On the news program Panorama, Metromedia's Gary Axelson reports the latest news from the White House regarding the Vietnam War. Nikki Giovanni and Stokely Carmichael speak about the Vietnam War; the upcoming presidential election of Richard Nixon versus George McGovern; and the United States' two party system. Carmichael also speaks of the imperialism of America, scientific socialism, capitalism, and revolutionary change.
Television program. Part of Broadcast Programs. AV000784: Panorama: Nikki Giovanni and Stokely Carmichael from 001520 - 004335 (also on recording: Stokely Carmichael Lecture at Howard University and Panorama: Alyce C. Gullattee, James P. Comer, John Williams). Undated.
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
The collection, which dates from 1800 to 2002 and measures 14.75 linear feet, documents two centuries of the depictions of African Americans in popular culture. The collection is comprised of papers, journals, books, audio visual materials, sheet music, correspondence, photographs and artifacts. Included in the audiovisual series are recordings of Maya Angelou and Alice Walker reading their works.
Scope and Contents note:
This collection documents various elements of African American history. The Diane Isaacs Collection of Black Memorabilia is arranged into three series: Printed Materials, Audio Visual Materials, and Miscellaneous. Material in each folder is arranged in chronological order from 1800 through 2002.
Arrangement note:
The collection is arranged by into three Series: (1) Printed Materials, (2) Audiovisual Material, and (3) Miscellaneous.
Biographical/Historical note:
Diane Isaacs was a professor of English and a collector of black memorabilia. She earned her Ph.D. from Teachers College at Columbia University in 1982 after she wrote a doctoral thesis entitled "Ann Petry's Life and Art: Piercing the Stereotypes." As a professor at Fordham College, the University of Maryland, and the University of Minnesota, Isaacs taught English courses throughout the 1980s and 1990s. She was a scholar of the Harlem Renaissance and published essays and articles pertaining to the contributions that African-American writers made to U.S. culture.
Isaacs married Professor Jay Leon Halio, another professor of English at the University of Delaware, on May 26, 2002 at the South Rim of the Grand Canyon in Arizona.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
Stereotypes (Social psychology) in advertising Search this
The Ellis B. Haizlip papers, which date from circa 1945 --1991 (bulk dates 1965-1990) and measure 63.64 linear feets, are the personal papers of Ellis B. Haizlip, a television, theatre, and event producer most noted for his work on Soul! and Watch your Mouth! The collection is comprised of correspondence, scripts, financial and business documents, printed material, objects, photographs, slides, and videotapes.
Scope and Contents n ote:
This collection, consisting of materials which date from 1945 --1991 (bulk dates 1965-1990), contains personal and business documents accrued by Ellis B. Haizlip over the course of his adult life. The papers do not include many documents relating to Haizlip's family or childhood. Included are instances of personal and business correspondence, paperwork and notes relating to the productions with which Haizlip was involved, and documentation of his political, community, and artistic activist work. Also included are photographs and slides both personal and event-related, and videotapes of various television and film projects, including Soul! and Watch Your Mouth!
Arrangement note:
The collection is divided into 7 series.
Series 1: Biographical, 1941-1990; undated
Series 2: Career, 1950-1990; undated
Series 3: Organizations, 1948-1990; undated
Series 4: Scripts, 1942-1988; undated
Series 5: Printed Materials, 1950-1990; undated
Series 6: Photographs, undated
Series 7: Videotapes, undated
Biographical/Historical note:
Born September 21, 1929 in Washington, D.C., Ellis Benjamin Haizlip was the son of Ellis M. and Sarah Corbett Haizlip. Haizlip began his production career during his days at Howard University, where he produced the Howard Players in addition to majoring in sociology and economics. He moved to New York after graduation and began his involvement in professional production, including both productions at the Harlem YMCA of plays such as Dark of the Moon and international tours of James Baldwin's The Amen Corner and the dance show Black New World.
Haizlip is best known for the television series Soul!, a program that aired on public television WNET during the late 1960s and early 1970s, then resurfaced in the early 1980s. Soul! was a variety show focused on African-American experience, featuring music, dance, poetry, and interviews by and with black performers. Haizlip produced and occasionally hosted the program. He also created the educational series Watch Your Mouth!, a sitcom-style program featuring a diverse cast of characters who all struggled with Standard English.
In addition to his career, Haizlip was involved with a plethora of organizations of all sorts, from political campaigns to arts organizations to a variety of African American groups such as Black Convention, Inc. and the Delta Sigma Theta sorority. Haizlip had a complex relationship with these organizations, serving as a board member on some, a hired event producer on others, and in some cases playing multiple roles within a single organization, such as the Alvin Ailey American Dance Theater.
Haizlip was openly gay, and was active in several LGBT rights groups during his life. His personal life was filled with a social circle of devoted and notable friends, among them Betty Shabazz, Novella Nelson, and Nikki Giovanni.
Haizlip died of lung cancer on January 25, 1991. He was 61 years old.
Related Materials:
This collection contains artifacts catalogued in theACM Ojects collection.
Provenance:
The Ellis B. Haizlip papers were donated to the Anacostia Museum and Center for African American History and Culture on November 12, 1995, by Doris (Haizlip) Sanders.
Restrictions:
The collection is open for research. Medical documents, financial materials and some correspondence in Career series are restricted. Use requires an appointment.
Rights:
The Ellis B. Haizlip papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
The collection is open for research. Medical documents, financial materials and some correspondence in Career series are restricted. Use requires an appointment.
Collection Rights:
The Ellis B. Haizlip papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Collection Citation:
Ellis B. Haizlip papers, Anacostia Communityh Museum Archives, Smithsonian Institution, gift of Doris Sanders.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation. Funding for the digitization was provided by the Roy Lichtenstein Foundation and the Alice L. Walton Foundation.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The struggle / L. Hughes (0:22) -- Field call / A.G.H. Dodson (1:15) -- Complaint call / E. Brown (0:40) -- Intro and Kneebone Bend / L. McKiver, D. Skipper (2:51) -- Brother Terrapin, slow train to Arkansas / R. Amerson (1:56) -- Jack and Mary and three dogs / J. Hunter (5:53) -- Buck dance / J. Tucker (1:19) -- I'm goin' up north / Children of East York School (1:22) -- Pharaoh's host got lost / L. McKiver (1:32) -- Bars fight / L. Terry (read by A. Bontemps) (1:23) -- Earl of Dartmouth / P. Wheatley (read by D.F. Washington) (0:49) -- I wonder where my brother gone / A.G.H. Dodson (1:17) -- Narrative / H. Tubman (read by D.F. Washington) (0:59) -- Speech at Akron Convention / S. Truth (read by R. Dee) (2:05) -- Singing slaves / F. Douglass (read by O. Davis) (1:03) -- Steal away to Jesus / K. West (1:50) -- What to the slave is the Fourth of July? / F. Douglass (read by O. Davis) (2:36) -- Why slavery is still rampant / S.P. Parker (read by R. Dee) (1:47) -- Free at last / D. Reed and V.H. Ward (1:33) -- When Malindy sings / P.L. Dunbar (read by M. Walker) (3:48) -- There's a great camp meeting / Fisk Jubilee Singers (2:01) -- Atlanta Exposition address / B.T. Washington (1:16) -- John Henry / B. McGhee and S. Terry (4:03) -- Banjo player / F. Johnson (read by A. Bontemps) (0:44) -- Boatman dance / E. Cotten (1:42) -- Shine / P. Randolph (1:03) -- Chopping in the new ground / Inmates of Ramsay or Retrieve State Farms, TX (1:37) -- Lynching, our national crime / I.B. Wells-Barnett (read by R. Dee) (3:43) -- A recorded autobiography / W.E.B. Du Bois (2:33) -- Listen Lord, a prayer / J.W. Johnson (read by M. Walker) (2:55) -- My heart is fixed / G. Davis (2:04) -- The Titanic / Lead Belly (4:04) -- Heritage / C. Cullen (2:58) -- Jungle drums / J.P. Johnson (2:32). No more auction block / P. Robeson (2:09) -- Negro speaks of rivers / L. Hughes (0:43) -- If we must die / C. McKay (0:57) -- Ma Rainey / S. Brown (2:06) -- Backwater blues / B.B. Broonzy (2:47) -- Married man blues / B. and D.D. Pierce (5:11) -- For my people / M. Walker (5:41) -- Children of the poor, sonnet 2 / G. Brooks (0:47) -- Body and soul / G. Nicholas (3:48) -- How He delivered me / J. Johnson & the Gospel Tones (2:39) -- Long distance call / M. Waters (6:58) -- Cry to me / S. Burke (2:13) -- Ain't gonna let nobody turn me around / SNCC Freedom Singers (2:31) -- Birmingham 1963 - Keep moving / M.L. King, Jr. (3:42) -- Black Panther Party platform / B. Seale (2:59) -- Interview (excerpt) / A. Davis (1:05) -- Together to the tune of Coltrane's "Equinox" / S.W. Fabio (1:40) -- Nikki-Rosa / N. Giovanni (1:12) -- Liberation/poem / S. Sanchez (0:34) -- Dope / A. Baraka (4:48) -- Village of Brooklyn, Illinois / H. Bluiett (3:30) -- For the poets / J. Cortez (3:56) -- Shotgun Joe / Golden Eagles (5:19) -- St. Louis woman / I. Reed (1:26) -- People everyday / Arrested Development (3:27).
Track Information:
101 The Struggle / Langston Hughes.
102 Field Call / Annie Grace Horn Dodson.
103 Complaint Call / Enoch Brown.
104 Intro and Knee Bend / Doretha Skipper, Lawrence McIver.
105 Brother Terrapin, Slow Train to Arkansas / Rich Amerson.
106 Jack and Mary and Three Dogs / Janie Hunter.
107 Buck Dance (excerpt) / Joech Tucker, Scott Dunbar.
108 I'm Goin' Up North / Children of East York School.
109 Pharaoh's Host Got Lost / Lawrence McIver.
110 Bar Fights / Arna Wendell Bontemps, Lucy Terry.
111 Earl of Dartmouth (excerpt) / Dorothy Washington, Phillis Wheatley.
112 I Wonder Where My Brother Gone / Annie Grace Horn Dodson.
114 Speech at Akron Convention / Ruby Dee, Sojourner Truth.
115 Singing Slaves / Frederick Douglass, Ossie Davis.
116 Steal Away to Jesus / Kinsey West.
117 What to the Slave is the Fourth of July? (excerpt) / Frederick Douglass, Ossie Davis.
118 Why Slvery is Still Rampant (excerpt) / Ruby Dee, Sarah Parker Remond.
119 Free At Last / Dock Reed, Vera Hall.
120 When Malindy Sings / Margaret Walker, Paul Laurence Dunbar.
121 There's A Great Camp Meeting / Jubilee Singers, John W. (John Wesley) Work, Mary Ferguson.
122 Atlanta Exposition Address / Booker T. Washington.
123 John Henry / Brownie McGhee, Sonny Terry.
124 Banjo Player / Arna Wendell Bontemps, Fenton Johnson.
125 Boatman Dance / Elizabeth Cotten.
126 Shine / Percy Randolph.
127 Chopping in the New Ground / Inmates of Ramsey or Retrieve.
128 Lynching, Our National Crime / Ruby Dee, Ida B. Wells-Barnett.
129 A Recorded Autobiography / Moses Asch, W.E.B. (William Edward Burghardt) DuBois.
130 Listen Lord, A Prayer / Margaret Walker, James Weldon Johnson.
131 My Heart is Fixed / Gary Davis.
132 The Titanic / Lead Belly.
133 Heritage / Countee Cullen.
134 Jungle Drums / James P. (James Price) Johnson.
201 No More Auction Block / Paul Robeson.
202 The Negro Speaks of Rivers / Langston Hughes.
203 If We Must Die / Claude McKay.
204 Ma Rainey / Sterling Brown.
205 Backwater Blues / Bill Broonzy.
206 Married Man Blues / Billie Pierce, De De Pierce.
207 For My People / Margaret Walker.
208 The Children of the Poor, Sonnet 2 / Gwendolyn Brooks.
209 Body and Soul / David Jackson, Big Nick Nicholas, John Miller.
210 How He Delivered Me / Gospel Tones (Vocal group), Juanita Johnson.
211 Long Distance Calls / Otis Spann, Muddy Waters.
212 Cry To Me / Realtones, Marc Ribot, Solomon Burke.
213 Ain't Gonna Let Nobody Turn Me Around / Freedom Singers.
214 Birmingham 1963 - Keep Moving / Martin Luther, Jr. King.
215 Black Panther Party Platform / Bobby Seale.
216 Interview (excerpt) / Angela Yvonne Davis.
217 Together to the Tune of Coltrane's "Equinox" (excerpt) / Ronald Fabio, Sarah Webster Fabio, Wayne Wallace.
218 Nikki-Rosa / Nikki Giovanni.
219 liberation/poem / Sonia Sanchez.
220 Dope / Imamu Amiri Baraka.
221 The Village of Brooklyn, Illinois 62059 (excerpt) / Hamiet Bluiett.
222 For the Poets / Jayne Cortez.
223 Shotgun Joe / Golden Eagles (Musical group), Joseph Boudreaux.
224 St. Louis Woman / Ishmael Reed.
225 People Everyday / Arrested Development (Musical group).
Local Numbers:
SF-COMM-CD-47003
Smithsonian Folkways.47003
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Smithsonian Folkways 2001
Date/Time and Place of an Event Note:
Recorded in: Birmingham (Ala.), Albany (Ga.), Washington (D.C.), Texas, New Orleans (La.), Louisiana, Chapel Hill (N.C.), North Carolina, Tennessee, Mississippi, South Carolina, Georgia, Alabama, New York, United States.
General:
Commercial
compiled, annotated and produced by Robert H. Cataliotti
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
