Skip to main content Smithsonian Institution

Search Results

Collections Search Center
30 documents - page 1 of 2

Oral history interview with Harry Gamboa, Jr. and Gronk, 1999 Apr. 1-16

Interviewee:
Gamboa, Harry, 1951-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Gronk, 1954-  Search this
Asco (Group of artists)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Harry Gamboa, Jr. and Gronk, 1999 Apr. 1-16. Archives of American Art, Smithsonian Institution.
Topic:
Chicano artists  Search this
Chicano movement  Search this
Latino and Latin American artists  Search this
Photography  Search this
Theme:
Latino and Latin American  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)13552
(DSI-AAA_SIRISBib)216608
AAA_collcode_gamboa99
Theme:
Latino and Latin American
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216608
Online Media:

Oral history interview with Patssi Valdez, 1999 May 26-June 2

Interviewee:
Valdez, Patssi, 1951-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Mesa-Bains, Amalia  Search this
Gronk  Search this
Gamboa, Harry  Search this
Self-Help Graphics and Art, Inc.  Search this
Otis Art Institute  Search this
Asco (Group of artists)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Patssi Valdez, 1999 May 26-June 2. Archives of American Art, Smithsonian Institution.
Topic:
Latino and Latin American artists  Search this
Mexican American artists  Search this
Women artists  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13543
(DSI-AAA_SIRISBib)216609
AAA_collcode_valdez99
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216609
Online Media:

Oral history interview with Harry Gamboa, Jr. and Gronk

Interviewee:
Gamboa, Harry  Search this
Gronk, 1954-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Asco (Group of artists)  Search this
Extent:
5 Sound cassettes (Sound recording (270 min.), analog)
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1999 Apr. 1-16
Scope and Contents:
An interview of Harry Gamboa, Jr. conducted 1999 Apr. 1-16, at various cafes in Los Angeles, Calif., by Jeffrey Rangel, for the Archives of American Art. The artist, Gronk, joined the interview for the second session.
Photographer, painter, video artist, and writer, Harry Gamboa, Jr. (b. 1951), has been involved in creating visual and performance works that interpret the contemporary urban Chicano culture. A native of Los Angeles, Gamboa began the interview by reflecting on his book Urban Exile (University of Minnesota Press, 1998), which he considers only a fragment of his creative work, feeling photography his primary medium. He expressed a need to maintain his identity as a Chicano artist while at the same time trying to balance financial survival, family maintenance, and creative spontaneity. He described growing up in East Los Angeles, a period that tested his personality and developed his quick wit and humor as a means of survival and his sense of being the "participant viewer." He remembers his educational experiences as "highly damaging," due to the physical violence from a few teachers and the stereotyping of Chicanos. His views about the Vietnam War and his disillusionment of the political process which led to a discussion about the Civil Rights Movement and the African-American culture's influence on his work. He emphasized the lack of an awareness by the art community of black and Chicano artists that was underscored in the Armand Hammer Museum's LA and Noir [Sunshine and Noir: Los Angeles Art, 1960-1990, at the UCLA/Armand Hammer Art Center] exhibition, 1998.
The second session began and ended with Gamboa reflecting on his relationship with his wife and fellow artist, Barbara Carrasco. In the interim, he and Gronk, who joined the interview, discussed the dynamics that brought the artists together in Asco; the differences and competitiveness within the Chicano Arts Movement; and the vulnerabilities of an artist's surviving while trying to maintain an artistic vision. Despite these challenges and an opressive dominant culture that has not embrased Chicano art, Carrasco have continued as artists because they feel a need to create and to present their work as a means of expanding a perception of reality.
Biographical / Historical:
Harry Gamboa, Jr. (1951-) is a painter, writer, photographer, and video artist from Los Angeles, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the interview and transcription provided by the Smithsonian Institution Latino Initiatives Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Chicano artists  Search this
Chicano movement  Search this
Latino and Latin American artists  Search this
Photography  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gamboa99
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c97bcf38-e62a-4b4b-83ec-9c1eb5e3320a
EDAN-URL:
ead_collection:sova-aaa-gamboa99
Online Media:

Oral history interview with Patssi Valdez

Interviewee:
Valdez, Patssi  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Asco (Group of artists)  Search this
Otis Art Institute  Search this
Self-Help Graphics and Art, Inc.  Search this
Gamboa, Harry  Search this
Gronk, 1954-  Search this
Mesa-Bains, Amalia  Search this
Extent:
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1999 May 26-June 2
Scope and Contents:
An interview of Patssi Valdez conducted 1999 May 26-June 2, by Jeffrey Rangel, for the Archives of American Art.
The interviews were conducted at the artist's home/studio in Los Angeles, California. Valdez discusses her current show at the Laguna Art Museum, "A Precarious Comfort," and the intensely personal nature of the work being exhibited; the liberating aspects of painting and her journey from dealing with the problems and concerns of the Chicano community to a more internal focus in which she examines her personal emotional life through symbol and imagination; how, in her work, landscape has come to represent emotions and states of mind; health problems and her turning to alternative methods of healing; her relationship with Asco and her eventual break from the group to pursue her art studies at Otis Art Institute in Los Angeles (now Otis College of Art and Design) and in New York, and with a NEA grant to Europe and Mexico; difficulties she experienced with her decision to focus on art school and on her survival as an artist, while trying to keep in touch with friends and peers; friendships with Amalia Mesa Bains, Christina Fernandez, and Gronk, as well as with Sister Karen Boccalero whose Self-Help Graphics contributed so much to the growth of a younger generation of Chicano artists; fellow Asco artist Harry Gamboa, Jr., and their mutual goals in their art to subvert Chicano stereotypes; what constitutes Chicano art and how the Les Demon des Anges show changed her perspective; and her ability to create change through her art.
Biographical / Historical:
Patssi Valdez (1951-) is a painter, and installation artist from Los Angeles, California. Valdez is known for her boldly rendered works that vary in themes from homages to female deities to mystical environments.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 3 hr., 32 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the interview and transcription provided by the Smithsonian Institution Latino Inititatives Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Artists -- California -- Los Angeles  Search this
Topic:
Latino and Latin American artists  Search this
Mexican American artists  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.valdez99
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99fadeaa6-d1c4-4d55-8020-baac612dfa3a
EDAN-URL:
ead_collection:sova-aaa-valdez99
Online Media:

Oral history interview with Barbara Carrasco

Interviewee:
Carrasco, Barbara, 1955-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Asco (Group of artists)  Search this
University of California, Los Angeles -- Faculty  Search this
University of California, Los Angeles -- Students  Search this
University of California, San Francisco. School of Fine Arts -- Students  Search this
Almaraz, Carlos  Search this
Chavez, Cesar, 1927-  Search this
Gamboa, Harry  Search this
Garza, Carmen Lomas  Search this
Valadez, John, 1951-  Search this
Extent:
87 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1999 April 13-26
Scope and Contents:
An interview of Barbara Carrasco conducted 1999 April 13 and 26, by Jeffrey Rangel, in two sessions, for the Archives of American Art.
Carrasco speaks of the roles played by her parents in her career as an artist, her experiences as a light-skinned Chicana, and the marginalization of women artists within the Chicano art movement; her relationship and marriage to fellow artist, Harry Gamboa, Jr., who has supported women artists; and her perception of Asco ("nausea" in Spanish), a group of artists and performers who joined together during the Chicano civil rights movement. She also discusses the influence of the art professors at UCLA and the quality of the training she received there; working with Carlos Almaraz and John Valadez on the "Zoot Suit" mural in Hollywood; meeting César Chávez and how he in part shaped her identity as a cultural worker; attending California School of Fine Arts, Valencia, California, and receiving her MFA there; other Chicana artists such as Carmen Lomas Garza; and the changes in her most recent work.
Biographical / Historical:
Barbara Carrasco (1955-) is a painter and muralist from Los Angeles, California. Carrasco was born in El Paso, Texas, and a resident of the Los Angeles area since 1956. She is best known for her work inspired by the United Farm Workers Union, by her experiences as a Chicana, by historical events, and by personal issues.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 4 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the interview and transcription provided by the Smithsonian Institution Latino Initiatives Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- California -- Los Angeles  Search this
Muralists -- California -- Los Angeles  Search this
Topic:
Latino and Latin American artists  Search this
Mexican American artists  Search this
Chicano art movement  Search this
Chicano movement  Search this
Chicano artists  Search this
Women artists  Search this
Women painters  Search this
Women muralists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.carras99
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw917c77382-fd4a-4068-80f2-782f9c331c1c
EDAN-URL:
ead_collection:sova-aaa-carras99
Online Media:

Oral history interview with Barbara Carrasco, 1999 April 13-26

Interviewee:
Carrasco, Barbara, 1955-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Almaraz, Carlos  Search this
Chavez, Cesar  Search this
Gamboa, Harry  Search this
Garza, Carmen Lomas  Search this
Valadez, John  Search this
University of California, Los Angeles  Search this
University of California, San Francisco. School of Fine Arts  Search this
Asco (Group of artists)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Barbara Carrasco, 1999 April 13-26. Archives of American Art, Smithsonian Institution.
Topic:
Latino and Latin American artists  Search this
Mexican American artists  Search this
Chicano art movement  Search this
Chicano movement  Search this
Chicano artists  Search this
Women artists  Search this
Women painters  Search this
Women muralists  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)5447
(DSI-AAA_SIRISBib)216606
AAA_collcode_carras99
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216606
Online Media:

Rupert García

Alternate Title:
Rupert García, Artist
Artist:
Harry Gamboa Jr., born 1951  Search this
Sitter:
Rupert García, born 29 Sep 1941  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 32.5 × 21.6 cm (12 13/16 × 8 1/2")
Sheet: 35.5 × 27.8 cm (14 × 10 15/16")
Type:
Photograph
Date:
2012
Topic:
Costume\Dress Accessory\Eyeglasses  Search this
Exterior\Cityscape  Search this
Rupert García: Male  Search this
Rupert García: Visual Arts\Artist\Printmaker  Search this
Rupert García: Literature\Writer  Search this
Rupert García: Visual Arts\Artist\Painter  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; acquisition made possible through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Object number:
C/NPG.2016.73
Restrictions & Rights:
Usage conditions apply
Copyright:
© Harry Gamboa, Jr.
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm408d861c2-8a09-4b8e-b97c-5dfbe69f2b1d
EDAN-URL:
edanmdm:npg_C_NPG.2016.73

Louie Pérez, Musician (Los Lobos)

Artist:
Harry Gamboa Jr., born 1951  Search this
Sitter:
Louie Pérez, born 29 Jan 1953  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 32.5 × 21.4 cm (12 13/16 × 8 7/16")
Sheet: 35.5 × 27.8 cm (14 × 10 15/16")
Mat: 55.9 × 40.6 cm (22 × 16")
Type:
Photograph
Date:
2012
Topic:
Costume\Jewelry\Ring  Search this
Costume\Dress Accessory\Eyeglasses  Search this
Costume\Jewelry\Bracelet  Search this
Louie Pérez: Male  Search this
Louie Pérez: Performing Arts\Performer\Musician  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; acquisition made possible through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Object number:
C/NPG.2016.74
Restrictions & Rights:
Usage conditions apply
Copyright:
© Harry Gamboa, Jr.
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4231e844e-d9ad-4ace-88b3-1dcc0fc7db84
EDAN-URL:
edanmdm:npg_C_NPG.2016.74

Rodolfo Acuña, Ph.D., Historian (CSUN)

Artist:
Harry Gamboa Jr., born 1951  Search this
Sitter:
Rodolfo Acuña, born 18 May 1932  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 33 × 22.2 cm (13 × 8 3/4")
Sheet: 35.4 × 27.9 cm (13 15/16 × 11")
Type:
Photograph
Date:
2000
Topic:
Exterior  Search this
Costume\Dress Accessory\Eyeglasses\Sunglasses  Search this
Rodolfo Acuña: Male  Search this
Rodolfo Acuña: Education and Scholarship\Educator\Professor  Search this
Rodolfo Acuña: Education and Scholarship\Scholar\Historian  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; acquisition made possible through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Object number:
NPG.2016.71
Restrictions & Rights:
Usage conditions apply
Copyright:
© 2000, Harry Gamboa, Jr.
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4f28d4e6d-f1e3-4049-b83d-157e093124a8
EDAN-URL:
edanmdm:npg_NPG.2016.71

Juan Felipe Herrera

Alternate Title:
Juan Felipe Herrera, Poet
Artist:
Harry Gamboa Jr., born 1951  Search this
Sitter:
Juan Felipe Herrera, born 27 Dec 1948  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 32.5 × 21.5 cm (12 13/16 × 8 7/16")
Sheet: 35.5 × 27.7 cm (14 × 10 7/8")
Type:
Photograph
Date:
1995
Topic:
Costume\Jewelry\Ring  Search this
Costume\Dress Accessory\Eyeglasses  Search this
Exterior\Cityscape  Search this
Baggage & Luggage\Bag\Purse  Search this
Juan Felipe Herrera: Male  Search this
Juan Felipe Herrera: Visual Arts\Artist\Cartoonist  Search this
Juan Felipe Herrera: Literature\Writer\Poet  Search this
Juan Felipe Herrera: Society and Social Change\Reformer\Activist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; acquisition made possible through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Object number:
NPG.2016.72
Restrictions & Rights:
Usage conditions apply
Copyright:
© Harry Gamboa, Jr.
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4566015f4-5ef2-4aa5-a581-9eb27de4417c
EDAN-URL:
edanmdm:npg_NPG.2016.72

Decoy Gang War Victim

Artist:
Asco, active 1971-1987  Search this
Harry Gamboa, Jr., born Los Angeles, CA 1951  Search this
Gronk, born Los Angeles, CA 1954  Search this
Willie F. Herrón III, born Los Angeles, CA 1951  Search this
Patssi Valdez, born Los Angeles, CA 1951  Search this
Photographer:
Harry Gamboa, Jr., born Los Angeles, CA 1951  Search this
Medium:
chromogenic print
Dimensions:
image: 12 5/8 x 19 in. (32.1 x 48.3 cm) sheet: 16 x 20 in. (40.6 x 50.8 cm)
Type:
Photography-Photoprint
Date:
1974, printed 2010
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
© 1974, Harry Gamboa, Jr.
Object number:
2013.44.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk74bbd750e-15c5-4ed8-8b74-0b4c7e756ee1
EDAN-URL:
edanmdm:saam_2013.44.1

À La Mode

Artist:
Asco, active 1971-1987  Search this
Harry Gamboa, Jr., born Los Angeles, CA 1951  Search this
Gronk, born Los Angeles, CA 1954  Search this
Willie F. Herrón III, born Los Angeles, CA 1951  Search this
Patssi Valdez, born Los Angeles, CA 1951  Search this
Photographer:
Harry Gamboa, Jr., born Los Angeles, CA 1951  Search this
Medium:
chromogenic print
Dimensions:
image: 12 3/4 x 18 3/4 in. (32.4 x 47.6 cm) sheet: 16 x 20 in. (40.6 x 50.8 cm)
Type:
Photography-Photoprint
Date:
1976, printed 2010
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
© 1976, Harry Gamboa, Jr.
Object number:
2013.44.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7eb5afc02-a5d0-4f4a-acd5-37315bbc64d8
EDAN-URL:
edanmdm:saam_2013.44.2

ASCO 83 pamphlet

Creator:
Brookman, Philip, 1953-  Search this
Ybarra-Frausto, Tomás, 1938-  Search this
Subject:
Gamboa, Harry  Search this
Gronk, (Glugio Gronk Nicandro)  Search this
Herrón, Willie  Search this
Valdez, Patssi  Search this
Type:
Printed Materials
Date:
1983 May 18
Citation:
Philip Brookman and Tomás Ybarra-Frausto. ASCO 83 pamphlet, 1983 May 18. Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)15583
See more items in:
Tomás Ybarra-Frausto research material, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15583
Online Media:

Press photo forNo Phantoms, an ASCO "no movie"

Photographer:
Gamboa, Harry, 1951-  Search this
Subject:
Gronk, (Glugio Gronk Nicandro)  Search this
Herrón, Willie  Search this
Asco (Group of artists)  Search this
Type:
Photographs
Date:
1983
Citation:
Harry Gamboa. Press photo forNo Phantoms, an ASCO "no movie", 1983. Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)20002
See more items in:
Tomás Ybarra-Frausto research material, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20002
Online Media:

Photograph of The Walking Mural, an ASCO performance art piece

Photographer:
Gamboa, Harry, 1951-  Search this
Subject:
Gronk, (Glugio Gronk Nicandro)  Search this
Herrón, Willie  Search this
Valdez, Patssi  Search this
Asco (Group of artists)  Search this
Type:
Photographs
Date:
1972
Citation:
Harry Gamboa. Photograph of The Walking Mural, an ASCO performance art piece, 1972. Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)20003
See more items in:
Tomás Ybarra-Frausto research material, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20003
Online Media:

ASCO performance of Titanic

Photographer:
Gamboa, Harry, 1951-  Search this
Type:
Photographs
Date:
1980
Citation:
Harry Gamboa. ASCO performance of Titanic, 1980. Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)5611
See more items in:
Tomás Ybarra-Frausto research material, 1965-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5611
Online Media:

Exhibition Announcements and Catalogs

Collection Creator:
Casas, Mel, 1929-2014  Search this
Container:
Box OV 3, Folder 4
Type:
Archival materials
Date:
1979
1993
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mel Casas papers, 1963-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Mel Casas papers
Mel Casas papers / Series 4: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b4370ed3-e374-4b48-9d44-21ddb42524fa
EDAN-URL:
ead_component:sova-aaa-casamel-ref28
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Exhibition Announcements and Catalogs digital asset number 1

Metamorfosis, Magazine, Centro de Estudios Chicanos, University of Washington, Seattle, Washington (see also: Arreguín, Alfredo; Burciaga, José Antonio; Goldman, Shifra; Gamboa, Harry Jr.; Herrara, Juan Felipe; Montoya, José; Montoya, Malaquias; Rodrig...

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 16, Folder 45
Type:
Archival materials
Date:
1977-1985
Scope and Contents note:
(1977 [vol. 1, no. 1]; vol. 1, no. 2, 1978; vol. 2, nos. 1-2, 1979; vol. 3, no. 1, 1980; vol. 3, no. 2/vol. 4, no. 1, 1980/1981; vol. 5, no. 2/vol. 6, no. 1, 1984/1985)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93920a708-eccc-48fa-8070-34b32ebdeda2
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1087

Catalogs (see also: Buitrón, Robert; Gamboa, Harry Jr.; Gandert, Miguel; Mesa-Bains, Amalia; Noriega, Chon; Vargas, Kathy)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(2 folders)
Container:
Box 17, Folder 16-17
Type:
Archival materials
Date:
1981-1996
Scope and Contents note:
(catalogs: The Mexican Museum Catalog of Selections from Its Collection With Introductions to Mexican and Mexican American Art, 1981; The Mexican Museum, 1983, with essay on Alfredo Arreguín by TYF; Lo Del Corazón: Heartbeat of a Culture, 1986, with text by Amalia Mesa-Bains and TYF; TYF's notes on Lo Del Corazí; From the West: Chicano Narrative Photography, 1996; Ceremony of Spirit, 1993; The Chicano Codices: Encountering Art of the Americas, 1992; Chicano Progeny: Investigative Agents, Executive Council, and Other Representatives from the Sovereign State of Aztlán., 1995; "Press Conference for design Architect" binder, 1995)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files / Mexican Museum, San Francisco, California
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98bda3b5e-d6ab-4747-b3bd-81a2fd9f656e
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1107

Movimiento Artistico del Rio Salado (MARS)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(see also: Arizona; Benavídez, Max; Gamboa, Harry Jr; Goldman, Shifra; Gronk; Huerta, Benito; Martínez, Daniel; Valadez, John; Valdez, Patssi; Vargas, Kathy; Ybarra-Frausto, Tomás; Box 30)
Container:
Box 19, Folder 41
Type:
Archival materials
Date:
1983-1999, undated
Scope and Contents note:
(non-profit art space, Phoenix, Arizona; clippings; exhibition brochures; projected goals and mission statements; exhibition announcements; symposia materials for: The Style and Meaning of Chicano Art: list of participants and schedule (TYF was a panelist), and Post-Chicano Generation Art: Breaking Boundaries; catalog, Rasquachismo, curated by TYF, Lennee Eller, Rudy Guglielmo, with essays by TYF, Shifra Goldman and John L. Aguilar; organization history; partial grant application; letter to TYF from Rudy Guglielmo, Executive Director, MARS, 11/02/1987; oversize poster; "Member Letter" newsletter, Sept. 1986 - April 1987; July 1987)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d5a1b0f2-96f6-4aa5-91ed-bdf3f26ae2b9
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1175

Modify Your Search







or


Narrow By