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La Drivers Union Por Por Group perform M.V. Labadi

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2011-06-21T14:38:30.000Z
YouTube Category:
Education  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_72182uUX1Yc

Kente Cloth Weaving at the Smithsonian Folklife Festival

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2018-07-26T20:10:06.000Z
YouTube Category:
Travel & Events  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_Ytgu5-O90aI

La Drivers Union Por Por Group demonstrate their unique honk horn music

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2011-06-21T14:34:33.000Z
YouTube Category:
Education  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_ndvklvhg2Dg

Dr. Maya Angelou In Conversation with Dr. Johnnetta B. Cole - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2014-05-30T20:24:07.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_-sHTpGfPe1c
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Sundiata Keita

Creator:
National Museum of African Art  Search this
Type:
YouTube Videos
Uploaded:
2019-11-04T20:34:47.000Z
YouTube Category:
Education  Search this
Topic:
Art, African  Search this
See more by:
SmithsonianAfricanAr
Data Source:
National Museum of African Art
YouTube Channel:
SmithsonianAfricanAr
EDAN-URL:
edanmdm:yt_7QdoBmN8D_Q

Kwame Nkrumah

Creator:
National Museum of African Art  Search this
Type:
YouTube Videos
Uploaded:
2019-11-27T17:40:12.000Z
YouTube Category:
Education  Search this
Topic:
Art, African  Search this
See more by:
SmithsonianAfricanAr
Data Source:
National Museum of African Art
YouTube Channel:
SmithsonianAfricanAr
EDAN-URL:
edanmdm:yt_HZQFKwWvfEs

WADE KING ELEMENTARY SCHOOL

Creator:
National Museum of African Art  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2015-05-18T19:46:29.000Z
YouTube Category:
Education  Search this
Topic:
Art, African  Search this
See more by:
SmithsonianAfricanAr
Data Source:
National Museum of African Art
YouTube Channel:
SmithsonianAfricanAr
EDAN-URL:
edanmdm:yt_bj5jhJi6vEs

Ghanaian 10 cedi note depicting the Big Six

Creator:
National Museum of African Art  Search this
Type:
YouTube Videos
Uploaded:
2019-11-04T19:48:12.000Z
YouTube Category:
Education  Search this
Topic:
Art, African  Search this
See more by:
SmithsonianAfricanAr
Data Source:
National Museum of African Art
YouTube Channel:
SmithsonianAfricanAr
EDAN-URL:
edanmdm:yt_mGW2ttZBLco

The John Santos Sextet - "Descargarará" [Official Audio]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2020-07-15T15:29:03.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_6pzmOW1378E

Artists’ Books and Africa

Creator:
Smithsonian Libraries  Search this
Type:
YouTube Videos
Uploaded:
2015-08-19T15:57:07.000Z
YouTube Category:
Nonprofits & Activism  Search this
Topic:
Library science  Search this
See more by:
SmithsonianLibraries
Data Source:
Smithsonian Libraries
YouTube Channel:
SmithsonianLibraries
EDAN-URL:
edanmdm:yt_bvIBPKtuw6Y

airmail letter sheet addressed to Yul Brynner

Title:
Scott Catalogue Ghana 55
Medium:
paper; ink
Dimensions:
Height x Width (folded): 3 1/2 x 5 7/8 in. (8.89 x 14.92 cm) Height x Width (open): 6 7/8 x 11 1/16 in. (17.46 x 28.1 cm)
Type:
Covers & Associated Letters
Place:
GHANA (republic)
Date:
February 19, 1963
Object number:
2013.2021.1
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm836d88548-4928-4ccb-8470-7ed17aeae9f2
EDAN-URL:
edanmdm:npm_2013.2021.1
Online Media:

Images d'Afrique et sciences sociales : les pays lobi, birifor et dagara (Burkina Faso, Côte-d'Ivoire et Ghana) : actes du colloque de Ouagadougou, 10-15 décembre 1990 / sous la direction de Michèle Fiéloux, Jacques Lombard, avec Jeanne-Marie Kambou-Ferrand

Author:
Fiéloux, Michèle  Search this
Lombard, Jacques 1926-  Search this
Kambou-Ferrand, Jeanne-Marie  Search this
Physical description:
567 p. : ill., maps ; 25 cm
Type:
Congresses
Date:
1993
C1993
Topic:
Lobi (African people)  Search this
Dagaaba (African people)  Search this
Birifor (African people)  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_463820

Culture and development in Africa proceedings of an international conference held at the World Bank, Washington, D.C., April 2 and 3, 1992 Ismail Serageldin, June Taboroff, editors ; sponsors, Government of Norway [and others]

Author:
Serageldin, Ismail 1944-  Search this
Taboroff, June 1949-  Search this
Norway  Search this
World Bank  Search this
Physical description:
vii, 568 pages illustrations 28 cm
Type:
Congresses
Congrès
Conference papers and proceedings
Place:
Africa, Sub-Saharan
Afrique subsaharienne
Africa
Afrique
Afrika
Date:
1994
Topic:
Economic development--Social aspects  Search this
Economic development  Search this
Culture  Search this
Culture et développement  Search this
Développement économique  Search this
Economic policy  Search this
Social policy  Search this
Sozialpolitik  Search this
Wirtschaftspolitik  Search this
Cultuur  Search this
Cultural policy  Search this
Civilization  Search this
Politique économique  Search this
Politique culturelle  Search this
Civilisation  Search this
Politique sociale  Search this
Restrictions & Rights:
Access may be restricted to World Bank Group staff
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_466183

Oral history interview with Lyle Ashton Harris

Interviewee:
Harris, Lyle Ashton, 1965-  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Names:
American Academy in Rome -- Students  Search this
California Institute of the Arts -- Students  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Wesleyan University (Middletown, Conn.) -- Students  Search this
Whitney Museum of American Art  Search this
Baker, Houston A., Jr., 1943-  Search this
Barton, Nancy, (Artist)  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Butler, Cornelia H.  Search this
Carby, Hazel V.  Search this
Collier, Jim  Search this
Gates, Henry Louis, Jr.  Search this
Geer, Tommy  Search this
Goldin, Nan, 1953-  Search this
Gonzalez-Torres, Felix, 1957-1996  Search this
Gray, Todd, 1954-  Search this
Grayson, John, 1943-  Search this
Hemphill, Essex  Search this
Julien, Isaac  Search this
Lord, Catherine, 1949-  Search this
Mapplethorpe, Robert  Search this
Mays, Vickie M.  Search this
O'Dench, Ellen  Search this
O'Meally, Jackie  Search this
O'Meally, Robert G., 1948-  Search this
Riggs, Marlon T.  Search this
Seeley, J.  Search this
Sekula, Allan  Search this
Tate, Greg  Search this
Tilton, Jack  Search this
Watson, Simon  Search this
Wilson, Millie  Search this
Woodman, Francesca, 1958-1981  Search this
Extent:
6 Items (Sound recording: 6 sound files (8 hr., 6 min.), digital, wav)
95 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
England -- London -- Description and Travel
Ghana -- Description and Travel
Netherlands -- Amsterdam -- Description and Travel
New York (N.Y.) -- Description and Travel
Tanzania -- Description and Travel
Date:
2017 March 27-29
Scope and Contents:
An interview with Lyle Ashton Harris, conducted 2017 March 27 and 29, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Harris's studio and home in New York, New York.
Harris speaks of his childhood in the Bronx; his family's influence on his race-consciousness; living in Tanzania for two years as a child and the effects on his understanding of race and sexuality; his grandfather's extensive photographic archive; contact with the South African diaspora through his step-father; attending Wesleyan University; formative experiences in London, Amsterdam, and New York in the mid-1980s; his education and development as a photographer; attending CalArts and encountering West Coast AIDS activism; encountering systemic racism in Los Angeles; close friendships with Marlon Riggs and Essex Hemphill; exhibitions of his work in New York in the early 1990s; the production of his Ektachrome Archive and his impulse to photograph daily life; his work on the Black Community AIDS Research and Education (Black C.A.R.E.) project in Los Angeles; participating in the Whitney Museum's Independent Study Program; being diagnosed with HIV and remaining asymptomatic; attending the Dia Black Popular Culture Conference in 1992; photographing and mounting "The Good Life" in 1994 and "The Watering Hole" in 1996; issues of blackness and queerness in his photographic work; his residency at the American Academy in Rome in 2000; moving to Accra, Ghana for seven years in 2005; his pedagogy as an art professor; his thoughts on the lack of voices of color in the Visual Arts and the AIDS Epidemic Oral History Project and in the larger power structures of the art world; and his hope that his artistic legacy will be evaluated in its proper context. Harris also recalls Jackie and Robert O'Meally, Jay Seeley, Ellen O'Dench, Francesca Woodman, Jean-Michel Basquiat, Jim Collier, Robert Mapplethorpe, Allan Sekula, Hazel Carby, Isaac Julien, Catherine Lord, Millie Wilson, Todd Gray, John Grayson, Tommy Gear, Marlon Riggs, Essex Hemphill, Felix Gonzalez-Torres, Nancy Barton, Vickie Mays, Connie Butler, Greg Tate, Henry Louis Gates, Houston Baker, Nan Goldin, Jack Tilton, Simon Watson, and others.
Biographical / Historical:
Lyle Ashton Harris (1965- ) is an artist who works in video, photography, and performance in New York, New York. Alex Fialho (1989- ) is a curator and arts writer and works as Programs Director for Visual AIDS in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Performance artists -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Video artists -- New York (State) -- New York  Search this
Topic:
AIDS activists  Search this
AIDS (Disease) and the arts  Search this
Racism  Search this
African American artists  Search this
Artists (LGBTQ)  Search this
Gay artists  Search this
African American art -- African influences  Search this
African American educators  Search this
African American photographers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.harris17
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9559d7597-04b4-4644-b6ae-bca2bdb27f88
EDAN-URL:
ead_collection:sova-aaa-harris17
Online Media:

Lloyd Foster Family Home Movies

Former owner:
Lloyd Foster  Search this
Collection Creator:
National Museum of African American History and Culture (U.S.)  Search this
Extent:
7 Video recordings
Type:
Archival materials
Video recordings
Home movies
Collection Restrictions:
Collection is available online for open research.
Collection Rights:
The Great Migration Home Movie Study Collection is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution.

Copyright for all works are retained by the creators of the original analog materials.
The contents of the Great Migration Home Movie Project are made available to the public for the purposes of education and scholarly research. The home movies digitized through the project are not available for commercial licensing. Educational and scholarly use may be considered on an individual basis.
Topic:
African Americans  Search this
Ghana  Search this
Funerals  Search this
Genre/Form:
Home movies
Collection Citation:
Collection of the Smithsonian National Museum of African American History and Culture, Earl W. and Amanda Stafford Center for African American Media Arts. Supported by the Center for the Digitization and Curation of African American History.
See more items in:
Great Migration Home Movie Study Collection
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io3f2344a0a-b8ba-4ae7-a060-8616b7c516d1
EDAN-URL:
ead_component:sova-nmaahc-sc-0001-ref931

Onion-shaped coffin by Kane Kwei,Ghana

Creator:
Houlberg, Marilyn  Search this
Collection Photographer:
Houlberg, Marilyn  Search this
Extent:
1 Slides (photographs) (Color, 35 mm.)
Type:
Archival materials
Slides (photographs)
Date:
1905-06-11
Scope and Contents:
Original text on slide reads, "Onion-shaped coffin by Kane Kwei. Museum voor Volkenkunde Rotterdam"
Restrictions:
Access by appointment only. To make a research appointment, contact Archives staff at elisofonarchives@si.edu.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. For terms of use, contact Archives staff at elisofonarchives@si.edu.
Topic:
Ceremonial objects  Search this
Collection Citation:
Marilyn Houlberg Nigeria Collection, EEPA 2005-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2005-002, Item EEPA 2015-015-0386
See more items in:
Marilyn Houlberg Nigeria collection
Marilyn Houlberg Nigeria collection / Shagamu market
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7c270a894-7408-4a3d-af19-6ee300d49beb
EDAN-URL:
ead_component:sova-eepa-2005-002-ref1966

Marilyn Houlberg Nigeria collection

Photographer:
Houlberg, Marilyn  Search this
Extent:
6567 Slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
1,946 Slides (Color, 35 mm)
Culture:
Yoruba (African people)  Search this
Nigerians  Search this
Tuaregs  Search this
Fulani  Search this
Nuba  Search this
Igbo (African people)  Search this
Turkana  Search this
Pokot  Search this
Type:
Collection descriptions
Archival materials
Slides (photographs)
Documents
Slides
Color slides
Photographic prints
Photographs
Place:
Nigeria
Africa
Lagos (Nigeria)
Date:
1961-circa 2005
Summary:
The collection consists of 8,515 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2007. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.
Scope and Contents note:
This 6,567 slide collection documents Houlberg's studies in Southwestern Nigeria spanning from 1961 to circa 2005. In 2015, Houlberg donated an additional 1,948 color slides to the Eliot Elisofon Photographic Archives. These slides have been added to the EEPA 2005-002 finding aid, bringing the total to 8,515 slides.

The collection primarily includes photos of people, including the Ogboni, Pokot, Yoruba, Turkana and Igbo, shrines, festivals and rituals, art objects, and artists. A particular strength of the collection are photos of Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg mostly photographed in Ilishan, Ikenne, Ilara, Shagamu, Lagos, Ijebu-Ode, and Egbe.

Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art, wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Several Yoruba art forms, including photography, scarification tattoos, and textiles (both cloth and dress), are represented in the collection. Additionally, there are numerous slides of Yoruba hairstyles, many of which she published in her article, Social Hair: Tradition and Change in Yoruba Hairstyles in Southwestern Nigeria.

Yoruba ritual specialists, such as Ife-olu Solaru, Olufunke, and Yesufu Ejigboye, appear frequently throughout the collection. Houlberg documented her many stays with these individuals over the years.

There is also one binder of manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles.
Arrangement note:
The collection is organized into 29 series according to subject. The series descriptions correspond with particular subjects used in Houlberg's teaching and lectures, and based on donor's notes. All slides were kept in the order in which they were donated.

Series 1: African Hairstyles, circa 1973-1994 (Binder 1; 212 slides)

Series 2: Egungun Festival, 1961-circa 1988 (Binder 1; 362 slides)

Series 3: Gelede, circa 1969-circa 1989 (Binder 2; 301 slides)

Series 4: Ibeji Twins, circa 1969-circa 1990 (Binders 2-3; 854 slides)

Series 5: Ogboni Art Objects and Shrines, circa 1969-circa 1982 (Binder 4; 92 slides)

Series 6: Art Objects Depicting Ogun, circa 1969-circa 1983 (Binder 4; 56 slides)

Series 7: Olojufoforo Art and Festivities, circa 1968-circa 1975 (Binder 4; 21 slides)

Series 8: Yoruba People, Architecture, and Art, circa 1969-circa 1985 (Binder 4; 260 slides)

Series 9: Carving, Art Objects and Artists, and Scenes of Daily Life, circa 1973-circa 1988 (Binder 4; 201 slides)

Series 10: Yoruba Art, circa 1971-circa 1983 (Binder 5; 49 slides)

Series 11: Yoruba Textiles, circa 1973-circa 1983 (Binder 5; 84 slides)

Series 12: Yoruba, Miscellaneous, circa 1967-circa 1989 (Binder 5; 251 slides)

Series 13: African Art, Textiles People, and Dwellings, circa 1963-circa 1983 (Binder 6; 58 slides)

Series 14: Ibo Mbari and Igbo Peoples and Artwork, circa 1967-circa 1985 (Binder 6; 212 slides)

Series 15: Art and Ceremonies, circa 1967-circa 1991 (Binder 6; 493 slides)

Series 16: Body Arts, Nuba People (Sudan) and Fulani and Bororo People (Niger), circa 1973-circa 1979 (Binder 7; 64 slides)

Series 17: People, Scenic Views and Animals of Kenya, Sudan, Angola, and Ghana, circa 1972-circa 1985 (Binder 7; 168 slides)

Series 18: Peoples and Arts of Ghana, Mali, and the Ivory Coast, circa 1966-circa 1992 (Binder 7; 406 slides)

Series 19: Published Maps and Photos, circa 1968-circa 1985 (Binder 8; 70 slides)

Series 20: Nigerian Masks and Art Objects, circa 1967-circa 1978 (Binder 8; 396 slides)

Series 21: Yoruba Festivals, People, and Art in Nigeria, circa 1967-circa 1988 (Binders 8-9; 128 slides)

Series 22: Yoruba Photography and Textiles, circa 1975-circa 1983 (Binder 9; 54 slides)

Series 23: Ife-Olu, Ilishan, circa 1980-circa 1988 (Binder 9; 87 slides)

Series 24: Yoruba Festivals, People, Hairstyles, Ibeji Objects, Eshu Figures, and Oya and Orishala Priests, Priestesses, and Shrines, circa 1966-circa 1988 (Binder 9; 168 slides)

Series 25: Shango, circa 1970-circa 1983 (Binder 10, 162 slides)

Series 26: Ara Festival, 1975 (Binder 10; 174 slides)

Series 27: Ceremonies and Festivals, Portraits, Art and Ceremonial Objects, Domestic and Market Scenes, circa 1969-circa 2005 (Binders 10-11; 759 slides)

Series 28: Yoruba Art Objects, and Domestic, Work, and Festival Scenes, circa 1971-circa 1983 (Binder 11; 104 slides)

Series 29: Manuscript and Printed Materials, 1973-circa 2005 (Binder 12)
Biographical/Historical note:
Artist, anthropologist, and art historian Dr. Marilyn Hammersley Houlberg was born in Chicago, Illinois, in 1939. Houlberg received an Associate of Arts degree from Wright Junior College (1959) and a BFA from the University of Chicago (1963). After graduating, she traveled to North Africa and explored Morocco, Algeria, Tunisia, Libya, and Egypt. In 1964, Houlberg researched Haitian art, religion, and indigenous photography in Haiti and in 1965 was awarded a scholarship for graduate study from the University of Chicago. There she completed her MAT in Art History in 1967. Following graduation, Houlberg worked at the Nigerian Museum in Lagos, where she documented Yoruba sculpture, masquerades, religion, body art, and indigenous photography.

She began her teaching career at the University of Chicago as a lecturer on African art and African civilization, working there from 1971 to 1973. At the University of London, Houlberg earned a Masters in Anthropology, producing the thesis Yoruba Twin Sculpture and Ritual (1973). She also extensively photographed her travels abroad in Yorubaland. Between 1974 and 1990, Houlberg taught at the University of Chicago, Columbia College, Kalamazoo College, and Northwestern University. From 1974 to 2008 she continued teaching at The School of the Art Institute of Chicago, lecturing on Yoruba art and ritual in West Africa and the New World, and the art and ritual of Vodou in Haiti.

Houlberg has lectured worldwide at numerous museums and symposiums since 1972, including in Lagos, Nigeria; Jacmel, Haiti; Toronto, Canada; Salvador, Bahia, Brazil; and Cologne, Germany. Her essays have been published in several issues of African Arts. Some of Houlberg's significant publications include Arts of the Water Spirits of Haitian Vodou, in Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora (2008) and Water Spirits of Haitian Vodou: Lasiren, Queen of Mermaids, in Mami-Wata: Arts for Water Spirits in Africa and the African-Atlantic World (2008). The exhibition Mami-Wata at the Smithsonian National Museum of African Art (2009) featured her photographs.
Provenance:
Marilyn Houlberg, 733 West 18th St., Chicago, IL 60616, Donation, 20050320, 2005-0002
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Occupation:
Weavers  Search this
Artists  Search this
Topic:
Shrines  Search this
Masks  Search this
Domestic scenes  Search this
Egúngún (Cult)  Search this
Ethnology -- Nigeria  Search this
Gelede (Yoruba rite)  Search this
Hairstyles -- Africa  Search this
Rites and ceremonies -- Africa  Search this
Clothing and dress -- Africa  Search this
Marketplaces  Search this
Masquerades  Search this
Ere ibeji  Search this
Works of art in situ  Search this
Art, African  Search this
Vernacular architecture  Search this
Festivals  Search this
Genre/Form:
Color slides
Photographic prints
Photographs
Citation:
Marilyn Houlberg Nigeria Collection, EEPA 2005-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2005-002
See more items in:
Marilyn Houlberg Nigeria collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo729173a75-b645-455f-b66b-ae08d0d2102e
EDAN-URL:
ead_collection:sova-eepa-2005-002

Foreward in The Black Trans-Atlantic Experience: Street Life and Culture in England, Ghana, Jamaica, and the United States. Stephen Marc, Photographer. Chicago: University of Illinois Press, 1992

Collection Photographer:
Houlberg, Marilyn  Search this
Container:
Binder 12
Type:
Archival materials
Date:
1992
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Marilyn Houlberg Nigeria Collection, EEPA 2005-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
See more items in:
Marilyn Houlberg Nigeria collection
Marilyn Houlberg Nigeria collection / Series 29: Manuscript and Printed Materials
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo770d5f550-e224-4125-9488-08238e421847
EDAN-URL:
ead_component:sova-eepa-2005-002-ref520

Barbus guildi Loiselle

Collector:
Paul V. Loiselle  Search this
S. H. Goertz  Search this
Hackett  Search this
Preparation:
Photograph
Radiograph
Type Citation:
Loiselle, P. V. 1973. Revue de Zoologie et de Botanique Africaines. 87 (2): 380, fig. 1.
Type Status:
Holotype
Place:
Volta Region, Hedjo (Todzie) River at Gbota, 20 kilometers northeast of Ho., Volta Region, Ghana, Africa
Collection Date:
3 Oct 1970
Taxonomy:
Animalia, Chordata, Vertebrata, Osteichthyes, Actinopterygii, Neopterygii, Ostariophysi, Cypriniformes, Cyprinidae
Published Name:
Barbus guildi Loiselle
Accession Number:
290034
USNM Number:
205635
See more items in:
Vertebrate Zoology
Fishes
Data Source:
NMNH - Vertebrate Zoology - Fishes Division
GUID:
http://n2t.net/ark:/65665/3efe97910-2c28-4e1b-909d-31e5687c812e
EDAN-URL:
edanmdm:nmnhvz_5065217
Online Media:

Barbus guildi Loiselle

Collector:
Paul V. Loiselle  Search this
S. H. Goertz  Search this
Hackett  Search this
Preparation:
Photograph
Type Citation:
Loiselle, P. V. 1973. Revue de Zoologie et de Botanique Africaines. 87 (2): 380, fig. 1.
Type Status:
Allotype
Place:
Volta Region, Hedjo (Todzie) River at Gbota, 20 kilometers northeast of Ho., Volta Region, Ghana, Africa
Collection Date:
3 Oct 1970
Taxonomy:
Animalia, Chordata, Vertebrata, Osteichthyes, Actinopterygii, Neopterygii, Ostariophysi, Cypriniformes, Cyprinidae
Published Name:
Barbus guildi Loiselle
Accession Number:
290034
USNM Number:
205636
See more items in:
Vertebrate Zoology
Fishes
Data Source:
NMNH - Vertebrate Zoology - Fishes Division
GUID:
http://n2t.net/ark:/65665/30ddebcd7-1753-47e8-92e1-d2cfcd500777
EDAN-URL:
edanmdm:nmnhvz_5065218

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