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Labortory Burner

Measurements:
tank: 5 in x 4 in; 12.7 cm x 10.16 cm
burner: 5 in; 12.7 cm
extension: 7 1/2 in; 19.05 cm
overall: 6 5/8 in x 14 1/4 in x 4 in; 16.8275 cm x 36.195 cm x 10.16 cm
Object Name:
Burner, Self Blowing Gasoline for Chemical Laboratory
Associated Place:
United States: New Jersey
Subject:
Skin & Dermatology Drugs  Search this
Credit Line:
Gift of Department of Chemistry, Catholic University of America
ID Number:
CH.316909
Catalog number:
316909
Accession number:
229658
See more items in:
Medicine and Science: Chemistry
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a0-e5ca-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_2268

Torch

Maker:
Turner Brass Works  Search this
Physical Description:
metal (overall material)
Measurements:
overall: 17.7 cm x 5.1 cm; 6 15/16 in x 2 in
overall: 9 7/8 in x 2 in; 25.0825 cm x 5.08 cm
Object Name:
Torch
Place made:
United States: Illinois, Sycamore
Associated Place:
United States: New Jersey
Credit Line:
June W. Leonard
ID Number:
1991.0691.18
Catalog number:
1991.0691.18
Accession number:
1991.0691
See more items in:
Medicine and Science: Chemistry
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a1-34b0-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_332480
Online Media:

Counter Wheel

Measurements:
overall: 64 mm x 54 mm x 165 mm; 2 1/2 in x 2 1/8 in x 6 1/2 in
overall: 2 in x 6 1/2 in x 2 1/4 in; 5.08 cm x 16.51 cm x 5.715 cm
Object Name:
Counter Wheel
Associated Place:
United States: New Jersey
Date made:
1941
Credit Line:
Gift of J. Harry DuBois
ID Number:
1983.0538.32
Catalog number:
1983.0538.32
1983.0538.032
Accession number:
1983.0538
See more items in:
Medicine and Science: Chemistry
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a0-e462-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_665
Online Media:

Samuel P. Langley and the Aerodrome A

Creator:
National Air and Space Museum  Search this
Type:
YouTube Videos
Uploaded:
2011-10-07T15:51:56.000Z
YouTube Category:
Education  Search this
Topic:
Aeronautics;Flight;Space Sciences  Search this
See more by:
airandspace
Data Source:
National Air and Space Museum
YouTube Channel:
airandspace
EDAN-URL:
edanmdm:yt_M-5DeIvOJ7Y

Isöetes louisianensis Thieret

Biogeographical Region:
78 - Southeastern U.S.A.  Search this
Collector:
Randy Winstead  Search this
Place:
St. Tammany Parish. T65 R11E Sec. 22, NE4. west side of North Lee Road, along the northside of a small tributary of Bogue Falaya, west of a NW-SE gasoline r.o.w., Louisiana, United States, North America
Collection Date:
18 Feb 1993
Taxonomy:
Plantae Pteridophyte Isoetales Isoetaceae
Published Name:
Isöetes louisianensis Thieret
Barcode:
01384485
USNM Number:
3395372
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3a7115eab-0317-414d-b4f3-97badfe0ea91
EDAN-URL:
edanmdm:nmnhbotany_12160985

Harley-Davidson Motorcycle, 1942

User:
Cohen, Alfredo  Search this
Maker:
Harley-Davidson  Search this
Measurements:
overall: 48 in x 32 in x 93 in; 121.92 cm x 81.28 cm x 236.22 cm
Object Name:
motorcycle
Other Terms:
motorcycle; Road
Date made:
1942
Credit Line:
Gift of Alfredo Cohen
ID Number:
1981.0766.01
Accession number:
1981.0766
Catalog number:
1981.0766.01
See more items in:
Work and Industry: Transportation, Road
America on the Move
Bicycling
Transportation
Road Transportation
Exhibition:
America On The Move
Exhibition Location:
National Museum of American History
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-993f-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_844460
Online Media:

Valve Clearance Gauge, Lockheed Sirius "Tingmissartoq", Lindbergh

Manufacturer:
Wright  Search this
Materials:
metal (ferrous alloy, copper alloy)
Dimensions:
3-D (Closed): 16.1 × 1.3 × 0.7cm (6 5/16 × 1/2 × 1/4 in.)
Type:
EQUIPMENT-Tools
Date:
1931-1933
Credit Line:
Transferred from the USAF Museum
Inventory Number:
A20030073055
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9bc88157f-16d1-4872-9cae-83b9642defbb
EDAN-URL:
edanmdm:nasm_A20030073055
Online Media:

Pollen Spore Collector, "Sky-Hook", Lockheed Sirius "Tingmissartoq", Lindbergh

Manufactured for:
Charles A. Lindbergh  Search this
Materials:
Aluminum, copper alloy
Dimensions:
3-D: 109.2 × 10.8 × 5.1cm (3 ft. 7 in. × 4 1/4 in. × 2 in.)
Type:
EQUIPMENT-Scientific Devices
Date:
1931-1933
Credit Line:
Transferred from the USAF Museum
Inventory Number:
A20030071000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv93c0e39f6-9794-4335-ac87-79e46b4fec16
EDAN-URL:
edanmdm:nasm_A20030071000
Online Media:

General Motors EV1 Records

Creator:
General Motors Corporation  Search this
Extent:
3 Cubic feet (7 boxes, 2 oversize folders )
Type:
Collection descriptions
Archival materials
Reports
Advertisements
Audiovisual materials
Catalogs
Correspondence
Diagrams
Photographs
Magazines (periodicals)
Posters
Press releases
Date:
1990-2005
bulk 1993-1999
Summary:
This collection documents the design, testing, production and promotion of the first zero-emission electric car produced by a major car company, the General Motors EV1. The materials include photographs, promotional booklets and marketing, press coverage, and publications, as well as design details and specifications, describing the process by which this ambitious and controversial vehicle was produced and released to the public in the mid- to late 1990s. This collection would be of interest to researchers in the areas of innovative design, automobile marketing, environmental initiatives, and the automotive industry.
Scope and Contents:
This collection contains materials relating to General Motors's development, promotion, and production of the EV1, the first commercially-available zero-emission electric vehicle, between 1990 and 2005. Included are design diagrams, photographs, and internal communication, but the vast majority of items are publicity materials such as press releases, newspaper and magazine coverage, and promotional material for auto shows.

Due to the nature of the donation (twenty-three separate donors from the original EV1 design team) there is some duplication of materials throughout the collection, though efforts were made to keep duplicates to a minimum.
Arrangement:
This collection is arranged into six series.

Series 1: Design, Testing, and Production Materials, 1991-1997

Series 2: Event Photographs, 1993-1994, 2000

Series 3: Press Coverage Materials,1991-2005

Series 4: Product Promotion Materials, 1990-2002

Series 5: Publications,1994, 1996-1999

Series 6: Post-Production Materials, 1999, 2002, 2004-2005
Biographical / Historical:
The General Motors EV1 is considered one of the most technologically advanced vehicles produced in the twentieth century and was the most energy-efficient car in the world at the time of its premiere. Manufactured for the consumer market by GM in 1997, EV1 featured many engineering innovations in aerodynamics, electric drive systems, electronic controls, and hydraulic braking, and was propelled by a rechargeable lead-acid battery pack, producing zero emissions. It was issued twenty-three patents for its advanced features, as well as winning several awards and competitions, including the electric vehicle world land speed record in 1994.

In early 1990, partly based on a boast by departing president of GM Roger Smith that electric vehicle technology was a reality, the state of California mandated that the major auto makers produce two percent of their vehicles emissions-free by 1998. Between 1990, when the barely-functional prototype car Impact debuted at the Los Angeles Auto Show, and 1994, when a fleet of fifty Impacts were premiered across the nation in the prEView Drive Program, a team of engineers worked on design, manufacture, and proof of concept vehicles that would eventually develop into the EV1: the first zero-emissions car to be released to consumers. The car's components were manufactured in several stages and locations: the assembly plant was in the Craft Centre in Lansing, Michigan; the motors were produced by Delco Remy in Anderson, Indiana; the battery pack, consisting of thirty-two 10-volt lead-acid batteries was produced by Delco Remy at their plant in Muncie, Indiana; and the power inverter and magnetic battery charger were constructed by Hughes Aircraft in Torrence, California.The finished car emitted zero pollutants, could accelerate from 0-60 mph in eight seconds, and had a range of eighty miles between charges. During 1995, the manufacturing process was refined, and the EV1 was announced in 1996 at both the Los Angeles and Detroit Auto Shows. The following year it became available to consumers through the Saturn division of GM marketing. However, due to concerns about parts and maintenance for the life of the car, GM only offered it on three-year lease programs, never for sale outright.

Though the EV1 did relatively well in the California and Arizona markets its first year, the 1999 EV1 Generation II showed a significant decline in consumer interest. The lease-only option was not appealing to many, and the limited range of the car, combined with a lack of publicly available charging stations, was a significant deterrent. Despite initial plans to expand the fleet of EVs by producing an S10 pickup truck with the new technology, and enthusiastic support from EV1's small but loyal customer base, GM stopped production on EVs altogether before the year 2000. When the last lease ran out in 2003, the fleet was recalled into storage, and except for a few that were donated to museums and universities for engineering programs and design study, the remaining EV1 vehicles were crushed and recycled in 2005.

The legacy of the EV1 remains in most of the hybrid fuel-electric vehicles and fuel-cell technology produced in the twenty-first century. It vaulted General Motors into the lead for development of advanced technology vehicles, beginning the long and ongoing effort to reduce US dependence on foreign oil as well as addressing the environmental issues caused by gasoline-powered engines.
Related Materials:
Related artifacts were donated to the Division of Work and Industry. See accession 2005.0061 and 2006.031-.034.
Provenance:
Collection donated in 2006 by Jill Banaszynski, General Motors Corporation; Patrick M. Bouchard, General Motors Corporation; Loran D. Brooks; Dan Brouns; Linda Ludek Brouns; Ray Buttacavoli; Laurel Castiglione, General Motors Corporation; Dennis H. Davis, General Motors Corporation; Robert E. DeGrandchamp; James N. Ellis; Hesham Ezzat, Marty M. Freedman, General Motors Corporation; Jamie Grover, Saturn Corporation; Steve M. Kunder, General Motors Corporation; Michael Kutcher, General Motors Corporation; Linda J. Lamar, General Motors Corporation; Kuen Leung, General Motors Corporation; Thomas M. Lobkovich; Joanne Mabrey, General Motors Corporation; Joseph F. Mercurio, General Motors Corporation; William L. Shepard, General Motors Corporation; Steven Tarnowsky; Lance Turner, General Motors Corporation.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Automobiles, Electric  Search this
Genre/Form:
Reports
Advertisements -- 20th century
Audiovisual materials
Catalogs
Correspondence -- 20th century
Diagrams
Photographs -- 1950-2000
Magazines (periodicals) -- 20th century
Photographs -- 20th century
Posters -- 20th century
Press releases
Citation:
General Motors EV1 Records, 1990-2005, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0912
See more items in:
General Motors EV1 Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0912
Online Media:

Warshaw Collection of Business Americana Subject Categories: Automobile Industry

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
12.49 Cubic feet (consisting of 24 boxes, 2 half boxes, 4 folder, 18 oversize folders, 3 flat boxes (partial), plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Business ephemera
Ephemera
Date:
circa 1860-1967
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Automobile Industry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
This material dates from the late nineteenth and early twentith century and consists primarily of catalogues, scattered correspondence on letterhead stationery, printed advertisements (particularly from Town and Country), instruction manuals, periodicals, newspaper clippings, handbooks, pamphlets, company histories, photographs, caricatures, road maps, tour guides, tickets, membership cards, and articles and books--mostly from manufacturers and dealers of automobiles. A large amount of the material is from pioneer manufacturers including Ford., Reo, Duryea, Packard, Auburn, Studebaker, Hupmobile, Franklin, Cadillac, Chevrolet, Oldsmobiles, and Buick.

There is a substantial amount of material from manufacturers and dealers of parts and accessories for automobiles which include horns, tires, windshield wipers, paints, autometers, springs, automobile tops, telephones, chains, clocks, heaters, transmissions ' carburetors, engines, spark plugs, anti-freeze, license plates and gasoline. Samples of permits, operator's licenses, titles, registrations and traffic rules and regulations are also documented. Companies that provide services such as car rentals, garages and maintenance of automobiles are also included. There are a number of images of automobiles, including photographs and illustrations in catalogues which document the developement of automobiles. Images include: Andrew Carnegie, J. Pierpont Morgan, John Jay Gould, John Jacob Astor, the Vanderbilts and their cars.
Series 1: Manufacturers and Dealers of AutomobilesandSeries 2: Manufacturers and Dealers of Automotive Parts and Accessoriesare arranged alphabetically by name of company.Series 4: Related Publicationscontains periodicals which relate directly to the automobile industry and are arranged alphabetically by name of publication. The images inSeries 5: General Worksare arranged by type (i.e. photographs, caricatures). This series also includes applications for operators' licenses and permits, titles for automobiles, registrations, traffic legislation, traffic rules and regulations, patents, information from insurance, car rental, taxi service, and limousine service companies, schools, various clubs and associations, museums, and shows. The general materials are arranged by type and clubs and associations are organized alphabetically by name.

Series 4: Related Publications, ca. 1896-1950, contains publications including pamphlets, reports, books and periodicals of general interest. Articles from Town and Country are numerous, and other magazines are represented. The articles cover a variety of topics including automobile racing (1906), the development of the automobile (1903), women as motorists (1906), types of imported automobiles (1907), legal rights of automobilists (1904), automobiling as a sport (1926), insuring automobilists (1907), building motor parkways (1908), closed automobiles for winter traveling (1909), winter coats for motoring (1904) and taxi cabs replacing the hansom (1907). The articles are arranged alphabetically by name of magazine and then chronologically by date. Business cards, blotters, trip passes, fabric samples, stock cuts, newspaper clippings, abstracts of papers, reports, guide books, miscellaneous correspondence and pamphlets are also well documented. Handbooks, manuals and books covering mostly the history of the automobile but also maintenance and tour guides and maps are arranged alphabetically by location.
Scope and Content Note on Oversized Material:
The oversize materials primarily consist of printed advertisements and other promotional materials, including in-house publications, brochures, and catalogs for automobile manufacturers and dealers. Some material was created by dealers of automobile parts and accessories, including motor clothing. Several general images of automobiles, articles, and printed ads for automobile publications are also available as well as some correspondence and periodicals related to automobile clubs and correspondence associations. Materials are arranged alphabetically by company or by publication and follow the same order of the vertical file materials.
Arrangement note:
The collection is divided into five series:

Series 1, Manufacturers and Dealers of Automobiles

Series 2, Manufacturers and Dealers of Automotive Parts and Accessories

Series 3, Miscellaneous Materials, undated

Series 4, Related Publications, circa 1896-1950;

Series 5, General Works, circa 1680-1965.
Brand name index:
The following is a list of the brand or trade names for various automobiles. The names that appear in this list are a compilation of those found on materials in the vertical document boxes.!It is not a complete list of all the names for automobiles. The list is intended to assist researchers locate desired materials when only the brand name is known. The names of automobiles are arranged in alphabetical order. The following information is included for each product when available: (1) the brand name and (2) the manufacturer.

Brand Name -- Manufacturer

33 -- Hudson Motor Car Company

Airflows -- Chrysler Corporation

Alco -- American Locomotive Automobile Company

Ambassador -- Nash Motor Company

Auto Meter -- Warner Instrument Company

? -- Beacon-Little Paul Rubber Company

Berliet -- American Locomotive Company

Chadwick -- Fairmount Engineering Works

Chau Phone -- Western Electric Company

Columbian -- Electric Vehicle Company

Commer -- Wyokoff, Church & Partridge

Continental-Mark IV -- Ford Motor Company

Cord -- Auburn Auto Company

DKW -- Mercedes Benz

DeSoto -- Chrysler Corporation

Detroit -- Anderson Electric Car Company

Electrette -- Lansden Company

Elk-Hart -- Crow Motor Company

Emco -- Emery Manufacturing Company

Essex -- Hudson Motor Company

Everitt 30 -- Metzger Motor Car Company

Fairlane -- Ford Motor Company

Falcon -- Ford Motor Company

Flurd Drive -- Chrysler Corporation

Galaxie -- Ford Motor Company

Golden Airflyte -- Nash Motors

Hupmobile -- Hupp Motor Car Company

Jeep -- Will-Overland Company

Jenny -- Homestead Value Manufacturing

Jericho -- Randall-Faichney & Company

La Salle -- Cadillac Motor Company

Lambert -- Buckeye Manufacturing Company

Lancia -- Adama-Lancia Company

Lancia -- Hol-Tan Company

Leak Proof -- McQuay-Norris Manufacturing Company

Leavitt -- ?

Lincoln -- Ford Motor Company!Unras Specialty Co.

Little Six -- Locomobile Company

Mack -- International Motor Company

Menominee -- D.F. Poyer Company

Meritasstandard -- Textile Products Company

Model F -- Ford Motor Company

Model K -- Ford Motor Company

Model N -- Ford Motor Company

Model S -- Ford Motor Company

Neverout -- Rose Manufacturing

New Yorker -- Chrysler Corporation

Old Sol -- James Bailey Company

Orient -- Walth Company

Overland -- Willys-Overland Company

Plymouth -- Chrysler Corporation

Pungs-Finch -- Sintz Gas Engine Company

Queen -- C.H. Blomstrom Cars

Rambler -- Nash Motors

Rambler -- S. Thomas B. Jeffrey

Rockne -- Studebaker

Royal -- Chrysler Corporation

S.G.V -- Gotham Motor Company

Schluter -- E.F. Elmberg Company

Silent Six -- Matheson Auto Company

Snow Bird -- Arps Corporation

Snow Bird -- F.S. Manufacturing Company

Speed-Wagons -- Reo Motor Car Company

Stepney -- Spare Motor Wheel Company

Stewart -- Stewart-Warner Speedometer Company

Terraplane -- Hudson Motor Company

The Marmon -- Nordyke & Mormon Company

Thuderbird -- Ford Motor Company

Truffault-Hartford -- Hartford Suspension Company

Twenty-Two -- Metz Company

V Belt -- Graton & Knight Manufacturing

Valiant -- Chrysler Corporation

Victor -- Overman Auto Company

Waverley -- Indian Bicycle Company

Whiz -- Hollingshead, R.M. Company

Windsor -- Chrysler Corporation

Yale -- Kirk Manufacturing Company
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Automobile Industry is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Automobile Industry, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Automobile
See more items in:
Warshaw Collection of Business Americana Subject Categories: Automobile Industry
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-automobile
Online Media:

Son Thomas; Joe Cooper; Cleveland Jones; Sam Chatmon; Houston Stackhouse

Creator:
Smithsonian Institution. Festival of American Folklife. Regional Americans-Mississippi Program 1974 Washington, D.C.  Search this
Jones, Cleveland  Search this
Artist:
Thomas, Son, 1926-1993  Search this
Cooper, Joe  Search this
Chatmon, Sam  Search this
Stackhouse, Houston, 1910-1980  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording
1 Sound recording (sound-tape reel, analog, 7 in.)
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
Mississippi
Date:
1974 July 6
Contents:
Son Thomas; Joe Cooper; Cleveland Jones---Dust my broom--Laid and I wondered--interview--Catfish blues; Sam Chatmon--Pigmeat blues--You rascal you--How come you treat me like you do--All night long; Houston Stackhouse--Asked for water, gave me gasoline; Sam Chatmon--Blues when it rains--Lover--My heart's on the island of Capri--Let me call you sweetheart--Stormt weather--Devil honeymoon--My blue heaven--Nobody's sweetheart--Dinah; Lonnie Pitchford--intro
General note:
DPA number 74.101.41
Local Numbers:
FP-1974-7RR-0041
General:
CDR copy
74.101.41
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 6, 1974.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Blues (Music)  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1974 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1974, Item FP-1974-7RR-0041
See more items in:
Smithsonian Folklife Festival records: 1974 Festival of American Folklife
Smithsonian Folklife Festival records: 1974 Festival of American Folklife / Series 8: Regional America / 8.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1974-ref4556

Reuben Tam papers

Creator:
Tam, Reuben  Search this
Names:
Alan Gallery (Charles Alan)  Search this
Brooklyn Museum of Art  Search this
Coe Kerr Gallery  Search this
Downtown Gallery (New York, N.Y.)  Search this
John Simon Guggenheim Memorial Foundation  Search this
Skowhegan School of Painting and Sculpture  Search this
Andrews, Dorothy, 1918-2008  Search this
Kienbusch, William, 1914-1980  Search this
Nesjar, Carl, 1920-  Search this
Solomon, Hyde, 1911-  Search this
Extent:
9.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Sound recordings
Poems
Diaries
Scrapbooks
Watercolors
Drawings
Date:
1931-2006
Summary:
The papers of landscape painter and educator Reuben Tam measure 9.2 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks.

There is a 1.1 linear foot unprocessed addition to the collection donated in 2020 that includes 34 sketchbooks, circa 1940-1974, by Tam from his time in New York, Hawaii, Connecticut, Massachusetts, Oregon, Alaska and Canada.
Scope and Contents:
The papers of landscape painter and educator Reuben Tam measure 9.2 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks. There is a 1.1 linear foot unprocessed addition to the collection donated in 2020 that includes 34 sketchbooks, circa 1940-1974, by Tam from his time in New York, Hawaii, Connecticut, Massachusetts, Oregon, Alaska and Canada.

Biographical material includes school documents, records of his tenure as an instructor at the Brooklyn Museum of Art School, artwork consignment and sales records, and slides and accompanying audio cassette recording of the "Reuben Tam Show" about his work as an artist on Monhegan Island, Maine.

Correspondence is with family, fellow artists, including William Kienbusch and Hyde Solomon, as well as art organizations, schools, and museums, such as Brooklyn Museum of Art School, Guggenheim Memorial Foundation, Maine Coast Artists group, and the Skowhegan School of Painting and Sculpture. Also found is correspondence with the three galleries which represented his work: Downtown Gallery, Alan Gallery, and Coe Kerr Gallery.

The collection includes five bound diaries as well as diary entries written by Reuben Tam on loose sheets of paper, primarily documenting the 1940s. Other writings include drafts of poetry, one notebook, miscellaneous notes, and essays by others.

Printed material consists of school publications, exhibition catalogs and announcements for solo and group shows, brochures, flyers, magazines, bulletins, and news clippings. Eight scrapbooks found in this collection also include newspaper clippings, exhibition announcements and catalogs, as well as event invitations, membership cards, and letters, documenting 40 years of Reuben Tam's career.

Photographs are of Reuben Tam, Tam with friends and family, and artwork. One photograph album contains photographs from Tam's visits to Maine from 1946 to 1948, and includes photographs of fellow artists Hyde Solomon, Carl Nesjar, Dorothy Andrews, and William Kienbusch. Artwork in the collection includes prints, drawings, and watercolors as well as seventeen large sketchbooks documenting the coastal landscape of Monhegan Island, Maine.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Material, 1934-1993 (Box 1; 0.4 linear feet)

Series 2: Correspondence, 1931-2006 (Box 1-4; 3.5 linear feet)

Series 3: Diaries, 1932-1974 (Box 4-5; 0.4 linear feet)

Series 4: Writings, 1939-1987 (Box 5; 7 folders)

Series 5: Printed Material, 1935-1997 (Box 5-6, 9; 1.2 linear feet)

Series 6: Photographs, circa 1930-1990 (Box 6-7, 9; 1.0 linear foot)

Series 7: Artwork, circa 1936-1975 (Box 7, 9-10, OV 11; 0.7 linear feet)

Series 8: Scrapbooks, 1938-1978 (Box 7-8; 0.9 linear feet)

Series 9: Unprocessed Addition, circa 1940-1974 (Box 12, OV13; 1.1 linear feet)
Biographical / Historical:
Reuben Tam (1916-1991) was a landscape painter and educator in New York, Maine, and Hawaii. Tam was born in Kapaa, Hawaii, in 1916. He received a degree in education in 1937 from the University of Hawaii and was briefly a public school teacher before attending graduate courses at the California School of Fine Arts. In 1941 he moved to New York and took courses in art history and philosophy at the New School for Social Research and Columbia University. Tam became affiliated with the Downtown Gallery in 1945 and was a prolific exhibitor in national and regional shows, winning critical praise as an abstract landscape painter. In 1948 he was awarded a Guggenheim Fellowship and first exhibited in the National Academy's annual exhibition in 1947.

Tam was an instructor at the Brooklyn Museum of Art School from 1946 to 1974. While there he taught advanced studies in painting and was chairman of the graduate painting department. He also served as a visiting professor at Oregon State University, Haystack, and Queens College, CUNY.

Beginning in 1948, Tam and his wife, Geraldine, spent summers at their home and studio on Monhegan Island, Maine. Tam's work was deeply influenced by coastal landscapes both in Maine and in his native Hawaii. In 1981 he and his wife moved back to Kapaa, Hawaii, where he continued to paint and exhibit his new works until his death in 1991.
Related Materials:
Reuben Tam papers, 1958-1966, are also located at Syracuse University.
Provenance:
Scrapbooks were lent for microfilming in 1970 by Reuben Tam and were subsequently donated in 2009 along with additional papers by Geraldine King Tam, Reuben Tam's widow. 34 additional sketchbooks were donated in 2020 by the Geraldine King Tam Trust, via Cindy King, trustee and niece of Geraldine King Tam.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Maine  Search this
Painters -- Hawaii  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Educators -- Hawaii  Search this
Educators -- Maine  Search this
Educators -- New York (State)  Search this
Asian American artists  Search this
Genre/Form:
Sketchbooks
Sound recordings
Poems
Diaries
Scrapbooks
Watercolors
Drawings
Citation:
Reuben Tam papers, 1931-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tamreub
See more items in:
Reuben Tam papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tamreub
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Lilian Swann Saarinen papers

Creator:
Saarinen, Lilian Swann, 1912-1995  Search this
Names:
Cambridge Art Center  Search this
Cranbrook Academy of Art -- Faculty  Search this
G Place Gallery (Washington, D.C.)  Search this
Knoll Associates, inc.  Search this
Massachusetts Institute of Technology -- Faculty  Search this
Midtown Galleries (New York, N.Y.)  Search this
Otava Publishing Company  Search this
Reynal & Hitchcock  Search this
Armitage, Merle, 1893-1975  Search this
Crosby, Caresse, 1892-  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Koch, Carl  Search this
Kreis, Henry, 1899-1963  Search this
Milles, Carl, 1875-1955  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Saarinen, Eero, 1910-1961  Search this
Saarinen, Eliel, 1873-1950  Search this
Saarinen, Loja  Search this
Venturi, Robert  Search this
Weese, Harry, 1915-1998  Search this
Extent:
9 Linear feet
Type:
Collection descriptions
Archival materials
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Date:
circa 1909-1977
Summary:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.
Scope and Contents:
The papers of Cambridge sculptor and illustrator, Lilian Swann Saarinen, measure nine linear feet and date from circa 1909 to 1977. The collection documents Saarinen's career through correspondence with artists, architects, publishers, and gallery owners; writings and notes, including manuscripts and illustrations for children's books and publications; project and teaching files; financial records; artwork, including numerous project sketches; and photos of Saarinen and her artwork. Saarinen's personal life is also documented through diaries and correspondence with friends and family members, including Eero Saarinen, to whom she was married from 1939-1953.

Biographical material consists of resumes and biographical sketches, as well as a 1951 blueprint for the Eero Saarinen and Associates Office Building in Bloomfield Hills, Michigan.

Correspondence documents Saarinen's personal and professional life through letters to and from Eero Saarinen and other family members, including six letters from Loja Saarinen; correspondence with artists and architects, including Merle Armitage, Charles and Ray Eames, Carl Koch, Henry Kreis, Carl Milles, Laszlo and Sibyl Moholy-Nagy, Robert Venturi, and Harry Weese; and friends and colleagues at the Cranbrook Academy of Art and Knoll Associates. Also documented is Saarinen's business relationship with Midtown Galleries and Caresse Crosby, and publishers and publications including Child Life, Interiors, Otava Publishing Company, and Reynal & Hitchcock, Inc.

Writings and Notes document Saarinen's work on several children's publications, including Picture Book Zoo (1935) and Who Am I? (1946), through correspondence, notes, manuscript drafts, and extensive sketches. This series also includes Saarinen's ideas for other publications and incorporates some early writings and notes, as well as typescripts of her reminiscences about Eliel Saarinen, the Saarinen family, and the Cranbrook Academy of Art.

Diaries consist of bound diary volumes, loose-leaf journal entries, and heavily annotated engagement calendars, documenting Saarinen's personal life, artistic aspirations, and career development from the 1930s-1970s. This material provides a deeply personal view of the emotional landscape of Saarinen's life, her struggles to balance her identity as a working artist with the roles of wife, mother, and homemaker, and the complex, and often competing, relationships within the renowned architectural family into which she married.

Project files document Saarinen's work on book cover designs, federal and post office commissions in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, reliefs for the Crow Island School in Winnetka, Illinois, and other important commissions including the Harbor National Bank Clock in Boston, Massachusetts, the KLM Airlines installation at JFK Airport, the Fountain of Noah sculpture at the Northland Center in Detroit, Michigan, and the interior of Toffenetti's restaurant in Chicago, Illinois. Also documented is her role in designs for the Gateway Arch in St. Louis, with Eero Saarinen.

Teaching files document Saarinen's "Language of Clay Course" which she taught at Cambridge Art Center and the Massachusetts Institute of Technology.

Financial records document exhibition and sales expenses for two exhibitions, including her show at G Place Gallery in 1944.

Printed material consists of clippings about Saarinen and her family, exhibition announcements and catalogs for herself and others, and reference files from the 1930s-1940s, primarily comprising clippings of animals.

Additional printed material documenting Saarinen's career can be found in one of two scrapbooks found in the collection. An additional scrapbook consists of clippings relating primarily to Saarinen's parents.

Artwork comprises extensive sketches, particularly animal and figure sketches, in graphite, crayon, ink, pastel, and watercolor. The sketches demonstrate in particular Saarinen's developing interest in and skill with animal portraiture from her childhood to the 1960s.

Photographs are primarily of artwork and Saarinen's 1944 exhibition at G Place Gallery. Also found are one negative of Saarinen, probably with Eero Saarinen, and a group photo including Lilian, Eero, and Eliel Saarinen with the model for the Detroit Civic Center, circa 1940s.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1930s-1960s (3 folders; Box 1, OV 12)

Series 2: Correspondence, 1920-1974 (1.9 linear feet; Boxes 1-2, 8, OV 12)

Series 3: Writings and Notes, 1920s-1973 (1.3 linear feet, Boxes 2-3, 8, OVs 13-16)

Series 4: Diaries, 1930-1973 (1.4 linear feet, Boxes 3-5, 8)

Series 5: Project Files, 1931-1966 (1.7 linear feet, Boxes 5-6, 8, OVs 17-19)

Series 6: Teaching Files, 1966-1970 (3 folders, Box 6)

Series 7: Financial Records, 1940s-1970s (2 folders, Box 6)

Series 8: Printed Material, circa 1930s-1970s (0.2 linear feet, Box 6)

Series 9: Scrapbooks, circa 1909-1974 (2 folders; Boxes 6, 9)

Series 10: Artwork, circa 1920s-circa 1960s (1.7 linear feet, Boxes 6-7, 9-10, OVs 20-27)

Series 11: Photographs, circa 1940s, 1977 (0.5 linear feet, Boxes 7, 11, OV 27)
Biographical / Historical:
Cambridge artist and sculptor, Lilian Swann Saarinen (1912-1995), studied at the Art Students League with Alexander Archipenko in 1928, and later with Albert Stewart and Heninz Warneke from 1934-1936, before moving to Michigan where she studied with Carl Milles at the Cranbrook Academy of Art from 1936-1940. Saarinen was an accomplished skier and a member of the 1936 US Olympic ski team.

At Cranbrook, Swann met architect Eero Saarinen, whom she married in 1939. She subsequently worked with Saarinen's design group on a variety of projects, including the Westward Expansion Memorial, which later became known as the "Gateway Arch" in St. Louis. Lilian and Eero had a son, Eric, and a daughter, Susie, before divorcing in 1953.

Saarinen, who had developed an affinity for drawing animals in childhood, specialized in animal portraits in a variety of sculptural media. In 1939, she exhibited her sculpture Night, which depicted Bagheera the panther from Rudyard Kipling's Jungle Book, at the World's Fair. The sculpture was placed in the Boston Public Garden in 1986. In the 1930s and 1940s Saarinen was commissioned to work on a variety of architectural projects, including reliefs for post offices in Bloomfield, Indiana, Carlisle, Kentucky, and Evanston, Illinois, and the Crow Island School in Winnetka, Illinois. She also executed commissions for the Harbor National Bank in Boston, KLM (Royal Dutch Airlines) at JFK Airport, the Northland shopping Center in Detroit Michigan, and Toffenetti's Restaurant in Chicago.

Saarinen was a contributing author and illustrator for a variety of publications, including Child Life, Interiors and Portfolio: An Intercontinental Quarterly. In 1935 she illustrated Picture Book Zoo for the Bronx Zoo and in 1946 Reynal & Hitchcock, Inc. published Who Am I?, a children's book which Saarinen wrote and illustrated.

Saarinen taught ceramic sculpture to soldiers for the Red Cross Arts and Skills Unit rehabilitation program in 1945, served on the Visiting Committee to the Museum School at the Museum of Fine Arts, Boston, from 1959-1964, where she taught ceramics, and later taught a course entitled "The Language of Clay" at the Cambridge Art Center and the Massachusetts Institute of Technology. One of Saarinen's private students at Cambridge was her cousin, Edie Sedgwick.

Saarinen died in Cohasset, Massachusetts, in 1995 at the age of 83.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels 1152 and 1192) including a scrapbook containing clippings, copies of letters and telegrams received, and reproductions of Saarinen's work. There is a copy of Saarinen's book, "Who Am I?", and three albums containing photographs of Saarinen, photographs and reproductions of her work, a list of exhibitions, quotes about her, and writings by her about sculpture. Lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
Lilian Swann Saarinen donated the collection in 1975. She lent additional materials for microfilming in 1976.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- Massachusetts -- Cambridge  Search this
Topic:
Women artists -- Massachusetts  Search this
Art -- Study and teaching  Search this
Illustrated books, Children's  Search this
Gateway Arch (Saint Louis, Mo.)  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Illustrators -- Massachusetts  Search this
Art commissions  Search this
Art, Municipal  Search this
Genre/Form:
Blueprints
Diaries
Illustrations
Sketches
Photographs
Scrapbooks
Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saarlili
See more items in:
Lilian Swann Saarinen papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-saarlili
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Ernst, Rudolf J.

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 34, Folder 18
Type:
Archival materials
Date:
1941-1977
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref9655
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Fifth Avenue Association

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 36, Folder 11
Type:
Archival materials
Date:
1923-1936
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref9706
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Fulda, René

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 39, Folder 17
Type:
Archival materials
Date:
1935-1951
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref9787
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Clippings from Biographical File

Collection Creator:
Milling, Thomas DeWitt, 1887-1960  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Text
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Thomas DeWitt Milling Collection, NASM.XXXX.0133, National Air and Space Museum, Smithsonian Institution.
See more items in:
Thomas DeWitt Milling Collection
Thomas DeWitt Milling Collection / Series 1: Personal
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0133-ref20
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Clippings

Collection Creator:
Milling, Thomas DeWitt, 1887-1960  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Text
Date:
1911-1939
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Thomas DeWitt Milling Collection, NASM.XXXX.0133, National Air and Space Museum, Smithsonian Institution.
See more items in:
Thomas DeWitt Milling Collection
Thomas DeWitt Milling Collection / Series 1: Personal
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0133-ref21
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Military Data and Memoranda

Collection Creator:
Milling, Thomas DeWitt, 1887-1960  Search this
Container:
Box 1, Folder 10
Type:
Archival materials
Text
Date:
1911-1913
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Thomas DeWitt Milling Collection, NASM.XXXX.0133, National Air and Space Museum, Smithsonian Institution.
See more items in:
Thomas DeWitt Milling Collection
Thomas DeWitt Milling Collection / Series 2: Career
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0133-ref23
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Military Data and Memoranda

Collection Creator:
Milling, Thomas DeWitt, 1887-1960  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Text
Date:
1920-1930
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Thomas DeWitt Milling Collection, NASM.XXXX.0133, National Air and Space Museum, Smithsonian Institution.
See more items in:
Thomas DeWitt Milling Collection
Thomas DeWitt Milling Collection / Series 2: Career
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0133-ref24
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