Skip to main content Smithsonian Institution

Search Results

Collections Search Center
44 documents - page 1 of 3

Oral history interview with Robert Levin

Interviewee:
Levin, Robert, 1948-  Search this
Interviewer:
Byrd, Joan Falconer  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Denison University -- Students  Search this
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Pilchuck School -- Students  Search this
Southern Illinois University (System) -- Students  Search this
Bernstein, William, 1945-  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Dreisbach, Fritz  Search this
Handler, Audrey  Search this
Levin, Robert, 1948-  Search this
Littleton, Harvey K.  Search this
Peiser, Mark, 1938-  Search this
Ritter, Richard Q.  Search this
Extent:
32 Pages (Transcript)
3 Items (Sound recordings: 3 sound files (3 hr., 14 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2004 December 11
Scope and Contents:
An interview of Robert Levin conducted 2004 December 11, by Joan Byrd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Burnsville, North Carolina.
Levin speaks of growing up in Dundalk, Maryland; participating in theater in high school; attending Denison University; becoming interested in ceramics and glass; attending graduate school at Southern Illinois University; working as an assistant to Fritz Dreisbach at Pilchuck Glass School; teaching at Penland School of Crafts; becoming resident glass artist at Penland; influential artists; moving to Celo; the North Carolina craft community; the element of play in his work; mixing glass colors; keeping variety in his work; the process of making sculptural and functional pieces; the influence of nature and other cultures on his work; including political and social statements in his work; making mixed-media pieces; working on commission; making Judaica pieces; the glass blowing process; being part of an international glass tradition; participating in the Glass Art Society; the reasons he enjoys teaching; attending GAS conferences; participating in regional art organizations; his home studio and the equipment he uses; how his working process has changed; designing a series of awards; his interest in music and guitar; the qualities of glass; and the importance of intuitiveness in creating his pieces. Levin also recalls Audrey Handler, Bill Boysen, Bill Brown, Richard Ritter, Bill Bernstein, Mark Peiser, Harvey Littleton, and others.
Biographical / Historical:
Robert Levin (1948- ) is a glass artist from Burnsville, North Carolina. Joan Falconer Byrd (1939- ) is a professor in the art department, Western Carolina University, Cullowhee, North Carolina.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 3 digital wav files. Duration is 3 hr., 14 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art -- North Carolina  Search this
Decorative arts  Search this
Glass artists -- North Carolina -- Interviews  Search this
Jewish art  Search this
Glass art  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.levin04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d0dd5e53-130f-4a94-a999-7b0af81a6552
EDAN-URL:
ead_collection:sova-aaa-levin04
Online Media:

Conference Programs, Glass Art Society

Collection Creator:
Schaechter, Judith, 1961-  Search this
Container:
Box 9, Folder 6
Type:
Archival materials
Date:
1994, 1996, 2010
Collection Restrictions:
This collection is open for research. This personal correspondence series is access restricted; written permission is required. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Judith Schaechter papers, circa 1900s-2019. Archives of American Art, Smithsonian Institution.
See more items in:
Judith Schaechter papers
Judith Schaechter papers / Series 5: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw984766dca-f45f-4db5-838d-1167529a6224
EDAN-URL:
ead_component:sova-aaa-schajudi-ref247

Glass Art Society

Collection Creator:
Schaechter, Judith, 1961-  Search this
Container:
Box 1, Folder 16
Type:
Archival materials
Date:
circa 1995-2016
Collection Restrictions:
This collection is open for research. This personal correspondence series is access restricted; written permission is required. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Judith Schaechter papers, circa 1900s-2019. Archives of American Art, Smithsonian Institution.
See more items in:
Judith Schaechter papers
Judith Schaechter papers / Series 2: Correspondence / 2.1: Professional Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw909820a65-5c38-4427-9f32-6609351d969c
EDAN-URL:
ead_component:sova-aaa-schajudi-ref45

Oral history interview with Tom McGlauchlin

Interviewee:
McGlauchlin, Tom, 1934-2011  Search this
Interviewer:
Byrd, Joan Falconer  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cornell College (Mount Vernon, Iowa) -- Faculty  Search this
Glass Art Society  Search this
Habatat Galleries  Search this
Heller Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Council on Education for the Ceramic Arts (U.S.)  Search this
Pismo Gallery  Search this
Toledo Art Museum  Search this
University of Toledo  Search this
University of Wisconsin--Madison -- Students  Search this
Vespermann Gallery  Search this
William H. Holston Gallery (New York, N.Y.)  Search this
Bailey, Clayton, 1939-2020  Search this
Day, Russell  Search this
Dreisbach, Fritz  Search this
Labino, Dominick  Search this
Leafgreen, Harvey  Search this
Littleton, Harvey K.  Search this
Schulman, Norman, 1924-  Search this
Takaezu, Toshiko  Search this
Wittmann, Otto, 1911-2001  Search this
Extent:
39 Pages (Transcript)
2 Items (Sound recording: 2 sound files (1 hr., 58 min.), digital; wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2006 October 13
Scope and Contents:
An interview of Tom McGlauchlin conducted 2006 October 13, by Joan Falconer Byrd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Archives of American Art, Washington, D.C.
McGlauchlin speaks of his childhood in Wisconsin; receiving a B.S. and M.S. in Art from the University of Wisconsin, Madison; studying pottery with Harvey Littleton and Toshiko Takaezu; attending the first workshop for glassblowing at the Toledo Museum of Art in Toledo, Ohio in 1962; building his glass studio; teaching experiences at Cornell College; experiences as the Director of the Glass Program at the University of Toledo/Toledo Museum of Art; the rivalry between Harvey Littleton and Dominick Labino; his relationship with galleries throughout the years including Heller Gallery, Habatat Galleries, Holsten Galleries, Vespermann Gallery, Pismo Gallery, and others; his participation in Glass Art Society and National Council on Education for the Ceramic Arts; his interest in textured surfaces; being influenced by Washington Color Field painters; the strong influence jazz has on his artwork; his involvement with the Art Tatum Jazz Heritage Festival in Toledo, Ohio; his plans to stop blowing glass in the near future; and his interest in working in pottery once again. McGlauchlin also recalls Clayton Bailey, Norm Schulman, Harvey Leafgreen, Otto Wittmann, Fritz Dreisbach, Russell Day, and others.
Biographical / Historical:
Tom McGlauchlin (1934-2011) is an glass artist and potter from Toledo, Ohio. Joan Falconer Byrd (1939- ) is a ceramics professor from Cullowhee, North Carolina.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 58 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists -- Ohio  Search this
Topic:
Color-field painting  Search this
Decorative arts  Search this
Jazz  Search this
Glass art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.mcglau06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99404f59e-e959-4644-bffe-2b078ae0bc72
EDAN-URL:
ead_collection:sova-aaa-mcglau06
Online Media:

Oral history interviews with North Carolina glass artists

Interviewer:
Douglas, Mary F., 1956-  Search this
Interviewee:
Beck, Rick  Search this
Beck, Valerie  Search this
Bernstein, William, 1945-  Search this
Johnson, Gilbert C.  Search this
Levin, Robert, 1948-  Search this
Littleton, John  Search this
Nielander, Joe  Search this
Nygren, John Fergus, 1940-  Search this
Nygren, Sharon  Search this
Vogel, Kate  Search this
Extent:
7 Sound cassettes (Sound recordings)
42 Pages (Transcripts)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Date:
1995
Scope and Contents:
Tapes and transcripts of interviews with North Carolina glass artists conducted by Mary Douglas as part of her research for a paper, "Rural Esthetics in the North Carolina Glass Community," delivered at the 1995 Glass Art Society (GAS) Conference in Asheville, N.C. Interviewees include: Rick and Valerie Beck, William Bernstein, Gilbert C. Johnson, Rob Levin, Joe Nielander, John and Sharon Nygren, and Kate Vogel and John Littleton.
Topics covered include "craft culture': whether there is a rural esthetic in North Carolina glass; the idea of community around Penland School and the surrounding region of the Southern Highlands; the significance of the region's craft history on contemporary glass artists; and the distinctive qualities of North Carolina glass.
Biographical / Historical:
Art historian; Statesville, N.C.
Provenance:
Donated 1997 by Mary Douglas. The paper for which these interviews was conducted was subsequently published in the Glass Art Society Journal (1995, p. 34-41). Each of the artists interviewed agreed to donate their interviews to the Archives, with the exception of Harvey K. Littleton.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art historians -- North Carolina -- Statesville  Search this
Topic:
Glass artists -- North Carolina -- Interviews  Search this
Decorative arts  Search this
Glass art  Search this
Identifier:
AAA.dougla95
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92624df4c-5d14-46be-a6e9-4049203e0b51
EDAN-URL:
ead_collection:sova-aaa-dougla95

Marvin Lipofsky papers

Creator:
Lipofsky, Marvin, 1938-2016  Search this
Names:
California College of Arts and Crafts  Search this
Glass Art Society  Search this
Pilchuck School  Search this
Scanga, Italo, 1932-2001  Search this
Warashina, Patti, 1940-  Search this
Extent:
46 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Scrapbooks
Interviews
Date:
1954-2018
Summary:
The papers of studio glass artist Marvin Lipofsky measure 46.0 linear feet and date from 1954 to 2018. Found are biographical materials, correspondence, writings and notes, travel diaries, artist files, exhibition and gallery files, organization files, professional files, technical studio files, printed material, photographic material, three scrapbooks, sketchbooks, and artwork. There is a 0.4 linear foot unprocessed addition to this collection donated in 2021 that includes personal and professional correspondence between Lipofsky and others regarding travel and shows, a file on teaching, and biographical information, and "In a Bottle" transparency. Materials date from circa 1964-2002.
Scope and Contents:
The papers of studio glass artist Marvin Lipofsky (1938-2016) measure 46.0 linear feet and date from 1954 to 2018. Found are biographical materials, correspondence, writings and notes, travel diaries, artist files, exhibition and gallery files, organization files, professional files, technical studio files, printed material, photographic material, three scrapbooks, sketchbooks, and artwork.There is a 0.4 linear foot unprocessed addition to this collection donated in 2021 that includes personal and professional correspondence between Lipofsky and others regarding travel and shows, a file on teaching, and biographical information, and "In a Bottle" transparency. Materials date from circa 1964-2002.

Of note are materials concerning Lipofsky's extensive travel, likely with the Glass Art Society, and his files on oher artists. 108 travel diaries contain notes and contact information and date from 1970 to 2015. Professional files contain Lipofsky's international files which are organized by country. Within these are correspondence and printed materials from local artists. Also found are photo albums for many of Lipofsky's trips abroad.

Artist files are for Fritz Driesbach, Nick Labino, Harvey Littleton, Ronald Pennell, Raechel Running, Italo Scanga, Jean-Pierre Umbdenstock, Patti Warashina, and many others.
Arrangement:
The collection is arranged as 15 series

Series 1: Biographical Material, 1954-2017 (2.0 linear feet; Boxes 1-2, 46)

Series 2: Correspondence, 1960-2016 (3.3 linear feet; Boxes 3-6)

Series 3: Writings and Notes, 1962-2010 (0.8 linear feet; Boxes 6-7)

Series 4: Travel Diaries, 1970-2015 (1.4 linear feet; Boxes 7-8)

Series 5: Artist Files, 1956-2016 (2.7 linear feet; Boxes 8-11, 46)

Series 6: Exhibition and Gallery Files, 1966-2016 (7.7 linear feet; Boxes 11-19)

Series 7: Organization Files, 1965-2015 (1.8 linear feet; Boxes 19-21)

Series 8: Professional Files, 1960-2018 (5.4 linear feet; Boxes 21-27)

Series 9: Technical Studio Files, circa 1960s-circa 2000s (3.9 linear feet; Boxes 27-30)

Series 10: Printed Material, 1960s-2000s (4.6 linear feet; Boxes 30-35, 46)

Series 11: Photographic Material, 1980-2004 (9.2 linear feet; Boxes 35-44, 46-47)

Series 12: Scrapbooks, 1960s-1995 (0.2 linear feet; Box 44)

Series 13: Sketchbooks, 1960s-2009 (1.2 linear feet; Boxes 44-46)

Series 14: Artwork, 1960s-2000s (0.4 linear feet; Box 45)

Series 15: Unprocessed Addition, circa 1964-2002 (0.4 linear feet, Box 48)
Biographical / Historical:
Marvin B. Lipofsky (1938-2016) was a glass artist and educator active in Berkeley, California.

Marvin Lipofsky was born in Barrington, Illinois in 1938. He began his study of art at the University of Illinois, where he studied industrial design and received his MS and MFA in sculpture from the University of Wisconsin-Madison. At Wisconsin, he studied under Harvey Littleton, one of the founders of the Studio Glass movement.

Lipofsky would have a long career as an educator and lecturer at institutions throughout the United States. He held positions at the University of Wisconsin-Madison, University of California-Berkeley, and the California College of Arts and Crafts. He taught regular seminars at Haystack Mountain School of Crafts and the Pilchuck Glass School.

In addition to his teaching career, Lipofsky was a founding and active member of the Glass Art Society which held conferences all over the world to promote the study and sharing of glass art techniques. He traveled extensively to places such as Czech Republic, Japan, Italy, Russia, Slovakia, and Ukraine. He visited glass factories and studios, usually forming professional relationships and friendships with other glass artists.

Marvin Lipofsky died in 2016 in Berkeley, California.
Related Materials:
Also found in the Archives of American Art is an oral history interview of Marvin Lipofsky conducted 2003 July 30-August 5, by Paul Karlstrom, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, California.
Provenance:
The Marvin Lipofsky papers were donated in 2004 by Ruth Okimoto, Lipofsky's spouse, on behalf of Marvin Lipofsky as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, and in 2017, 2018 and 2021 by Lisa Lipofsky-Valenzula, Marvin Lipofsky's daughter.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Glass artists -- California -- Berkeley  Search this
Educators -- California -- Berkeley  Search this
Topic:
American studio craft movement  Search this
Genre/Form:
Drawings
Sketchbooks
Scrapbooks
Interviews
Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipomarv
See more items in:
Marvin Lipofsky papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bdcdc211-8ef3-41d0-a7b9-3b2e45fc33bb
EDAN-URL:
ead_collection:sova-aaa-lipomarv
Online Media:

Oral history interview with Fritz Dreisbach

Interviewee:
Dreisbach, Fritz  Search this
Interviewer:
Frantz, Susanne K.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University  Search this
Glass Art Society  Search this
Hiram College -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Pilchuck Glass Center (Stanwood, Wash.) -- Faculty  Search this
Toledo Museum of Art  Search this
University of Iowa -- Students  Search this
University of Wisconsin--Madison -- Students  Search this
Bailey, Clayton, 1939-2020  Search this
Bernstein, William, 1945-  Search this
Boysen, Bill  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Chihuly, Dale, 1941-  Search this
Dailey, Dan, 1947-  Search this
Eisch, Erwin, 1927-  Search this
Giberson, Dudley  Search this
Halem, Henry  Search this
Labino, Dominick  Search this
Leafgreen, Harvey  Search this
Lipofsky, Marvin, 1938-2016  Search this
Littleton, Harvey K.  Search this
McGlauchlin, Tom, 1934-2011  Search this
Myers, Joel Philip, 1934-  Search this
Noffke, Gary  Search this
Tamura, Ruth  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
121 Pages (Trancript)
21 Items (Sound recording: 21 sound files (8 hr., 41 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Ohio -- Description and Travel
Date:
2004 April 21-22
Scope and Contents:
An interview of Fritz Dreisbach conducted 2004 April 21-22, by Susanne Frantz, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Tucson, Arizona.
Dreisbach speaks of growing up in Ohio, in a family of educators and deciding at an early age to become a teacher; taking high school art; pursuing a BA in art and mathematics at Hiram College; getting his MAT and teaching high school math; attending the University of Iowa to study painting; the impact of taking a summer class in glassblowing; visiting Dominick Labino at his studio; researching colored glass and glass chemistry; becoming Harvey K. Littleton's teaching assistant at the University of Wisconsin, Madison; building a hot shop and teaching at the Toledo Museum of Art; teaching at Penland School of Crafts; creating the Glass Art Society with Mark Peiser after attending a NCECA conference; moving to Seattle to make glass colors for The Glass Eye; and working for Spectrum Glass Company. Dreisbach also speaks of the importance of community among glass artists; taking part in glass symposia in Frauenau, Germany; traveling around the country to teach workshops, known as his "Road Show"; making representational pop-style pieces as well as historical reference pieces; collaborating on a stained glass window with Gary Noffke; developing techniques for making goblets; working with Dante Marioni on a series of goblets; his commissioned pieces, including the Corning Pokal; engraving glass; his Mongo series; selling works through galleries; the influence of the Italian glass artists; teaching at Pilchuck Glass School; Dominick Labino's career and innovations in glass technology; being invited to give the Samuel R. Scholes lecture at the New York State College of Ceramics at Alfred University; serving twice as Glass Art Society president; inaccuracies in the history of American studio glass; taking part in GAS conferences at Fenton Glass Factory; the importance of the rise of the university-trained glass artist in the 1960s; going to Pilchuck for the first time; meeting international glass artists; attending symposia at Novy Bor, Czech Republic; and his plans for the future. Dreisbach also recalls Tom McGlauchlin, Clayton Bailey, Erwin Eisch, Dale Chihuly, Bill Brown, Marvin Lipofsky, Joel Myers, Billy Bernstein, Dan Dailey, Dudley Giberson, Harvey Leafgreen, Bill Boysen, Henry Halem, Peter Voulkos, Ruth Tamura, and others.
Biographical / Historical:
Fritz Dreisbach (1941- ) is a glass artist from Tucson, Arizona. Susanne Frantz is a writer and curator from Paradise Valley, Arizona.
General:
Originally recorded on 8 sound discs. Reformatted in 2010 as 21 digital wav files. Duration is 8 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists -- Arizona -- Tucson  Search this
Glass artists -- Italy  Search this
Topic:
Decorative arts  Search this
Painting -- Study and teaching  Search this
Glass art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.dreisb04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f3b3b115-08fd-40c6-b8a5-8042b0c53c44
EDAN-URL:
ead_collection:sova-aaa-dreisb04
Online Media:

Oral history interview with Marvin Lipofsky

Interviewee:
Lipofsky, Marvin, 1938-2016  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
103 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2003 July 30-August 5
Scope and Contents:
An interview of Marvin Lipofsky conducted 2003 July 30-August 5, by Paul Karlstrom, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, California.
Lipofsky speaks of growing up in the retail clothing trade; relating immediately in his early career to artists Peter Voulkos and John Mason; studying industrial design at the University of Illinois and sculpture at the University of Madison, Wisconsin, where Harvey Littleton introduced him to glass blowing; traveling to Europe to learn about glass; his desire to share education experiences with others; setting up education programs at Berkeley and the California College of Arts and Crafts; establishing the Great California Glass Symposium and creating a sense of community of glass art; artists versus artisans and craftsmen; studio glass as an American phenomenon; functional versus non-functional glass art; spirituality in his work; glassblowing associated with the breath of life; the Bay Area art scene; symbolic forms and organic quality of works; influences from working in factories and other countries; his experience working at the Venini Factory in Murano, Italy; his involvement in the California College of Arts and Crafts, Glass Arts Society, and National Council on Education for the Ceramic Arts; abstraction as his main subject of works; inspirations of colorful clothing and color in nature; and the "American Glass Now" exhibition at the Toledo Museum of Art, the first major glass exhibit in the United States. Lipfosky also recalls Dante Marioni, Paul Marioni, Beatrice Wood, Christopher Wilmarth, Ken Holston, Dale Chihuly, and others.
Biographical / Historical:
Marvin Bentley Lipofsky (1938- ) is a glass artist and educator from Berkeley, California. Paul Karlstrom (1941- ) is an art historian from San Marino, California.
General:
Originally recorded on 6 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 6 hrs., 31 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Glass artists -- California -- Interviews  Search this
Decorative arts  Search this
Glass art  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lipofs03
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw910ac1e58-f1cc-4dff-8f7f-5c64a49fe491
EDAN-URL:
ead_collection:sova-aaa-lipofs03
Online Media:

Oral history interview with Paul Marioni

Interviewee:
Marioni, Paul  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
A.C. Fischer Glashütte  Search this
California College of Arts and Crafts -- Faculty  Search this
College of Marin -- Faculty  Search this
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Faculty  Search this
Pilchuck Glass Center (Stanwood, Wash.) -- Faculty  Search this
San Francisco State University -- Students  Search this
Spectrum Glass Co.  Search this
University of Cincinnati -- Students  Search this
University of Dayton -- Students  Search this
Ben Tré, Howard, 1949-2020  Search this
Blaine, Sandy  Search this
Bolles, John S.  Search this
Bosworth, Thomas L. (Thomas Lawrence), 1930-  Search this
Brychtová, Jaroslava, 1924-  Search this
Chihuly, Dale, 1941-  Search this
Dreisbach, Fritz  Search this
Libenský, Stanislav, 1921-2002  Search this
Lipofsky, Marvin, 1938-2016  Search this
Marioni, Dante, 1964-  Search this
Marquis, Richard, 1945-  Search this
McCann, Cecile  Search this
Milhoan, Randy  Search this
Nelson, Gunvor  Search this
Nelson, Robert A.  Search this
North, Judy, 1937-  Search this
Signoretto, Pino, 1944-  Search this
Sindler, Allan P.  Search this
Sindler, Leonore  Search this
Troutner, Ann Margaret  Search this
Vallien, Bertil, 1938-  Search this
Extent:
11 Items (Sound recording: 11 sound files (8 hrs., 18 min.), digital, wav)
112 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Japan -- Description and Travel
Mexico -- description and travel
South America -- description and travel
Thailand -- description and travel
Date:
2006 September 18-19
Scope and Contents:
An interview of Paul Marioni conducted 2006 September 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, Seattle, Washington. Marioni speaks of his childhood in Ohio; excelling in math as a young student; being labeled a troublemaker in high school; his interest and skill in fixing cars and motorcycles; attending the University of Dayton, the University of Cincinnati, and San Francisco State University; receiving bachelor's degrees in English and philosophy; an interest in filmmaking; the joys and struggles of raising two children by himself; his unorthodox parenting philosophy; learning glass techniques from Judy Raffeal North; teaching experiences at College of Marin, California College of Arts and Crafts, Pilchuck Glass School, and Penland School of Crafts, among others; the importance of fostering idea formation and creativity in educational institutions; his experiences as Artist-in-Residence at A.C. Fischer Glashutte and Spectrum Glass Co.; the development of his process for producing cast glass; the great number of public architectural commissions that resulted from the ability to work with cast glass; the more than 85 commissions he has completed alone and in collaboration with Ann Troutner; the difference between his gallery work and commission work; the pleasure he gets from working in the studio; travels throughout Europe, South America, Japan, Thailand, Mexico; his use of ambient light; strong responses received from his political artwork; his dislike of art critics; the vital role Glass Art Society played in supporting the studio glass art movement; the emphasis of human nature in his art; and plans for the future. Marioni also recalls Robert Nelson, Gunvar Nelson, John Bolles, Cecile McCann, Marvin Lipofsky, Dale Chihuly, Tom Bosworth, Fritz Dreisbach, Richard Marquis, Howard Ben Tré, Bertil Vallien, Jaroslava Brychtová, Stanislav Libenský, Randy Milhoan, Dante Marioni, Pino Signoretto, Sandy Blaine, Allan and Lenore Sindler, and others.
Biographical / Historical:
Paul Marioni (1941- ) is a glass artist from Seattle, Washington. Mija Riedel (1958- ) is a curator and writer, from San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 8 hrs., 18 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art critics  Search this
Topic:
Art -- Political aspects  Search this
Decorative arts  Search this
Glass art  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Parenting  Search this
Politics in art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.marion06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ac0607d8-2b3a-4e70-aba4-a0417d9af9c0
EDAN-URL:
ead_collection:sova-aaa-marion06
Online Media:

Oral history interview with Henry Halem

Interviewee:
Halem, Henry  Search this
Interviewer:
Warmus, William, 1953-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Glass Art Society  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
81 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2005 May 14
Scope and Contents:
An interview of Henry Halem conducted 2005 May 14, by William Warmus, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Kent, Ohio.
Halem speaks of his family background and growing up in the Bronx; learning to throw pots; taking art classes as a child; attending the Rhode Island School of Design and studying ceramics; joining the National Guard; his interest in music; working as resident craftsman at the Virginia Museum of Fine Arts; attending George Washington University; exhibiting at the Renwick Gallery; opening a gallery and studio in Alexandria, Virginia.; transferring to the University of Wisconsin for his graduate degree; and becoming Harvey Littleton's glass studio assistant. Halem also speaks of Harvey Littleton's teaching methods; teaching at Kent State University; learning the glass making process; making goblets and glass castings; making political pieces; selling work to the Corning Museum of Glass; forming the Glass Art Society; the studio glass community; getting color into glass; how the Glass Art Society has changed; his teaching method; exhibiting his artwork; how his technique changed during his career; writing his book, "Glass Notes"; visiting glass studios in Europe; his friendship with artists Stanislav Libensky and Jaroslava Brychtova; influences on his artwork; and working with enamel. Halem also recalls Peter Voulkos, Don Reitz, Fritz Dreisbach, Erwin Eisch, Dominick Labino, Marvin Lipofsky, Mark Peiser, Audrey Handler, Dale Chihuly, and others.
Biographical / Historical:
Henry Halem (1938- ) is a glass artist from Kent, Ohio. William Warmus is a writer and curator.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 12 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Glass artists -- Ohio  Search this
Topic:
Decorative arts  Search this
Glass art  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.halem05
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw989c90889-5c2b-48de-ba98-eaa8e8028bcf
EDAN-URL:
ead_collection:sova-aaa-halem05
Online Media:

William J. and Jane Brown papers

Creator:
Brown, William J. (William Joseph), 1923-1992  Search this
Brown, Jane Brennan, 1931-  Search this
Names:
Haystack Mountain School of Crafts  Search this
Penland School of Crafts  Search this
Bailey, Dan  Search this
Berensohn, Paulus  Search this
Brennan, Harold James, 1903-1989  Search this
Ebendorf, Robert, 1938-  Search this
Ehle, John, 1925-  Search this
Hallman, Ted, 1933-  Search this
Lipofsky, Marvin, 1938-2016  Search this
Morgan, Lucy, 1889-1981  Search this
Perisho, Flossie  Search this
Takaezu, Toshiko  Search this
Extent:
7.9 Linear feet
0.32 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sketches
Sound recordings
Video recordings
Date:
circa 1940-2014
Summary:
The papers of William J. and Jane Brown date from circa 1940-2014 and measure 7.9 linear feet and 0.32 gigabytes. The collection is comprised of biographical material, correspondence, interviews, writings and notes, printed material and documentaries, photographs and moving images, and administrative records from the Penland School of Crafts where William served as director from 1962 to 1983.
Scope and Contents:
The papers of William J. and Jane Brown date from circa 1940-2014 and measure 7.9 linear feet. The collection is comprised of biographical material, correspondence, interviews, writings and notes, printed material and documentaries, photographs and moving images, and administrative records from the Penland School of Crafts where William served as director from 1962 to 1983.

Biographical materials consists of awards, business cards, annotated calendars, consignment forms, material from Haystack Mountain School of Crafts, resumes, sketches, and student documents. Correspondence is with artists, former students, instructors, local residents, Paulus Berensohn, Robert Ebendorf, Theodore Hallman, Lucy Morgan, Toshiko Takaezu, and others.

Sound and video recordings are of interviews with Bill and Jane Brown, Lucy Morgan, and "Flossie" Perisho regarding personal and Penland history. One transcript of Marvin Lipofsky's conversation with Bill is also included. Bill's writings are on industrial design, directing Penland, and mankind. Two notebooks contain daily logs, sketches, and other notes. Notes by Bill and Jane are on inventions, John Ehle, metal history, poems, and other topics. Other writings are about Bill and a manuscript on craftsman education by Harold J. Brennan.

Penland's administrative records contain files documenting the board of trustees, residents program, a special 2-week session, artwork, Bill Brown's Glass Studio dedication ceremony schedule, a certificate of incorporation, financial material, grant proposals, and maps. Also found are records of Penland's 50th birthday celebration, including a video recording of "A Quest" by Dan Bailey.

Books, booklets, four documentary video recordings, exhibition catalogs and announcements, flyers, pamphlets, periodicals, postcards, posters, and stickers and patches designed by Bill are in printed materials. Photographs and slides are of Bill and Jane; family and friends; works of art; and of Penland's grounds, students, and faculty along with photographs and video recordings documenting Penland's history.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Materials, 1948-2011 (0.6 linear feet; Boxes 1, 9)

Series 2: Correspondence, 1949-2014 (1.8 linear feet; Boxes 1-3, 9)

Series 3: Interviews, 1968-1991 (0.4 linear feet; Box 3)

Series 4: Writings and Notes, circa 1950-2005 (0.2 linear feet; Box 3)

Series 5: Penland School of Crafts Administrative Records, 1954-1995 (1.1 linear feet; Boxes 3-4, 9)

Series 6: Printed Materials and Documentaries, 1942-2005 (1.8 linear feet, 0.32 GB; Boxes 4-6, 9; ER01)

Series 7: Photographic Materials and Moving Images, circa 1940-2011 (2.0 linear feet; Boxes 6-10, RD 11)
Biographical / Historical:
William "Bill" J. Brown (1923-1992) was a designer and educator who was married to Jane Brown (1932- ), an arts administrator. They lived in Bakersville, North Carolina.

Bill Brown was born in Flint, Michigan in 1923. He studied at the Cranbrook Academy of Art receiving a bachelor of fine art in 1949, a master of fine art in 1950, and was chosen to work at Corning Glass Works for a summer. After his studies, he taught at the Haystack Mountain School of Crafts and at the University of Delaware. In 1962 Lucy Morgan, who founded the Penland School of Crafts in 1929 in North Carolina, retired and offered the position of director to Bill. At the time, the school focused on traditional mountain crafts. As director, Bill changed the emphasis of the school to the advancement of professional craftsmen and the expansion of media to include iron and glass. He began a resident artist program that allowed artists to develop their skills at a low cost. Together, Bill and Jane created a supportive community of craftsmen that attracted renowned artists to teach and work at Penland. Bill resigned as director in 1983 but remained a respected member of the arts community. He earned several awards including the North Carolina Award in the Fine Arts in 1991.

Jane Brown graduated from the University of Delaware with a bachelor of arts in education and a master's degree in special education. Jane studied the Alexander Technique, a technique that can be used to improve the performance of dancers and musicians.

Bill Brown died in 1992. After his death, Jane participated in the dedication of the Bill Brown Glass Studio at Penland during a Glass Arts Society conference in 1995. She continues to live in Bakersville, North Carolina.
Related Materials:
Also found at the Archives of American Art is an oral history interview with William J. Brown and his wife Jane Brown conducted on January 19, 1991 and March 2, 1991 by Jane Kessler.
Provenance:
The portions of the William J. and Jane Brown papers that were lent for microfilming in 1991 by Jane Brown were subsequently donated by Jane Brown 1995 and 2015 along with additional papers.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Occupation:
Arts administrators -- North Carolina  Search this
Educators -- North Carolina  Search this
Glass artists -- North Carolina  Search this
Genre/Form:
Interviews
Sketches
Sound recordings
Video recordings
Citation:
William J. and Jane Brown papers, circa 1940-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.browwill
See more items in:
William J. and Jane Brown papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9907be991-414d-4c5f-b92d-b8729175c574
EDAN-URL:
ead_collection:sova-aaa-browwill

Booklets

Collection Creator:
Brown, William J. (William Joseph), 1923-1992  Search this
Brown, Jane Brennan, 1931-  Search this
Container:
Box 5, Folder 1-4
Type:
Archival materials
Date:
1942-1998
Scope and Contents:
Includes the Penland publications Vegetable Dyeing by Emma Conley, The Story of the Penland Weavers by Bonnie Willis Ford, Penland program catalogs, and program for the Glass Art Society's conference at Penland.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Citation:
William J. and Jane Brown papers, circa 1940-2014. Archives of American Art, Smithsonian Institution.
See more items in:
William J. and Jane Brown papers
William J. and Jane Brown papers / Series 6: Printed Materials and Documentaries
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9668e49ea-08e8-4e39-8a22-023aca2aa104
EDAN-URL:
ead_component:sova-aaa-browwill-ref67

Award, Glass Art Society Honorary Life Member

Collection Creator:
Brown, William J. (William Joseph), 1923-1992  Search this
Brown, Jane Brennan, 1931-  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1974
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Citation:
William J. and Jane Brown papers, circa 1940-2014. Archives of American Art, Smithsonian Institution.
See more items in:
William J. and Jane Brown papers
William J. and Jane Brown papers / Series 1: Biographical Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw945cf4ba7-ad0c-43fa-8464-fb9f40c0e8c0
EDAN-URL:
ead_component:sova-aaa-browwill-ref8

"By the Glass/Buy the Glass," Glass Art Society

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Container:
Box 11, Folder 64
Type:
Archival materials
Date:
1994
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Marvin Lipofsky papers
Marvin Lipofsky papers / Series 6: Exhibition and Gallery Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91a9fdea3-f17f-43e8-811d-87fcf0b14e2d
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref290

Organization Files

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Extent:
1.8 Linear feet (Boxes 19-21)
Type:
Archival materials
Date:
1965-2015
Scope and Contents:
This series contains material relating to Lipofsky's involvement and participation with arts and glass related organizations including the American Crafts Council, Bay Area Studio Art Glass, The Glass Art Society, International Sculpture Center, National Council on Education for the Ceramic Arts, and the World Crafts Council. Material may contain correspondence, founding documents and internal memoranda, lists and administrative information, printed material, and financial material.

Of note are files from the Glass Art Society, for which Lipofsky served on the board and as president, editor of the newsletter and journal, and as conference director. Additionally, files may be found on the establishment of the organization.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipomarv, Series 7
See more items in:
Marvin Lipofsky papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fb80297f-e930-47f9-82a6-d798971b6175
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref294

Glass Art Society

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Container:
Box 20, Folder 11-36
Type:
Archival materials
Date:
1971-2015
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Marvin Lipofsky papers
Marvin Lipofsky papers / Series 7: Organization Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d5e4f48c-1365-4de1-8f97-9bac31f9726b
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref305

Glass Art Society

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Container:
Box 21, Folder 1-8
Type:
Archival materials
Date:
1971-2015
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Marvin Lipofsky papers
Marvin Lipofsky papers / Series 7: Organization Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f6e3e26a-1408-41b3-8485-93703dbb989d
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref306

Travel Diaries

Collection Creator:
Lipofsky, Marvin, 1938-2016  Search this
Extent:
1.4 Linear feet (Boxes 7-8)
Type:
Archival materials
Date:
1970-2015
Scope and Contents:
Found are 108 small, spiral bound notebooks Lipofsky used as diaries while traveling abroad and throughout the United States, possibly with the World Crafts Council and the Glass Art Society. Generally, Lipofsky made quick notes about sites and people, rather than long narratives. Some have accompanying ephemera such as business cards, receipts, or printed material. Locations are typically written on the diaries including: Atlanta, Baltimore, Boston, Chicago, Denver, Fresno, Indianapolis, Las Vegas, Los Angeles, Louisville, New York City, Orlando, Pittsburgh, Portland, Providence, Rochester, San Diego, San Jose, St. Louis, Tampa, and Tucson. International locations include: Australia, Belgium, China, Czech Republic, Finland, Germany, Holland, Israel, Italy, Japan, Latvia, Lithuania, Mexico, Russia, Slovakia, Spain, Taiwan, and Ukraine.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Lipofsky papers, 1954-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipomarv, Series 4
See more items in:
Marvin Lipofsky papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ee2f7113-39f9-447b-914c-618309154c23
EDAN-URL:
ead_component:sova-aaa-lipomarv-ref38

Glass Art Society

Collection Creator:
Marquis, Richard, 1945-  Search this
Container:
Box 2, Folder 1
Type:
Archival materials
Date:
1998
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Correspondence with Benjamin Moore: Authorization to publish, quote or reproduce requires written permission from Richard Marquis. Contact Reference Services for more information.
Collection Citation:
Richard Marquis papers, 1967-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Richard Marquis papers
Richard Marquis papers / Series 3: Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9207ce02a-d0aa-42a3-bf45-b67a6d21660a
EDAN-URL:
ead_component:sova-aaa-marqrich-ref36

Business Correspondence

Collection Creator:
Larsen, Jack Lenor  Search this
Container:
Box 1, Folder 15
Type:
Archival materials
Date:
1981-2003
undated
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jack Lenor Larsen papers, 1941-2003. Archives of America Art, Smithsonian Institution.
See more items in:
Jack Lenor Larsen papers
Jack Lenor Larsen papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw933dd7b5b-73b4-4d2d-bd4a-531bc9390788
EDAN-URL:
ead_component:sova-aaa-larsjack-ref48
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Business Correspondence digital asset number 1

Modify Your Search







or


Narrow By