Use of origininal material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mildred Constantine papers, 1945-2008. Archives of American Art, Smithsonian Institution.
Use of origininal material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mildred Constantine papers, 1945-2008. Archives of American Art, Smithsonian Institution.
Use of origininal material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mildred Constantine papers, 1945-2008. Archives of American Art, Smithsonian Institution.
Use of origininal material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mildred Constantine papers, 1945-2008. Archives of American Art, Smithsonian Institution.
Use of origininal material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mildred Constantine papers, 1945-2008. Archives of American Art, Smithsonian Institution.
Use of origininal material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mildred Constantine papers, 1945-2008. Archives of American Art, Smithsonian Institution.
Use of origininal material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mildred Constantine papers, 1945-2008. Archives of American Art, Smithsonian Institution.
Use of origininal material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mildred Constantine papers, 1945-2008. Archives of American Art, Smithsonian Institution.
Includes correspondence with the Getty Conservation Institute and Getty Educational Institute for the Arts.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacob Lawrence and Gwendolyn Knight papers, 1816, 1914-2008, bulk 1973-2001. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the 2007 processing and digitization of this collection was provided by the Terra Foundation for American Art. Funding for the 2018 processing of this collection was provided by the Henry Luce Foundation.
National Summit on Emergency Response--Safeguarding Our Cultural Heritage [videorecording] : highlights a leadership conference / video produced for the Getty Conservation Institute by David Griffith, Jane Long, Jane Slate Siena
Title:
Safeguarding our cultural hertitage
Highlights from the Summit on Emergency Response
Author:
National Summit on Emergency Response: Safeguarding Our Cultural Heritage (1994 : Washington, D.C.) Search this
Richard, Mervin, Mecklenburg, Marion F., and Tumosa, Charles S. 1998. "Technical Considerations for the Transport of Panel Paintings." In The Structural Conservation of Panel Paintings. Dardes, Kathleen and Rothe, Andrea, editors. 525–556. Los Angeles, CA: The Getty Conservation Institute.
Bishop, Ronald L. 1994. "Pre-Columbian Pottery: Research in the Maya Region." In Archaeometry of Pre-Columbian Sites and Artifacts. Scott, David A. and Meyers, Pieter, editors. 15–66. Los Angeles: The Getty Conservation Institute.
Tuross, Noreen C. and Fogel, Marilyn L. 1994. "Exceptional Molecular Preservation in the Fossil Record: The Archaeological, Conservation and Scientific Challenge." In Archaeometry of Pre-Columbian Sites and Artifacts. Scott, David A. and Meyers, Pieter, editors. 367–380. Los Angeles: The Getty Conservation Institute.
Sam Francis the artist's materials Debra Burchett-Lere, Aneta Zebala ; with scientific analysis by Catherine Defeyt, Lynn Lee, Joy Mazurek, Alan Phenix ; prologue by Peter Selz
Author:
Burchett-Lere, Debra (Debra Sue) 1955- Search this
Pinchin, Sarah Eleni and Tsang, Jia-sun. 2007. "Fluor-S Art, Northern Lites, DayGlo: Daylight Fluorescent Pigments, Their Development, Use and Performance." In Modern Paints Uncovered: Proceedings from the Modern Paints Uncovered Symposium organized by The Getty Conservation Institute and The National Gallery of Art. 296. London: Tate Modern.
Assessment of the susceptibility to biodeterioration of selected polymers and resins. Final project report to The Getty Conservation Institute, Los Angeles, CA
Erhardt, W. David. 1998. "Drying Oils: Their Chemistry and Properties." In Painted Wood: History and Conservation. Dorge, V. and Howlett, F. C., editors. 17–32. Los Angeles, CA: The Getty Conservation Institute.
Williams, Donald C. 1998. "A Survey of Adhesives for Wood Conservation." In The Structural Conservation of Panel Paintings. Dardes, Kathleen and Rothe, Andrea, editors. 79–86. Los Angeles, CA: The Getty Conservation Institute.
