Search Results

Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Donor:

Tibbetts, Eleanor Sears  Search this

Extent:

44.5 Cubic feet (4,317 glass negatives. 363 film negatives. 182 glass lantern slides. 12 photograph albums. 56 plans and drawings. 3 monographs. )

Type:

Collection descriptions

Archival materials

Negatives

Blueprints

Albums

Plans (drawings)

Lantern slides

Date:

1899-1964

Summary:

The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.

Scope and Contents note:

The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and monographs by or about Sears. Several of the glass lantern slides are duplicates of glass plate negatives in the collection. They apparently were chosen by Sears to illustrate some of his best design work, perhaps for lecture or client purposes.

In addition, there are 56 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina. They range in date from 1917 to 1937 and from 1955 to 1964. Sears photographed some of his early plans; they are included in with the photographic images. Sears also photographed a handful of design plans by landscape architect Sibley Coslett Smith who practiced in Providence, Rhode Island; Sears and Smith shared the same business address there.

The Thomas Warren Sears Collection does not fully document the extent of Sears' design work. The use of glass plate negatives—which make up the bulk of the Thomas Warren Sears Collection—as a photography medium waned sometime during the first quarter of the twentieth century. As a result, the images in the Sears Collection capture examples of Sears' early to mid-career design work but they do not include jobs designed by Sears during the latter half of his design career.

Arrangement note:

The glass plate negatives were originally housed in numerous cardboard boxes manufactured for the sale of undeveloped glass plate negatives. Sears annotated the outside of the boxes with project or client names and/or locations, but the contents do not always match these labels. In addition, because very few of the glass plate negatives and lantern slides were labeled or captioned, it is not always evident where one job ended and another began if multiple projects were stored in the same carton. As a result, there are many instances in the Sears Collection where images have been inadvertently mislabeled because their identification is not apparent. Misidentified images are subject to correction as their proper identification is discovered. Each project has been assigned its own unique AAG job number based on its geographic origin. Those groups of images that have not been identified as to their location have been assigned a project number starting with 'SRS.' The collection is arranged into 3 series: 1) Photographic images (including glass plate negatives, film negatives, glass lantern slides, and photograph albums) 2) Plans and Drawings 3) Monographs

Biographical/Historical note:

Thomas Warren Sears was born in 1880 in Brookline, Massachusetts. He received a Bachelor of Arts degree from Harvard University in 1903 and Bachelor of Science degree in landscape architecture from the Lawrence Scientific School of Harvard in 1906. Sears was an amateur photographer who won awards for his photography while at Harvard. In 1915 his images were published in the monograph, Parish Churches of England. After graduation he worked for the firm of Olmsted Brothers Landscape Architects for two years and then briefly practiced in Providence, Rhode Island. In 1913, Sears established a landscape design office in Philadelphia, Pennsylvania where he spent the remainder of his professional career. Sears at one point was in a professional partnership; some of his design plans list the firm name of Sears and Wendell. He was made a Fellow of the American Society of Landscape Architects in 1921.

Sears designed many different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments. His designs were primarily located in Pennsylvania, Maryland, and New York. Just a few of his private landscapes include Marengo in Easton, Maryland; Sunnybrook, the Isaac H. Clothier, Jr. estate in Radnor, Pennsylvania; and Balmuckety in Pikesville, Maryland. In 1915, Sears started work on Reynolda, a country estate in Winston-Salem, North Carolina. He generated design plans for the property intermittently over the next two decades. Reynolda's formal gardens, greenhouses, and acres of fields and woodlands subsequently became part of Wake Forest University.

During World War I, Sears designed Army camps in Battle Creek, Michigan and Spartanburg, South Carolina. He also helped lay out Langley Field, at that time an experimental aviation field in Hampton Roads, Virginia. In the 1940s, Sears designed the amphitheater at Swarthmore College in Swarthmore, Pennsylvania for concerts, outdoor performances, and other special events. During that decade he also worked on Colonial Revival gardens at Pennsbury, William Penn's country estate in Bucks County, Pennsylvania located by the Delaware River. Sears retired in 1964 and died in 1966.

Related Archival Materials note:

The Philadelphia Architects and Buildings Project (PAB), administered by The Athenaeum of Philadelphia, includes references to design projects by Sears.

Harvard University's Loeb Library includes a number of images by Sears, some of them documenting gardens that he designed.

Harvard University's Fine Arts Library, Special Collections includes a collection of photographs and negatives of English parish churches by Sears, c. 1908. Some of the images were published in the monograph, Parish Churches of England.

The Reynolda House Museum of American Art in Winston-Salem, North Carolina includes plans by Sears of Reynolda in its Estate Archives.

Provenance:

Gift of Eleanor Sears Tibbetts, Sears' daughter, to the Horticulture Services Division (later Smithsonian Gardens) in 1992.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Photographers  Search this

Landscape architects  Search this

Gardens -- United States  Search this

Gardens -- Switzerland  Search this

Gardens -- Scotland  Search this

Gardens -- Italy  Search this

Gardens -- Germany  Search this

Gardens -- France  Search this

Gardens -- England  Search this

Genre/Form:

Negatives

Blueprints

Albums

Plans (drawings)

Lantern slides

Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS

See more items in:

Thomas Warren Sears photograph collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb68e184341-59d2-4612-8886-4cc747c92bfe

EDAN-URL:

ead_collection:sova-aag-srs

Photographer:

Sears, Thomas Warren, 1880-1966  Search this

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Extent:

1 Negatives (photographic) (black-and-white, 3.5 x 6 in.)

Type:

Archival materials

Negatives (photographic)

Negatives

Place:

Germany -- Saxony -- Bad Muskau

Germany -- Saxony -- Dresden Region -- Bad Muskau

Date:

1906 Sep

General:

Original was a nitrate negative which has been digitized and the nitrate negative destroyed. There are two digital images, one showing a detail.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Chairs -- sprung metal  Search this

Benches, iron  Search this

Outdoor furniture  Search this

Gardens -- Germany -- Muskau Park  Search this

Genre/Form:

Negatives

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item GRM001026

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 1: Photographic Images / International / Germany / GRM001: Muskau -- Puklar-Muskau

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6e1012225-5f12-483c-bf8f-2164d6af450c

EDAN-URL:

ead_component:sova-aag-srs-ref2743

Photographer:

Sears, Thomas Warren, 1880-1966  Search this

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Extent:

1 Negatives (photographic) (black-and-white, 3.5 x 6 in.)

Type:

Archival materials

Negatives (photographic)

Negatives

Reproductions

Place:

Germany -- Saxony -- Bad Muskau

Germany -- Saxony -- Görlitz Region -- Bad Muskau

Date:

1906 Sep.

General:

Original was a nitrate negative which has been digitized and the nitrate negative destroyed. A duplicate film negative is at Photographic Services, Smithsonian Institution (OIPPS). Negative Number: 94-7163.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Courtyards  Search this

Cobblestones  Search this

Stores  Search this

Lampposts  Search this

Buildings  Search this

Genre/Form:

Negatives

Reproductions

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item GRM001045

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 1: Photographic Images / International / Germany / GRM001: Muskau -- Puklar-Muskau

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb61a6d1094-6c7c-4568-bc6f-1d2e5af28028

EDAN-URL:

ead_component:sova-aag-srs-ref2762

Photographer:

Sears, Thomas Warren, 1880-1966  Search this

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Extent:

1 Negatives (photographic) (black-and-white, 3.5 x 6 in.)

Type:

Archival materials

Negatives (photographic)

Negatives

Reproductions

Place:

Nymphenburg Palace (Munich, Germany)

Germany -- Bavaria -- Munich

Date:

1906 Sep.

General:

Original was a nitrate negative which has been digitized and the nitrate negative destroyed. A duplicate film negative is at Photographic Services, Smithsonian Institution (OIPPS). Negative Number: 94-7428.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Allées  Search this

People  Search this

Trees  Search this

Canals  Search this

Walkways  Search this

Genre/Form:

Negatives

Reproductions

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item GRM007001

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 1: Photographic Images / International / Germany / GRM007: Munich -- Nymphenburg Palace

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6c60219f8-dc35-42db-9ea9-28008d7d7ff6

EDAN-URL:

ead_component:sova-aag-srs-ref2763

Photographer:

Sears, Thomas Warren, 1880-1966  Search this

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Extent:

1 Negatives (photographic) (black-and-white, 3.5 x 6 in.)

Type:

Archival materials

Negatives (photographic)

Negatives

Reproductions

Place:

Nymphenburg Palace (Munich, Germany)

Germany -- Bavaria -- Munich

Date:

1906 Sep.

General:

Original was a nitrate negative which has been digitized and the nitrate negative destroyed. A duplicate film negative is at Photographic Services, Smithsonian Institution (OIPPS). Negative Number: 94-7380.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Canals  Search this

Allées  Search this

Historic buildings  Search this

Palaces  Search this

Walkways  Search this

Genre/Form:

Negatives

Reproductions

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item GRM007002

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 1: Photographic Images / International / Germany / GRM007: Munich -- Nymphenburg Palace

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb683ad5cf8-94f5-4977-b1bb-bafd31d71889

EDAN-URL:

ead_component:sova-aag-srs-ref2764

Photographer:

Sears, Thomas Warren, 1880-1966  Search this

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Extent:

1 Negatives (photographic) (black-and-white, 3.5 x 6 in.)

Type:

Archival materials

Negatives (photographic)

Negatives

Reproductions

Place:

Europe

Date:

1906.

General:

Original was a nitrate negative which has been digitized and the nitrate negative destroyed. A duplicate film negative is at Photographic Services, Smithsonian Institution (OIPPS). Negative Number: 94-7160.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Hillsides  Search this

Valleys  Search this

Villages  Search this

Roads  Search this

Genre/Form:

Negatives

Reproductions

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item SRS047126

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 1: Photographic Images / United States / Unidentified Locations or Subjects / SRS047: Unidentified Views

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6ee48af38-ca6f-459b-9f47-f654a82ad831

EDAN-URL:

ead_component:sova-aag-srs-ref3580

Photographer:

Sears, Thomas Warren, 1880-1966  Search this

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Extent:

1 Negatives (photographic) (black-and-white, 3.5 x 6 in.)

Type:

Archival materials

Negatives (photographic)

Negatives

Reproductions

Place:

Europe

Date:

1906.

General:

Original was a nitrate negative which has been digitized and the nitrate negative destroyed. A duplicate film negative is at Photographic Services, Smithsonian Institution (OIPPS). Negative Number: 94-7164.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Hillsides  Search this

Valleys  Search this

Rural areas  Search this

Roads  Search this

Farm buildings  Search this

Genre/Form:

Negatives

Reproductions

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item SRS047127

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 1: Photographic Images / United States / Unidentified Locations or Subjects / SRS047: Unidentified Views

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6f4cf7f15-6b4d-4a89-83c6-e343ae003a33

EDAN-URL:

ead_component:sova-aag-srs-ref3581

Photographer:

Sears, Thomas Warren, 1880-1966  Search this

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Extent:

1 Negatives (photographic) (black-and-white, 3.5 x 6 in.)

Type:

Archival materials

Negatives (photographic)

Negatives

Reproductions

Place:

Europe

Date:

1906.

General:

Original was a nitrate negative which has been digitized and the nitrate negative destroyed. A duplicate film negative is at Photographic Services, Smithsonian Institution (OIPPS). Negative Number: 94-7173.

The image may have been taken while Sears was on a train.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Roads  Search this

Rural areas  Search this

Houses  Search this

Genre/Form:

Negatives

Reproductions

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item SRS047131

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 1: Photographic Images / United States / Unidentified Locations or Subjects / SRS047: Unidentified Views

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6fbdee222-2759-41cf-b289-3e1e5b88db1e

EDAN-URL:

ead_component:sova-aag-srs-ref3585

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2022-05-12T15:13:35.000Z

YouTube Category:

Education  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_iK6WnmCgKQk

Creator:

Smithsonian Magazine  Search this

Type:

YouTube Videos

Uploaded:

2011-09-23T14:58:44.000Z

YouTube Category:

Travel & Events  Search this

See more by:

SmithsonianMagazine

Data Source:

Smithsonian Magazine

YouTube Channel:

SmithsonianMagazine

EDAN-URL:

edanmdm:yt_SxCll6n5m4s

Creator:

Hirshhorn Museum and Sculpture Garden  Search this

Type:

YouTube Videos

Uploaded:

2020-06-25T13:00:05.000Z

YouTube Category:

Education  Search this

Topic:

Art, modern  Search this

See more by:

hirshhornmuseum

Data Source:

Hirshhorn Museum and Sculpture Garden

YouTube Channel:

hirshhornmuseum

EDAN-URL:

edanmdm:yt_7wzXHZhVJK0

Creator:

Hirshhorn Museum and Sculpture Garden  Search this

Type:

YouTube Videos

Uploaded:

2020-05-23T14:15:00.000Z

YouTube Category:

Education  Search this

Topic:

Art, modern  Search this

See more by:

hirshhornmuseum

Data Source:

Hirshhorn Museum and Sculpture Garden

YouTube Channel:

hirshhornmuseum

EDAN-URL:

edanmdm:yt_mkM0bBv-tIg

Creator:

Hirshhorn Museum and Sculpture Garden  Search this

Type:

YouTube Videos

Uploaded:

2020-05-13T19:54:22.000Z

YouTube Category:

Education  Search this

Topic:

Art, modern  Search this

See more by:

hirshhornmuseum

Data Source:

Hirshhorn Museum and Sculpture Garden

YouTube Channel:

hirshhornmuseum

EDAN-URL:

edanmdm:yt_uEzy5JBHlfo

Artist:

Mary Bauermeister, German, b. Frankfurt, 1934–2023  Search this

Medium:

Glass lenses, wood, ink, and paint

Dimensions:

48 1/2 x 49 x 7 in. (123.2 x 124.5 x 17.8 cm)

Type:

Sculpture

Date:

1966

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981

Accession Number:

86.266

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py2a9345ca2-df2b-4707-8b04-4afda34a8510

EDAN-URL:

edanmdm:hmsg_86.266

Biogeographical Region:

European Terrestrial  Search this

Collector:

H. Steudner  Search this

Place:

Schoneberg botanic garden, near berlin, Berlin, Germany, Europe

Taxonomy:

Plantae Rhodophyta Florideophyceae Ceramiales Rhodomelaceae

Published Name:

Chondria seticulosa (Forssk.) C. Agardh

Protococcus tectorum

Barcode:

00236528

USNM Number:

92302

See more items in:

Botany

Algae

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/3f6a289a2-cc3a-46cc-9cc8-124e884aa9fc

EDAN-URL:

edanmdm:nmnhbotany_2348968

Biogeographical Region:

European Terrestrial  Search this

Collector:

A. De Bary  Search this

Place:

Frankfurt botanical gardens, Hesse, Germany, Europe

Collection Date:

Oct 1853

Taxonomy:

Plantae Chlorophyta Chaetophorales Chaetophoraceae

Published Name:

Stigeoclonium subsecundum

Barcode:

00238308

USNM Number:

92326

See more items in:

Botany

Algae

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/370d50e1f-0f74-4df9-8046-12ea23736d2a

EDAN-URL:

edanmdm:nmnhbotany_2354614

Biogeographical Region:

European Terrestrial  Search this

Collector:

W. Migula  Search this

Place:

Karlsruhe, botanical garden, Baden-wurttemberg, Germany, Europe

Collection Date:

13 Apr 1903

Taxonomy:

Plantae Chlorophyta Volvocales Volvocaceae

Published Name:

Eudorina elegans

Barcode:

00233709

USNM Number:

91789

See more items in:

Botany

Algae

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/38d582c09-bb05-48aa-9b69-a0936147ea06

EDAN-URL:

edanmdm:nmnhbotany_2356136

Biogeographical Region:

European Terrestrial  Search this

Collector:

W. Migula  Search this

Place:

Karlsruhe botanical gardens, Baden-wurttemberg, Germany, Europe

Collection Date:

May 1904

Taxonomy:

Plantae Chlorophyta Volvocales Volvocaceae

Published Name:

Pandorina morum

Barcode:

00216769

USNM Number:

91801

See more items in:

Botany

Algae

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/3f499bc1b-078b-4c2e-a661-cb573787e87e

EDAN-URL:

edanmdm:nmnhbotany_2357129

Manufacturer:

Lockheed Aircraft Company  Search this

Materials:

All-metal

Dimensions:

Overall: 390 x 1170cm, 6345kg, 1580cm (12ft 9 9/16in. x 38ft 4 5/8in., 13988.2lb., 51ft 10 1/16in.)

Type:

CRAFT-Aircraft

Country of Origin:

United States of America

Date:

1943

Credit Line:

Transferred from the U.S. Air Force

Inventory Number:

A19600295000

Restrictions & Rights:

Usage conditions apply

See more items in:

National Air and Space Museum Collection

Location:

Steven F. Udvar-Hazy Center in Chantilly, VA

Exhibit Station:

World War II Aviation

Data Source:

National Air and Space Museum

GUID:

http://n2t.net/ark:/65665/nv9f8c73f98-d611-4493-a62b-0c7b0d79a9e9

EDAN-URL:

edanmdm:nasm_A19600295000

Creator:

Selz, Peter Howard, 1919-2019  Search this

Names:

College Art Association of America  Search this

Institute of Design (Chicago, Ill.) (Faculty)  Search this

Marlborough Gallery  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Pomona College (Claremont, Calif.)  Search this

San Francisco Bay Area Rapid Transit District (Calif.)  Search this

University of California, Berkeley. University Art Museum  Search this

Baykam, Bedri, 1957-  Search this

Beckmann, Max, 1884-1950  Search this

Benton, Fletcher, 1931-  Search this

Bergman, Ciel, 1938-  Search this

Bury, Pol, 1922-2005  Search this

Calder, Alexander, 1898-1976  Search this

Chase-Riboud, Barbara  Search this

Christo, 1935-  Search this

Conner, Bruce, 1933-2008  Search this

Dubuffet, Jean, 1901-  Search this

Feininger, Lyonel, 1871-1956  Search this

Giacometti, Alberto, 1901-1966  Search this

Golub, Leon, 1922-2004  Search this

Graves, Morris, 1910-  Search this

Guston, Philip, 1913-1980  Search this

Hadzi, Dimitri, 1921-2006  Search this

Lebrun, Rico, 1900-1964  Search this

Lindner, Richard, 1901-1978  Search this

Lipchitz, Jacques, 1891-1973  Search this

O'Keeffe, Georgia, 1887-1986  Search this

Onslow-Ford, Gordon  Search this

Paris, Harold, 1925-1979  Search this

Petlin, Irving, 1934-  Search this

Reinhardt, Ad, 1913-1967  Search this

Rothko, Mark, 1903-1970  Search this

Tinguely, Jean, 1925-  Search this

Extent:

31.5 Linear feet

0.696 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Photographs

Scrapbooks

Sound recordings

Video recordings

Place:

San Francisco Bay Area (Calif.)

Date:

1929-2014

bulk 1950-2005

Summary:

The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and nine scrapbooks.

Scope and Contents:

The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and scrapbooks.

Correspondence is with colleagues, artists, museums, and galleries concerning a wide variety of topics, including exhibitions and publications. The bulk of the correspondence consists of alphabetical files (two linear feet) that includes correspondence with artists. Notable correspondents include Pol Bury, Alexander Calder, Gordon Onslow Ford, Alberto Giacometti, Morris Graves, Philip Guston, Dimitri Hadzi, Jacques Lipchitz, Georgia O'Keeffe, Ad Reinhardt, Mark Rothko, Jean Tinguely, and others. Eight additional files of chronological correspondence is with curators, arts organizations, and publishers. Additional correspondence is found in the professional files, project files, membership files, artists' research files, and exhibition files.

The bulk of the writings series is comprised of files related to Selz's books and includes typescript drafts and galleys, printed and digital material, correspondence, and publishing contracts. Files are found for Art in Our Times, Art of Engagement, Beyond the Mainstream, and Theories of Modern Art. Other writings consist of drafts of articles, essays, notes, and lectures by Selz. Also included are writings by others, including materials related to Paul Karlstrom's biography of Selz.

Professional files document curatorial and teaching positions at the Chicago Institute of Design, Pomona College, University of California, Berkeley, and the Museum of Modern Art. The series includes contracts, recommendations, syllabi, and correspondence.

Project files document Selz's professional work on specific art projects, panels, and symposiums. There is extensive documentation of Selz's work as project director of Christo's Running Fence, as well as other environmental art work projects by Christo, the Berkeley Art Project, Disney Art Project, "Funk Art" symposium, and the "Art and Politics in the 20th Century" symposium. Project files contain a wide variety of materials, such as correspondence, printed material, financial records, reports, photographs, and other documents. There are 2 tape reels, 1 VHS, and 1 sound cassette.

Membership and association records document Selz's involvement with or membership in various art councils, trustee boards, such as the College Art Association, Art in Chicago Advisory Committee, Bay Area Rapid Transit (B.A.R.T.) Art Council, and the San Francisco Crafts and Folk Art Museum Advisory Board, among others. Materials include meeting minutes, bulletins, correspondence, and memoranda.

Artists' Research Files consist of a wide variety of research materials Selz compiled about artists for lectures, writings, projects, exhibitions, etc. Files vary and may include original and photocopied correspondence, photographic material, resumes, printed and digital material, and writings. There is also 1 sound cassette. Files are found for Bedri Baykam, Max Beckmann, Fletcher Benton, Ciel Bergman, Barbara Chase-Riboud, Bruce Conner, Jean Dubuffet, Lyonel Feininger, Leon Golub, Dimitri Hadzi, Rico Lebrun, Harold Paris, Irving Petlin, among many others.

Exhibition files include catalogs, reviews, clippings, writings, correspondence, and other material documenting exhibitions organized by Selz. Limited materials are found for the MOMA Art Nouveau exhibition. More extensive documentation is found for Seven Decades of Modern Art, 1895-1965, The Joint Show (1967), The American Presidency in Political Cartoons (1976), American Modern Art Between the Two World Wars (1979), German Realism in the Twenties: Artist As Social Critic (1980), Twelve Artists from the German Democratic Republic (1989), a Richard Lindner Retrospective (1996), Spaces of Nature (1999), Color and Fire: Defining Moments in Studio Ceramics, 1950-2000 (2000), and a Nathan Oliviera Retrospective (2002), among others. Some of the materials are in digital format.

Personal business records are related to the Mark Rothko estate and Kate Rothko's legal case against Marlborough Gallery, Inc. Also included in this series are Peter Selz's school transcripts, bequests, royalty statements, house designs, and other material.

Printed materials include clippings, prints of articles written by Peter Selz, exhibition announcements and invitations, and photocopies of artwork images.

There are nine disbound scrapbooks dating from the 1940s up through 2012 containing clippings, exhibition announcements, and photographs of art events, Selz, and artists. This series also includes materials from the 2018 addition that may have previously been compiled in binders.

Arrangement:

This collection is arranged as 10 series. When possible the original order of Peter Selz was maintained. However, multiple accessions were merged and integrated.

Missing Title

Series 1: Correspondence, 1942-2013 (2.3 linear feet; Box 1-3, Box 37)

Series 2: Writings, 1942- circa 2014 (8.3 linear feet; Box 3-10, OV 32, Box 37, 0.035 GB; ER01, ER12)

Series 3: Professional Files, 1949-2012 (1 linear feet; Box 11, Box 37)

Series 4: Project Files, 1962-2015 (2.8 linear feet; Box 12-14, OV 33, Box 37)

Series 5: Membership and Association Records, 1958-2014 (1.1 linear feet; Box 14-15, Box 37)

Series 6: Artists' Research Files, 1955-2014 (7.9 linear feet; Box 15-22, OV 34-35, 0.520 GB; ER02-ER08)

Series 7: Exhibition Files, 1959-2014 (5.2 linear feet; Box 23-27, Box 38, 0.093 GB; ER09-ER11)

Series 8: Personal Business Records, 1929-2014 (1.2 linear feet; Box 28-29, OV 36, Box 38)

Series 9: Printed Material, 1957-2014 (0.3 linear feet; Box 29, Box 38)

Series 10: Scrapbooks, 1947-2018 (1.4 linear feet, Box 29-31, Box 38)

Biographical / Historical:

Peter Howard Selz (1919-2019) was a pioneering historian of modern art, professor, and writer who taught at the University of California, Berkeley, from 1965-1988 and founded and directed the Berkeley Art Museum from 1965-1973.

Selz was born in 1919 in Munich, Germany to Eugene Selz and Edith Drey Selz. In 1936, the family fled Nazi Germany and immigrated to the United States. Selz attended Columbia University from 1937 to 1938 and became a naturalized citizen in 1942. During World War II, Selz served in the U.S. Army in the Office of Strategic Services. He married writer Thalia Cheronis in 1948 but they later divorced in 1965; he married several times afterwards.

After the war, Selz attended and taught at the University of Chicago where he received a Ph. D. in German Expressionism. He spent a year in Paris, 1949-1950, at the Sorbonne and École du Louvre on a Fulbright grant. He received a second Fulbright grant in 1953 to study at the Royal Museums of Art and History in Belgium. From 1953-1955, Selz also taught at the Chicago Institute of Design.

In 1955 Peter Selz accepted a position to chair the art history department at Pomona College in Claremont and relocated to California for a few years. He also became director of the college's art gallery.

In 1958 Selz moved to New York City to become curator of painting and sculpture at the Museum of Modern Art and was there through the transformative mid-1960s. While at MOMA, he organized several significant exhibitions of modern art, including the 1960 Jean Tinguely "Homage to New York," a sculpture that destroyed itself (and started a fire) in the sculpture garden of the museum; New Images of Man (1959), the Art Nouveau show (1960), and the Art of Assemblage (1961). He also launched important retrospectives, including the first Rodin retrospective in the United States and a comprehensive exhibition of Alberto Giacometti's work in 1965.

In 1965, Peter Selz returned to California to become the founding director of the Berkeley Art Museum at the University of California, Berkeley, a position he held until 1973. He organized exhibitions of Funk, film, and ceramicists like Peter Voulkos and Robert Arneson. Peter Selz later became project director for Christo's "Running Fence", the 24.5-mile long fabric fence over the Marin County hills in 1976. He also served concurrently as a professor of art history at UC until retiring in 1988.

Peter Selz was a member of the College Art Association's board of directors for two terms, 1958-1964 and 1966-1971. Selz is a prolific writer, and the author or co-author of numerous books, exhibition catalogs, and articles. Notable books include German Expressionist Painting (1957), Art in a Turbulent Era (1965), Art in Our Times (1981), and Sam Francis (1975).

In 1988 Peter Selz was named emeritus professor at University of California, Berkeley. In 1993 he was on the acquisitions committee of the Museums of Fine Arts, San Francisco. In 2012, Selz curated The Painted Word exhibition. Selz died in 2019 in Albany, California.

Related Materials:

The Archives of American Art also holds oral history interviews of Peter Selz conducted by Paul J. Karlstrom on July 28, 1982, October 12, 1982, and November 3, 1999.

Provenance:

The Peter Howard Selz papers were donated to the Archives of American Art by Peter Selz in multiple installments from 1976 through 2014. Additional papers were donated in 2018 by Gabrielle Selz, Peter Selz's daughter.

Restrictions:

Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Authors -- California -- Berkeley  Search this

Art historians -- California -- Berkeley  Search this

Topic:

Realism  Search this

Political cartoons  Search this

Pop art  Search this

Environment (Art)  Search this

Painting, Abstract  Search this

Ceramics  Search this

Art -- Study and teaching -- California  Search this

Art -- Political aspects  Search this

Art, Modern -- 20th century -- Exhibitions  Search this

Art -- Germany  Search this

Genre/Form:

Photographs

Scrapbooks

Sound recordings

Video recordings

Citation:

Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the 2014 processing of this collection was provided by the Frederick Hammersley Foundation. Funding for the processing of the 2018 addition was provided by Gerald and Bente Buck.

Identifier:

AAA.selzpete

See more items in:

Peter Howard Selz papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ce9d9d14-7599-455d-828d-57077e76ef17

EDAN-URL:

ead_collection:sova-aaa-selzpete