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Sam Gilliam papers

Creator:
Gilliam, Sam, 1933-  Search this
Names:
Carl Solway Gallery  Search this
Philadelphia Museum of Art  Search this
Studio Museum in Harlem  Search this
Andrews, Benny, 1930-2006  Search this
Driskell, David C.  Search this
Gilliam, Dorothy Butler, 1936-  Search this
Krebs, Rockne, 1938-2011  Search this
Mondale, Walter F., 1928-  Search this
Extent:
7.9 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Prints
Scrapbooks
Sketches
Sound recordings
Transcripts
Date:
1957-1989
Summary:
The papers of contemporary Color Field painter and educator Sam Gilliam measure 7.9 linear feet and date from 1957 to 1989. The papers include biographical material, correspondence, writings, business records, printed material, subject files, a scrapbook, artwork, and photographic material that document Gilliam's life from his time as a student through his teaching, professorial, and artistic career. The collection highlights Gilliam's close involvement with the art institutions, racial politics, and artistic innovation taking place in 1960s through 1980s America, specifically in Washington D.C.
Scope and Contents:
The papers of contemporary Color Field painter and educator Sam Gilliam measure 7.9 linear feet and date from 1957 to 1989. The papers include biographical material, correspondence, writings, business records, printed material, subject files, a scrapbook, artwork, and photographic material that document Gilliam's life beginning as a student, through to his teaching, professorial, and artistic career based in Washington D.C. The collection highlights Gilliam's close involvement with the art institutions, racial politics, and artistic innovation taking place in 1960s through 1980s America, specifically in Washington D.C., and showcases the planning and creation of the large scale three-dimensional paintings Gilliam is best known for as a member of the Washington Color School of painting.

Biographical material includes resumes, passports, exhibition lists, artists' statements and essays, interview transcripts and recordings. Also included are audio recordings of conversations between Sam Gilliam and artist Benny Andrews, between Gilliam and artist Rockne Krebs, as well as recordings of a 1968 interview conducted by Dorothy Gilliam.

Correspondence spans over 20 years and includes letters to and from museums and galleries such as the Philadelphia Museum of Art, the Studio Museum in Harlem, Carl Solway Gallery, collectors, artists including David Driskell, friends, family, students, and fans.

Writings include notes, statements, and essays by and about Gilliam, writings by university students of Gilliam, and writings related to Gilliam's artwork and public commissions including measurements for artworks, material research, and information regarding prints created for the private home of Walter Mondale.

Business records primarily include the daily records of activities kept by Sam and Dorothy Gilliam's secretary, Debby, from 1973 to 1978. Also present are resumes for a studio assistant for Gilliam, certificates of originality, legal documents, receipts and invoices, a record of donated paintings, financial records, ledgers, contracts, records and paperwork for the Gilliam's company Enterprise 101, and miscellany.

Printed materials include photocopies, exhibition announcements, magazines, and clippings regarding exhibitions, specific artworks, and commissions, and Gilliam and/or his then-wife, Dorothy Gilliam.

The subject file series contains letters, photographic material, business records, sketches, and printed materials concerning specific galleries, public art commissions, arts organizations, workshops, teaching positions, Gilliam's studio, art suppliers, and other topics.

A disbound scrapbook contains photographs, notes, and printed material related to Gilliam and his studio practice.

The artwork series includes sketches, personal notes, and small preparatory drawings by Gilliam.

Photographic material includes negatives, slides, and transparencies of artworks, Gilliam in his studio, and Gilliam and staff preparing museum and gallery exhibition spaces. Also included are records of student artwork, and photos and slides of artwork sent to Gilliam by students and aspiring artists.
Arrangement:
This collection is arranged as 9 series.

Series 1: Biographical Material, 1958-1988, (Box 1; 0.8 linear feet)

Series 2: Correspondence, 1965-1989, (Boxes 1-2; 0.6 linear feet)

Series 3: Writings, 1962-1988, (Box 2; 0.4 linear feet)

Series 4: Business Records, 1957-1986, (Boxes 2-3; 1.0 linear foot)

Series 5: Printed Material, 1962-1987, (Boxes 3-4; 1.0 linear foot)

Series 6: Subject Files, 1963-1988, (Boxes 4-7; 2.2 linear feet)

Series 7: Scrapbook, 1958-1968, (Box 7; 0.2 linear feet)

Series 8: Artwork, 1970-1980, undated, (Boxes 7-9; 0.4 linear feet)

Series 9: Photographic Material, 1960-1985, (Boxes 8-9; 0.3 linear feet)
Biographical / Historical:
Sam Gilliam (1933- ) is an African-American artist based in Washington, D.C. He was born in Tupelo, Mississippi and raised in Louisville, Kentucky where he began painting as a child, eventually attending the University of Louisville where he received his B.A. in Fine Art and M.A. in Painting. He went on to teach art to high school students in the Washington D.C. public school system, and university-level students at the Corcoran School of Art, the Maryland Institute College of Art (MICA), the University of Maryland, and Carnegie Mellon University. His numerous grants and awards include the 1971 Solomon Guggenheim Memorial Foundation Fellowship and multiple Honorary Doctoral degrees.

As an artist, Gilliam is best known for his three-dimensional draped and suspended paintings, covered with large fields of poured paint, pigment, and colorful staining influenced by the movement and colors of Abstract Expressionist painters. Gilliam went on to become a part of the Washington Color School of painters, where his creation of free-form works flourished. He created many public works that incorporated new materials such as custom designed metal forms, quilted canvas, and textiles; his works often included subtle social commentaries through their titling. His suspended paintings cemented Gilliam as an innovative and influential presence in 20th century American art.
Provenance:
The Sam Gilliam papers were donated to the Archives of American Art by Sam Gilliam in 1989.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Washington (D.C.)  Search this
Painters -- Washington (D.C.)  Search this
Topic:
Art -- Study and teaching  Search this
Color-field painting  Search this
Painting, Modern -- 20th century -- Washington (D.C.)  Search this
Washington Color School (Group of artists)  Search this
African American artists  Search this
Genre/Form:
Interviews
Photographs
Prints
Scrapbooks
Sketches
Sound recordings
Transcripts
Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gillsam
See more items in:
Sam Gilliam papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gillsam

Oral history interview with Sam Gilliam

Interviewee:
Gilliam, Sam, 1933-  Search this
Interviewer:
Forgey, Benjamin, art critic  Search this
Names:
Corcoran Gallery of Art  Search this
District of Columbia Arts Center, Inc.  Search this
Jefferson Place Gallery  Search this
Washington Coalition of Artists  Search this
Washington Gallery of Modern Art (Washington, D.C.)  Search this
Washington Project for the Arts (D.C.)  Search this
Downing, Thomas, 1928-1985  Search this
Hopps, Walter  Search this
Krebs, Rockne, 1938-2011  Search this
Extent:
4 Items (Sound recording, sound cassettes)
54 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1989 Nov. 4-11
Scope and Contents:
An interview of Sam Gilliam conducted 1989 Nov. 4-11, by Ben Forgey for the Archives of American Art. Gilliam speaks of his decision to come to Washington, D.C., from Louisville, Ky.; his shift from figurative painting to abstract painting; meeting Washington painters Robert Gates and Tom Downing; the "stature" of Tom Downing in the Washington art scene in the 1960s and Walter Hopps' role; influential exhibitions at the Jefferson Place Gallery and the Washington Gallery of Modern Art; being a Washington artist and a black artist; artist/teachers at American University; the Johnson Avenue Workshop grant; his relationship with Rockne Krebs; the history of the Washington Coalition of Artists; the Corcoran Gallery and the Washington Project for the Arts' relationship to Washington artists; his involvement with the District of Columbia Art Center; teaching; and his working methods. Gilliam also discusses various paintings, processes, materials, ideas and experiments at length. He recalls Gene Davis, Howard Mehring, Ken Noland, Morris Louis, Nesta Dorrance, Alma Thomas, Lou Stovall, Al Nodal, Jock Reynolds, Michael Botwinick, Willem de Looper, Paul Reed, and others.
Biographical / Historical:
Sam Gilliam (1933- ) was a painter of Washington, D.C.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Washington (D.C.)  Search this
Topic:
Art -- Washington (D.C.)  Search this
Art -- Technique  Search this
Painting, Modern -- 20th century -- Washington (D.C.)  Search this
African American artists  Search this
African American painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gillia89
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gillia89

Through their eyes: the art of Lou and Di Stovall exhibition records

Creator:
Anacostia Community Museum  Search this
Smithsonian Institution. Anacostia Community Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Anacostia Neighborhood Museum  Search this
Fralin, Frances  Search this
Gilliam, Sam, 1933-  Search this
Livingston, Jane  Search this
Stovall, Di Bagley  Search this
Stovall, Di Bagley  Search this
Stovall, Lou  Search this
Stovall, Lou  Search this
Extent:
1.42 Linear feet (2 boxes)
Culture:
African American  Search this
Type:
Collection descriptions
Archival materials
Sound recordings
Scripts (documents)
Brochures
Correspondence
Contact sheets
Video recordings
Exhibition records
Photographic prints
Exhibit scripts
Place:
Washington (D.C.)
Washington (D.C.)
Date:
1983-09-18 - 1983-12-18
Summary:
An exhibition featuring the works of artists Lou and Di Stovall organized by the Anacostia Neighborhood Museum and held there from September 18 --December 18, 1983. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.
Related Archival Materials note:
Audiovisual materials created for the exhibition by Anacostia Community Museum.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Occupation:
Artists  Search this
Artists  Search this
Topic:
Printmakers  Search this
Printmakers  Search this
Museum exhibits  Search this
Museum exhibits  Search this
Art -- Exhibitions  Search this
Genre/Form:
Sound recordings
Scripts (documents)
Brochures
Correspondence
Contact sheets
Video recordings
Exhibition records -- 1967-1989
Photographic prints
Exhibit scripts
Citation:
Through their eyes: the art of Lou and Di Stovall exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-001
See more items in:
Through their eyes: the art of Lou and Di Stovall exhibition records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-03-001

Oral history interview with V. V. Rankine

Interviewee:
Rankine, V. V., 1920-2004  Search this
Interviewer:
Kirwin, Liza  Search this
Names:
Betty Parsons Gallery  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
David Herbert Gallery  Search this
Institute of Contemporary Arts (Washington, D.C.)  Search this
Jefferson Place Gallery  Search this
Albers, Josef  Search this
Bader, Franz, 1903-1994  Search this
Brooks, James, 1906-1992  Search this
Callahan, Harry M.  Search this
Cunningham, Merce  Search this
Davis, Gene, 1920-1985  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
Denney, Alice  Search this
Dorrance, Nesta  Search this
Downing, Thomas, 1928-1985  Search this
Duncan, Augustin  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gabo, Naum, 1890-1977  Search this
Gilliam, Sam, 1933-  Search this
Gorky, Agnes  Search this
Gorky, Arshile, 1904-1948  Search this
Graham, John, 1887-1961  Search this
Guston, Philip, 1913-1980  Search this
Halle, Kay  Search this
Hare, David, 1917-1992  Search this
Helburn, Theresa, 1887-1959  Search this
Johnson, Ray, 1927-1995  Search this
Kennedy, Kit  Search this
Kiesler, Frederick  Search this
Kinney, Gilbert H.  Search this
Krasner, Lee, 1908-1984  Search this
Lassaw, Ibram, 1913-2003  Search this
Leopold, Richard  Search this
Louis, Morris, 1912-1962  Search this
Magruder, Esther  Search this
Merrill, Kevin  Search this
Nelson, Wretha  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Bonnie  Search this
Noland, Kenneth, 1924-2010  Search this
Ozenfant, Amédée, 1886-1966  Search this
Pace, Stephen, 1918-2010  Search this
Parsons, Betty  Search this
Penn, Arthur, 1922-  Search this
Phillips, Duncan, 1886-1966  Search this
Pollock, Jackson, 1912-1956  Search this
Rauschenberg, Robert, 1925-2008  Search this
Renault, Jean  Search this
Richman, Robert  Search this
Russo, Alexander  Search this
Sheridan, Walt  Search this
Sherman, Saul  Search this
Snelson, Kenneth, 1927-2016  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Sweeney, James Johnson, 1900-  Search this
Thomas, Dylan, 1914-1953  Search this
Truitt, Anne, 1921-2004  Search this
Warhol, Andy, 1928-1987  Search this
Yektai, Manoucher, 1922-  Search this
Youngerman, Jack, 1926-2020  Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1990 Mar. 2-22
Scope and Contents:
An interview of V. V. Rankine conducted 1990 Mar. 2-22, by Liza Kirwin, for the Archives of American Art.
Rankine discusses the evolution of her nickname, V.V.; discovering her dyslexia; growing up in Boston; auditioning for a part in, "The Philadelphia Story"; her art studies with Amedee Ozenfant from 1944 to 1946; her studies at Black Mountain College with Josef Albers and Willem De Kooning in 1947; her friendship with Morris Louis and watching him work; living with her brother-in-law Arshile Gorky, in New York City; her first one-woman show at the David Herbert Gallery in New York in 1962; exhibiting at the Betty Parsons Gallery in New York and at the Jefferson Place Gallery in Washington, D.C.; Robert Richman and the Institute of Contemporary Arts; the relationship between her painting and her sculpture; favorite shapes and materials; and her summer home in East Hampton and artist friends there. Rankine also recalls Robert Rauschenberg, Jack Youngerman, Manoucher Yektai, Betty Parsons, Ibram Lassaw, Buckminster Fuller, Elaine De Kooning, Arthur Penn, Richard Leopold, John Cage, Merce Cunningham, Ken Noland, Morris Louis, Ray Johnson, Kenneth Snelson, David Hare, Frederick Kiesler, Raphael Soyer, Moses Soyer, Jean Renault, Agnes Gorky, Esther Magruder, James Johnson Sweeney, Jim Brooks, John Graham, Phillip Guston, Duncan Phillips, Theresa Helburn, Augustine Duncan, Tom Downing, Gene Davis, Alice Denney, Nesta Dorrance, Kevin Merrill, Sam Gilliam, Dylan Thomas, Kay Halle, Kit Kennedy, Naum Gabo, President Lyndon B. Johnson, Anne Truitt, Wretha Nelson, Franz Bader, Louise Nevelson, Andy Warhol, Jackson Pollock, Bonnie Newman, Alexander Russo, Walt Sheridan, Gilbert Kinney, Saul Sherman, Steve Pace, Lee Krasner, and others.
Biographical / Historical:
V.V. Rankine (1920-2004) was a painter and sculptor from Washington, D.C. Variable forms of the artist's name are notably E. R. (Elvine Richard) Rankine, Vivian Scott Rankine, and her married name, Mrs. Paul Scott.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hrs., 53 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Washington (D.C.) -- Interviews  Search this
Topic:
Art, American  Search this
Sculptors -- Washington (D.C.) -- Interviews  Search this
Women artists -- Washington (D.C.)  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rankin90
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rankin90

Nancy Drysdale Gallery records

Creator:
Nancy Drysdale Gallery  Search this
Names:
Brook Alexander Editions  Search this
Crown Point Press  Search this
Tyler Graphics, Ltd.  Search this
Bartlett, Jennifer, 1941-  Search this
Burton, Scott  Search this
Christenberry, William, 1936-  Search this
Clapsaddle, Jerry, 1941-  Search this
Drysdale, Nancy McIntosh, 1931-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gilliam, Sam, 1933-  Search this
Kainen, Jacob  Search this
Katz, Alex, 1927-  Search this
LeWitt, Sol, 1928-2007  Search this
Mangold, Robert, 1937-  Search this
Puryear, Martin, 1941-  Search this
Scully, Sean, 1945-  Search this
Sonfist, Alan  Search this
Tracy, Michael, 1943-  Search this
Truitt, Anne, 1921-2004  Search this
Wegman, William  Search this
Zakanitch, Robert, 1935-  Search this
Extent:
9 Linear feet
Type:
Collection descriptions
Archival materials
Slides (photographs)
Photographs
Drawings
Interviews
Date:
1971-1996
Summary:
The records of the Nancy Drysdale Gallery measure 9.0 linear feet and span the years 1971 to 1996. The bulk of the collection comprises artist files that document the gallery's relations with 67 artists, many of whom were represented by the gallery.
Scope and Content Note:
This collection measures 9.0 linear feet and dates from 1971 to 1996. The bulk of the collection comprises artist files that document the gallery's relationships with 67 artists, many of whom were represented, or whose work was handled by, the gallery. In addition to artist files, the collection contains exhibition files, printed material, and publishers files.
Arrangement:
The collection is arranged as four series reflecting the original arrangement imposed by the Gallery.

Series 1: Group Exhibition Files, 1978-1994 (Box 1, 0.5 linear ft.)

Series 2: Fine Art Publishers Files, 1972-1995 (Boxes 1-2, 1.5 linear ft.)

Series 3: Artist Files, 1971-1996 (Boxes 2-9, 7 linear ft.)

Series 4: Miscellaneous Printed Material, 1993-1994 (Box 9, 1 folder)
Historical Note:
When colleague Max Protech moved to New York City in 1976, his gallery at 2151 P Street, N.W., Washington, D.C., became the Protech-McIntosh Gallery under his successor, Cincinnati dealer, Nancy McIntosh Drysdale. Drysdale then moved the gallery to 406 7th Street, N.W., and changed the name to the McIntosh/Drysdale Gallery. Several years later, Drysdale vacated the 7th Street address and operated as a private dealer before opening the Nancy Drysdale Gallery at 2103 O Street, N.W., in 1991.
Provenance:
The records of the Nancy Drysdale Gallery were donated to the Archives of American Art by Nancy Drysdale in 1997.
Restrictions:
The collection is open for resesarch. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- Washington (D.C.)  Search this
Art, Modern -- 20th century -- Washington (D.C.)  Search this
Function:
Art galleries, Commercial -- Washington (D.C.)
Genre/Form:
Slides (photographs)
Photographs
Drawings
Interviews
Citation:
Nancy Drysdale Gallery records, 1971-1996 Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nancdryg
See more items in:
Nancy Drysdale Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nancdryg

Galerie Darthea Speyer records

Creator:
Galerie Darthea Speyer (Paris, France)  Search this
Names:
Musée national d'art moderne (France)  Search this
De Forest, Roy, 1930-2007  Search this
Delany, Beauford, 1901-  Search this
Foulkes, Llyn, 1934-  Search this
Gilliam, Sam, 1933-  Search this
Golub, Leon, 1922-2004  Search this
Luboski, Richard, 1934-  Search this
Paschke, Ed  Search this
Remington, Deborah  Search this
Saul, Peter, 1934-  Search this
Speyer, Darthea  Search this
Weiss, Hugh, 1925-  Search this
Extent:
17.2 Linear feet
1.58 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Visitors' books
Photographs
Date:
1953-2010
Summary:
The records of Galerie Darthea Speyer measure 17.2 linear feet and 1.58 GB and date from 1953 to 2010. The majority of the collection consists of artists' files containing a wide variety of materials documenting the Paris gallery's relationship with American and European artists, as well as gallery exhibitions. Also found are scattered financial records, guestbooks, documentation on the Park Hyatt Paris-Vendome art collection, exhibition announcements, posters, and additional photographs.
Scope and Content Note:
The records of Galerie Darthea Speyer measure 17.2 linear feet and 1.58 GB and date from 1953 to 2010. The majority of the collection consists of artists' files containing a wide variety of materials documenting the Paris gallery's relationship with American and European artists, as well as gallery exhibitions. Also found are scattered financial records, guestbooks, documentation on the Park Hyatt Paris-Vendome art collection, exhibition announcements, posters, and additional photographs.

Artists' files are varied but may contain biographical materials, correspondence and business records, printed materials, photographs, digital photographs, and slides. Correspondence is with artists and others primarily concerning the exhibition or sale of the artists' work. Also filed with the correspondence are other scattered business records regarding the artists' dealing with the gallery including exhibition documents and sales records. Photographs depict artists, artwork, exhibition installations and exhibition openings at Galerie Darthea Speyer. Printed material includes exhibition announcements, catalogs, and extensive press clippings. Files for prominent American artists such as Roy De Forest, Beauford Delaney, Llyn Foulkes, Leon Golub, Sam Gilliam, Richard Luboski, Ed Paschke, Peter Saul, Deborah Remington, and others, document a long relationship between the artist and the gallery.

This collection also includes scattered financial records from 2000 to 2002. Eight gallery guestbooks, and documentation on the Park Hyatt Paris-Vendome art collection, which was organized by Darthea Speyer.

Printed material consists of posters and Galerie Darthea Speyer exhibition announcements. Included with the exhibition announcements are lists of exhibitions by year. Many of the posters advertise exhibitions organized by Darthea Speyer at the Musee National D'Art Moderne and Centre Culturel Americain, including 12 Modern American Painters and Sculptors (1953). Additional posters advertize exhibitions at Galerie Darthea Speyer and elsewhere for artists such as Leon Golub, Beauford Delaney, Ed Paschke, Peter Saul, Hugh Weiss, and several others.

Photographs include an unidentified exhibition opening, exhibition installations at Galerie Darthea Speyer, and artwork.
Arrangement:
The collection is arranged as 6 series:

Series 1: Artists' Files, 1955-2010 (Boxes 1-15; 14.8 linear feet, ER01-ER07; 1.58 GB)

Series 2: Financial Records, 2000-2002 (Box 15; 6 folders)

Series 3: Guestbooks, 1997-2009 (Box 16; 8 folders)

Series 4: Park Hyatt Paris-Vendome Art Collection, circa 1980s-2009 (Box 16; 4 folders)

Series 5: Printed Material, 1953-2008 (Boxes 16, 17, OV 19-22; 0.8 linear feet)

Series 6: Photographs, circa 1960s-1970s (Boxes 17-18; 0.7 linear feet)
Historical Note:
Galerie Darthea Speyer was founded in 1968 by Darthea Speyer at 6, rue Jacques Callot, Paris, France. The gallery was notable for promoting American painting and sculpture in France until it closed in 2009.

Born in Pittsburgh, Pennsylvania, Darthea Speyer began collecting art at the age of 15. She studied art history at the Institute of Fine Arts, New York University, and in 1950 went to Paris as a cultural attaché for the United States Information Services (USIS). In 1953 she helped organize the exhibition 12 Modern American Painters and Sculptors at the Musee National D'Art Moderne, a show that initiated a change in the way Europeans viewed American Art. While working for the USIS, Speyer founded the Centre Culturel Americain where she gave many American artists their first European exhibition. She continued to work for the USIS until 1965.

Speyer opened Galerie Darthea Speyer during the May 1968 riots in Paris with an inaugural show of works by Deborah Remington. The gallery was designed by her brother, A. James Speyer, and primarily exhibited sculpture and paintings by Americans, as well as works by some European artists. Over the next 40 years Darthea Speyer remained a powerful advocate for American artists in the European market.
Related Material:
Also found in the Archives of American Art is an oral history interview with Darthea Speyer conducted by Paul Cummings, June 28, 1976.
Provenance:
Records were donated in 2010 by Emmanuelle Gelzer, owner of Galerie Darthea Speyer.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art galleries, Commercial -- France -- Paris  Search this
Genre/Form:
Visitors' books
Photographs
Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.galedars
See more items in:
Galerie Darthea Speyer records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-galedars
Online Media:

Sam Gilliam papers, 1957-1989

Creator:
Gilliam, Sam, 1933-  Search this
Subject:
Andrews, Benny  Search this
Driskell, David C.  Search this
Gilliam, Dorothy Butler  Search this
Krebs, Rockne  Search this
Mondale, Walter F.  Search this
Carl Solway Gallery  Search this
Philadelphia Museum of Art  Search this
Studio Museum in Harlem  Search this
Type:
Interviews
Photographs
Prints
Scrapbooks
Sketches
Sound recordings
Transcripts
Topic:
Art -- Study and teaching  Search this
Color-field painting  Search this
Painting, Modern -- 20th century -- Washington (D.C.)  Search this
Washington Color School (Group of artists)  Search this
African American artists  Search this
Record number:
(DSI-AAA_CollID)9584
(DSI-AAA_SIRISBib)211785
AAA_collcode_gillsam
Theme:
Sketches & Sketchbooks
African American
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211785
Online Media:

Biographical Material

Collection Creator:
Gilliam, Sam, 1933-  Search this
Extent:
0.8 Linear feet (Box 1)
Type:
Archival materials
Date:
1958-1988
Scope and Contents:
Biographical material includes resumes, passports, exhibition lists, artist statements and essays by and about Gilliam, interview transcripts, and audiovisual material. The audiovisual material includes recordings of a group interview conducted by Dorothy Gilliam with artists Bob Field, Rockne Krebs, Gene Davis, Walter Hopps, and Sam Gilliam concerning the Washington Gallery of Modern Art in Washington, D.C. Also included are audio recordings of Portrait with Sam Gilliam, circa 1978, from the WBOE-FM radio series Black Art in America, and sound recordings of conversations between Gilliam and artists Benny Andrews and Rockne Krebs.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gillsam, Series 1
See more items in:
Sam Gilliam papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gillsam-ref1

List of Exhibitions

Collection Creator:
Gilliam, Sam, 1933-  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1963-1976
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gillsam-ref10

Notes

Collection Creator:
Gilliam, Sam, 1933-  Search this
Container:
Box 2, Folder 50
Type:
Archival materials
Date:
1973
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 3: Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gillsam-ref100

Notes

Collection Creator:
Gilliam, Sam, 1933-  Search this
Container:
Box 2, Folder 51
Type:
Archival materials
Date:
1969, 1973, 1977-1978
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 3: Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gillsam-ref101

Ledgers

Collection Creator:
Gilliam, Sam, 1933-  Search this
Container:
Box 2, Folder 52-54
Type:
Archival materials
Date:
1974
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 4: Business Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gillsam-ref102

Ledgers

Collection Creator:
Gilliam, Sam, 1933-  Search this
Container:
Box 2, Folder 55-57
Type:
Archival materials
Date:
1975
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 4: Business Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gillsam-ref103

Ledgers

Collection Creator:
Gilliam, Sam, 1933-  Search this
Container:
Box 2, Folder 58-60
Type:
Archival materials
Date:
1976
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 4: Business Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gillsam-ref104

Taxes

Collection Creator:
Gilliam, Sam, 1933-  Search this
Container:
Box 2, Folder 61
Type:
Archival materials
Date:
1967
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 4: Business Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gillsam-ref105

Taxes

Collection Creator:
Gilliam, Sam, 1933-  Search this
Container:
Box 2, Folder 62
Type:
Archival materials
Date:
1969
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 4: Business Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gillsam-ref106

Trusts for Family

Collection Creator:
Gilliam, Sam, 1933-  Search this
Container:
Box 2, Folder 63
Type:
Archival materials
Date:
1975-1977
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 4: Business Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gillsam-ref107

Trusts for Family

Collection Creator:
Gilliam, Sam, 1933-  Search this
Container:
Box 2, Folder 64
Type:
Archival materials
Date:
1978-1980
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 4: Business Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gillsam-ref108

Taxes

Collection Creator:
Gilliam, Sam, 1933-  Search this
Container:
Box 2, Folder 65-67
Type:
Archival materials
Date:
1976
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 4: Business Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gillsam-ref109

Resumes

Collection Creator:
Gilliam, Sam, 1933-  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1985-1988
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gillsam-ref11

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