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Everett & Polly Hart Christmas card to Eugenie Gershoy

Creator:
Hart, Everett Charles, 1908-1993  Search this
Gershoy, Eugenie, 1901-1983 or 6  Search this
Type:
Correspondence
Date:
19--
Topic:
Holidays  Search this
Record number:
(DSI-AAA)11149
See more items in:
Eugenie Gershoy papers, 1914-1983
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11149
Online Media:

Jane H. Jones Christmas card to Eugenie Gershoy

Creator:
Jones, Jane H.  Search this
Gershoy, Eugenie, 1901-1983 or 6  Search this
Type:
Correspondence
Date:
1956 Dec. 14
Topic:
Winter  Search this
Record number:
(DSI-AAA)11262
See more items in:
Eugenie Gershoy papers, 1914-1983
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11262
Online Media:

Bernard Childs Christmas card to Eugenie Gershoy

Creator:
Childs, Bernard, 1910-1985  Search this
Gershoy, Eugenie, 1901-1983 or 6  Search this
Type:
Correspondence
Date:
1981
Topic:
Animals  Search this
Record number:
(DSI-AAA)11263
See more items in:
Eugenie Gershoy papers, 1914-1983
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11263
Online Media:

Interview with Eugenie Gershoy

Creator:
Gershoy, Eugenie, 1901-1983 or 6  Search this
Hamelecourt, Juliette Elkon, 1912-  Search this
Type:
Sound Recording
Date:
circa 1980
Record number:
(DSI-AAA)14449
See more items in:
Juliette Elkon Hamelecourt papers, 1911-2000, bulk 1940s-2000
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14449

Eugenie Gershoy letter to Dorothy Canning Miller

Creator:
Gershoy, Eugenie, 1901-1983 or 6  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Subject:
Cahill, Holger  Search this
Type:
Correspondence
Date:
not before 1960 July
Topic:
Condolence notes  Search this
Death  Search this
Record number:
(DSI-AAA)13574
See more items in:
Holger Cahill papers, 1910-1993, bulk 1910-1960
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13574
Online Media:

Eugenie Gershoy papers

Creator:
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Federal Art Project (N.Y.)  Search this
Woodstock Artists Association (Woodstock, N.Y.)  Search this
Yaddo (Artist's colony)  Search this
Baker, Mildred, 1905-  Search this
Blanch, Arnold, 1896-1968  Search this
Blanch, Lucile, 1895-1981  Search this
Breeskin, Adelyn Dohme, 1896-1986  Search this
Calder, Alexander Stirling, 1870-1945  Search this
Dehn, Virginia  Search this
Force, Juliana, 1876-1948  Search this
Fruhauf, Aline, 1909-1978  Search this
Gottlieb, Harry, 1895-  Search this
Hart, Agnes, 1912-1979  Search this
Knight, Frederic C., 1898-1979  Search this
Marantz, Irving, 1912-1972  Search this
Millay, Edna St. Vincent, 1892-1950  Search this
Nakian, Reuben, 1897-1986  Search this
Picken, George, 1898-  Search this
Pollet, Joseph C., 1897-1979  Search this
Presser, Josef, 1906-1967  Search this
Refregier, Anton, 1905-  Search this
Scaravaglione, Concetta, 1900-1975  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Thomson, Virgil, 1896-  Search this
Varda, Jean  Search this
Extent:
7.2 Linear feet
Type:
Collection descriptions
Archival materials
Prints
Christmas cards
Photographs
Sketchbooks
Sketches
Place:
Woodstock (N.Y.)
Date:
1914-1983
Summary:
The papers of sculptor and art instructor, Eugenie Gershoy, measure 7.2 linear feet and date from 1914 to 1983. The collection documents Gershoy's career through biographical material, correspondence, business records, notes, writings, artwork, printed material, and photographs.
Scope and Content Note:
The Eugenie Gershoy papers date from 1914 to 1983, measure 7.2 linear feet, and reflect Gershoy's career as a sculptor and teacher. The collection contains biographical material, correspondence, business records, notes, writings, artwork of Gershoy and others, printed material including exhibition catalogs, and photographs with subjects including Gershoy, her friends and colleagues, her studio, and her artwork.

Correspondence forms the bulk of the collection and includes correspondence between Gershoy and her siblings and their families regarding her activities, as well as with colleagues, many of whom were associated with the Woodstock Artist Association, and many of whom were museum colleagues.
Arrangement:
The collection is arranged into eight series according to material type. The contents of each series have been arranged chronologically.

Series 1: Biographical Material, 1939-1971 (boxes 1, 8-9; 3 folders)

Series 2: Correspondence, 1914-1983, undated (boxes 1-6, 8-9; 5.8 linear ft.)

Series 3: Business Records, 1952-1978 (box 6; 5 folders)

Series 4: Notes, 1967-1970, undated (box 6; 3 folders)

Series 5: Writings, 1970, undated (box 6; 2 folders)

Series 6: Artwork, 1932-1978, undated (boxes 6, 8-9, OV 10, 26 folders)

Series 7: Printed Material, 1932-1983, undated (boxes 7, 9; 19 folders)

Series 8: Photographs, 1916-1983, undated (boxes 7, 9; 12 folders)
Biographical Note:
Born in Krivoi Rog, Russia on January 1, 1901, Eugenie was the youngest of the Gershoy children. The family immigrated to New York City in 1903. She later became a U.S. citizen.

With the aid of two scholarships, she attended the Art Students League and studied under A. Stirling Calder, Leo Lentelli, Kenneth Hayes Miller, Boardman Robinson, and Carl Walters. During the late 1920s and early 1930s, she maintained a studio with Harry Gottlieb in Woodstock, New York. From 1936 to 1939, under the WPA Federal Art Project, she worked in conjunction with Max Spivak on murals for the children's recreation room in the Astoria branch of the Queens Borough Public Library, New York.

Gershoy's first solo show was at the Robinson Gallery in New York in 1940. Following a year of teaching at the New Orleans Art School, she moved to San Francisco in 1942. In 1946 she taught ceramics at the California School of Fine Arts, and in May 1950, she studied at Yaddo.

In addition to visits to England and France in the early 1930s, Gershoy travelled to Mexico and Guatemala in 1947, 1948, and 1961. She worked in Paris in 1951 and toured Africa, India, and the Orient in 1955.

Eugenie Gershoy died in 1986.
Related Material:
Related material in the Archives of American Art includes a transcribed oral history interview with Eugenie Gershoy conducted by Mary McChesney for the Archives of American Art's New Deal and the Arts Oral History Program, October 15, 1964. A link to the transcript is provided from the online catalog.
Provenance:
The Eugenie Gershoy papers were donated to the Archives of American Art between 1975 and 1983 by the artist.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Federal aid to the arts  Search this
Artists -- New York (State) -- Woodstock  Search this
Artists' studios -- New York (State) -- New York -- Photographs  Search this
Women painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Women sculptors -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Prints
Christmas cards
Photographs
Sketchbooks
Sketches
Citation:
Eugenie Gershoy papers, 1914-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gerseuge
See more items in:
Eugenie Gershoy papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gerseuge

Juliette Elkon Hamelecourt papers

Creator:
Hamelecourt, Juliette Elkon  Search this
Names:
Chelsea Hotel  Search this
Bettina, 1903-  Search this
Brown, Robert Delford  Search this
Childs, Bernard, 1910-1985  Search this
Fecher, Rita  Search this
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Glassgold, Adolph, 1899-  Search this
Gordon, Maxwell, 1910-1982  Search this
Extent:
3.1 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1911-2000
bulk 1940s-2000
Summary:
The Juliette Elkon Hamelecourt papers measure 3.1 linear feet and date from 1911-2000, with the bulk of the records dating from 1940s-2000. The papers document Hamelecourt's career through resumes, personal business records, and writings, as well as general correspondence, printed material, scrapbooks, and photographs. The collection also contains a series of interviews conducted by Hamelecourt with artists at the Chelsea Hotel in New York.
Scope and Contents:
The Juliette Elkon Hamelecourt papers measure 3.1 linear feet and date from 1911-2000, with the bulk of the records dating from 1940s-2000. Biographical material consists of resumes, notes and other writings, as well as some personal business records such as contracts, price lists, loan agreements, and consignment lists. Correspondents include customers, museums, galleries, friends, publishers, and family members and discussions regard exhibitions, sales, food, and personal matters. The collection's printed material consists of clippings about Hamelecourt, Haiti, the Chelsea Hotel, and other artists; exhibition announcements, invitations, and catalogs; press releases, newsletters, and bulletins; articles written by Hamelecourt; reproductions of her artwork; and the book jacket from Hamelecourt's Edith Cavell: Heroic Nurse (1958). Hamelecourt's scrapbooks contain a variety of material such as correspondence with museums, galleries, and family members about her life and artwork as well as correspondence for historical and cultural research purposes; photographs and slides of Hamelecourt, artwork, family, and friends; printed material; sketches; drafts of her autobiography; and biographical papers pertaining to her marriage in 1969. The collection also contains a series of interviews conducted by Hamelecourt with artists at the Chelsea Hotel including Arman, Bettina, Bernard Childs, Rita Fetcher, Eugenie Gershoy, Adolph Cook Glassgold, Maxwell Gordon, and others.
Arrangement:
The collection is arranged as 6 series.

Series 1: Biographical Material, 1972-1991 (Box 1; 7 folders)

Series 2: Correspondence, 1943-1999 (Box 1; 12 folders)

Series 3: Interviews with Chelsea Hotel Artists, circa 1980 (Box 1; 5 folders)

Series 4: Printed Material, 1943-2000 (Box 2; .8 linear feet)

Series 5: Scrapbooks, 1911-1999 (Box 2-3, OV 4; 1 linear foot)

Series 6: Photographs, 1940-1990s (Box 3; 5 folders)
Biographical / Historical:
Juliette Elkon Hamelecourt (1912-2002) was a fiber artist, tapissiere, and lecturer in Haiti, New York, and Cleveland. Hamelecourt was born in Belgium and spent her early years traveling with her father in England and China. Hamelecourt first learned needlework in China at the age of 10. After her father's death a couple of years later, she returned to live in Belgium with her grandparents where Hamelecourt worked alongside her grandmother who was a volunteer conservationist, repairing chasubles for the local clergy. Hamelecourt's early tapestries were ultimately lost or destroyed during World War II when she and her family moved to New York as refugees. Until the late 1950s she worked as a culinary editor, food consultant, and author of non-fiction, while needlework remained a hobby. Hamelecourt first visited Haiti reporting on French Caribbean cuisine in the late 1950s, and soon after moved there as a representative for the World Craft Council. In Haiti, she trained local women to embroider designs from their own environment and folklore. Hamelecourt moved to the Chelsea Hotel in New York around 1970, at this time she began receiving commissions for her work--some of which she sub-contracted to her Haitian embroiderers--and consulting as a designer. She established an embroidery workshop at the hotel with a grant from the New York Council on the Arts. Hamelecourt moved to Cleveland, Ohio in 1980.
Provenance:
The collection was donated by Juliette Hamelecourt, 1978-1997, and by the Juliette Elkon Hamelecourt estate via Leonard Spremulli in 2014.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Fiber artists -- New York (State) -- New York  Search this
Tapissiers -- New York (State) -- New York  Search this
Topic:
Tapestry -- United States  Search this
Embroidery -- United States  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Juliette Elkon Hamelecourt papers, 1911-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hamejuli
See more items in:
Juliette Elkon Hamelecourt papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hamejuli

Federal Art Project, Photographic Division collection

Creator:
Federal Art Project. Photographic Division  Search this
Names:
Federal Art Project (N.Y.)  Search this
Federal Art Project (Wash.)  Search this
Federal Art Project -- Photographs  Search this
Federal Art Project. Easel Division  Search this
Federal Art Project. Graphic Arts Division  Search this
Federal Art Project. Poster Division  Search this
Federal Music Project (U.S.) -- Photographs  Search this
Federal Theatre Project (U.S.) -- Photographs  Search this
Federal Writers' Project (U.S.) -- Photographs  Search this
Harlem Art Center  Search this
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
Abbott, Berenice, 1898-1991  Search this
Alston, Charles Henry, 1907-1977  Search this
Arenal, Luis  Search this
Barthé, Richmond, 1901-1989  Search this
Benson, John Howard, 1901-1956  Search this
Berger, Andrew  Search this
Blanch, Lucile, 1895-1981  Search this
Bloch, Lucienne, 1909-1999  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Brann, Louise, 1906-  Search this
Burke, Selma, 1900-  Search this
Cahill, Holger, 1887-1960  Search this
Calapai, Letterio, 1902-1993  Search this
Chodorow, Eugene, 1910-2000  Search this
Criss, Francis, 1901-1973  Search this
Davis, Stuart, 1892-1964  Search this
De Rivera, José Ruiz, 1904-1985  Search this
Dehn, Adolf, 1895-1968  Search this
Dehn, Virginia E. (Virginia Engleman), 1922-2005  Search this
Ennis, George Pearse, d. 1936  Search this
Evergood, Philip, 1901-1973  Search this
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Goodman, Bertram, 1904-1988  Search this
Gorky, Arshile, 1904-1948  Search this
Greenwood, Marion, 1909-1970  Search this
Guston, Philip, 1913-1980  Search this
Herman, Andrew  Search this
Hord, Donal, 1902-1966  Search this
Horn, Sol  Search this
Hovell, Joseph, 1897-  Search this
Karp, William, 1905-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laning, Edward, 1906-1981  Search this
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
McMahon, Audrey, 1900?-1981  Search this
Olds, Elizabeth, 1896-1991  Search this
Refregier, Anton, 1905-  Search this
Robbins, David  Search this
Seltzer, Leo, 1916-  Search this
Shuster, Will  Search this
Zorach, William, 1887-1966  Search this
Extent:
12.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1920-1965
bulk 1935-1942
Summary:
The Federal Art Project, Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the Federal Art Project (FAP), 1935-1942. The collection comprises 12.4 linear feet of mostly photographic prints and negatives that document primarily artwork produced by artists employed by the FAP. A smaller number of photographs also document other programs of the FAP, such as art classes and community centers, exhibitions by children and adults, artwork installed in public buildings, project divisions, and demonstrations of art processes by FAP artists.
Scope and Content Note:
The Federal Art Project (FAP), Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the FAP: 1935-1942. The collection comprises 12.4 linear feet of photographic prints and negatives, including photos of FAP artists and the artwork created by them, and other activities of the FAP in communities throughout New York City and other states. Photographers include Andrew Herman, Sol Horn, David Robbins, Leo Seltzer, and others.

Artist files comprise three-quarters of the collection and consist primarily of photographs of artwork, as well as scattered photos of artists at work, including: Charles Alston, Luis Arenal, Richmond Barthe, John Benson, Andrew Berger, Lucille Blanch, Lucienne Bloch, Ilya Bolotowsky, Luise Brann, Selma Burke, Letterio Calapai, Eugene Chodorow, Francis Criss, Stuart Davis, Adolf Dehn, Virginia Dehn, Jose de Rivera, George Pearse Ennis, Philip Evergood, Eugenie Gershoy, Bertram Goodman, Arshile Gorky, Marion Greenwood, Philip Guston, Donal Hord, Joseph Hovell, William Karp, Yasuo Kuniyoshi, Edward Laning, Julian Levi, Audrey McMahon, Elizabeth Olds, Anton Refregier, Will Shuster, William Zorach, and others.

The remainder of the collection consists of files documenting related activities and programs of the FAP, arranged by subject. The bulk of these files document the activities of the New York City FAP, including free art classes and art exhibitions for adults and children, exhibitions at the Harlem Art Center, and the work of FAP branches including the Easel Division, the Graphic Arts Division, and the Poster Division.

Other subjects documented include federal and community art centers in eleven states, most extensively Washington State; other WPA projects such as the Federal Theater Project, the Federal Music Project, and the Federal Writers' Project; buildings decorated with FAP artwork; art processes as demonstrated by FAP artists; special events; and people involved with the FAP, including director Holger Cahill.

One folder contains images that appear to have been taken by Berenice Abbott for the exhibition Changing New York (1935), for the Museum of the City of New York in collaboration with the WPA.
Arrangement:
The collection is arranged as 2 series:

Series 1: Artist Files, circa 1920-1965 (Boxes 1-24; 9.6 linear feet)

Series 2: Subject Files, 1934-1956 (Boxes 25-32; 2.8 linear feet)
Historical Note:
The Federal Art Project (FAP) was one of the Depression-era work-relief programs of the Federal Works Progress Administration (WPA). The program was founded in August 1935 to provide employment for artists and to implement visual arts programs in local communities across the country.

Together with the Federal Music Project, the Federal Theater Project, and the Federal Writers' Project, the FAP formed part of the WPA's Federal Project No. 1. The WPA became the Work Projects Administration in 1939 when it fell under the administrative hand of the newly created Federal Works Agency; concurrently the Federal Art Project was officially re-named the Federal Art Program.

Under the direction of Holger Cahill, the goals of the FAP fell into three main areas: production of artwork, art education through art classes and community centers, and art research through the Index of American Design. During the course of the program, artists created murals and other works of art for many non-Federal government buildings such as schools, hospitals, and libraries. Separate photographic divisions were set up in several states, most notably in New York City, to document the work of artists employed by the program, activities in art education such as classes for children and adults, community center outreach programs, and other "Federal 1" projects, including the Federal Theater and Music Projects. Employees of the photographic division were also involved in other assignments, such as creating exhibitions and photo murals.

The Federal Art Project ended in 1943.
Related Material:
Among the holdings of the Archives of American Art are related collections, including the Federal Art Project of the Work Projects Administration records, 1935-1948. Additional FAP records are held by the National Archives and Records Administration in Washington D.C.
Provenance:
The collection was anonymously donated to the Archives of American Art in the late 1950s.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Children's art  Search this
Photography  Search this
Art -- United States -- Exhibitions -- Photographs  Search this
Art -- United States -- Study and teaching -- Photographs  Search this
Art centers  Search this
Federal aid to the public welfare -- Photographs  Search this
Theater and state -- United States -- Photographs  Search this
Music and state -- United States -- Photographs  Search this
Federal aid to the arts -- Photographs  Search this
Art and state -- United States -- Photographs  Search this
Art -- Technique  Search this
Artists -- United States -- Photographs  Search this
Art -- Exhibitions  Search this
Latino and Latin American artists  Search this
Art -- Study and teaching  Search this
African American artists  Search this
Genre/Form:
Photographs
Citation:
Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fedeartp14
See more items in:
Federal Art Project, Photographic Division collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fedeartp14
Online Media:

Jacob Getlar Smith papers

Creator:
Smith, Jacob Getlar, 1898-1958  Search this
American Artists' Congress  Search this
Names:
Benton, Thomas Hart, 1889-1975  Search this
Cadmus, Paul, 1904-1999  Search this
Chain, Jack  Search this
Criss, Francis, 1901-1973  Search this
Edie, Stuart, 1908-1974  Search this
Evergood, Philip, 1901-1973  Search this
Fiene, Ernest, 1894-  Search this
Genauer, Emily, 1910-2002  Search this
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Gross, Chaim, 1904-1991  Search this
Halper, Nathan  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
Marsh, Reginald, 1898-1954  Search this
Matulka, Jan, 1890-1972  Search this
Prestopino, Gregorio  Search this
Scaravaglione, Concetta, 1900-1975  Search this
Sepeshy, Zoltan, 1898-1974  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Stone, Irving, 1903-  Search this
Tamotsu, Chūzō, 1888-1975  Search this
Zorach, William, 1887-1966  Search this
Extent:
2.5 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Drawings
Date:
1919-1966
Scope and Contents:
Drawings, caricatures, scrapbooks, correspondence, photographs, writings, and printed material.
REELS 723-724: Two scrapbooks, 1919-1935 and 1935-1966, containing clippings, exhibition catalogs, and printed materials; and 128 letters from artists, galleries, and art organizations, including American Artists Congress, Associated American Artists Gallery, Thomas Hart Benton, Paul Cadmus, Philip Evergood, Emily Genauer, Julian Levi, Gregorio Prestopino, Zoltan Sepeshy, Moses Soyer, Raphael Soyer, William Zorach, and others.
UNMICROFILMED: Caricatures and portrait drawings by Smith of Jack Chain, Francis Criss, Stuart C. Edie, Philip Evergood, Ernest Fiene, Eugenie Gershoy, Chaim Gross, Nathan Halper, [?] Hunt, Yasuo Kuniyoshi, Julian Levi, Reginald Marsh, Jan Matulka, Concetta Scaravaglione, Irving Stone, Chuzo Tamotzu, and unidentified others. Also included is a self-portrait.
ADDITION: Ca. 40 letters; photographs, including Smith, other artists, and Woodstock, NY; draft manuscript for Smith's book, "Art and the Artist and You" (includes copy photographs of illustrations for the book); writings; exhibition catalogs and related printed material; and clippings. Ca. 35 of the letters were previously lent and microfilmed on reels 723-724.
Biographical / Historical:
Watercolor painter; New York, N.Y.
Provenance:
Material on reels 723-724 lent for microfilming 1974 by David Loeffler Smith, Smith's son. He subsequently donated the 2 scrapbooks and some correspondence from the loan, along with additional unmicrofilmed material, in 1983 and 1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Watercolorists -- New York (State) -- New York  Search this
Topic:
Watercolor painting  Search this
Drawing -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Identifier:
AAA.smitjaco
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smitjaco

Isabella Howland papers

Creator:
Howland, Isabella, 1895-1974  Search this
Names:
Bacon, Peggy, 1895-1987  Search this
Bywaters, Jerry  Search this
Dehn, Adolf, 1895-1968  Search this
Force, Juliana, 1876-1948  Search this
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Greenbaum, Dorothea S.  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Strater, Henry, 1896-  Search this
Watson, Forbes, 1880-1960  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Photographs
Sketchbooks
Date:
1899-1979
Summary:
The papers of artist Isabella Howland measure 1.2 linear feet and date from 1899-1979. The collection documents her career through biographical material, correspondence, personal business records, writings, printed material, artwork, and photographs.
Scope and Contents:
The papers of painter, sculptor, caricaturist, and portraitist Isabella Howland measure 1.2 linear feet and date from 1899-1979. Correspondence makes up about a third of the collection, with the remainder comprised of biographical material, writings, printed material, photographs, and artworks.

Correspondence is found between Isabella Howland and other artists or dealers. Among these are Eugenie Gershoy, Henry Strater, Edith Halpert, Peggy Bacon, Forbes Watson, Jerry Bywaters, Adolph Dehn and Dorothea Greenbaum. Letters from Juliana Force, the first director of the Whitney Museum of American Art, are present. Many invitations to exhibit are included. The collection includes a small number of letters with Howland's family. She maintained written communication with several individuals over decades.

The biographical material contains Isabella Howland's handwritten notes and typed documents about her life. Some legal documents and financial records are present. The writing series includes her story 'Willy Nilly' with accompanying illustrations of animals, in addition to some other writings. The artwork series includes sketches and sketchbooks from childhood into adulthood. Photographs include images of Howland as well as her paintings and portraits.
Arrangement:
Series 1: Biographical Material, 1901-1972 (4 folders; Box 1)

Series 2: Correspondence, 1917-1973 (22 folders; Box 1)

Series 3, Writings, 1935-1964 (8 folders; Box 1)

Series 4: Printed Material, 1928-1976 (5 folders; Box 1)

Series 5: Photographs, circa 1900-1979 (4 folders; Box 1, OV 2)

Series 6: Artwork, 1899-circa 1940s (8 folders; Box 1, OV 2)
Biographical / Historical:
Isabella Howland (1895-1974) lived and worked in New York City. She drew portraits, painted on canvas, sketched on paper, and sculpted caricature busts of people in the art world. She wrote that she could do anything with her hands.

Howland was born in Brookline, Massachusetts. From her youth she knew she wanted to be an artist. She had her earliest artistic training at age 16. Her art education included time at the Boston Museum School and the Art Students League in New York City. She completed her secondary education in France and Germany, moved back to the United States afterwards, and in 1920 travelled again to Europe. In 1922 she settled in Greenwich Village and spent summers in Woodstock to paint landscapes and still-lifes. She actively painted in the 1920s, and had three shows in 1927, 1929, and 1931. During the Depression she worked for the Public Works of Art Project and the Works Progress Administration. In 1934 she married Armando Zegri, and they divorced in 1937. While they were married they owned a club in the West Village named The Café Latino. She began teaching at a private school in the early 1940s while dealing with some personal difficulties. She found religion which comforted her as she dealt with her mother's declining health and her sister's waning mental state.

Howland had many friends in the art world and regularly received requests to exhibit at museums. She became known as an accomplished portrait artist, and she was commissioned many times to execute drawings or sculptures. She dabbled in writing and illustrating stories, and produced a set of 33 Christmas cards featuring two monks.
Provenance:
Donated between 1975-1976 by Mrs. Martha Craig and Barbara Summer. Three photographs of works of art were donated by Eugenie Gershoy in 1979.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Caricaturists -- New York (State) -- New York  Search this
Topic:
Portrait painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Women artists  Search this
Sculptors -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Photographs
Sketchbooks
Citation:
Isabella Howland papers, 1899-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.howlisab
See more items in:
Isabella Howland papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-howlisab

Oral history interview with Eugenie Gershoy

Interviewee:
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Interviewer:
McChesney, Mary Fuller  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (New York, N.Y.)  Search this
New Deal and the Arts Oral History Project  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Extent:
1 Sound tape reel (Sound recordings, 5 in.)
29 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1964 Oct. 15
Scope and Contents:
An interview of Eugenie Gershoy conducted 1964 Oct. 15, by Mary McChesney, for the Archives of American Art's New Deal and the Arts Oral History Project.
Gershoy speaks of her background and education; studying under John Flannagan at the Art Students League; working for the WPA Federal Art Project in New York City; sculptors she associated with; her involvement in protest demonstrations; her feelings about government support for the arts; and her post-FAP career.
Biographical / Historical:
Eugenie Gershoy (1901?-1983 or 6) was a sculptor from New York, N.Y.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Federal aid to the arts  Search this
Art and state  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Women sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gersho64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gersho64

Oral history interview with Eugenie Gershoy, 1964 Oct. 15

Interviewee:
Gershoy, Eugenie, 1901-1983 or 6  Search this
Interviewer:
McChesney, Mary Fuller, 1922-  Search this
Subject:
Flannagan, John Bernard  Search this
Federal Art Project (New York, N.Y.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Art and state  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Women sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13135
(DSI-AAA_SIRISBib)213484
AAA_collcode_gersho64
Theme:
Women
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213484
Online Media:

Eugenie Gershoy papers, 1914-1983

Creator:
Gershoy, Eugenie, 1901-1983 or 6  Search this
Subject:
Nakian, Reuben  Search this
Picken, George  Search this
Pollet, Joseph C.  Search this
Presser, Josef  Search this
Hart, Agnes  Search this
Knight, Frederic C.  Search this
Marantz, Irving  Search this
Millay, Edna St. Vincent  Search this
Thomson, Virgil  Search this
Varda, Jean  Search this
Refregier, Anton  Search this
Scaravaglione, Concetta  Search this
Soyer, Moses  Search this
Soyer, Raphael  Search this
Baker, Mildred  Search this
Blanch, Lucile  Search this
Blanch, Arnold  Search this
Force, Juliana  Search this
Gottlieb, Harry  Search this
Fruhauf, Aline  Search this
Calder, Alexander Stirling  Search this
Breeskin, Adelyn Dohme  Search this
Dehn, Virginia  Search this
Woodstock Artists Association (Woodstock, N.Y.)  Search this
Yaddo (Artist's colony)  Search this
Federal Art Project (N.Y.)  Search this
Art Students League (New York, N.Y.)  Search this
Type:
Prints
Christmas cards
Photographs
Sketchbooks
Sketches
Place:
Woodstock (N.Y.)
Topic:
Painters -- New York (State) -- New York  Search this
Federal aid to the arts  Search this
Artists -- New York (State) -- Woodstock  Search this
Artists' studios -- New York (State) -- New York -- Photographs  Search this
Women painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Women sculptors -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)8967
(DSI-AAA_SIRISBib)211154
AAA_collcode_gerseuge
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211154
Online Media:

Oversized Biographical material, Certificate from Box 9

Collection Creator:
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Container:
Box 8, Folder 1
Type:
Archival materials
Date:
1965-1971
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Eugenie Gershoy papers, 1914-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Eugenie Gershoy papers
Eugenie Gershoy papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gerseuge-ref119

Oversized Correspondence from Box 5

Collection Creator:
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Container:
Box 8, Folder 1
Type:
Archival materials
Date:
Mar., 1976-Feb., 1978
Scope and Contents:
Reel 4970
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Eugenie Gershoy papers, 1914-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Eugenie Gershoy papers
Eugenie Gershoy papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gerseuge-ref120

Miscellaneous notes

Collection Creator:
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Container:
Box 9, Folder 19
Type:
Archival materials
Date:
1967-1968, undated
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Eugenie Gershoy papers, 1914-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Eugenie Gershoy papers
Eugenie Gershoy papers / Series 4: Notes
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gerseuge-ref121

Sketchbooks 5 and 6 (see also box 8)

Collection Creator:
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Container:
Box 6, Folder 55
Type:
Archival materials
Date:
undated
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Eugenie Gershoy papers, 1914-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Eugenie Gershoy papers
Eugenie Gershoy papers / Series 6: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gerseuge-ref122

Sketchbook 10 (see also box 8)

Collection Creator:
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Container:
Box 6, Folder 59
Type:
Archival materials
Date:
1973
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Eugenie Gershoy papers, 1914-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Eugenie Gershoy papers
Eugenie Gershoy papers / Series 6: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gerseuge-ref123

Prints by Gershoy (see also box 8 and OV 10)

Collection Creator:
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Container:
Box 6, Folder 68
Type:
Archival materials
Date:
1948, 1975
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Eugenie Gershoy papers, 1914-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Eugenie Gershoy papers
Eugenie Gershoy papers / Series 6: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gerseuge-ref124

Oversized Prints by Gershoy from Box 6

Collection Creator:
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Container:
Box OV 10
Type:
Archival materials
Date:
1948, 1975
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Eugenie Gershoy papers, 1914-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Eugenie Gershoy papers
Eugenie Gershoy papers / Series 6: Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gerseuge-ref125

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