Material collected or kept by the Del Deo's relating to Provincetown art and artists, including Ross Moffet, Karl Knaths, James Wingate Parr, J. Madaline Winslow, Front Street Gallery, and the Provincetown Fine Arts Center (FAWC).
Material pertaining to painter Ross Moffett includes photographs of his family and its farm in Iowa; photographs of Moffett's paintings and drawings; photographs of Moffett's work taken by George Yater; material pertaining to Moffett's lecture "Three Dimensional Organization in Painting"; translations from a publication by Gino Severini; and drawings of Moffett by Shelby Shackelford.
Knaths material consists of two sketchbooks, one with occassional notes (1929) and one, ca. 1952; the sketches are figure and landscape compositions in Knath's characteristic cubist style. Parr material consists of a small album containing clippings, photographs of work, telegrams, and letters (undated and 1946); Winslow material is a letter to Caroline H. Geiger (1938).
Also found are records of the cooperative Front Street Gallery, in which Sal Del Deo was a member for its one-season existence, including information on the "Freedom Riders Exhibition" to benefit the Congress of Racial Equality (CORE); 7 reel-to-reel tape recordings made by Del Deo at the first three sessions of the Provincetown Fine Arts Work Center (FAWC), 1968-1970, including lectures or seminars by Jack Tworkov, Henry Hensche, Karl Knaths, Philip Malicoat, Boris Margo, and Ross Moffett.
Biographical / Historical:
Collectors; Provincetown, Mass. Josephine is the author of Figures in a Landscape : the Life and Times of the American Painter, RossMoffett, 1888-1971. Sal (b. 1928) is a painter and former vice-president of the Fine Arts Work Center.
Donated 1996, 1998 and 2000 by Jo & Sal Del Deo. They received the Moffett material Moffett's widow and used by Del Deo in preparation for her biography on Moffett. The Parr album was received from Robert Cummings, an old friend of Parr's, who had received it from Parr's parents. The Knaths sketchbooks were given by his widow, Helen, to the Del Deos. The Winslow letter was given to Josephine Del Deo by Janice Crouch who had a connection with Geiger or her family, either as a relation or a friend.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Reel-to-reel recordings of FAWC lectures and discussions: Authorization to publish, quote or reproduce requires written permission from Salvatore Del Deo. Contact Reference Services for more information.
2.2 Linear feet ((partially microfilmed on 6 reels))
Scope and Contents:
Correspondence of Charles and Marion Hawthorne, their son Joseph and his wife Hazel Hawthorne; photographs of Hawthorne family and Cape Cod School of Art; printed material; exhibition records; diary pages; and a drawing reflect activities of influential painting instructor Charles Hawthorne, his school, the Cape Cod School of Art, and publications by his wife and son about him.
REEL D38: The correspondence includes letters from Europe, 1898 and later letters pertaining to the Cape Cod School of Art, ca. 1910-1930. Among the photographs are two of Hawthorne instructing an art class, one of artists' model Joy Stillman, 1927, one of Hawthorne's home, which he used as a studio, one of his student Julie Morrow de Forest, and one of a bust of Hawthorne by Albin Polasek. Also found are research files on Charles by Joseph, Hawthorne, ca. 1961, and printed material from Provincetown Art Association and American Academy of Art.
REEL 1435: 114 photographs, 1870's-1930, of Hawthorne, his family, friends (including William Paxton and Abbott H. Thayer), art classes, models, his studio, home and views of Provincetown. In addition there are an etching by Marion C. Hawthorne; a memorial catalog; a photographic self-portrait, and a printed reproduction.
REEL 2788: 35 photographs, including Charles and Marion Hawthorne, their residence, classes taught by Charles Hawthorne, Provincetown, Mass.; and a study for a painting by Joy Stillman, a student of Charles Hawthorne. Also included are 4 printed announcements for classes.
REELS 2884-2885: Pages from Marion C. Hawthorne's diary, 1911 and 1928-1929; letters from Marion to her parents and correspondence between Charles and Marion, and with Joseph, undated and ca. 1900-1932; letters from the Macbeth Gallery, ca. 1909-1923; a letter from John Gellatly, 1907; a copy of a letter from Abbott H. Thayer, 1916; and letters from others. Some of the letters are annotated by Joseph Hawthorne.
REEL 5113: Biographical material on Charles and Marion Hawthorne; correspondence, 1902-1978; financial records, 1901-1902 and 1928-1930; photographs of the Hawthorne family and the Cape Cod School of Art, ca. 1899-1930s, newspaper clippings, ca. 1918-1984; writings on Charles by Marion and Joseph; a drawing of Charles, 1907; price lists for jewelry, undated; a notebook kept by Harry N. Campbell, director of the Cape Cod School of Art, regarding art supplies for the school; biographical studies about Charles by Joseph, ca. 1980's; lists of names and addresses by Marion; and exhibition catalogs and Cape Cod School catalogs, 1913 and 1926.
UNMICROFILMED: Photographs and slides of Hawthorne's work, including photos from an album attributed to Peter A. Juley. Among the photos is one of Charles taken by Carolyn Geiger, ca. 1928 (a similar copy is filmed reel D38, fr. 306-307); and a chronological list of Hawthorne's correspondence in an unknown hand; and miscellaneous correspondence.
Biographical / Historical:
Painters; Provincetown, Mass.; Marion, b. 1870, d. 1945; Charles, b. 1872, d. 1930. Hawthorne founded the Cape Cod School of Art in 1899. He studied with William Merritt Chase at Chase's Shinnecock school in 1896. Marion C. Hawthorne was a member of the National Association of Women Painters and Sculptors.
Material on reels D38, 2788 and 2884-85 was lent for microfilming in 1961 and 1982 by Joseph Hawthorne, son of Marion and Charles Hawthorne. Joseph later donated the previously microfilmed material in 1993, except for majority of frames 1-51 and all of frames 975-1923 on reel D38 which he retained. The material on reel 1435 was lent for microfilming in 1978 by the Provincetown Art Association and Museum, which had received it from Joseph Hawthorne. Hazel Hawthorne, Joseph's widow, donated additional material, reel 5113 and unfilmed, in 1995.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.