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Red Wing; Beer Garden Songs

Recording artist:
Fritz and His Band  Search this
Maker:
Bluebird  Search this
Physical Description:
shellac (overall material)
Measurements:
overall: 10 in; x 25.4 cm
Object Name:
sound recording
Place made:
United States: New Jersey, Camden
Date made:
1938
Related Publication:
Discography of American Historical Recordings
Credit Line:
Gift of Eula W. Wake in Memory of Harry Wake
ID Number:
1981.0656.075
Accession number:
1981.0656
Maker number:
B-10031
Catalog number:
1981.0656.075
See more items in:
Cultural and Community Life: Entertainment
Music & Musical Instruments
Popular Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a4-d150-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_666635

Vaughn Spann - Hirshhorn Artist Diaries

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2020-06-18T13:00:08.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_EuCsGVRuets

Manchester -- Glebelands

Former owner:
Carver, Benjamin Mr. Mrs.  Search this
Prettyman, William Mr. Mrs.  Search this
Powers, William Mr. Mrs.  Search this
Hardy, George Mr. Mrs.  Search this
Hardy, Anton Mr. Mrs.  Search this
Trustee:
Leiter, Joseph  Search this
Remington, Franklin  Search this
Architect:
Olcott, Richard M.  Search this
Provenance:
Bennington Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Glebelands (Manchester, Vermont)
United States of America -- Vermont -- Bennington County -- Manchester
Scope and Contents:
The folder includes a worksheet, narrative description of the garden, and a garden plan.
General:
The term "glebe land," from which this garden takes its name, means land owned by a church, and the owner of this property pays a yearly glebe rent to Zion Episcopal Church. Pockets of glebe land (many of which still exist) throughout the village of Manchester and on nearby Mt. Equinox, when rented out in the 18th and 19th centuries for grazing, provided revenue for the church. A focal point for the property today is a 100-yard long marble dam, which dates from the 1840s when the property was a marble mill. It now provides water for the lower swimming pond. The hillside across the upper pond is all marble chips and displays a host of daffodils in the spring. The shell fountain in the secret garden is fed by the waterfall from the dam. The formal garden was started in the 1930s and is entered through the orchard, which is underplanted with naturalized narcissus. Ornaments of diverse origin are encountered, including marble balls that were the tops of gateposts at "Avalon," the Princeton, New Jersey, home of the theologian and hymn-writer Henry Van Dyck, and which were liberated by the owner's mother when that property was torn down. An Italian marble table and wrought iron gates and grilles came from New Orleans, while a wrought iron arc, originally a fanlight, was salvaged from a demolished bank in New York City. The small pool of Portuguese tile at the end of the peony allee is known as "Polly's bathtub," and is where the owner's mother cooled herself after gardening. Flower beds are edged with bricks removed from a heart-shaped patio once found in front of a large rock. The succulents in the patio were put on the rock and compete with moss for survival. The marble walls which contain the formal beds were built in the 1950s. The caisson housing the bubble fountain is what remained after a marble column had been extracted. The caissons were used as culverts on local roads and here have been cut in half to make garden seats. Richard Olcott, F.A.I.A., designed the reflecting pool in 1995.
Persons associated with the garden include: Mr. and Mrs. Benjamin Carver (former owners, 1892-1913); Mr. and Mrs. William Prettyman (former owners, 1913-1921); Joseph Leiter and Franklin Remington (Carver trustees, 1921-1923); Mr. and Mrs. William Powers (former owners, 1923-1929); Mr. and Mrs. George Hardy (former owners, 1929-1931); Mr. and Mrs. Anton G. Hardy (former owners, 1931-1985); and Richard M. Olcott (architect, 1995).
Related Materials:
Glebelands related holdings consist of 1 folder (19 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Vermont -- Manchester  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File VT007
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Vermont
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref11357

Lewis & Valentine company records

Creator:
Lewis & Valentine Company  Search this
Donor:
Lewis, Hewlett Withington  Search this
Names:
Lewis & Valentine Company  Search this
Lewis & Valentine Nurseries, Inc.  Search this
Longwood Gardens (Kennett Square, Pa.)  Search this
Rodin Museum (Philadelphia, Pa.)  Search this
Lewis, Harold Carman  Search this
Owner:
Auchincloss, Hugh D.  Search this
Kahn, Otto Hermann, 1867-1934  Search this
Schwab, Charles M., 1862-1939  Search this
Stotesbury, Edward T.  Search this
Woolworth, F. W.  Search this
du Pont, Eugene  Search this
du Pont, Pierre S.  Search this
Extent:
2.5 Cubic feet (documents, 366 photographs, 1 videotape.)
Type:
Collection descriptions
Archival materials
Videotapes
Brochures
Books
Lists
Correspondence
Trade catalogs
Photographs
Place:
New York (State) -- Greenvale
New York (State) -- Roslyn
Date:
1916-1971
Summary:
The Lewis & Valentine Company Collection contains records of the Lewis & Valentine Company dating from 1916 to 1971 including photographs, negatives, brochures, books, trade catalogs, company papers, letters from clients, customer lists and a history of the company written by Harold Carman Lewis. Photographs document the Rodin Museum in Philadelphia, estates in Long Island, New York, and the properties of Hugh D. Auchincloss, Eugene du Pont, Walter P. Chrysler, Otto H. Kahn, F. W. Woolworth, Pierre S. du Pont (Longwood Gardens), Charles M. Schwab and Edward T. Stotesbury. This collection contains only a sampling of the records of Lewis & Valentine and should not be considered comprehensive.
Arrangement note:
The collection is arranged into 3 series:

Series 1: Documents Series 2: Photographs Series 3: Videotape
Biographical/Historical note:
Specializing in moving and replanting large trees, Lewis & Valentine was one of the most prominent landscape contracting companies in the eastern United States during the first half of the twentieth century. The Lewis & Valentine Company was formed by five brothers whose father had hoped that his sons would grow up to be lawyers. Instead, the Lewis brothers formed a landscape design, installation and nursery firm that specialized in developing "successful methods for transplanting full-grown trees." Their success was based on "doing well the task which is usually considered impossible."

The company was the inspiration of H.C. Lewis, the oldest of seven brothers, who believed that estate owners should have the luxury of immediate landscapes, rather than waiting decades for their landscapes to mature. The Lewis brothers started their business in the early 1900s. Shortly afterwards, a Mr. Valentine, roommate of Albert Addison Lewis at the Amherst Landscape School in Massachusetts, invested in the business. After three years Mr. Valentine moved on and the Lewis brothers bought back his interest, but continued to keep Valentine part of the company's name.

Lewis & Valentine was the largest firm in America devoted to transplainting mature trees in the years leading up to the Great Depression. It claimed to be "the most experienced and most versatile, backed by an intimate knowledge of horticulture and the development of fine estates." The company was noted as a leader in providing complete landscape services, from selling and guaranteeing the plants, to designing and installation, requiring that its staff be men "of good character and not afraid of hard work." This was evident in the firm's principle of no limitations to the size of trees that they were willing to deliver. The trees were often full-grown and ranged in age from twenty to a hundred years old. Many were so large that 20 or more tons of earth had to be moved during the relocation process.

During its first 25 years in business, Lewis & Valentine opened nineteen offices east of the Mississippi serving such notable clients as Charles A. Schwab and Pierre du Pont at his estate, Longwood. The business was set up as an organization of independent companies. Each was incorporated under the laws of the state in which it operated. The offices were located in Connecticut (Darien), Florida (Palm Beach), Illinois (Chicago), Maryland (Baltimore), Massachusetts (Boston and Hanover), Michigan (Detroit), Pennsylvania (Ardmore and Pittsburg), New Jersey (Ashbury Park and Morristown), New York (Buffalo, Roslyn-Long Island, Rye, Valley Stream-Long Island, New York City), North Carolina (Winston-Salem) and Ohio (Cleveland and Cincinnati). Although no longer owned by any members of the Lewis family, the company still exists and operates in Long Island under the name Lewis & Valentine Nurseries.
Provenance:
Gift from Hewlett Withington Lewis, former owner of Lewis & Valentine Nurseries.
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Nurseries (Horticulture) -- United States  Search this
Gardens -- New York (State)  Search this
Tree moving  Search this
Landscape gardening -- New York (State)  Search this
Genre/Form:
Videotapes
Brochures
Books
Lists
Correspondence
Trade catalogs
Photographs
Citation:
Smithsonian Institution, Archives of American Gardens, Lewis & Valentine Company Records.
Identifier:
AAG.LVC
See more items in:
Lewis & Valentine company records
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-lvc
Online Media:

[Trade catalogs from J. Wiss & Sons Co.]

Company Name:
J. Wiss & Sons Co.  Search this
Notes content:
Shears, trimmers, scissors, cutter and stripper, thread clipper, nail cutters, snips and snip panels, display cases for shears and scissors. "A Story of Shears and Scissors: J. Wiss & Sons Co. 1848-1948" company history ; "Wiss" metal snips ; buttonhole cutters ; "Wiss" kitchen shears ; "Wiss" thread clippers ; candy or glass shears ; electricians' scissors ; barbers' shears ; manicure scissors ; personal care ; "Wiss" pruning shears ; "Wiss" hedge shears ; "Wiss-Klip" grass shears ; "Wiss" orange clippers ; "Wiss" lemon clippers ; grape thinning shears ; "Compton" scissors, shears, and snips ; includes advertisements from W. H. Compton Shear Co. ; pinking shears ; scalloping shears ; other cutting instruments ; Oct. 28, 1974 "WISS Snips" suggested retail price list...this comprises the uncataloged portion.
Includes:
Trade catalog, price lists and histories
Black and white images
Color images
Physical description:
49 pieces; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Newark, New Jersey, United States
Date:
1900s
Topic (Romaine term):
Agricultural tools and machinery  Search this
Artists; drafting; crafts materials and supplies  Search this
Barbershop supplies  Search this
Cosmetics  Search this
Cutlery  Search this
Farm equipment and supplies (including dairy and poultry equipment)  Search this
Foods and beverage products and processing equipment (including brewing; distilleries; beer; wine; etc.)  Search this
Garden and lawn equipment and supplies  Search this
Hardware and hand tools  Search this
Machine tools and metalworking equipment  Search this
Office equipment and supplies  Search this
Sewing machines and equipment  Search this
Topic:
Agricultural implements  Search this
Agricultural machinery  Search this
Artists' materials  Search this
Barbershops  Search this
Beverage industry  Search this
Cosmetics  Search this
Cutlery  Search this
Dairying  Search this
Distilleries  Search this
Farm equipment  Search this
Food industry and trade  Search this
Garden ornaments and furniture  Search this
Garden tools  Search this
Handicraft  Search this
Hardware  Search this
Machine-tools  Search this
Mechanical drawing  Search this
Metal-working machinery  Search this
Office equipment and supplies industry  Search this
Sewing machines  Search this
Tools  Search this
Record ID:
SILNMAHTL_28764
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_28764

Oral history interview with Harlan Butt, 2009 July 27-28

Interviewee:
Butt, Harlan, 1950-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Brooks, Jan  Search this
Glantz, Ken  Search this
Japanese tea ceremony  Search this
Kington, L. Brent (Louis Brent)  Search this
Lechtzin, Stanley  Search this
Moty, Eleanor  Search this
Paley, Albert  Search this
Pijanowski, Eugene  Search this
Pijanowski, Hiroko Sato  Search this
Pujol, Elliot  Search this
Scanga, Italo  Search this
Shirk, Helen Z.  Search this
Snyder, Gary  Search this
Staffel, Rudolf  Search this
Winokur, Robert  Search this
American Craft Council  Search this
Arrowmont School of Arts and Crafts  Search this
Enamelist Society  Search this
Haystack Mountain School of Crafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
Rhode Island School of Design  Search this
San Diego State University  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale  Search this
Tyler School of Art  Search this
University of North Texas  Search this
Type:
Interviews
Sound recordings
Place:
Australia -- description and travel
India -- description and travel
Japan -- Description and Travel
Topic:
Art, Asian  Search this
Art -- Study and teaching  Search this
Art teachers -- Interviews  Search this
Buddhism  Search this
Metal-workers -- Texas -- Interviews  Search this
Weaving -- Study and teaching  Search this
Record number:
(DSI-AAA_CollID)15907
(DSI-AAA_SIRISBib)296475
AAA_collcode_butt09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_296475
Online Media:

22c New Jersey single

Title:
Scott Catalogue USA 2338
Medium:
paper; ink (multicolored); adhesive / lithography, engraving
Type:
Postage Stamps
Place:
New Jersey
United States of America
Date:
September 11, 1987
Topic:
Food & Agriculture  Search this
U.S. Stamps  Search this
Credit line:
Copyright United States Postal Service. All rights reserved.
Object number:
1989.0496.10127
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm84602d5cb-8172-45c0-bba6-1a7c65a9059a
EDAN-URL:
edanmdm:npm_1989.0496.10127

Glow Worm; Garden of Roses Waltz

Recording artist:
Edison Concert Band  Search this
New York Military Band  Search this
Maker:
Edison  Search this
Physical Description:
resin (overall material)
Measurements:
overall: 10 in; x 25.4 cm
Object Name:
sound recording
Place made:
United States: New Jersey, West Orange
Date made:
1913
Related Publication:
Discography of American Historical Recordings
Credit Line:
GIft of R. E. Steiner
ID Number:
1980.0950.54
Accession number:
1980.0950
Catalog number:
1980.0950.54
Maker number:
50155
See more items in:
Cultural and Community Life: Entertainment
Music & Musical Instruments
Popular Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-b8e8-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_671377

Henry P. Whitehead collection

Collector:
Whitehead, Henry P. (Prenton), 1917-2002  Search this
Extent:
156.91 Linear feet (178 boxes)
Type:
Collection descriptions
Archival materials
Pamphlets
Sound recordings
Clippings
Memorabilia
Newspapers
Photographs
Books
Brochures
Date:
1843-2010
bulk 1940-1986
Summary:
The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection documents Whitehead's careers, as well as his family and personal life. The collection also includes the personal papers of Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The combined collection is comprised of black theatrical memorabilia; materials relating to civil rights activities in the District of Columbia; and the African American experience in general. Included are playbills, sheet music, admission tickets, newspapers, magazines, books, photographs, clippings, flyers, brochures, pamphlets, sound recordings, research files, and other material.
Scope and Contents note:
The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection includes the personal papers of Henry P. Whitehead, Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The collection is divided into four series.

Series I focuses on Whitehead and includes papers dating from 1843 to his death in 2011. This series includes biographical material including a large amount of appointment books, identification and membership cards, resumes, certificates, and personal and family material. There is a limited amount of correspondence, which focuses on his personal relationships with family, friends, and general correspondence relating primarily to his work as a local historian.

Also found within Whitehead's papers are countless records from his time employed by the Washington DC government. Materials include memoranda, notes, research material, handbooks, guides, manuals, affirmative action info and records, affirmative action plans, promotion recommendations, recruitment plans and summaries, personnel files (complaints), civil actions and reports related too Whitehead's 37 years of government employment. It reflects the activities of numerous departments, primarily in regards to employment and affirmative action.

There are also a number of files that document Whitehead's involvement in numerous community organizations. Among the organizations in which Whitehead was involved include U Street Festival, Lincoln Corporation, and the U Street Theater Foundation. The papers of the U Street Foundation document the production and establishment of the annual U Street Festival. The Lincoln Theater Foundation and the U Street Theater Foundation papers document the efforts to reopen the Lincoln Theater. Also included are Whitehead's research on the Lincoln as well as old Lincoln Theatre programs. Additionally found within this series are documents and clippings on the economic development within Washington DC particularly in the Shaw/U Street location.

The majority of this series consists of printed material. Printed material in this series includes books, clippings, magazines, newsletters, newspapers, press releases, sheet music, programs as well as promotional material for several Washington DC theaters and organizations. There is a large quantity of theater programs dating from 1900-1986. The majority of the clippings and magazines are theater related topics, coupled with a miscellaneous selection of clippings on topics that presumably captured Whitehead's attention.

Research, notes and writings include a large amount of scrapbooks compiled by Whitehead of mostly photocopied clippings documenting Washington DC history, African American theater history, and general African American history. Five scrapbooks were compiled by an unknown source and were previously housed in the New York Public Library collection. Two scrapbooks are about general theater history one about Frances Starr and one about Margaret Anglin. There is also one scrapbook pertaiing to Mae Hall. Also included are a large amount of research notes and notebooks along with general miscellaneous notes.

There are several photographs of African Americans in the performing arts as well as images of Washington DC and several unidentified men, women, and children.

Audio recordings include 23 cassette from the Alexandria Church of God.

The remainder of the collection consists of the papers of Tomlinson D. Todd, Elizabeth B. Delaney, and those about the Howard Theatre.

The Howard Theatre papers are arranged in Series II and include documents relating to the Washington DC historic Howard Theatre and date from 1910 to 1986. The papers in this series predominantly document the Howard Theatre Foundation's efforts to reestablish and run the Howard Theatre in which Whitehead was the vice president. Records include business correspondence, founding documents, photographs, memoranda, press releases, member lists, financial records, clippings, and scrapbooks of clippings pertaining to the organization and theatre.

The correspondence in the collection include a handful of letters from the Washington DC government along with individuals and organizations. Also included is a large amount of interoffice memoradums.

Administrative records include lawsuits, resolutions, meeting minutes, grant proposals, press releases, memoranda, member lists, studies and reports.

Financial records include check stubs, receipts, invoices, bank statements, expenses, and contribution lists. Printed material includes original and photocopied clippings relating to the history and coverage of the foundation activities. Mostly promotional material as flyers, brochures, and press releases along with programs. In particular two 1920 Howard Theatre programs.

The scrapbooks of original and photocopied clippings compiled by Whitehead chronicle the history of the theatre and coverage of the foundation activities.

There are three VHS cassette featuring Whitehead discussing the Howard Theatre. Also found in series 2 are numerous stock investment record books belonging to A.E. Lichtman one of the early managers of the Howard Theatre. In addition early correspondence between Lichtman and the Rex Amusement Company concerning operational management issues of the Howard Theatre.

The Tomlinson D. Todd papers are arranged in Series III and date from 1902-1986 they include organization files, collected printed materials, subject files, and personal papers.

The collection includes materials relating to organizations in which there was a relationship to Todd's work and in which he had an interest primarily during the 1940s and 1950s, organizations include the National Negro Congress (ca, 1946-1947); the Congress for Industrial Organizations (1943-1947); National Council of Negro Women (1947-1949); Committee for Racial Democracy in the Nation's Capital (1947-1948).

The subject files include documents from three of Todd's organizations; Institute on Race Relation, Club Internationale, and his radio program "Americans All". As well as printed material from Todd's alma mater Lincoln University.

The largest subject file is "Americans All" which includes radio scripts as well as audio recording of a few programs and public service announcements. Also found are several black and white photographs of Todd at the radio studio. Printed materials include newspapers, leaflets, convention proceedings, and flyers, There are a large amount of programs ranging from church worship to convention as well as performance. Also present is a small amount of personal papers, including resumes, certificates, admission tickets, family documents, and travel ephemera from his all expense paid trip to Nigeria.

There are a few photographs of Todd at functions and with notable individuals as well as some family, friends and travel.

Elizabeth's B. Delaney papers are arranged in Series IV and date from 1874-1973.

The papers primarily document her involvement in four organizations, the Grand Oder of Odd Fellow of Kentucky, the Order Eastern Star Kentucky, the State Federation of Colored Women's Clubs of Kentucky and the National Association of Colored Women. There is a small amount of printed material belonging to her son primarily the Alpha Phi Alpha material and Gospel Choral Sheet Music, and books.

The Scrapbook was complied by Whitehead consisting of photocopied clipping documenting the life of Elizabeth B. Delaney.
Arrangement note:
This collection is arranged into four series:

Series 1: Henry P. Whitehead papers Series 2: Howard Theatre Series 3: Tomlinson D. Todd Series 4. Elizabeth B. Delaney
Biographical/Historical note:
Henry Preston Whitehead Jr., was a native of Columbus Ohio. A graduate of Ohio State University, where he also attended law school and was a member of the Omega Psi Phi fraternity. Mr. Whitehead discovered Washington's "Black Broadway" in 1940, when he was a soldier in town on a weekend furlough. As he served in the Army in the South Pacific during World War II. Prior to moving to Washington DC Henry P. Whitehead worked for five years as a liquor inspector. Mr. Whitehead moved to Washington D.C. in 1949 and worked for the Post Office before working for the District of Columbia government where he stayed 21 years. He led several equal employment initiatives during the 1960s and 1970s, and was last employed as associate director of the District's Office of Human Rights. In 1980 after putting in 37 years of government service Mr. Whitehead retired. Mr. Whitehead was an historian who led efforts to restore Washington's U Street cultural corridor and achieved recognition as an authority on and collector of black theatrical memorabilia. Mr. Whitehead worked to promote and preserve the city's rich African American cultural heritage.

Mr. Whitehead, served as the chairman and president for 10 years of the Howard Theater Foundation Inc., which he helped establish. There he led the effort to include Howard Theatre in the National Register of Historic Places.

Similarly he was an active member of the U Street Festival Foundation. He was an adviser to the Kennedy Center, Anacostia Museum, and other Smithsonian Institution units and contributed materials to their exhibitions. He was also a consultant to historical documentaries broadcast on public television and radio, including PBS's "Duke Ellington's Washington." His writings included "Remembering U Street," a book used for annual festivals in the historic area.

Mr. Whitehead was also the founder and board member of the Lincoln Theatre Foundation.

Henry P. Whitehead Jr. died on January 8th 2002 at the age of 84.
Related Materials:
Related archival materials in the Institute on Race Relations records in the Anacostia Community Museum Archives.

This collection also contains artifacts catalogued in the ACM Objects collection.
Provenance:
The collection was donated to the Anacostia Community Museum on September 1, 2005 by Michael A. Watkins.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Howard Theatre (Washington, D.C.)  Search this
African Americans  Search this
National Negro Congress (U.S.)  Search this
National Council of Negro Women  Search this
Radio broadcasting  Search this
African American neighborhoods  Search this
African American musicians  Search this
Genre/Form:
Pamphlets
Sound recordings
Clippings
Memorabilia -- 20th century
Newspapers
Photographs
Books
Brochures
Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
Identifier:
ACMA.06-042
See more items in:
Henry P. Whitehead collection
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-06-042
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  • View Henry P. Whitehead collection digital asset number 1
Online Media:

Oral history interview with Harlan Butt

Interviewee:
Butt, Harlan W., 1950-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Arrowmont School of Arts and Crafts -- Faculty  Search this
Enamelist Society  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Rhode Island School of Design -- Faculty  Search this
San Diego State University -- Faculty  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale -- Students  Search this
Tyler School of Art -- Students  Search this
University of North Texas -- Faculty  Search this
Brooks, Jan  Search this
Glantz, Ken  Search this
Japanese tea ceremony  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Lechtzin, Stanley, 1936-  Search this
Moty, Eleanor  Search this
Paley, Albert  Search this
Pijanowski, Eugene, 1938-  Search this
Pijanowski, Hiroko Sato, 1942-  Search this
Pujol, Elliot  Search this
Scanga, Italo, 1932-2001  Search this
Shirk, Helen Z., 1942-  Search this
Snyder, Gary, 1930-  Search this
Staffel, Rudolf, 1911-2002  Search this
Winokur, Robert, 1933-  Search this
Extent:
7 Items (Sound recording: 7 sound files (5 hr., 19 min.), digital, wav)
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Australia -- Description and Travel
India -- description and travel
Japan -- Description and Travel
Date:
2009 July 27-28
Scope and Contents:
An interview of Harlan W. Butt conducted 2009 July 27-28, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Butt's studio, in Ptarmigan Meadows, Colorado.
Harlan Butt speaks of the influence of Asian art on his work; the use of text and imagery in his work; the use of pattern in his work; his undergraduate minor in weaving; the influence of Asian religion and mythology; series The Earth Beneath Our Feet , Garden Anagogies, and Snakes in Heaven; his childhood growing up in Hopewell, New Jersey, near Princeton; undergraduate work at Tyler School of Art, Philadelphia, Pennsylvania; discovery of Buddhism and Eastern religions; his mother's death when he was 20; studying with Stanley Lechtzin and Elliot Pujol at Tyler; graduate school at Southern Illinois University, Carbondale; interest in Japanese tea ceremony; more exploration of Zen Buddhism; use of color in his work; studying with L. Brent Kington; reliquary series; move to Connecticut in 1974; second trip to Japan in 1984 to co-curate Kyoto Metal: An Exhibition of Contemporary Japanese Art Metalwork; introduction to Japanese system of artisan apprenticeship; early efforts as a writer and poet; the influence of poet Gary Snyder; summer teaching position at Rhode Island School of Design, Providence; teaching job at San Diego [California] State University in the mid-1970s; rattles and pipes series; exploring the Western landscape; the power of the snake image; taking a teaching position at University of North Texas, Denton (1976- ); first trip to Japan in 1980; differences in artisanal/metalworking practices in Japan and the United States; teaching workshops at various craft schools, Penland School of Crafts, Penland, North Carolina; Haystack School of Crafts, Deer Isle, Maine; and Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee, compared with teaching in a university; the pros and cons of the gallery system; work with the Nancy Yaw Gallery, Birmingham, Michigan; the challenge of commission work; National Parks Project, Denton Center for the Visual Arts, Denton, Texas; the role of haiku and text in his pieces; series 1,001 Views of Mt. Mu; series Snakes in Heaven; the influence of his wife and children; trip to India and organizing Colour & Light: The Art and Craft of Enamel on Metal, National Gallery of Modern Art, Mumbai, 2001; trip to Australia; involvement with the Society of North American Goldsmiths, Enamelist Society, and American Craft Council; subtle issues of environmentalism in his work; his affinity for metalsmithing and enameling. He also recalls [Rudolf] Staffel, Robert Winokur, Italo Scanga, Jan Brooks, Mike Riegel, Rachelle Thiewes, Eleanor Moty, Albert Paley, Shumei Tanaka, Ken Glantz (Ken Chowder), Randy Thelma Coles, Sandy Green, Mickey McCarter, Gene Pijanowski, Hiroko Pijanowski, Toshihiro Yamanaka, Helen Shirk, Ana Lopez, and Sarah Perkins.
Biographical / Historical:
Harlan W. Butt (1950- ) is an artist, metalsmith, and educator in Denton, Texas. Mija Riedel (1958- ) is a writer and independent scholar in San Francisco, California.
General:
Originally recorded on 4 sound mini discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, Asian  Search this
Art -- Study and teaching  Search this
Art teachers -- Interviews  Search this
Buddhism  Search this
Metal-workers -- Texas -- Interviews  Search this
Weaving -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.butt09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-butt09

George C. Coudert photographs from Brazil

Photographer:
Coudert, George C.  Search this
Extent:
14 Negatives (photographic)
Culture:
Tenharim  Search this
Parintintín (Parintintin)  Search this
Indians of South America -- Brazil  Search this
Amazonia  Search this
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Place:
Amazonas (Brazil)
Date:
1924
Summary:
Photographs made by George C. Coudert among the Tenharim and Parintintín (Parintintin) communities in Brazil during a 1924 expedition.
Scope and Contents:
This collection includes 14 negatives shot by George Coudert among the Tenharim and Parintintín (Parintintin) communities along the Rio dos Marmelos in the Amazonas State in Brazil. These were made during an expedition to collect rare bird specimens on behalf of the Zoological Gardens of Philadelphia. According to his original negative sleeves, the expedition stayed six days in the Madeira region to study the indigenous people in the area. Images include portraits of Tenharim and Parintintín (Parintintin) men, women, and children, often posed in groups outside of dwellings and along the river. The photographs were made in 1924 and were likely shot on nitrate. The negatives were transferred to safety film (acetate) in the 1960s when the Museum of the American Indian, Heye foundation conducted a large scale photograph conservation project. Contact prints were also made at this time.
Catalog numbers: N09121-N09134
Arrangement:
Arranged by catalog number.
Biographical / Historical:
George C. Coudert (1884-1955) was a photographer and cinematographer. Born in France, Coudert moved to the United States as a young child and attended school in Newark, New Jersey. Thought he started his career as a photographer, he moved into film and worked as cinematographer for most of his career. In the 1920's, Coudert went on several expeditions to South America serving as the photographer. In 1924 he travelled to Brazil on a rare bird catching expedition for the Zoological Gardens of Philadelphia, along with Joseph McGoldrick, Rudolphe Meyer De Schauensee, Henry Norris and Alec Eesso. Eventually, Coudert moved to California where he lived out the rest of his life.
Provenance:
It is still unclear how this collection came to the Museum of the American Indian, though it was likely a donation around 1924-1925 based on the catalog numbers.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu). Some images restricted for cultural sensitivity.
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Topic:
Photographs  Search this
Citation:
Identification of specific item; Date (if known); George C. Coudert photographs from Brazil, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.133
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-133

Royal Garden Blues; Jada

Recording artist:
Tommy Dorsey and his Orchestra  Search this
Maker:
RCA Victor  Search this
Physical Description:
shellac (overall material)
Measurements:
average spatial: 10 in; x 25.4 cm
Object Name:
sound recording
Place made:
United States: New Jersey, Camden
Date made:
1936
Related Publication:
Rust, Brian. Jazz Records 1897-1942, Vol. 1
Credit Line:
Gift of Howard A. Guernsey (through Richard L. Guernsey)
ID Number:
1988.0698.0872
Catalog number:
1988.0698.0872
Accession number:
1988.0698
Maker number:
25326
See more items in:
Cultural and Community Life: Entertainment
Music & Musical Instruments
Popular Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-668c-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1056833

Maida Babson Adams American garden collection

Creator:
Adams, Molly, 1918-2003  Search this
Landscape architect:
Ireys, Alice Recknagel, 1911-2000  Search this
Stege, Friede  Search this
Weber, Nelva M.  Search this
Extent:
0 Photographic prints (color, 4 x 6 inches)
0 Photographic prints (black and white, 3 1/2 x 5 inches)
0 Photographic prints (black and white, 8 x 10 inches)
0 Contact sheets (black and white)
35mm slides (photographs) (color, 2 x 2 inches)
0 Negatives (35mm negatives, color)
0 Negatives (black & white, 4 x 5 inches)
0 Negatives (120mm negatives, black and white, 2 x 2 inches)
0 Film transparency (color, 4 x 5 inches)
0 Transparencies (120mm transparencies, color, 2 x 2 inches)
Type:
Collection descriptions
Archival materials
Photographic prints
Contact sheets
Negatives
Film transparency
Transparencies
Film transparencies
Color negatives
Black-and-white photographs
Photographs
Color photographs
Slides (photographs)
Black-and-white negatives
Date:
circa 1960-1994
Summary:
The Maida Babson Adams American Garden Collection documents the work of Molly Adams, a free-lance garden photographer who photographed hundreds of private and public gardens, many of them in the mid-Atlantic region, from the late 1950s through the mid-1990s. It includes slides, photographic prints, negatives and transparencies. A significant number of images document the work of landscape designers Nelva M. Weber, Alice Recknagel Ireys, and Friede Stege. Roughly 50 gardens do not have an identified location. Some images have captions and other information written on them.
Scope and Contents:
The Maida Babson Adams American Gardens Collection includes a total of 7,606 images documenting close to 400 gardens photographed by Molly Adams from the 1950s to the 1990s. Although most images document gardens in New Jersey, the collection also includes gardens in Connecticut, Massachusetts, New York and Pennsylvania. While the vast majority of gardens in the collection are private, there are also some public gardens and venues like the Frelinghuysen Arboretum in New Jersey, the International Flower Show in New York City, and the White House in Washington, D.C. A number of gardens were photographed during organized garden or horticultural tours or annual meetings of the Garden Club of America. A significant number of images document the work of landscape designers Alice Ireys, Nelva Weber, and Friede Stege. Approximately 85 gardens in the collection are unidentified as to their location and/or client. Relatively few images are captioned or dated; Adams often labeled a film envelope or back of a photograph or contact sheet with just a client surname and the designer (if it was Ireys, Weber, or Stege). In some cases, additional information about a garden's location or owner's full name was gleaned from the finding aids for the Alice Recknagel Ireys Papers or the Nelva Weber Papers. Some images were accompanied by clippings from newspapers or magazines that featured one or more related images by Adams; most of these clippings date from the 1950s and 1960s. There is also a file of general clippings of Adams' work; many of these do not identify the garden that is shown.

Most of the images are black and white, though there are a number taken in color. Adams' contact sheets and photo envelopes were sometimes marked with cropping marks or photo developing notes respectively.
Biographical / Historical:
Molly (Maida Babson) Adams (1918 - 2003) had a 40+ year career as a nationally recognized free-lance garden and wildlife photographer and conservationist. Her images were published under the name "Molly Adams." Adams was born in Orange, New Jersey and lived over fifty years in Mendham Township, New Jersey. As a teenager she became interested in photography; she later attended the New York Institute of Photography and became a member of the New York Camera Club.

Her photographs were featured in numerous newspapers and magazines including the "New York Times," "New York Herald Tribune," "House Beautiful," "Horticulture," "Home Garden," and "Audubon." During the Kennedy administration, she photographed the White House Rose Garden; these photographs were later published in "Flower Grower."

Adams provided hundreds of photographs for "How to Plan and Plant Your Own Property" (1967) by landscape architect Alice Recknagel Ireys and "How to Plan Your Own Home Landscape" (1976) by landscape designer Nelva M. Weber. Her images were also published in books including "The Reader's Digest Practical Guide to Home Landscaping," and "The Complete Illustrated Book of Garden Magic." Adams also occasionally wrote garden-themed articles. A longtime member in the Somerset Hills (NJ) Garden Club, which is part of the Garden Club of America, Adams once served as the latter's official photographer.

In the 1960's Adams' photographs drew attention to conservation issues related to the Great Swamp National Wildlife Refuge in northwestern New Jersey. These widely publicized photographs rallied public support against the proposed destruction of the Great Swamp for the construction of an airport. Adams was also active as a member of the Mendham Township Environmental Commission and the North Jersey Conservation Foundation. In the 1980's she was awarded the Buckley Medal of Merit for Horticultural Achievement by the Garden Club of America for her photographs used in the postcard campaign "Save Our Vanishing Wild Flowers."
Related Archival Materials Note:
The Alice Recknagel Ireys Papers in the Sophia Smith Collection at Smith College in Northampton, Massachusetts, include photographs by Molly Adams.

The Nelva Weber Papers in the Division of Rare and Manuscript Collections at Cornell University Library in Ithaca, New York, likely include photographs by Molly Adams.
Separated Materials:
The North Jersey History & Genealogy Center at The Morristown & Morris Township Library in New Jersey has a collection of images by Molly Adams showcasing nature scenes and birds.
Provenance:
Adams' family donated her collection of garden images to the Smithsonian's Archives of American Gardens after her death in 2003.
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania  Search this
Gardens -- United States  Search this
Gardens -- Connecticut  Search this
Gardens -- Massachusetts  Search this
Gardens -- New Jersey  Search this
Gardens -- New York (State)  Search this
Genre/Form:
Photographic prints
Film transparencies
Color negatives
Black-and-white photographs
Photographs
Color photographs
Negatives
Slides (photographs)
Contact sheets
Black-and-white negatives
Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM
See more items in:
Maida Babson Adams American garden collection
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-adm
Online Media:

Millburn -- Wallbridge Garden

Former owner:
Taylor, John, Mrs.  Search this
Gazebo architect:
Heintz, Robert B.  Search this
Owner:
Township of Millburn, New Jersey  Search this
Provenance:
Short Hills Garden Club  Search this
Garden designer:
Short Hills Garden Club  Search this
Planter:
Short Hills Garden Club  Search this
Gardener:
Short Hills Garden Club  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Type:
Archival materials
Place:
Wallbridge Garden (Millburn, New Jersey)
United States of America -- New Jersey -- Essex County -- Millburn
Scope and Contents:
The folder includes worksheets, photocopies of articles, and write-ups of the property's history.
General:
The Wallbridge Garden, approximately one acre, is located at the entrance to Taylor Park in Millburn, New Jersey. The garden is an ongoing community project of the Short Hills Garden Club. The garden features hybrid tea and grandiflora roses planted in concentric rings in wedge-shaped beds hedged with boxwood. At the center is a gazebo, with paths radiating out between and around the beds. Naturalized plantings of spring bulbs, ferns and sweet woodruff, specimen trees, yew hedges and lawns comprise the rest of Wallbridge Garden.
The garden is named for Mr. and Mrs. William K. Wallbridge, whose bequest provided the initial funds for the garden club's renovation. Planning for the garden began circa 1980 during a drought that limited water use, and a trickle hose system was installed in the rose beds that uses non-potable water stored in a tank. The rose beds are mulched with shredded leaves collected in the park.
An earlier garden at that location centered on a bandstand that had become derelict and was removed. Dead trees, deteriorating plants and wire waste baskets were removed, and sturdy wooden benches and trash receptacles were installed. Paths that had been blacktopped were revived with a covering of pea gravel set with hot oil. The original Wallbridge bequest has been supplemented through fund-raising activities of the garden club.
Persons associated with the garden include Mr. and Mrs. John Taylor (former owners prior to 1924); Township of Millburn, New Jersey (owner, May 1924 to present); Robert B. Heintz (architect of the gazebo, February 1981); Short Hills Garden Club (garden designers, planters and maintainers, 1981 to present).
Related Materials:
Wallbridge Garden related holdings consist of 2 folders (2 35 mm. slides (photographs) and 14 digital images)
See others in:
Garden Club of America Collection, ca. 1920-[ongoing].
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- New Jersey -- Millburn  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, File NJ180
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Series 1: Garden Images / New Jersey
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-adm-ref983

Roche collection

Photographer:
Roche, John P.  Search this
Roche, Mary Alice  Search this
Extent:
0.5 Cubic feet
28 Transparencies (col. , 4 x 5 in.)
62 Photographic prints (b&w , 8 x 10 in.)
1 Photographic print (col. , 2.5 x 3.5 inches)
3 Transparencies (col. , 120mm)
Type:
Collection descriptions
Archival materials
Transparencies
Photographic prints
Slides (photographs)
Date:
circa 1954-1970
Summary:
The Roche Collection documents some of the work of John and Mary Alice Roche, garden photographers who photographed numerous gardens throughout the United States. Several of the Roches' images appeared in popular gardening magazines and books on flower arranging from the 1950s and 1960s.
Scope and Contents note:
The Roche Collection includes twenty-five private gardens dating from the 1950s and 1960s photographed by John and Mary Alice Roche in California, Maine, Missouri, New York, and New Jersey. The Roches typically indicated the garden owner name, location, plant varieties and special features on the backs of many of the color transparency mounts and black and white photographs. Some images are labeled as to which publication they appeared in. All images are stamped on the back with original licensing information.
Biographical/Historical note:
John and Mary Alice Roche opened a studio for horticultural photography in Caldwell, New Jersey, in 1945. Together they photographed gardens and flower arrangements for numerous publications including House Beautiful, House and Garden, Horticulture, Popular Gardening, Flower Grower, Farm Journal, American Home, Family Circle, McCall's, and the Brooklyn Botanic Garden Bulletin as well as for several books. Images by the Roches in newspapers and magazines were credited to 'Roche.'

Both Roches graduated from the Clarence H. White School of Photography in New York City; John Roche later went on to teach there. He was an associate of the Photographic Society of America and a member of the Royal Photographic Society. His work was exhibited in a number of one man shows.

Mary Alice Roche wrote about gardens for a number of magazines and newspapers. She and her husband also lectured on nature photography.

The Roches co-wrote a book, Photographing Your Flowers; a Practical Guide for Indoor and Outdoor Use.

According to the Sensory Awareness Foundation, Mary Alice Roche and Charlotte Selver established the Sensory Awareness Foundation in 1971. Roche was its managing secretary and bulletin editor for many years. She was also a director of The Lifwynn Foundation.
Related Materials:
The Center for Creative Photography at the University of Arizona, Tucson, includes photographs taken and/or developed by John P. Roche in its Photograph Collection.
Provenance:
Mary Alice Roche donated the collection of images to the Archives of American Gardens in 2003.
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Missouri  Search this
Gardens -- Maine  Search this
Gardens -- California  Search this
Gardens -- United States  Search this
Gardens -- New Jersey  Search this
Gardens -- New York (State)  Search this
Genre/Form:
Photographic prints
Transparencies
Slides (photographs)
Identifier:
AAG.ROC
See more items in:
Roche collection
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-roc
Online Media:

Millburn -- Wallbridge Garden

Former owner:
Taylor, John, Mrs.  Search this
Gazebo architect:
Heintz, Robert B.  Search this
Owner:
Township of Millburn, New Jersey  Search this
Garden designer:
Short Hills Garden Club  Search this
Planter:
Short Hills Garden Club  Search this
Gardener:
Short Hills Garden Club  Search this
Provenance:
Short Hills Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Wallbridge Garden (Millburn, New Jersey)
United States of America -- New Jersey -- Essex County -- Millburn
Scope and Contents:
The folder includes worksheets, photocopies of articles, and write-ups of the property's history.
General:
The Wallbridge Garden, approximately one acre, is located at the entrance to Taylor Park in Millburn, New Jersey. The garden is an ongoing community project of the Short Hills Garden Club. The garden features hybrid tea and grandiflora roses planted in concentric rings in wedge-shaped beds hedged with boxwood. At the center is a gazebo, with paths radiating out between and around the beds. Naturalized plantings of spring bulbs, ferns and sweet woodruff, specimen trees, yew hedges and lawns comprise the rest of Wallbridge Garden.
The garden is named for Mr. and Mrs. William K. Wallbridge, whose bequest provided the initial funds for the garden club's renovation. Planning for the garden began circa 1980 during a drought that limited water use, and a trickle hose system was installed in the rose beds that uses non-potable water stored in a tank. The rose beds are mulched with shredded leaves collected in the park.
An earlier garden at that location centered on a bandstand that had become derelict and was removed. Dead trees, deteriorating plants and wire waste baskets were removed, and sturdy wooden benches and trash receptacles were installed. Paths that had been blacktopped were revived with a covering of pea gravel set with hot oil. The original Wallbridge bequest has been supplemented through fund-raising activities of the garden club.
Persons associated with the garden include Mr. and Mrs. John Taylor (former owners prior to 1924); Township of Millburn, New Jersey (owner, May 1924 to present); Robert B. Heintz (architect of the gazebo, February 1981); Short Hills Garden Club (garden designers, planters and maintainers, 1981 to present).
Related Materials:
Wallbridge Garden related holdings consist of 2 folders (2 35 mm. slides (photographs) and 14 digital images)
See others in:
Maida Babson Adams American Garden Collection, ca. 1960-1994.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- New Jersey -- Millburn  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File NJ180
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / New Jersey
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref20126

League of Nations [sculpture] / (photographed by De Witt Ward)

Artist:
Calder, Alexander Stirling 1870-1945  Search this
Photographer:
Ward, De Witt d. 1937  Search this
Type:
Photograph
Topic:
Allegory--Civic--Unity  Search this
Figure group--Male  Search this
Architecture--Monument--Fountain  Search this
Image number:
SSC S0000365
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127074
Online Media:

[Unidentified Garden in Short Hills, New Jersey, No. 2]: greenhouse.

Photographer:
Adams, Molly, 1918-2003  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Extent:
1 Negatives (photographic) (black-and-white, 120 mm.)
Type:
Archival materials
Negatives (photographic)
Place:
Unidentified Garden No. 2 (Short Hills, New Jersey)
United States of America -- New Jersey -- Essex County -- Millburn -- Short Hills
Date:
[between 1960 and 1994]
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- New Jersey -- Short Hills  Search this
Trees  Search this
Shrubs  Search this
Lawns  Search this
Ground cover plants  Search this
Garden borders  Search this
Edging, stone  Search this
Retaining walls  Search this
Walls, stone  Search this
Greenhouses  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, Item NJ478013
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Series 1: Garden Images / New Jersey / NJ478: Short Hills -- Unidentified Garden in Short Hills, New Jersey, No. 2
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-adm-ref1000

[Unidentified Garden in Short Hills, New Jersey, No. 3]: street, driveway, and house beyond.

Photographer:
Adams, Molly, 1918-2003  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Extent:
1 Negatives (photographic) (black-and-white, 2 x 2 in.)
Type:
Archival materials
Negatives (photographic)
Place:
Unidentified Garden No. 3 (Short Hills, New Jersey)
United States of America -- New Jersey -- Essex County -- Millburn -- Short Hills
Date:
[between 1960 and 1994]
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- New Jersey -- Short Hills  Search this
Houses  Search this
Garages  Search this
Streets  Search this
Driveways  Search this
Lawns  Search this
Fences -- wooden  Search this
Edging (inorganic)  Search this
Trees  Search this
Shrubs  Search this
Automobiles  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, Item NJ480001
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Series 1: Garden Images / New Jersey / NJ480: Short Hills -- Unidentified Garden in Short Hills, New Jersey, No. 3
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-adm-ref1002

[Unidentified Garden in Short Hills, New Jersey, No. 3]: view of house front from street, with hood of car in foreground.

Photographer:
Adams, Molly, 1918-2003  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Extent:
1 Negatives (photographic) (black-and-white, 2 x 2 in.)
Type:
Archival materials
Negatives (photographic)
Place:
Unidentified Garden No. 3 (Short Hills, New Jersey)
United States of America -- New Jersey -- Essex County -- Millburn -- Short Hills
Date:
[between 1960 and 1994]
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- New Jersey -- Short Hills  Search this
Houses  Search this
Garages  Search this
Streets  Search this
Driveways  Search this
Lawns  Search this
Fences -- wooden  Search this
Edging (inorganic)  Search this
Trees  Search this
Shrubs  Search this
Automobiles  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, Item NJ480002
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Series 1: Garden Images / New Jersey / NJ480: Short Hills -- Unidentified Garden in Short Hills, New Jersey, No. 3
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-adm-ref1003

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