Search Results

Patentee:

Knight, Margaret  Search this

Physical Description:

metal (overall material)

wood (overall material)

Measurements:

overall: 6 13/32 in x 9 3/4 in x 9 1/4 in; 16.256 cm x 24.765 cm x 23.495 cm

Object Name:

machine, paper feeding

Object Type:

Patent Model

Date made:

ca 1870

Patent date:

1870-11-15

ID Number:

GA.89797.109224

Accession number:

089797

Patent number:

109224

Catalog number:

GA*89797.109224

See more items in:

Work and Industry: Graphic Arts

Patent Models, Graphic Arts

Work

Communications

Industry & Manufacturing

Patent Models

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a8-8aa0-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_998987

Created by:

Delta Air Lines, American, founded 1925  Search this

Received by:

Eugene Harmond, American, born 1947  Search this

Medium:

ink on acrylic

Dimensions:

H x W x D: 11 7/16 × 3 5/8 × 5/16 in. (29 × 9.2 × 0.8 cm)

Type:

plaques

Place depicted:

Atlanta, Georgia, United States, North and Central America

Date:

2016

Topic:

African American  Search this

Aeronautics  Search this

Business  Search this

Labor  Search this

Transportation  Search this

Travel  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Casey Grant in honor of Patricia Banks Edmiston, Patricia Grace Murphy and Eugene Harmond

Object number:

2018.50.16

Restrictions & Rights:

© Delta Air Lines. Permission required for use.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Awards and Medals

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd54c9c1677-bf1b-4657-9538-1a6138a3047b

EDAN-URL:

edanmdm:nmaahc_2018.50.16

Extent:

0.05 Cubic feet (1 folder, Printed invitation with hand-lettered name., 4.25 x 5.4 inches)

Type:

Collection descriptions

Archival materials

Invitations

Date:

October 10, 1923

Summary:

This single-item collection consists of an invitation to the christening of the US Navy airship ZR-1 USS Shenandoah at NAS Lakehurst, New Jersey, on October 10, 1923.

Scope and Contents:

This single-item collection consists of an invitation to the christening of the US Navy airship ZR-1 USS Shenandoah at Naval Air Station Lakehurst, New Jersey, on October 10, 1923: "The Secretary of the Navy requests the pleasure of the company of Mr. Benjamin Postman at the Christening of the U. S. S. Shenandoah on Wednesday afternoon, October the tenth at two o'clock at the United States Naval Air Station, Lakehurst, New Jersey."

Arrangement:

No arrangement.

Biographical / Historical:

Plans for the construction of the US Navy airship ZR-1 USS Shenandoah, the first rigid airship to be built in the United States, were begun in September 1919; her parts were manufactured at the Naval Aircraft Factory and then shipped to NAS Lakehurst for final assembly. The assembly began on February 11, 1922, and the Shenandoah was christened on October 10, 1923. Despite her relatively short life of two years, the Shenandoah achieved many firsts during her operational career. She was the first rigid airship to be inflated with helium; the first to use water recovery apparatus for the continuous recovery of ballast from the exhaust gas of fuel burned; and she completed the most extended operation accomplished by an airship up to that time, completing 57 flights, logging 740 hours in the air, and covering about 28,000 miles on flights designed to train crewmen in the science of handling large airships in naval missions. Sadly, the airship was to meet a tragic end. Before dawn on the morning of September 3, 1925, over eastern Ohio, the Shenandoah encountered a severe storm. She broke in two; the control car separated and fell to the ground while the forward section of the ship rose to a great height and remained in the air for the greater part of an hour before making a free balloon landing at Sharon, Ohio, with the bulk of the airship crashing near Ava, Ohio. Fourteen of the 43-person crew were killed.

Provenance:

Alan S. Postman, gift, 1988, NASM. 1988.0054.

Restrictions:

No restrictions on access

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Topic:

Aeronautics  Search this

Airships  Search this

Naval aviation  Search this

ZR-1 Shenandoah  Search this

Genre/Form:

Invitations

Citation:

ZR-1 Shenandoah Christening Invitation, Acc. NASM.1988.0054, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.1988.0054

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2806e3536-f695-4e57-bdad-8a77608408b6

EDAN-URL:

ead_collection:sova-nasm-1988-0054

Creator:

Freelon, Philip G., 1953-2019  Search this

Names:

American Institute of Architects  Search this

Freelon Adjaye Bond/SmithGroup  Search this

Freelon Bond Architects  Search this

Freelon Group  Search this

Hampton University (Va.)  Search this

Harvard University  Search this

Massachusetts Institute of Technology  Search this

Massachusetts Institute of Technology. School of Architecture  Search this

National Museum of African American History and Culture  Search this

National Organization of Minority Architects (U.S.)  Search this

North Carolina Board of Architecture  Search this

NorthStar Church of the Arts  Search this

PPG Industries, Inc.  Search this

Perkins & Will  Search this

Adjaye, David, 1966-  Search this

Bond, J. Max, Jr.  Search this

Freelon, Allan Randall, 1895-1960  Search this

Extent:

5.1 Cubic feet

Type:

Collection descriptions

Archival materials

Correspondence

Place:

North Carolina -- United States

United States of America -- North Carolina -- Durham County -- Durham

United States of America -- Massachusetts -- Suffolk County -- Boston

United States of America -- Pennsylvania -- Philadelphia County -- Philadelphia

United States of America -- New York -- New York

Date:

bulk 1939-2017

Scope and Contents:

The Philip G. Freelon Architectural Archival Collection documents the life and career of architect, educator, cultural heritage preservation advocate and artist Philip G. Freelon. The collection highlights his distinguished career from its inception to his role as the "architect of record" for the National Museum of African American History and Culture. Freelon was one of the leading African American architects of his generation and he created a focus designing and constructing buildings that paid reverence to African Americans and other underrepresented communities. This collection is comprised of business records, photographic materials, ephemera, correspondence, architectural drawings, and clippings.

Arrangement:

The materials in this collection have been separated into seven series. The materials have been ordered and organized based on the content and chronology. Within each series and sub-series, the folders are organized as close to the collection's original order as when it was acquired.

Biographical / Historical:

Philip Goodwin Freelon was born March 26, 1953, in Philadelphia, Pennsylvania to Allan Freelon, Jr. and Elizabeth Neal Freelon. Freelon was greatly influenced by his grandfather, Allan Freelon Sr., a notable Harlem Renaissance visual artist, educator, and civil rights activist. His grandfather's values and artistry inspired him to create a career that focused on creating historical and cultural spaces in African American communities. Freelon attended high school at the former predominantly white elite all-boys school, Central High School located in upper North Philadelphia from 1967 to 1971. His attendance at this school during of the Civil Rights Movement afforded him the unique experience that inspired him to attend a historically Black college (HBCU). Freelon selected Hampton Institute (Hampton University) to develop his veneration of the composition and design of the buildings that held cultural and artistic treasures. Located in the Tidewater area of Virginia, Hampton was renowned among HBCUs for its architecture program. His professor and mentor at Hampton, John Spencer, pushed Freelon academically as he moved easily through the school's curriculum. After two years at Hampton, Spencer helped Freelon transition to a more challenging program at North Carolina State University (NCSU) in Raleigh, North Carolina. Freelon graduated in 1975 with a bachelor's in environmental design in architecture.

Later in the fall of 1975, Freelon enrolled at Massachusetts Institute of Technology (MIT) to pursue a master's in architecture. During the summers, Freelon worked with one of former his NC State professors at the architectural firm of John D. Latimer and Associates. After graduating from MIT in 1977, Freelon returned to North Carolina to take his Architecture Registration Examination (ARE), becoming the firm's youngest person to receive licensure. He also began teaching classes at his alma mater, NC State. It was there that Freelon met his future wife, Nnenna Pierce. Pierce, a Massachusetts native was attending Simmons College in Boston at the time. The connection was immediate, and the pair was married in 1979 and welcomed their first son, Deen in 1980. After a brief employment for a large Texas firm 3/D International, Freelon returned to Durham to join O'Brien Atkins Associates. He was the firm's youngest partner, eventually serving as principal and vice president of architecture. Freelon worked on a wide variety of projects throughout the state including learning centers, university buildings, churches, and parking garages. Along with Freelon's budding career, his family was expanding as well. Phil and Nnenna welcomed their daughter Maya in 1982 and their son, Pierce in 1983. During this time, Freelon was being highly recognized for his work. The American of Institute of Architects (AIA) awarded him the Honor Award for his design of Terminal 2 of the Raleigh-Durham International Airport, which has since been rebuilt.

By the end of the decade, Freelon and his wife Nnenna needed a change of pace. Nnenna pursued a professional career in music while Phil took a break from his career to expand his skillset and reinforce his intellectual approach to design. In 1989, Freelon was granted the Loeb Fellowship for one year of independent study at the Harvard University Graduate School of Design. He also pursued a longtime hobby of furniture design, calling the practice "small architecture". He received industry awards like first prize in the PPG Industries, Inc. Furniture Design Competition as well as AIA Honor Award for conference table designs. With a year away from the field to clarify his vision, Freelon opened his own firm, simply titled, the Freelon Group in 1990. Beginning as a one-man operation, the Freelon Group grew to become one of the largest African American owned architectural firms in the country with over 50 employees, forty percent of which were women, and thirty percent were people of color. With freedom within his own firm, Freelon focused on designing learning centers, libraries and museums and vowed to never build anything that did not bring cultural and intellectual value to a community.

Over the next twenty years, Freelon would assert himself as a force in designing notable cultural institutions and community-driven projects in and around the country including the Sonja Haynes Stone Center at University of North Carolina Chapel Hill (Chapel Hill, NC), Reginald F. Lewis Museum of Maryland African American History & Culture (Baltimore, MD), Museum of African Diaspora (San Francisco, CA), Harvey B. Gantt for African American Arts and Culture (Charlotte, NC), the Anacostia and Tenley-Friendship branches of the District of Columbia Public Library , National Center for Civil Rights and Human Rights (Atlanta, GA), Mississippi Civil Rights Museum (Jackson, MS) and Emancipation Park (Houston, TX). Alongside his architectural career, Freelon served as a lecturer and adjunct professor at several colleges and universities including North Carolina State University, Harvard University, Massachusetts Institute of Technology (MIT), University of Maryland College Park, New Jersey Institute of Technology, Syracuse University, and the Florence, Italy program at Kent State University. Freelon was awarded a full-time appointment as professor of Professional Practice at MIT in 2008. The Professional Practice (4.222) course was a requirement for the master's in architecture and he used examples from his extensive career and personal experience to illustrate legal, ethical, and management concepts. Nnenna's music career was also thriving. She would go on to record twelve albums and be nominated for six Grammys. This fusion of education, the arts, and music inspired another generation of Freelons: their son, Pierce Freelon is a hip-hop artist, educator, and political activist; daughter Maya Freelon is a visual artist; and son Deen Freelon is a professor.

In 2001, George W. Bush established a commission to create a new museum on the National Mall. Freelon wanted to enter his firm to participate in the international design competition. Freelon would partner with famed African American New York City architect, J. Max Bond, Jr. and by 2006 the two officially formed the Freelon Bond Architects.The Freelon Bond group submitted their proposal and soon after were elected to create programming and pre-design work for the museum. When the official design competition for the museum was announced in 2008, UK-based architect David Adjaye joined the team as the lead designer, and along with the partnering firm SmithGroup, the new architectural team became Freelon Adjaye Bond/SmithGroup. The three black architects combined a variety of distinctive elements from Africa and the Americas to create the building's unique, historically significant design. The Freelon Group served as the "architect of record" and were responsible for ensuring that key design ideas were upheld. Freelon and key firm members such as Zena Howard were active as on-site project managers during the museum's construction process to certify that the building would be developed according to plan. Freelon, Adjaye, and Bond were tasked with taking the collective history of the African American experience-- generations of pain, triumph, and perseverance-- and forming it into a structure. The team looked to African sources, such as Yoruban architecture, for inspiration. They sought to connect the building's design to the geographic and cultural roots of African Americans. Their design choices also reference the contributions of enslaved and free black metalworkers made to the landscape of the American South. Their goal was to make the museum an extension of its contents, and an expression of the stories told inside. By the groundbreaking for NMAAHC in 2012, Freelon had been appointed to the U.S. Commission of the Fine Arts by President Barack Obama. In an effort to broaden his resources and expand his firm, The Freelon Group merged with Perkins & Will, a firm originating in Chicago that grew to have offices across the United States. Freelon was appointed the managing director and later lead design director at the firm's North Carolina offices in Charlotte and Durham in 2014. By the next year, Freelon understood that his work in architecture and education was a necessary voice to preserve, which he did through donation of the bulk of his personal papers to his alma mater, NC State University. The year 2016 proved to be a year of triumph for Freelon as NMAAHC opened its doors on September 24th to much jubilation and celebration. That same year, Freelon's legacy was further cemented as the Phil Freelon Fellowship Fund was established at Harvard University Graduate School of Design, a fellowship designed to broaden opportunities for African Americans and other underrepresented communities in architecture and design.

Unfortunately, this triumphant year was met with difficulty as Freelon was diagnosed with amyotrophic lateral sclerosis (ALS), a progressive disease that affects the nervous system. He would continue to work and lecture for the next two years until it became too challenging. One of those projects was the renovation and opening of The NorthStar Church of the Arts in early 2019. A passion project with his wife and son, Pierce, a former church was renovated and repurposed as an arts and cultural space for all. This space was created in an effort to support the Durham cultural community as it began to feel the effects of gentrification. When Freelon lost his battle with ALS on July 9, 2019, in his home in Durham, North Carolina, the family requested that in lieu of flowers that donations be sent to the NorthStar Church to continue the center's mission and Phil's dream to give back to the Durham community.

Historical Timeline

1953 -- Philip Goodwin Freelon was born in Philadelphia, Pennsylvania to Allan Freelon Jr. and Elizabeth Neal Freelon.

1971 -- Freelon graduated from Central High School in Philadelphia, Pennsylvania and entered School of Architecture, Hampton University in Hampton, Virginia as a design student.

1973 -- Freelon transferred to College of Design at the North Carolina State University in Raleigh.

1975 -- Graduated with a Bachelor's in Environmental Design in Architecture from NC State University. He received the American Institute of Architects (AIA) Book Award for Outstanding Work in Architectural Design. In the fall, he began his master's program in architecture at MIT.

1976 -- Began working as aide for architectural firm, John D. Latimer and Associates.

1977 -- Graduated with a Master's in Architecture and Design from Massachusetts Institute of Technology (MIT.)

1978 -- Freelon became youngest architect to pass the North Carolina Architecture Registration Exam. Freelon started teaching at North Carolina State University.

1979 -- Married Chinyere "Nnenna" Pierce. Freelon began working for, 3/D International in Houston, Texas.

1980 -- Son Deen Freelon was born.

1981 -- Freelon returned to Durham, NC to join O'Brien Atkins Associates as the firm's youngest partner.

1982 -- Daughter Maya Freelon was born.

1983 -- Son Pierce Freelon was born.

1989-1990 -- Received Loeb Fellowship for independent study at Harvard University. Freelon received AIA Honor Award for American Airlines Terminal 2 at Raleigh-Durham Airport, NC (RDU).

1990 -- Freelon left O'Brien Atkins Associates to open his own firm The Freelon Group.

1991 -- Won first prize in the PPG Furniture Design Competition.

1992 -- Won the AIA Honor Award for Conference Table Designs.

2001 -- Won the AIA Firm Award for The Freelon Group and the AIA Design Award for Parking Structure, RDU Airport. Began attending meetings of President George W. Bush's commission on new National Mall museum dedicated to African American history and culture.

2003 -- Freelon merged his firm with New York architect Max Bond to create Freelon Bond Architects.

2004 -- Sonja Haynes Stone Center at University of North Carolina Chapel Hill (Chapel Hill, NC) was completed.

2005 -- Reginald F. Lewis Museum of Maryland African American History & Culture (Baltimore, MD) and Museum of African Diaspora (San Francisco, CA) were both completed.

2008 -- UK-based architect David Adjaye and Washington, DC based architecture firm, Smithgroup joined the team, creating the Freelon Adjaye Bond Group/SmithGroup Freelon began teaching at MIT's school of Architecture and Design.

2009 -- Freelon Adjaye Bond/Smithgroup won the official design for the Smithsonian National Museum of African American History and Culture (NMAAHC). Harvey B. Gantt for African American Arts and Culture (Charlotte, NC) was completed.

2010 -- Anacostia branch of the District of Columbia Public Library (Washington, DC) was completed.

2011 -- Tenley-Friendship branch of the District of Columbia Public Library (Washington, DC) was completed.

2012 -- Construction began on NMAAHC.

2014 -- The Freelon Group merged with Perkins & Will, a much larger architectural firm. Freelon became managing director and lead design director of the North Carolina branches in Durham and Charlotte. National Center for Civil Rights and Human Rights (Atlanta, GA) was completed.

2016 -- Freelon was diagnosed with amyotrophic lateral sclerosis (ALS).

2017 -- Mississippi Civil Rights Museum (Jackson, MS) and Emancipation Park (Houston, TX) were completed.

2019 -- Freelon died in his home in Durham, North Carolina at age 66 on July 9.

Related Materials:

Phil Freelon Papers, 1975-2019 at North Carolina State University Libraries.

Provenance:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Philip G. Freelon.

Restrictions:

Collection is open for research. Access to collection materials requires an appointment.

Rights:

The NMAAHC Archives can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.

Topic:

Architecture  Search this

Business  Search this

Construction  Search this

Entrepreneurship  Search this

Local and Regional  Search this

Design  Search this

Education  Search this

Photographs  Search this

Museums  Search this

Genre/Form:

Correspondence

Citation:

Philip G. Freelon Archival Collection, 1939-2017. National Museum of African American History and Culture, Smithsonian Institution.

Identifier:

NMAAHC.A2017.51

See more items in:

Philip G. Freelon Architectural Archive

Archival Repository:

National Museum of African American History and Culture

GUID:

https://n2t.net/ark:/65665/io3ba3ca2a2-5495-45cf-801c-f3d66a7002fd

EDAN-URL:

ead_collection:sova-nmaahc-a2017-51

Creator:

Broussard-Simmons, Vanessa  Search this

Kraft General Foods, Inc.  Search this

Archives Center, National Museum of American History  Search this

Extent:

3 Cubic feet (9 boxes)

Type:

Collection descriptions

Archival materials

Date:

undated

Summary:

Collection consists primarily of cookbooks and similar forms of literature containing recipes and - or information relating to food customs, created by producers and manufacturers of foods products, cooking utensils, kitchen appliances and equipment.

Scope and Contents note:

The collection was created by the Archives Center to form a body of material from producers and manufacturers of food products, cooking utensils, kitchen appliances and equipment. It consists primarily of cookbooks, recipe booklets, circulars, recipe cards, and clippings containing recipes or information relating to food customs. Most of these materials were published in the United States by producers and manufacturers of foods, seasonings, and condiments. Some of the materials were created by manufacturers of both small and large kitchen appliances and include operating instructions for these products. There are also materials created by electric and gas utility companies. Some of the materials relate to the canning and freezing processes. Materials created by manufacturers of alcoholic beverages also contain recipes for both food and drinks. All bound materials have soft covers with the exception of The Victory Binding of the American Woman's Cookbook, Wartime Edition, 1943.

The collection is arranged in two series. Series One consists of bound materials including cookbooks and recipe booklets. These materials are arranged in alphabetical order. Series two are unbound materials including recipe flyers, folders, recipe cards, cooking class recipe sheets, recipes clipped from publications, and hand written recipes. The materials are arranged first in alphabetical order by name of company and then in order by genre.

Arrangement:

Collection is arranged into two series.

Series 1, Bound Materials, 1920-2004, undated

Series 2, Unbound Materials, 1938-2003, undated

Biographical / Historical:

The food industry and manufacturers of cooking utensils and equipment create cookbooks or other forms of literature to assist the consumer with their products. These materials document food customs and provide very valuable information about the production of food; preparation and consumption; long term storage and preservation; new cooking techniques and instructions for using cooking utensils, appliances and equipment. Such materials are often included in the packaging, available upon request or with the purchase of a particular product.

Related Materials:

Materials in the Archives Center

Product Cookbooks Collection, circa 1874-1990

Frances S. Baker Product Cookbooks, circa 1900-1993

Nordic Ware Records, 1940-2006

Archives Center Business Americana Collection, circa 1900-present

Warshaw Collection of Business Americana, circa 1724-1977

Pillsbury Bake-Off Collection, 1949-1999

NW Ayer Advertising Agency Records, 1849-2001

Food Preservation and Home Canning Literature Collection, 1883-1980

Provenance:

Found in collections, gifts from Museum staff and unsolicited gifts from the public.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

advertising  Search this

Food industry and trade  Search this

Cookery, American  Search this

Citation:

Archives Center Cookbook Collection, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0510

See more items in:

Archives Center Cookbook Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep81f6d1703-ad4d-4347-a1dd-aeee61305d3c

EDAN-URL:

ead_collection:sova-nmah-ac-0510

Collection Creator:

Broussard-Simmons, Vanessa  Search this

Kraft General Foods, Inc.  Search this

Archives Center, National Museum of American History  Search this

Container:

Box 6

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Archives Center Cookbook Collection, Archives Center, National Museum of American History.

See more items in:

Archives Center Cookbook Collection

Archives Center Cookbook Collection / Series 2: Unbound Materials

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8f49be429-0c51-41c8-9270-9fd362311e65

EDAN-URL:

ead_component:sova-nmah-ac-0510-ref1023

Collection Creator:

Broussard-Simmons, Vanessa  Search this

Kraft General Foods, Inc.  Search this

Archives Center, National Museum of American History  Search this

Container:

Box 8, Folder 10

Type:

Archival materials

Date:

undated

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Archives Center Cookbook Collection, Archives Center, National Museum of American History.

See more items in:

Archives Center Cookbook Collection

Archives Center Cookbook Collection / Series 3: Addenda

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep86af9ac56-ab8b-4e43-9ba1-11a6858a6a5e

EDAN-URL:

ead_component:sova-nmah-ac-0510-ref1062

Collection Creator:

Broussard-Simmons, Vanessa  Search this

Kraft General Foods, Inc.  Search this

Archives Center, National Museum of American History  Search this

Container:

Box 9, Folder 10

Type:

Archival materials

Date:

1973

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Archives Center Cookbook Collection, Archives Center, National Museum of American History.

See more items in:

Archives Center Cookbook Collection

Archives Center Cookbook Collection / Series 3: Addenda

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep831bbfa8a-a0cd-414e-a9cd-3ca807d092b5

EDAN-URL:

ead_component:sova-nmah-ac-0510-ref1081

Collection Creator:

Broussard-Simmons, Vanessa  Search this

Kraft General Foods, Inc.  Search this

Archives Center, National Museum of American History  Search this

Container:

Box 3

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Archives Center Cookbook Collection, Archives Center, National Museum of American History.

See more items in:

Archives Center Cookbook Collection

Archives Center Cookbook Collection / Series 1: Bound Materials

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep816e4f0b8-3063-4173-9aa5-97adc8978658

EDAN-URL:

ead_component:sova-nmah-ac-0510-ref861

Collection Creator:

Broussard-Simmons, Vanessa  Search this

Kraft General Foods, Inc.  Search this

Archives Center, National Museum of American History  Search this

Container:

Box 6

Type:

Archival materials

Date:

1940s

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Archives Center Cookbook Collection, Archives Center, National Museum of American History.

See more items in:

Archives Center Cookbook Collection

Archives Center Cookbook Collection / Series 1: Bound Materials

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8192505f9-2fc3-4904-93eb-f55e4d43b356

EDAN-URL:

ead_component:sova-nmah-ac-0510-ref982

Collection Creator:

Broussard-Simmons, Vanessa  Search this

Kraft General Foods, Inc.  Search this

Archives Center, National Museum of American History  Search this

Container:

Box 6

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Archives Center Cookbook Collection, Archives Center, National Museum of American History.

See more items in:

Archives Center Cookbook Collection

Archives Center Cookbook Collection / Series 1: Bound Materials

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8a177825e-37c7-44cd-abab-dd235d5e25bc

EDAN-URL:

ead_component:sova-nmah-ac-0510-ref992

Author:

Chen, Xi  Search this

Newsome, G. A.  Search this

Buchanan, Michael  Search this

Glasper, Jeremy  Search this

Hua, Leyan  Search this

Latif, Mohsen  Search this

Gandhi, Viraj  Search this

Li, Xintong  Search this

Larriba-Andaluz, Carlos  Search this

Object Type:

Smithsonian staff publication

Year:

2023

Citation:

Chen, Xi, Newsome, G. A., Buchanan, Michael, Glasper, Jeremy, Hua, Leyan, Latif, Mohsen, Gandhi, Viraj, Li, Xintong, and Larriba-Andaluz, Carlos. 2023. "Flow-Optimized Model for Gas Jet Desorption Sampling Mass Spectrometry." The Journal of Physical Chemistry A, https://doi.org/10.1021/acs.jpca.2c07999.

Identifier:

167482

DOI:

https://doi.org/10.1021/acs.jpca.2c07999

ISSN:

1089-5639

Data source:

Smithsonian Libraries and Archives

EDAN-URL:

edanmdm:slasro_167482

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2017-05-12T15:30:01.000Z

YouTube Category:

Entertainment  Search this

See more by:

smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_-gMmIYknSZg

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2018-10-16T15:30:01.000Z

YouTube Category:

Entertainment  Search this

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2012-11-14T20:13:08.000Z

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2019-05-21T15:30:00.000Z

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2014-01-09T23:06:24.000Z

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2016-01-08T05:00:00.000Z

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2014-03-25T19:46:00.000Z

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2015-09-18T04:00:00.000Z

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