This collection is comprised of one (1) watercolor drawing by Mary Wright Gill depicting a Hopi altar. A caption reading "Owakülti Sitchomovi" has been added to the drawing in J. Walter Fewkes' handwriting. The drawing was done from a Bureau of American Ethnology photograph.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Biographical Note:
Mary Wright Gill (1867-1929) was a scientific illustrator who worked as a contract artist for the Bureau of American Ethnology (BAE) and other government agencies. She worked primarily in pen and ink, graphite, and watercolor. Her illustrations were sometimes composites based on series of photographs. She also used the names Mary Irwin Wright and Mary Irwin Gill, and was briefly married to BAE illustrator and photographer De Lancey Walker Gill.
Local Numbers:
NAA MS 4950
INV 11018100
Publication Note:
Reproduced in J. Walter Fewkes, "The Owakülti Altar at Sichomovi Pueblo," American Anthropologist, 3:2, 1901. Plate IV with the caption "Owakülti Altar at Sichomovi."
Related Materials:
The National Anthropological Archives holds the photograph from which this drawing was made. Please see negative # 1820-b from the Bureau of American Ethnology negative collection (Photo Lot 176).
The National Anthropological Archives holds additional drawings and illustrations by Mary Wright Gill in MS 4108, MS 4949, MS 7531 and Photo Lot 133.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Works of art
Paintings
Citation:
MS 4950 Mary Wright Gill painting of a Hopi altar, National Anthropological Archives, Smithsonian Institution.
The collection consists of one (1) painting by Mary Wright Gill. The painting was probably created to illustrate a Bureau of American Ethnology publication, but no published versions of the painting have been identified.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Biographical Note:
Mary Wright Gill (1867-1929) was a scientific illustrator who worked as a contract artist for the Bureau of American Ethnology (BAE) and other government agencies. She worked primarily in pen and ink, graphite, and watercolor. Her illustrations were sometimes composites based on series of photographs. She also used the names Mary Irwin Wright and Mary Irwin Gill, and was briefly married to BAE illustrator and photographer De Lancey Walker Gill.
Local Numbers:
NAA MS 4949
NAA INV 11018000
Variant Title:
Young man and woman in native dress
Related Materials:
The National Anthropological Archives holds additional drawings and illustrations by Mary Wright Gill in MS 4108, MS 4950, MS 7531 and Photo Lot 133.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Works of art
Paintings
Citation:
MS 4949 Mary Wright Gill painting of a man and woman, National Anthropological Archives, Smithsonian Institution
2,000 Items (circa 2000 paintings, drawings, and photographs)
Type:
Collection descriptions
Archival materials
Drawings
Paintings
Photographs
Illustrations
Date:
circa 1879-1929
Scope and Contents note:
Artwork and some photographs used to illustrate articles published in the annual reports and bulletins of the Bureau of American Ethnology and the United States National Museum. The material includes artwork by Mary Beth Chapman, Mary Wright Gill, Mary M. Hildebrant, Spencer Baird Nichols, and Antonio Zeno Shindler. Also included are unidentified illustrations of Near Eastern costumes, prayer positions and Mexican funerary vessels, perhaps sketched by Walter Hough, and a drawing, signed "J. T. G.", of a memorial to the daughter of Chief Spotted Tail.
Local Call Number(s):
NAA Photo Lot 133
Location of Other Archival Materials:
Additional illustrations are held in National Anthropological Archives Photo Lot 78-51, the records of the Bureau of American Ethnology, and the Manuscript and Pamphlet File in the Department of Anthropology records.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Drawings
Paintings
Photographs
Illustrations
Citation:
Photo lot 133, Illustrations used in Bureau of American Ethnology and United States National Museum publications, National Anthropological Archives, Smithsonian Institution
Photographs and drawings mostly relating to archeological subjects, collected and arranged by Jesse Walter Fewkes for his reference. Subjects include burial mounds, excavations, drawn maps, as well as urns, implements, idols, pottery, and other artifacts found in excavations, and Hopi, Zuni, and Piegan ceremonies and dances. Many of the photographs and drawings were probably made by Fewkes. Publication information is noted on some. The collection also includes newspaper clippings and correspondence.
Photographs were taken in Alabama, Arizona (including Casa Grande, Elden Pueblo, Navajo National Monument, and Wupatki National Monument), Colorado (including Mesa Verde and Montezuma Valley), Florida (including Weeden Island), Illinois (Cahokia Mound), Louisiana, Maryland, Mexico (including La Huasteca Region), Mississippi Valley, New Mexico (including Chaco Canyon, Hawikuh, and Mimbres Valley), South Carolina, Tennessee, Texas, Utah (including Hill Canyon, McElmo Canyon, and McLean Basin Ruins), Hovenweep National Monument, the West Indies (including Puerto Rico, Santo Domingo, and Cuba), and West Virginia.
Biographical/Historical note:
Jesse Walter Fewkes (1850-1930) was a naturalist, anthropologist, and archeologist, and chief of the Bureau of American Ethnology from 1918 to his death in 1928. Fewkes received a Ph.D. in marine zoology from Harvard in 1877, and acted as curator of lower invertebrates at the Museum of Comparative Zoology until 1887. While on a collecting trip in the western United States, he developed an interest in the culture and history of the Pueblo Indians. In 1891, Fewkes became director of the Hemenway Southwestern Archeological Expedition and editor of the Journal of American Archeology and Ethnology, studying and recording Hopi ceremonials. In 1895, he embarked on various archeological explorations for the Bureau of American Ethnology, excavating ruins in the Southwest, the West Indies, and Florida. He was appointed chief of the Bureau in 1918, and played an important role in the creation of Hovenweep National Monument in Colorado and Wupatki National Monument in Arizona.
Local Call Number(s):
NAA Photo Lot 4321
Location of Other Archival Materials:
The National Anthropological Archives also holds the Jesse Walter Fewkes Papers (MS 4408), his photographs of excavations in Mesa Verde (Photo Lot 30), his negatives (Photo Lot 86), and other manuscript collections by and related to Fewkes' ethnological research and archeology and his work with the Bureau of American Ethnology.
Correspondence from Fewkes held in the National Anthropological Archives in the George L. Beam papers (MS 4517), the Henry Bascom Collins, Jr. papers, the Anthropological Society of Washington records (MS 4821), the Herbert William Krieger papers, the J.C. Pilling papers, the Walter Hough Papers (in the records of the Department of Anthropology), and the records of the Bureau of American Ethnology.
The anthropology collections of the National Museum of Natural History hold artifacts collected by Fewkes, including USNM ACC 048761 (relating to Casa Grande excavations) and USNM ACC 050765 (relating to Mesa Verde excavations).
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing.
Photo Lot 4321, Jesse Walter Fewkes photograph collection relating to archaeological subjects, National Anthropological Archives, Smithsonian Institution
The collection consists of 82 drawings by Mary Wright Gill, including pen and ink drawings, pencil sketches, watercolors, printed illustrations, and page proofs. Many of the drawings were made for the Bureau of American Ethnology.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Biographical Note:
Mary Wright Gill (1867-1929) was a scientific illustrator who worked as a contract artist for the Bureau of American Ethnology (BAE) and other government agencies. She worked primarily in pen and ink, graphite, and watercolor. Her illustrations were sometimes composites based on series of photographs. She also used the names Mary Irwin Wright and Mary Irwin Gill, and was briefly married to BAE illustrator and photographer De Lancey Walker Gill.
Local Numbers:
NAA MS 7531
Variant Title:
Miscellaneous drawings and illustrations
Related Materials:
The National Anthropological Archives holds additional drawings and illustrations by Mary Wright Gill in MS 4108, MS 4949, MS 4950, and Photo Lot 133.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Works of art
Drawings
Watercolors
Citation:
MS 7531 Mary Wright Gill drawings and illustrations, National Anthropological Archives, Smithsonian Institution
The collection consists of nine (9) paintings by Mary Wright Gill. The paintings were probably created to illustrate a Bureau of American Ethnology publication, but no published versions of the paintings have been identified.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Biographical Note:
Mary Wright Gill (1867-1929) was a scientific illustrator who worked as a contract artist for the Bureau of American Ethnology (BAE) and other government agencies. She worked primarily in pen and ink, graphite, and watercolor. Her illustrations were sometimes composites based on series of photographs. She also used the names Mary Irwin Wright and Mary Irwin Gill, and was briefly married to BAE illustrator and photographer De Lancey Walker Gill.
Local Numbers:
MS 4108
Related Materials:
The National Anthropological Archives holds additional drawings and illustrations by Mary Wright Gill in MS 4949, MS 4950, MS 7531 and Photo Lot 133.
Provenance:
The paintings were found in the John P. Harrington papers.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Works of art
Paintings
Citation:
MS 4108 Mary Wright Gill California Basin paintings, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Southwest, New Search this
Type:
Collection descriptions
Archival materials
Date:
ca. 1870-1910
Scope and Contents:
Most of Stevenson's scientific notes are included as separate items in the series of numbered manuscript and the papers of John Peabody Harrington. This particular set of materials is made up of papers that passed into the hands of the executor of her estate. It consists of a miscellany of letters, notes, legal documents, cartographic materials, genealogical materials, photographs, newspaper clippsing, other printed material, and other types of documents. Although tehc ollection largely concerns Stevenson, it also includes some material of her husband, James Stevenson, and members of her family, especially her father, Alexander H. Evans, a Washington, D.C. attorney.
Many of the documents concern Stevenson's field work among the Pueblo Indians and other official duties with the Smithsonian. some material relates to her activities with the World's Columbian Exposition and the Louisiana Purchase Exposition. A few items concern her membership in scientific organizations. Still other documents are of a personal nature, and some are mementoes, especially of James Stevenson. A significant group of documents concern Matilda CoxeStevenson's friendly and, later, very difficult relationship with Clara True.
The photographs include some items of ethnographic interest but it consists largely of portraits of James andMatilda Stevensonand Mrs. Stevenson's relatives. Also included are images in albums apparently gathered by Stevenson as a collector of photographs. They include images of Kit Carson, Charles Darwin, Charles Dickens, Ferdinand Vandiveer Hayden, Henry Wadsworth Longfellow, and William Tecumseh Shermn. In the albums are also a nubmer of photographic portraits with unidentified subjects, many of whom appear to be actors and actresses.
Manual of the trees of North America (exclusive of Mexico) by Charles Sprague Sargent ... with seven hundred and eighty-three illustrations from drawings by Charles Edward Faxon and Mary W. Gill
