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Paul Jenkins papers

Creator:
Jenkins, Paul, 1923-2012  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Martha Jackson Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New York University  Search this
Baber, Alice  Search this
Bluhm, Norman, 1921-1999  Search this
De Kooning, Willem, 1904-1997  Search this
Dusanne, Zoe, -1977  Search this
Erma, Thomas, 1939-1964  Search this
Gilot, Francoise, 1921-  Search this
Guggenheim, Peggy, 1898-  Search this
Jenkins, Esther Ebenhoe  Search this
Krasner, Lee, 1908-1984  Search this
Prantl, Karl  Search this
Prince, Frank  Search this
Extent:
11.1 Linear feet
Type:
Collection descriptions
Archival materials
Travel diaries
Manuscripts
Sketches
Watercolors
Prints
Collages
Visitors' books
Photographs
Scrapbooks
Place:
China -- Description and Travel
Date:
circa 1915-2010
Summary:
The papers of abstract expressionist painter and playwright Paul Jenkins measure 11.1 linear feet and date from circa 1915 to 2010. Jenkins's career in New York and Paris is documented through biographical material, family papers, correspondence, writings, personal business records, printed material, photographs of Jenkins in his studio and at various events, and original artwork by Jenkins and others.
Scope and Contents:
The papers of abstract expressionist painter and playwright Paul Jenkins measure 11.1 linear feet and date from circa 1915 to 2010. Jenkins's career in New York and Paris is documented through biographical material, family papers, correspondence, writings, personal business records, printed material, photographs of Jenkins in his studio and at various events, and original artwork by Jenkins and others.

Biographical material and family papers consist of awards and certificates, calendars, marriage, divorce, and estate papers, and military service records. Also included are family papers and a scrapbook belonging to Jenkins's aunt, Louise Jenkins.

Correspondence, which makes up the bulk of the collection, is with family, friends, and fellow artists, including Alice Baber, Norman Bluhm, Willem de Kooning, and Lee Krasner Pollock, as well as art organizations, schools, museums, galleries, and gallery owners, such as the Art Students League of New York, New York University, Museum of Modern Art, Martha Jackson Gallery, Zoe Dusanne, and Peggy Guggenheim.

Writings includes scattered writings by Paul Jenkins, two of his travel diaries, and the guest book for an exhibition in Tokyo. Also found are a copy of Lili Krahmer Verame's China travel diary and the writings and research materials of others.

Personal business records consist of financial records, lease documents, price lists, travel documents, and papers regarding Jenkins's rental property. Also included are a file on the New York University medal designed by Jenkins and a file concerning a Karl Prantl statue.

Printed material consists of event programs, newsletters, bulletins, member reports, press releases, art exhibition announcements and catalogs, concert and theater announcements and programs, news and magazine clippings, and obituaries and memorial announcements.

Artwork contains miscellaneous sketches and collages by Paul Jenkins. Additional artworks include sketches, watercolors, and prints by other artists, as well as 8 oversize mixed media sketches by Frank Prince of Jenkins's Meditation Mandala Sundial sculptures.

Photographs of Paul Jenkins depict him in his studio, with family and friends, and at events. Photographs of family and friends include Esther Ebenhoe Jenkins, Alice Baber Jenkins, Norman Bluhm, Thomas Erma, Françoise Gilot, Matsumi "Mike," Carole, and Bunshi Paul Kanemitsu, and Frank Prince.
Arrangement:
The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Material, circa 1915-1997 (Box 1; 9 folders)

Series 2: Correspondence, circa 1930-2010 (Box 1-9, 13; 9 linear feet)

Series 3: Writings, circa 1950-2003 (Box 9-10; 0.5 linear feet)

Series 4: Personal Business Records, circa 1944-1990 (Box 10; 0.3 linear feet)

Series 5: Printed Material, circa 1952-2010 (Box 10-11; 0.6 linear feet)

Aeries 6: Artwork, circa 1935-2007 (Box 11-12, OV 14; 0.2 linear feet)

Series 7: Photography, circa 1940-1998 (Box 12; 0.4 linear feet)
Biographical / Historical:
Paul Jenkins (1923-2012) was an abstract expressionist painter and playwright in New York, New York, and Paris, France. Jenkins was born in Kansas City, Missouri in 1923, and moved to Youngstown, Ohio as a teenager. After serving in the U.S. Maritime Service and the U.S. Naval Air Corps, Jenkins studied playwriting with George McCalmon at the Carnegie Institute of Technology (now Carnegie Mellon University). In 1948, he moved to New York City, where he studied with Yasuo Kuniyoshi at the Art Students League of New York.

Over the course of his career, Jenkins experimented with multiple techniques, including oil on primed canvas, flowing paints, acrylics, watercolor, and mixed media collages. After traveling extensively and meeting many artists, Jenkins ultimately became associated with the Abstract Expressionists. His work gained the attention of other members of the art world and he held solo exhibitions at venues such as the Zoe Dusanne Gallery in Seattle and the Martha Jackson Gallery in New York. Jenkins' paintings were purchased by both museums and private collectors, including the Museum of Modern Art, the Whitney Museum of American Art, and Peggy Guggenheim.

In addition to his painting, Jenkins continued to explore other creative endeavors. He experimented with sculpture, producing works for events and permanent displays, including the Sculptors' Symposium at the Cooper-Hewitt Museum and the Sculpture Garden of the Hofstra Museum. His plays, such as Strike the Puma, were published and performed off Broadway in New York City. Jenkins's art served as the backdrop for multiple stage productions, and in 1978, his paintings were featured in the Academy Award nominated movie An Unmarried Woman. Jenkins also collaborated on a number of book projects, including Anatomy of a Cloud, a collection of autobiographical collages and texts.

Throughout his adult life, Jenkins split most of his time between New York and Paris. He continued to create and exhibit new works until his death in New York in 2012.
Related Materials:
Also found at the Archives of American Art are an interview of Paul Jenkins, August 1969, conducted by Albert Elsen, and an oral history interview, 1968, conducted by Colette Roberts.
Provenance:
The papers were donated 2007-2009 and in 2012 by Paul and Suzanne Jenkins.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. One letter from Paul Jenkins to Norman Bluhm, circa 1966, is ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Rights:
Entire (except oversize watercolors): Authorization to quote or reproduce for the purposes of publication requires written permission from Suzanne or Paul Jenkins, c/o Imago Terrae. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Dramatists -- France -- Paris  Search this
Dramatists -- New York (State) -- New York  Search this
Topic:
Abstract expressionism  Search this
Artists' studios -- Photographs  Search this
Medals -- Design  Search this
Painters -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Travel diaries
Manuscripts
Sketches
Watercolors
Prints
Collages
Visitors' books
Photographs
Scrapbooks
Citation:
Paul Jenkins papers, circa 1915-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jenkpaul2
See more items in:
Paul Jenkins papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97a17d1c1-3b35-4e96-b562-6daf3559775e
EDAN-URL:
ead_collection:sova-aaa-jenkpaul2

John D. Graham papers

Creator:
Graham, John, 1887-1961  Search this
Names:
Burliuk, David, 1882-1967  Search this
Davis, Stuart, 1892-1964  Search this
Gilot, Francoise, 1921-  Search this
Gorchov, Ron  Search this
Gorky, Arshile, 1904-1948 -- Photographs  Search this
Kitaj, R. B.  Search this
Mayer, Jack  Search this
Picasso, Pablo, 1881-1973 -- Photographs  Search this
Tobey, Mark  Search this
Ultra Violet  Search this
Extent:
11.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Photographs
Date:
1799-1988
bulk 1890-1961
Summary:
The papers of painter, collector, and writer John Graham measure 11.2 linear feet and date from 1799 to 1988, with the bulk of materials dating from 1890 to 1961. Papers document the life of John Graham, born Ivan Dombrowsky, through personal documents related to military service and family history, passports, artifacts, correspondence, appointment books, financial records, inventories, wills, extensive writings and notes, books, clippings, exhibition catalogs, photographs of Graham and his family and friends, and artwork created and collected by Graham.
Scope and Contents note:
The papers of painter, collector, and writer John Graham measure 11.2 linear feet and date from 1799 to 1988, with the bulk of materials dating from 1890 to 1961. Papers document the life of John Graham, born Ivan Dombrowsky, through personal documents related to military service and family history, passports, artifacts, correspondence, appointment books, financial records, inventories, wills, extensive writings and notes, books, clippings, exhibition catalogs, photographs of Graham and his family and friends, and artwork created and collected by Graham.

Biographical Materials and Artifacts include passports and other official documents, as well as records related to Graham's family, military service, and medical history. Among the artifacts are paint pots and a palette. Correspondence is with art and antique dealers and collectors, and includes significant correspondence and related documents of Jack Mayer, Graham's agent from the late 1950s. Several artists and famous friends are represented in Graham's correspondence including David Burliuk, Stuart Davis, Ultra Violet, Francoise Gilot, R.B. Kitaj, Marc Tobey, and Ron Gorchov.

Personal Business Records contain appointment books spanning 1931 to 1961 which record appointments but were also used as notebooks and sketchbooks. Other Business Records include inventories of Graham's books and antiques made by Graham, records of antique-related transactions, wills of Graham and his last wife, Marianne Strate, and extensive personal financial records from the last few years of his life.

Graham's writings are found scattered throughout the collection, as is his artwork. The Writings series is dominated by Graham's lengthy book projects, found in multiple drafts. The author's annotated published works are also found, as well as typescripts of several published essays by and about Graham. Lists, notes, and writings on a wide range of subjects are found on loose pages and in notebooks dated from 1931 to 1961. Among the Printed Materials are many annotated books from Graham's library, some of which contain drawings, and clippings and exhibition catalogs related to Graham's career going back to the 1920s. Reference files of printed ephemera and clippings collected by Graham are found on a variety of subjects, some of which contain pictorial subjects used in Graham's paintings.

Photographs depict Graham from childhood through his last years in cabinet card portraits, passport photographs, and snapshots. Photographs are also found of his parents, his five wives and four children, and a number of famous friends including Pablo Picasso, Françoise Gilot, their children, and Arshile Gorky. Artwork includes Graham's sketchbooks of 1934, 1960, and 1961, loose sketches, and a collection of file folders with many symbols and illustrations. Also found among the artwork are antique and contemporary prints and drawings collected by Graham.
Arrangement note:
The collection is arranged into 7 series:

Missing Title

Series 1: Biographical Materials and Artifacts, 1799, 1822, 1891-1961 (Boxes 1, 11-12, 17; 0.9 linear feet)

Series 2: Correspondence, circa 1932-1988 (Box 1; 0.6 linear feet)

Series 3: Personal Business Records, circa 1931-1962 (Boxes 1-3; 1.4 linear feet)

Series 4: Writings, 1839, circa 1923-1986 (Boxes 3-5, OV 13; 2.9 linear feet)

Series 5: Printed Materials, circa 1885-1961 (Boxes 6-9, OV 14; 3.7 linear feet)

Series 6: Photographs, circa 1860-1985 (Box 9-10, 17, OV 15; 0.9 linear feet)

Series 7: Artwork, circa 1852-1961 (Box 10, OV 16; 1 linear foot)
Biographical/Historical note:
The Russian émigré painter and writer John Graham, born Ivan Dombrowsky, was born in Kiev in 1886, 1887, or 1888. All three conflicting dates are found on various legal papers, licences, and passports. His parents were of minor nobility but with little means. He attended law school and served in the Circassian Regiment of the Russian army, earned the Saint George's Cross during World War I, and was imprisoned as a counterrevolutionary by the Bolsheviks after the assassination of Czar Nicholas II and his family in 1918. He fled for a time to his mother's native Poland, and finally in 1920, he emigrated with his second wife Vera and their son Nicholas to the United States. He began calling himself John in the US, and had his name officially changed to John Graham upon becoming a United States citizen in 1927. The name Graham may have been a transliteration of his father's name, Gratian. Graham is often described as a quixotic figure who cultivated a larger-than-life persona in the artistic circles of New York in the first half of the twentieth century through his authoritative philosophical and aesthetic arguments on the one hand, and his often fabulous tales of his early life on the other, including a story he wrote of his origins in which he was dropped as an infant onto a rock in the Caspian Sea by an enormous eagle.

In New York, Graham studied at the Art Students League, taking classes with John Sloan, William von Schlegell, and Allen Tucker. Among his fellow students were Dorothy Dehner and David Smith, Adolph Gottlieb, Alexander Calder, and Elinor Gibson, who married Graham in 1924. The couple lived briefly in Elinor's native Baltimore, Maryland, where he met Etta and Claribel Cone, collectors of modern European paintings. It may have been the Cone sisters who introduced Graham to their circle of avant-garde artists and art collectors in Paris in the late 1920s. Whatever its origin, Graham's early style has been compared to Cezanne, Braque, Derain, and Chirico, and his frequent trips to Europe made him a conduit for current art ideas and trends for the American artists who knew him.

Graham exhibited his paintings steadily in the late 1920s and early 1930s, including shows at the Society of Independent Arists (New York) in 1925, the Modernist Galleries (Baltimore) in 1926, Galerie Zaborowski (Paris) in 1928 and 1929, at Dudensing Galleries (New York) and Phillips Memorial Gallery (Washington) in 1929, the First Biennial at the Whitney Museum in 1932, and at 8th Street Gallery (New York) in 1933. During this period Graham and his wife Elinor lived in Paris, New York City, New Jersey, and upstate New York. He spent a year teaching at Wells College in Aurora, New York, where he also executed a series of wall panels in 1932. Graham's friendships with other artists during this period included Arshile Gorky, Stuart Davis, and Willem de Kooning. De Kooning is said to have called Davis, Gorky, and Graham the "three smartest guys on the scene."

Graham's European travels also enabled him to earn a living by buying primitive sculpture and antiques for collectors and dealers. In the 1930s he bought African Art for Vanity Fair editor and art collector Frank Crowninshield, and in 1936, Graham arranged an exhibition of Crowninshield's collection at Jacques Seligmann gallery. Graham and Elinor Gibson divorced in 1934 and he married Constance Wellman in Paris in 1936. They lived in Brooklyn Heights near Adolph Gottlieb, David Smith, and Dorothy Dehner, and worked for Hilla Rebay in her formation of the Museum of Non-Objective Painting, which became the Guggenheim Museum. Suffering financial hardship in the late years of the Depression, Constance and Graham lived in Mexico for several stretches of time, and Graham published several articles on Mexico and Mexican Art, and an essay entitled "Primitive Art and Picasso" in Magazine of Art.

Graham was a prolific writer, but only a few of his written works found their way into print. Aside from his essays, published works include a small book of poetry, Have It!, published in 1923, and a book which presented Graham's personal theories of art entitled System and Dialectics of Art, published in 1937 by Delphic Studios, an eclectic New York gallery and small press run by Alma Reed. The book was influential for a younger generation of American artists; Jackson Pollock and Lee Krasner in particular both expressed appreciation for Graham's ideas. For decades, Graham worked on several other major written works which were not published, including a highly stylized, symbolist work about his childhood and an encyclopedic collection of short, didactic essays on a wide range Grahamiam themes, a work which Graham usually referred to as Orifizio Mundi.

In 1942, Graham organized the exhibition "French and American Painters" at McMillen Gallery (New York) which showed Modigliani, Picasso, Braque, Rouault, and Matisse, alongside the Americans Jackson Pollock, Willem de Kooning, Lee Krasner, Stuart Davis, David Burliuk, and Walt Kuhn, among others. The show was well-received critically and, as it was Jackson Pollock's first public exhibition and Willem de Kooning's second, and the occasion of Pollock and Lee Krasner's meeting, could be considered a watershed event in contemporary American art.

Graham's own style made a pronounced shift away from abstraction in the 1940s. He began referencing renaissance art in his paintings, incorporating occult symbols, and signing them "Ioannus Magus," or "Ioannus San Germanus." His marriage to Constance ended acrimoniously around this time. He met Marianne Strate, a bookbinder, through her daughter Ileana Sonnabend and son-in-law Leo Castelli. They lived in Southampton, New York, where Graham was close to the Castellis, Paul Brach, Miriam Schapiro, and where he renewed his friendship with Willem de Kooning, who had a studio in Castelli's East Hampton home in the early 1950s. Marianne died in 1955.

Graham exhibited at the Stable Gallery in 1954, and at the newly-opened, uptown Whitney Museum of American Art in 1955. Jack Mayer became Graham's dealer in the late 1950s, held exhibitions at his Madison Avenue gallery, Gallery Mayer, in 1960, and arranged for an exhibition at the Tennessee Fine Arts Center in 1961, shortly before Graham's death. Graham left the United States for the last time in 1959, lived in Paris for two years, and died in June 1961 in a hospital in London. Gallery Mayer held a memorial exhibition at the end of 1961. Retrospective exhibitions of Graham's work have been held at the Art Institute of Chicago (1963), the Museum of Modern Art (1968), the Museum of Fine Arts, Houston (1969), and the Phillips Collection (1987).
Separated Materials note:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 5049) including six volumes of notebooks and several loose sketches. Loaned materials were returned to MoMA and are not described in the collection container inventory.
Provenance:
The papers of John Graham were given to the Archives of American Art in five separate accessions between 1985 and 1988. The bulk of papers were donated by Graham's son, John David Graham, in 1985, with later additions from Patricia Graham, the widow of John David Graham, in 1986, 1987, and 1988, via the Andre Emmerich Gallery, Inc. The Department of Prints and Drawings of the Museum of Modern Art donated more papers and loaned additional materials for microfilming in 1986.
Restrictions:
The collection has been digitized and is available online via the Archives of American Art website.
Rights:
Reel 5049: Museum of Modern Art, NY: John Graham Notebooks: Authorization to publish, quote or reproduce requires written permission from the Museum of Modern Art. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Artists as authors -- New York (State) -- New York  Search this
World War, 1914-1918  Search this
Authors -- New York (State) -- New York  Search this
Works of art  Search this
Antiques  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Sketchbooks
Photographs
Citation:
John Graham Papers, 1799-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.grahjohn
See more items in:
John D. Graham papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw945d28f67-7253-4b77-ad5a-148643181754
EDAN-URL:
ead_collection:sova-aaa-grahjohn
Online Media:

Life with Picasso / Françoise Gilot & Carlton Lake

Author:
Gilot, Françoise 1921-  Search this
Lake, Carlton  Search this
Subject:
Picasso, Pablo 1881-1973  Search this
Physical description:
348 p., plates : ill., ports. ; 23 cm
Type:
Books
Date:
1965
Call number:
ND553.P5 G55 1965
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_714258

Françoise Gilot : Anamorphoses, 1981-1985

Title:
Anamorphoses
Author:
Gilot, Françoise 1921-  Search this
Galerie des femmes  Search this
Subject:
Gilot, Françoise 1921- Exhibitions  Search this
Physical description:
1 portfolio : col. ill., port. ; 22 cm
Type:
Books
Date:
1986
Call number:
ND553.G565 A4 1986
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_636431

Françoise Gilot : monograph, 1940-2000 / foreword by Dina Vierny ; texts by the artist ; biography & analysis of works by Mel Yoakum

Author:
Gilot, Françoise 1921-  Search this
Yoakum, Mel  Search this
Subject:
Gilot, Françoise 1921-  Search this
Physical description:
444 p. : chiefly ill. (some col.) ; 32 cm
Type:
Books
Catalogues raisonnés
Date:
2000
C2000
Call number:
N40.1.G4815 Y6 2000
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_679577

Stone echoes : original prints by Françoise Gilot : a catalogue raisonné / Mel Yoakum ; preface by Lisa Tremper Barnes ; foreword by Jacques Mourlot

Author:
Yoakum, Mel  Search this
Subject:
Gilot, Françoise 1921-  Search this
Gilot, Françoise 1921- Catalogs  Search this
Physical description:
91 p. : ill. (some col.) ; 29 cm
Type:
Books
Catalogues raisonnés
Date:
1995
C1995
Call number:
N40.1.G4815y Y6 1995
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_568267

Matisse and Picasso : a friendship in art / Françoise Gilot

Author:
Gilot, Françoise 1921-  Search this
Subject:
Matisse, Henri 1869-1954 Friends and associates  Search this
Picasso, Pablo 1881-1973 Friends and associates  Search this
Physical description:
xii, 339 p., [8] p. of plates : ill. (some col.) ; 26 cm
Type:
Books
Date:
1990
C1990
Call number:
N40.1.M43 G48 1990
N40.1.M43G48 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_410571

Françoise Gilot, an artist's journey = Françoise Gilot, une voyage pictural / introduction and interview by Barbara Haskell ;foreword by Danièle Giraudy

Author:
Gilot, Françoise 1921-  Search this
Haskell, Barbara  Search this
Subject:
Gilot, Françoise 1921- Catalogs  Search this
Physical description:
159 p. : ill. (some col.) ; 31 cm
Type:
Catalogs
Date:
1987
C1987
20th century
Topic:
Painting, French  Search this
Call number:
N40.1.G4815 H3
N40.1.G4815H3
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_353464

Life with Picasso [by] Françoise Gilot and Carlton Lake

Author:
Gilot, Françoise 1921-  Search this
Lake, Carlton  Search this
Subject:
Gilot, Françoise 1921-  Search this
Picasso, Pablo 1881-1973  Search this
Physical description:
373 p. illus., plates (incl. ports.) 23 cm
Type:
Biography
Place:
France
Date:
1964
C1964
Topic:
Painters  Search this
Call number:
N40.1.P58 G4
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_53309

Sylvette, Sylvette, Sylvette : Picasso und das Modell / [herausgeber: Christoph Grunenberg und Astrid Becker ; redaktion: Astrid Becker]

Title:
Picasso und das Modell
Author:
Picasso, Pablo 1881-1973  Search this
Grunenberg, Christoph  Search this
Becker, Astrid 1971-  Search this
Publisher:
Kunsthalle Bremen  Search this
Subject:
Picasso, Pablo 1881-1973  Search this
Picasso, Pablo 1881-1973 Relations with women  Search this
Corbett, Lydia 1934-  Search this
Picasso, Jacqueline  Search this
Gilot, Françoise 1921-  Search this
Physical description:
297 pages : illustrations (some color), portraits ; 29 cm
Type:
Exhibitions
Portraits
Exhibition catalogs
Place:
France
Date:
2014
Topic:
Artists' models  Search this
Women in art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1050771

Francoise Gilot : painting = malerei / edited by / herausgegeben von Ingrid Mössinger, Beate L. Ritter ; with texts by / mit beitragen von Françoise Gilot [and others]

Author:
Gilot, Françoise 1921-  Search this
Mössinger, Ingrid  Search this
Ritter, Beate  Search this
Kunstmuseum der Stadt Chemnitz  Search this
Subject:
Gilot, Françoise 1921-  Search this
Physical description:
127 pages : illustrations ; 31 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
2003
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1051349

Françoise Gilot : the early years, 1940-55

Author:
Gilot, Françoise 1921-  Search this
Vierny, Dina  Search this
Elkon Gallery  Search this
Subject:
Gilot, Françoise 1921-  Search this
Gilot, Françoise 1921-  Search this
Physical description:
1 volume (unpaged) : illustrations (some color), portraits, plates ; 28 cm
Type:
Exhibitions
Biography
Exhibition catalogs
Date:
1998
©1998
Topic:
Painting, French  Search this
Call number:
ND553.G565 A4 1998
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1052774

Françoise Gilot zum 90. Geburtstag : Zeichnungen 1941-2010 = Françoise Gilot on her 90th birthday : drawings 1941-2010

Title:
Françoise Gilot on her 90th birthday : drawings 1941-2010
Author:
Gilot, Françoise 1921-  Search this
Mössinger, Ingrid  Search this
Bonnet, Anne-Marie 1954-  Search this
Iden, Peter  Search this
Städtische Kunstsammlungen Chemnitz  Search this
Subject:
Gilot, Françoise 1921-  Search this
Physical description:
96 pages : color illustrations, portraits, plates ; 31 cm
Type:
Exhibitions
Exhibition catalogs
Date:
2011
©2011
20th century
21st century
Topic:
Drawing, French  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1054227

Modern dance as muse : the art of Franc̨oise Gilot / organized by the University Art Museum, California State University, Long Beach and also presented at the Museum of Contemporary Art, San Diego

Author:
Gilot, Françoise 1921-  Search this
Du Pont, Diana C. 1953-  Search this
California State University, Long Beach University Art Museum  Search this
Museum of Contemporary Art, San Diego  Search this
Subject:
Gilot, Françoise 1921-  Search this
Physical description:
1 folded sheet ([4] p.) : ill. ; 28 cm
Type:
Exhibitions
Date:
1992
C1992
Topic:
Dance in art  Search this
Call number:
ND553.G565 A4 1992
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_916031

Françoise Gilot : portraits from a life : October 12-December 15, 2006 / [general editor, Dorothea McKenna Elkon]

Title:
Portraits from a life
Author:
Gilot, Françoise 1921-  Search this
McKenna Elkon, Dorothea  Search this
Elkon Gallery  Search this
Subject:
Gilot, Françoise 1921-  Search this
Physical description:
1 v. (unpaged) : ill. (some col.), ports. ; 28 cm
Type:
Books
Exhibitions
Date:
2006
Call number:
NC248.G53 A4 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_916033

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