, North Carolina.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 3 digital wav files. Duration is 3 hr., 14 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art -- North Carolina  Search this
Decorative arts  Search this
Glass art -- Equipment and supplies  Search this
Glass art -- Technique  Search this
Glass artists -- North Carolina -- Interviews  Search this
Glass blowing and working -- Technique  Search this
Jewish art  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.levin04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-levin04
Online Media:

Oral history interview with Henry Halem

Interviewee:
Halem, Henry  Search this
Interviewer:
Warmus, William, 1953-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
81 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2005 May 14
Scope and Contents:
An interview of Henry Halem conducted 2005 May 14, by William Warmus, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Kent, Ohio.
Halem speaks of his family background and growing up in the Bronx; learning to throw pots; taking art classes as a child; attending the Rhode Island School of Design and studying ceramics; joining the National Guard; his interest in music; working as resident craftsman at the Virginia Museum of Fine Arts; attending George Washington University; exhibiting at the Renwick Gallery; opening a gallery and studio in Alexandria, Virginia.; transferring to the University of Wisconsin for his graduate degree; and becoming Harvey Littleton's glass studio assistant. Halem also speaks of Harvey Littleton's teaching methods; teaching at Kent State University; learning the glass making process; making goblets and glass castings; making political pieces; selling work to the Corning Museum of Glass; forming the Glass Art Society; the studio glass community; getting color into glass; how the Glass Art Society has changed; his teaching method; exhibiting his artwork; how his technique changed during his career; writing his book, "Glass Notes"; visiting glass studios in Europe; his friendship with artists Stanislav Libensky and Jaroslava Brychtova; influences on his artwork; and working with enamel. Halem also recalls Peter Voulkos, Don Reitz, Fritz Dreisbach, Erwin Eisch, Dominick Labino, Marvin Lipofsky, Mark Peiser, Audrey Handler, Dale Chihuly, and others.
Biographical / Historical:
Henry Halem (1938- ) is a glass artist from Kent, Ohio. William Warmus is a writer and curator.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 12 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists -- Ohio  Search this
Topic:
Glass blowing and working -- Technique  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.halem05
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halem05
Online Media:

Oral history interview with Fritz Dreisbach

Interviewee:
Dreisbach, Fritz  Search this
Interviewer:
Frantz, Susanne  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University  Search this
Glass Art Society  Search this
Hiram College -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Pilchuck Glass Center (Stanwood, Wash.) -- Faculty  Search this
Toledo Museum of Art  Search this
University of Iowa -- Students  Search this
University of Wisconsin--Madison -- Students  Search this
Bailey, Clayton, 1939-  Search this
Bernstein, William, 1945-  Search this
Boysen, Bill  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Chihuly, Dale, 1941-  Search this
Dailey, Dan, 1947-  Search this
Eisch, Erwin, 1927-  Search this
Giberson, Dudley  Search this
Halem, Henry  Search this
Labino, Dominick  Search this
Leafgreen, Harvey  Search this
Lipofsky, Marvin, 1938-2016  Search this
Littleton, Harvey K.  Search this
McGlauchlin, Tom, 1934-2011  Search this
Myers, Joel Philip, 1934-  Search this
Noffke, Gary  Search this
Tamura, Ruth  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
121 Pages (Trancript)
21 Items (Sound recording: 21 sound files (8 hr., 41 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Ohio -- Description and Travel
Date:
2004 April 21-22
Scope and Contents:
An interview of Fritz Dreisbach conducted 2004 April 21-22, by Susanne Frantz, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Tucson, Arizona.
Dreisbach speaks of growing up in Ohio, in a family of educators and deciding at an early age to become a teacher; taking high school art; pursuing a BA in art and mathematics at Hiram College; getting his MAT and teaching high school math; attending the University of Iowa to study painting; the impact of taking a summer class in glassblowing; visiting Dominick Labino at his studio; researching colored glass and glass chemistry; becoming Harvey K. Littleton's teaching assistant at the University of Wisconsin, Madison; building a hot shop and teaching at the Toledo Museum of Art; teaching at Penland School of Crafts; creating the Glass Art Society with Mark Peiser after attending a NCECA conference; moving to Seattle to make glass colors for The Glass Eye; and working for Spectrum Glass Company. Dreisbach also speaks of the importance of community among glass artists; taking part in glass symposia in Frauenau, Germany; traveling around the country to teach workshops, known as his "Road Show"; making representational pop-style pieces as well as historical reference pieces; collaborating on a stained glass window with Gary Noffke; developing techniques for making goblets; working with Dante Marioni on a series of goblets; his commissioned pieces, including the Corning Pokal; engraving glass; his Mongo series; selling works through galleries; the influence of the Italian glass artists; teaching at Pilchuck Glass School; Dominick Labino's career and innovations in glass technology; being invited to give the Samuel R. Scholes lecture at the New York State College of Ceramics at Alfred University; serving twice as Glass Art Society president; inaccuracies in the history of American studio glass; taking part in GAS conferences at Fenton Glass Factory; the importance of the rise of the university-trained glass artist in the 1960s; going to Pilchuck for the first time; meeting international glass artists; attending symposia at Novy Bor, Czech Republic; and his plans for the future. Dreisbach also recalls Tom McGlauchlin, Clayton Bailey, Erwin Eisch, Dale Chihuly, Bill Brown, Marvin Lipofsky, Joel Myers, Billy Bernstein, Dan Dailey, Dudley Giberson, Harvey Leafgreen, Bill Boysen, Henry Halem, Peter Voulkos, Ruth Tamura, and others.
Biographical / Historical:
Fritz Dreisbach (1941- ) is a glass artist from Tucson, Arizona. Susanne Frantz is a writer and curator from Paradise Valley, Arizona.
General:
Originally recorded on 8 sound discs. Reformatted in 2010 as 21 digital wav files. Duration is 8 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists -- Arizona -- Tucson  Search this
Glass artists -- Italy  Search this
Topic:
Decorative arts  Search this
Glass art -- Technique  Search this
Painting -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.dreisb04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dreisb04
Online Media:

Marvin Lipofsky papers

Creator:
Lipofsky, Marvin, 1938-2016  Search this
Names:
California College of Arts and Crafts  Search this
Glass Art Society  Search this
Pilchuck School  Search this
Scanga, Italo, 1932-2001  Search this
Warashina, Patti, 1940-  Search this
Extent:
45.6 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Scrapbooks
Interviews
Date:
1954-2018
Summary:
The papers of studio glass artist Marvin Lipofsky measure 46.5 linear feet and date from 1954 to 2018. Found are biographical materials, correspondence, writings and notes, travel diaries, artist files, exhibition and gallery files, organization files, professional files, technical studio files, printed material, photographic material, three scrapbooks, sketchbooks, and artwork.
Scope and Contents:
The papers of studio glass artist Marvin Lipofsky (1938-2016) measure 46.5 linear feet and date from 1954 to 2018. Found are biographical materials, correspondence, writings and notes, travel diaries, artist files, exhibition and gallery files, organization files, professional files, technical studio files, printed material, photographic material, three scrapbooks, sketchbooks, and artwork.

Of note are materials concerning Lipofsky's extensive travel, likely with the Glass Art Society, and his files on oher artists. 108 travel diaries contain notes and contact information and date from 1970 to 2015. Professional files contain Lipofsky's international files which are organized by country. Within these are correspondence and printed materials from local artists. Also found are photo albums for many of Lipofsky's trips abroad.

Artist files are for Fritz Driesbach, Nick Labino, Harvey Littleton, Ronald Pennell, Raechel Running, Italo Scanga, Jean-Pierre Umbdenstock, Patti Warashina, and many others.
Arrangement:
The collection is arranged as 14 series

Series 1: Biographical Material, 1954-2017 (2.0 linear feet; Boxes 1-2, 46)

Series 2: Correspondence, 1960-2016 (3.3 linear feet; Boxes 3-6)

Series 3: Writings and Notes, 1962-2010 (0.8 linear feet; Boxes 6-7)

Series 4: Travel Diaries, 1970-2015 (1.4 linear feet; Boxes 7-8)

Series 5: Artist Files, 1956-2016 (2.7 linear feet; Boxes 8-11, 46)

Series 6: Exhibition and Gallery Files, 1966-2016 (7.7 linear feet; Boxes 11-19)

Series 7: Organization Files, 1965-2015 (1.8 linear feet; Boxes 19-21)

Series 8: Professional Files, 1960-2018 (5.4 linear feet; Boxes 21-27)

Series 9: Technical Studio Files, circa 1960s-circa 2000s (3.9 linear feet; Boxes 27-30)

Series 10: Printed Material, 1960s-2000s (4.6 linear feet; Boxes 30-35, 46)

Series 11: Photographic Material, 1980-2004 (9.2 linear feet; Boxes 35-44, 46-47)

Series 12: Scrapbooks, 1960s-1995 (0.2 linear feet; Box 44)

Series 13: Sketchbooks, 1960s-2009 (1.2 linear feet; Boxes 44-46)

Series 14: Artwork, 1960s-2000s (0.4 linear feet; Box 45)
Biographical / Historical:
Marvin B. Lipofsky (1938-2016) was a glass artist and educator active in Berkeley, California.

Marvin Lipofsky was born in Barrington, Illinois in 1938. He began his study of art at the University of Illinois, where he studied industrial design and received his MFA from the University of Wisconsin-Madison. At Wisconsin, he studied under Harvey Littleton, one of the founders of the Studio Glass movement.

Lipofsky would have a long career as an educator and lecturer at institutions throughout the United States. He held positions at the University of Wisconsin-Madison, University of California-Berkeley, and the California College of Arts and Crafts. He taught regular seminars at Haystack Mountain School of Crafts and the Pilchuck Glass School.

In addition to his teaching career, Lipofsky was a founding and active member of the Glass Art Society which held conferences all over the world to promote the study and sharing of glass art techniques. He traveled extensively with the GAS to places such as Czech Republic, Japan, Italy, Russia, Slovakia, and Ukraine. He visited glass factories and studios, usually forming professional relationships and friendships with other glass artists.

Marvin Lipofsky died in 2016 in Berkeley, California.
Related Materials:
Also found in the Archives of American Art is an oral history interview of Marvin Lipofsky conducted 2003 July 30-August 5, by Paul Karlstrom, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, California.
Provenance:
The Marvin Lipofsky papers were donated in 2004 by Ruth Okimoto, Lipofsky's spouse, on behalf of Marvin Lipofsky as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, and in 2017, 2018 and 2021 by Lisa Lipofsky-Valenzula, Marvin Lipofsky's daughter.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Glass artists -- California -- Berkeley  Search this
Educators -- California -- Berkeley  Search this
Topic:
American studio craft movement  Search this
Genre/Form:
Drawings
Sketchbooks
Scrapbooks
Interviews
Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipomarv
See more items in:
Marvin Lipofsky papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lipomarv

Technical Studio Files

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Extent:
3.9 Linear feet (Boxes 27-30)
Type:
Archival materials
Date:
1960s-2000s
Scope and Contents:
Found are published guides; gathered material on subjects, equipment, and types of glass; and noted techniques of glass art. It is unclear whether these originated from Lipofsky's personal artwork or if they were used with his teaching career.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipomarv, Series 9
See more items in:
Marvin Lipofsky papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref391

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