This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Quotes and excerpts must be cited as follows: Oral history interview with Charles Garabedian, 2003 Aug. 21-22. Archives of American Art, Smithsonian Institution.
An interview of Charles Garabedian conducted 2003 Aug. 21 and 22, by Anne Ayres, for the Archives of American Art, in Garbedian's studio, in Santa Monica, Calif.
Garabedian discusses his early childhood in Detroit, Mich.; his Armenian roots; the Depression years in San Gabriel, Calif. and East Los Angeles; a tour of duty in the United States Army in North Africa during WWII; early college experiences; and his late start as a painter. He recalls Ed Moses, Howard Warshaw and William Brice; experiences at Ceeje Gallery and artists Ed Carrillo and Roberto Chavez, as well as the exhibition "Six Painters of the Rear Guard". Garabedian also describes his artistic style.
Biographical / Historical:
Charles Garabedian (1923-) is a painter from Santa Monica, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Irving Blum Gallery (Los Angeles, Calif.) Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Herbert Palmer, 2004 Dec. 6-22. Archives of American Art, Smithsonian Institution.
An interview of Herbert Palmer conducted 2004 Dec. 6 and 22, by Susan Ehrlich, for the Archives of American Art, in West Hollywood, Calif.
Palmer discusses his family background and childhood in New York City; early exposure to art exhibitions; music appreciation; attending New York University; taking classes with Winhold Reiss, Meyer Shapiro, Richard Offner, and Heinrich Wolfflin; his master's thesis on Paul Cezanne's paintings of Mount Saint Victoire; moving to California; learning to fly; meeting Lillian, his wife; founding Feigen-Palmer Gallery with Richard Feigen; other galleries in the area, including Irving Blum, David Stuart, Felix Landau, Charles Garabedian, and Joan Ankrum; Monday Night Art Walks; John Cage and David Tudor performance pieces; the many artists he's exhibited; Andy Warhol's "The Kiss"; 1968 split with Richard Feigen to become the Herbert Palmer Gallery; the theft of a Picasso sculpture in Dec. 1981 and the ensuing legal case, which involved numerous galleries and collectors; his longstanding friendships with Gordon Onslow Ford, Lee Mullican, and Wolfgang Paalen; membership to the Art Dealers Association of California; and his enjoyment of discovering art, old and new. Palmer also recalls Henriette Riess, Harold Stevenson, Lucienne Bloch, Bridget Riley, Vasa Mihich, Maillol, Red Grooms, Norman Bluhm, and others.
Biographical / Historical:
Herbert Palmer (1915-2006) owned the Herbert Palmer Gallery of West Hollywood, Calif. Interviewer Susan Ehrlich is an art historian from Beverly Hills, Calif.
General:
Originally recorded on 4 mini discs. Reformatted in 2010 as 15 digital wav files. Duration is 3 hr., 35 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy and Herbert Vogel papers, 1960s-2009. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Judith Linhares papers, circa 1955-2014. Archives of American Art, Smithsonian Institution.
Smithsonian American Art Museum. Curatorial Office Search this
Container:
Box 5 of 12
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2033. Records may contain personally identifiable information (PII) that is permanently restricted. Transferring office; 3/22/2019 memorandum, Johnstone to Laura Augustin; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 19-136, Smithsonian American Art Museum. Curatorial Office, Acquisition Records (Declined)
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of born-digital material requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Cuningham Gallery records, 1970-1982 and 2004-2014. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of born-digital material requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Cuningham Gallery records, 1970-1982 and 2004-2014. Archives of American Art, Smithsonian Institution.
