Mark di Suvero, American, b. Shanghai, China, 1933 Search this
Medium:
Steel, paint, and wire
Dimensions:
480 × 480 × 360 in., 18725 lb. (1219.2 × 1219.2 × 914.4 cm, 8493.6 kg)
Type:
Sculpture
Date:
(1967)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund and Gift of the Institute of Scrap Recycling Industries, by exchange, 1999
Research material including interviews, writings, photographs of works of art and printed material regarding conceptual artist David Ireland for the book "Touching Time and Space: A Portrait of David Ireland" by Klausner. Interviews are with Ireland as well as Paule Anglim, Robert Atkins, Bill Berkson, Frances Hill Barlow, Agnes Bourne, Damon Brandt, Douglas Dunn, Gary Garrels, Jay Gorney, Ann Hatch, Barbara Ireland, Judy Ireland, Marsha Ireland, Shaugn Ireland, P. Koss, Leah Levy, Connie Lewallen, Phil Linhares, James Melchert, Jeannie Myers, Richard Pinegar, Jane Reed, Jock Reynolds, Robert Storr, Marcia Tanner, Mark Thompson, Alta Tingle, and Karen Tsujimoto. Most, but not all, are transcribed. Writings include drafts and notebooks. Printed material includes exhibition catalogs and newspaper clippings.
Biographical / Historical:
Betty Klausner: Art historian, San Francisco, Calif. David Ireland: Conceptual and installation artist, San Francisco, Calif. b. 1930
Provenance:
Donated 2007 by Betty Klausner.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art historians -- California -- San Francisco Search this
Fletcher, Valerie J. 2000. "Blaze and Power: David Smith's Five Ciarcs." In Celebrating Modern Art: The Anderson Collection. Garrels, Gary, editor. 253–255. San Francisco: San Francisco Museum of Modern Art.
Brice Marden : Retrospektive : [anlässlich der Ausstellung Brice Marden - Retrospektive, Hamburger Bahnhof - Museum für Gegenwart - Berlin, 12. Juni bis 7. Oktober 2007] / Gary Garrels
Celebrating modern art : the Anderson Collection / with essays by Neal Benezra ... [et al.] ; and contributions by Michael Auping ... [et al.] ; [edited by Gary Garrels]
Icônes américaines : chefs-d'œuvre du SFMOMA et de la collection Fisher / commissariat, Gary Garrels en collaboration avec Laurent Salomé et Bruno Ely ; auteurs, Gary Garrels, Caitlin Haskell, Rachel Jans, Rachel Federman, and Sarah Roberts
Jasper Johns : seeing with the mind's eye / edited by Gary Garrels ; with essays by Roberta Bernstein, Gary Garrels, Brian M. Reed, James Rondeau, Mark Rosenthal, Nan Rosenthal, Richard Shiff, and John Yau
An interview with Gary Garrels conducted 2016 September 12, by Linda Yablonsky, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at the San Francisco Museum of Art in San Francisco, California.
Garrels speaks of his recent curatorial positions; his childhood in rural Iowa; his first meaningful exposure to art while working at the Massachusetts Institute of Technology's gallery in Boston in the late 1970s; his first New York City gallery positions in the mid-1980s; his formative gay relationships; his body of curatorial work; launching A Day Without Art in 1988; working in Minneapolis and San Francisco in the mid-1990s; his longtime partnership with Richard Hoblock; changes in the museum world that he has observed since the start of his career; and his current lifestyle and work. Garrels also recalls John R. Lane, Neal Benezra, Irena Hochman, Laura Carpenter, Vito Acconci, David Ireland, James Surls, Stuart Sherman, Julie Sylvester, Heiner Friedrich, Julie Ault, Doug Ashford, Tim Rollins, Felix Gonzalez-Torres, Tom Sokolowski, Bill Olander, Robert Atkins, Robert Gober, Kathy Halbreich, John Caldwell, and others.
Biographical / Historical:
Interviewee Gary Garrels (1957- ) is an author and curator in San Francisco, California. Interviewer Linda Yablonsky (1948- ) is a writer in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Authors -- California -- San Francisco Search this