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291 documents - page 1 of 15

Innovative Lives: Pioneers of Genetic Engineering

Creator:
National Museum of American History  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2017-01-04T15:11:55.000Z
YouTube Category:
Education  Search this
Topic:
American History  Search this
See more by:
SmithsonianAmHistory
Data Source:
National Museum of American History
YouTube Channel:
SmithsonianAmHistory
EDAN-URL:
edanmdm:yt_gqMdALbx3FM

Angiosperm pollen and ovules E. Ottaviano ... [and others, editors]

Author:
Ottaviano, Ercole  Search this
Physical description:
xxvi, 465 pages illustrations 24 cm
Type:
Congresses
Congrès
Conference papers and proceedings
Date:
1992
Topic:
Angiosperms--Pollen  Search this
Pollen  Search this
Ovules  Search this
Plant biotechnology  Search this
Magnoliopsida--growth & development  Search this
Magnoliopsida--physiology  Search this
Biotechnology  Search this
Angiospermes--Pollen--Congrès  Search this
Ovules (Botanique)--Congrès  Search this
Plantes--Biotechnologie  Search this
Angiospermes--Pollen  Search this
Ovules (Botanique)  Search this
Biotechnologie  Search this
pollen  Search this
bioengineering  Search this
Samen  Search this
Bedecktsamer  Search this
Plants--Reproduction  Search this
Plant genetic engineering  Search this
Angiosperms--Pollen--Congresses  Search this
Ovules--Congresses  Search this
Plant--Congresses  Search this
Pollen--Congresses  Search this
bedektzadigen  Search this
embryologie  Search this
embryology  Search this
bloemen  Search this
Flowers  Search this
vruchten  Search this
fruits  Search this
genetica  Search this
Genetics  Search this
moleculaire biologie  Search this
molecular biology  Search this
Plantenontwikkeling  Search this
Plant Development  Search this
plantenorganen  Search this
plant organs  Search this
Plantenfysiologie  Search this
PLANT PHYSIOLOGY  Search this
planten  Search this
Plants  Search this
voortplanting  Search this
Reproduction  Search this
Plant Reproduction  Search this
Reproductie van planten  Search this
Call number:
QK658.A54 1992X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_443821

Design Talk | Wyss Institute Selects

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2019-11-12T18:40:09.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_a2wKKAJTaXw

Oral history interview with Joyce J. Scott

Interviewee:
Scott, Joyce J., 1948-  Search this
Interviewer:
Silberman, Robert B. (Robert Bruce), 1950-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
61 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 July 22
Scope and Contents:
An interview of Joyce J. Scott conducted 2009 July 22, by Robert Silberman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Scott's home and studio, in Baltimore, Maryland.
Scott talks about her childhood in Baltimore; childhood visits to the Baltimore Museum of Art and Walters Art Gallery; her parents' lives growing up in the segregated South; her artist mother, who was her first bead-teacher; craft traditions in her family, including pottery and quilting; quilting as storytelling, "diaries" for preliterate people; improvisational craft; Three Generation Quilt; Fifty .; undergraduate studies at Maryland Institute College of Art; travels after graduation in Mexico, Central , and South America; graduate studies in craft in Mexico; decision at age 23 to become a studio artist, and partnership with her mother; theater work with Robert Sherman and in New York and in Baltimore; theater work with Kay Lawal in Thunder Thigh Revue; studies at Haystack Mountain School of Crafts, Deer Isle, ME, where she learned traditional Navajo weaving, and learned the peyote stitch for beadwork, a seminal technique for her career; her book Fearless Beadwork: Improvisational Peyote Stitch: handwriting & drawings from hell. Rochester, NY: Visual Studies Workshop, 1994; working in different mediums; What You Mean Jungle Music? [1988]; working for recognition of beadwork as a sculptural medium; politics, social commentary, and humor in her work; series Day after Rape; her working processes; Rodney King's Head Was Squashed Like a Watermelon; working in monoprints; working in glass (flameworking, lampworking), including at Pilchuck Glass School, Stanwood, WA, Tacoma [WA] Museum of Glass, UrbanGlass, New York, NY, Haystack Mountain; retrospective exhibition, "Joyce Scott Kickin' It With the Old Masters" at the Baltimore Museum of Art, 2000; series Africa in Unexpected Places; installation work, including in "Images Concealed," San Francisco, 1995, and Believe I've Been Sanctified, Charleston, SC, 1991; small-scale work; influence of her upbringing in the Pentecostal church; Buddha Gives Basketball to the Ghetto [1991] and the importance of spirituality in her work; travels in South America, Africa, and Europe; the complementarity of performance/theater work and visual art; performance pieces: Generic Interference, Genetic Engineering, Virtual Reality, and Walk a Mile in My Drawers; Lips mosaic at Reagan National Airport, Washington, D.C.; teaching workshops at Haystack, Penland School of Crafts, Penland, NC, the Oregon School of Arts and Craft, Portland; artist-in-residency at Pilchuck; gallery affiliations, and usefulness of the gallery system, which allows her to work as a studio artist; the importance of galleries as a free venue open to ordinary people; luxuriating in beauty. She recalls Betty Woodman, Dr. Leslie King-Hammond, Lowery Sims, Fritz Dreisbach, Anthony Corradetti, Antony Gormley, Ann Hamilton, David Hammons, Mary Jane Jacob, Cesar Pelli, Susan Cummins, and Helen Drutt English.
Biographical / Historical:
Joyce J. Scott (1948- ) is a visual and performance artist and educator who lives and works in Baltimore, Maryland.
General:
Originally recorded on 4 memory cards. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 11 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Sculptors -- Maryland -- Baltimore  Search this
Performance artists -- Maryland -- Baltimore  Search this
Quiltmakers -- Maryland -- Baltimore  Search this
Jewelers -- Maryland -- Baltimore  Search this
Educators -- Maryland -- Baltimore  Search this
Topic:
Women artists  Search this
Women sculptors  Search this
Women jewelers  Search this
African American artists  Search this
Women jewelers  Search this
African American quiltmakers  Search this
African American sculptors  Search this
African American educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.scott09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e43800a6-9a2b-4379-b1cc-daffdb8fe6f9
EDAN-URL:
ead_collection:sova-aaa-scott09
Online Media:

Smithsonian Folklife Festival records: 1994 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Digital images
Audiocassettes
Audiotapes
Photographic prints
Contracts
Notes
Correspondence
Plans (drawings)
Memorandums
Business records
Negatives
Video recordings
Videotapes
Sound recordings
Slides (photographs)
Place:
Caribbean Area
Latin America
Date:
July 1-10, 1994
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1994 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: The Commonwealth of The Bahamas

Series 3: Culture and Development in Latin America and the Caribbean

Series 4: Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows

Series 5: Thailand: Household, Temple Fair & Court
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1994 Festival of American Folklife was produced by the Smithsonian Center for Folklife Programs and Cultural Studies and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The 1994 Festival featured four programs. In The Bahamas program, Americans could find intriguing connections to a shared history embodied in the traditions of the descendants of Africans, free and enslaved, British Loyalists, Seminoles, and many other immigrants. More than just beautiful sun, sea, and sand, The Bahamas, and especially its Family Islands, are home to a rich diversity of cultural communities and practices. Also on the Mall, yet half a world away, was Thailand, a nation that never acceded to colonial rule and whose ancient traditions are very much alive in contemporary households, temples, and the royal court. Given the growing economic and political importance of Asia and the Pacific Rim, visitors had the opportunity to better understand Thailand's cultural traditions. The program on Culture and Development, a collaborative effort with the Inter-American Foundation, recognized the value of local cultural resources and practitioners and their role in development efforts. A strategy of appropriately utilizing a community's cultural resources often succeeds not only in stimulating economic growth, but also in promoting self-worth and popular participation in civic life. The program on Masters of Traditional Arts paid tribute to National Heritage Fellowship awardees from 17 states representing a broad range of American traditions. The awards, made annually by the National Endowment for the Arts, honor our human national treasures, those exemplary folk artists whose work expresses the history, identity, beliefs, and values of their communities.

These programs were seen by Smithsonian organizers as more than just separate living exhibits. As a whole, they demonstrated convincingly that across the United States and around the world, traditional culture was with us, not just as atomistic survivals, but as part of social fabrics woven by individuals, communities, and nations. The folks at the Festival live contemporary lives. They are just as contemporary as the genetic engineer, cable television network shopper, or government bureaucrat. The traditions they carry are embedded in modern life. Yes, sometimes we find these traditions are on the margins, but most often they are in an ongoing, creative tension with new innovations and technical and social changes. These traditional ways of doing, making, and being are continually, sometimes even daily, reinvented and applied to the circumstances of individual and institutional life. Innovation and tradition are not opposites, but are processually related to how we use our cultural inheritance - whether that be in music or the museum, handicraft or statecraft - to define and shape the future. The dialogue created at the Festival, in which cultural traditions were respectfully presented, discussed, and even passed along, was therefore considered to be vital to our continued civic health.

On the second day of the 1994 Festival, its founder Ralph Rinzler passed away after a long illness. On July 7, 1994, a memorial service was organized by Ralph's friends and associates (see the recordings in the Masters of Traditional Arts program). Clydia and Reeves Nahwooksy provided a Comanche Baptist invocation. Mile Seeger, Guy Carawan, and Bill Monroe played and sang. Bernice Reagon sang, as did the Bahamians. Bess Hawes, Jeffrey LaRiche, Ann Romano, and James Early spoke of his legacy. Memorial messages were read from Pete Seeger, Alan Lomax, Henry Glassie, Roger Abrahams, Rajeev Sethi, and others. Lucille Dawson spoke about the profound effects the Festival's Native American programs had had on Indian education and civil rights, and Mike Thomas spoke for the Smithsonian custodians who always found in Ralph a friend and supporter. Other impromptu memorials were conducted by the Bahamian and Thai participants.

The 1994 Festival took place during two four-day weeks (July 1-4 and July 7-10) between Madison Drive and Jefferson Drive and between 12th Street and 14th Street, south of the National Museum of American History (see site plan).

The 1994 Program Book included schedules and participant lists for each program; essays provided background on the Festival and each of the four programs.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Center for Folklife Programs & Cultural Studies.

Center for Folklife Programs & Cultural Studies

Richard Kurin, Director; Diana Parker, Festival Director; Anthony Seeger, Director, Smithsonian/Folkways Recordngs; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Senior Ethnomusicologist; Richard Kennedy, Program Analyst; Carla Borden, John Franklin, Program Managers; Olivia Cadaval, Amy Horowitz, Marjorie Hunt, Diana Baird N'Diaye, Folklorists/Curators; Betty Belanus, Education Specialist; Arlene L. Reiniger, Program Specialist; Jeffrey Place, Archivist; Kenneth M. Bilby, Roland Freeman, Ivan Karp, Alan Lomax, Worth Long, Research Collaborators

Folklife Advisory Council

Roger Abrahams, Jacinto Arias, Jane Beck, Pat Jasper, Barbara Kirshenblatt-Gimblett, Bernice Reagon, John Roberts, Carol Robertson, Gilbert Sprauve, Jack Tchen, Ricardo Trimillos, Carlos Vélez-Ibáñez

National Park Service

Roger Kennedy, Director; Robert G. Stanton, Regional Director, National Capital Region
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Forms Part Of:
Smithsonian Folklife Festival records: 1994 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music  Search this
Folklore  Search this
Food habits  Search this
Folk art  Search this
Folk festivals  Search this
arts and crafts  Search this
Folk music  Search this
Genre/Form:
Digital images
Audiocassettes
Audiotapes
Photographic prints
Contracts
Notes
Correspondence
Plans (drawings)
Memorandums
Business records
Negatives
Video recordings
Videotapes
Sound recordings
Slides (photographs)
Citation:
Smithsonian Folklife Festival records: 1994 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1994
See more items in:
Smithsonian Folklife Festival records: 1994 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5ddc8ca3e-7575-4fbe-aeaa-f2be18f19d0d
EDAN-URL:
ead_collection:sova-cfch-sff-1994

Alive from Off Center and Generic Interference/Genetic Engineering

Collection Creator:
Scott, Joyce J., 1948-  Search this
Extent:
3 Videocassettes (VHS)
Container:
Box 5, Folder 27
Type:
Archival materials
Moving Images [31027000888533]
Videocassettes (vhs)
Date:
1988-circa 1989
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Joyce J. Scott papers, 1914-2019. Archives of American Art, Smithsonian Institution.
See more items in:
Joyce J. Scott papers
Joyce J. Scott papers / Series 8: Audiovisual Material / 8.1: Event and Project Recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98ea841c0-d81d-40c8-8541-73e20bed362a
EDAN-URL:
ead_component:sova-aaa-scotjoyc-ref112

Generic Interference/Genetic Engineering

Collection Creator:
Scott, Joyce J., 1948-  Search this
Extent:
2 Videocassettes (VHS)
Container:
Box 5, Folder 28
Type:
Archival materials
Moving Images [31027000888533]
Videocassettes (vhs)
Date:
1989-1993
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Joyce J. Scott papers, 1914-2019. Archives of American Art, Smithsonian Institution.
See more items in:
Joyce J. Scott papers
Joyce J. Scott papers / Series 8: Audiovisual Material / 8.1: Event and Project Recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99b78295d-facb-4112-9883-5b37f5d0e3fe
EDAN-URL:
ead_component:sova-aaa-scotjoyc-ref113

Golden rice the imperiled birth of a GMO superfood Ed Regis

Author:
Regis, Edward 1944-  Search this
Physical description:
xvii, 234 pages illustrations 24 cm
Type:
Books
Date:
2019
Topic:
Oryza--Genetics  Search this
Rice--Genetics  Search this
Genetically modified foods  Search this
Food--Safety measures  Search this
Health attitudes  Search this
Food--Public opinion  Search this
Oryza--genetics  Search this
Food, Genetically Modified  Search this
Biofortification  Search this
Food Safety  Search this
Health Knowledge, Attitudes, Practice  Search this
Public Opinion  Search this
Attitude to Health  Search this
Oryza--Génétique  Search this
Riz--Génétique  Search this
Aliments transgéniques  Search this
Aliments--Sécurité--Mesures  Search this
Attitudes à l'égard de la santé  Search this
Aliments--Opinion publique  Search this
TECHNOLOGY & ENGINEERING / Agriculture / Agronomy / Crop Science  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1114530

How a Genetically Engineered Virus Could Help the Brain Fight Alcohol Cravings

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 25 Oct 2016 18:54:47 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_456756e57a6e8fff90fc654f50b02fe1

Five Things to Know About the Genetically Engineered Salmon Approved by the FDA

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Thu, 19 Nov 2015 18:51:16 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_582c5d3e1c28f72efa880aa83c625bf0

Researchers Are Trying to Genetically Engineer Cows to Stay Cool

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Mon, 06 Jul 2015 16:30:00 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_8ce2a1f42939de327974e192733e085e

New Report Says Genetically Engineered Crops Are Safe—But It's Complicated

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Thu, 19 May 2016 15:56:54 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_ba279cfe3f4eae33203cc611f78fa5e8

A Blueprint for Genetically Engineering a Super Coral

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Thu, 03 Aug 2017 15:06:15 +0000
Topic:
Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_ba86f10b12a9ed358364b5658dcb3e76

SSEP 2012 - Charles County, MD

Creator:
National Air and Space Museum  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2012-08-20T15:37:18.000Z
YouTube Category:
Education  Search this
Topic:
Aeronautics;Flight;Space Sciences  Search this
See more by:
airandspace
Data Source:
National Air and Space Museum
YouTube Channel:
airandspace
EDAN-URL:
edanmdm:yt_BpiFH5AcIKI

Article, "The Trans-African Art," The Black Collegian

Collection Creator:
Donaldson, Jeff, 1932-2004  Search this
Container:
Box 3, Folder 8
Type:
Archival materials
Date:
circa 1980-1996
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jeff Donaldson papers, 1918-2005, bulk 1960s-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Jeff Donaldson papers
Jeff Donaldson papers / Series 4: Writings / 4.1: Writings by Donaldson
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw986f6dc5f-7c3b-4030-bef7-6e1ed9b78bf1
EDAN-URL:
ead_component:sova-aaa-donajeff-ref39
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Creative Questions: Project Zero Visible Thinking Routine

Publisher:
Smithsonian Center for Learning and Digital Access  Search this
Language:
English
Object type:
Lesson Plan
Topic:
Inquiry  Search this
Strategy  Search this
Observation  Search this
Questions  Search this
Teaching  Search this
Method  Search this
Strategies  Search this
Questioning  Search this
Creativity  Search this
Imagination  Search this
Data source:
SI Center for Learning and Digital Access
EDAN-URL:
edanmdm:SCLDA_4105

Artificial Nature, Poster for Exhibition at Deste Foundation for Contemporary Art, Athens, Greece, June 20–September 15, 1990

Designer:
Dan Friedman, American, 1945–1995  Search this
Client:
Deste Foundation for Contemporary Art, Athens, Greece  Search this
Subject:
Ashley Bickerton, British, active USA and Indonesia, b. 1959  Search this
Medium:
Offset lithograph on paper
Dimensions:
61.7 × 81 cm (24 5/16 × 31 7/8 in.)
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Place depicted:
Athens, Greece
Date:
1990
Credit Line:
Gift of Ken Friedman
Accession Number:
1997-19-432
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4f2d7ec53-a99b-42e3-8bd5-045a13b65bd4
EDAN-URL:
edanmdm:chndm_1997-19-432
Online Media:

[Trade catalogs from DNA Plant Technology Corp.]

Company Name:
DNA Plant Technology Corp.  Search this
Notes content:
1986 annual report. Press releases. Genetic engineering of food.
Includes:
Trade catalog
Black and white images
Color images
Physical description:
8 pieces; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Cinnaminson, New Jersey, United States
Date:
1900s
Topic (Romaine term):
Foods and beverage products and processing equipment (including brewing; distilleries; beer; wine; etc.)  Search this
Biotechnology and biochemical equipment and supplies  Search this
Topic:
Beverage industry  Search this
Biochemical engineering  Search this
Biotechnology  Search this
Distilleries  Search this
Food industry and trade  Search this
Record ID:
SILNMAHTL_12613
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_12613

[Trade catalogs from Sanki Laboratories, Inc.]

Company Name:
Sanki Laboratories, Inc.  Search this
Notes content:
centrifugal partition chromatography systems (CPC); liquid chromatography without a solid support ; pharmaceuticals ; natural products ; foods & additives ; biopolymers ; fermentation products ; antibiotics ; genetically engineered molecules ; "Centrifugal Partition Chromatography: Downstream Processing of Biomaterials" by Jack Cazes, reprinted from Bio/Technology December 1988 ; reprints from American Laboratory February 1987 and September 1990
Includes:
Trade catalog
Black and white images
Physical description:
13 pieces; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Sharon Hill, Pennsylvania, United States
Date:
1900s
Topic (Romaine term):
Drugs; pharmaceuticals and patent medicines  Search this
Laboratories and laboratory supplies and equipment  Search this
Topic:
"Laboratories -- Furniture, equipment, etc."  Search this
Drugs  Search this
Patent medicines  Search this
Pharmacy  Search this
Record ID:
SILNMAHTL_16961
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_16961

[Trade catalogs from Genetic Engineering News]

Company Name:
Genetic Engineering News  Search this
Related companies:
Mary Ann Liebert, Inc., publishers.  Search this
Notes content:
Publication for biotechnology industry, Nov/Dec 1984 issue.
Includes:
Trade catalog
Black and white images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
New York, New York, United States
Date:
1900s
Topic (Romaine term):
Biotechnology and biochemical equipment and supplies  Search this
Topic:
Biochemical engineering  Search this
Biotechnology  Search this
Record ID:
SILNMAHTL_17039
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_17039

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