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Grand Central Art Galleries records, 1931-1968, bulk bulk circa 1952-circa 1965

Creator:
Grand Central Art Galleries  Search this
Subject:
Asher, Elise  Search this
Barrie, Erwin S.  Search this
Browne, Byron  Search this
Candell, Victor  Search this
DeMartini, Joseph  Search this
Gonzalez, Xavier  Search this
Kainen, Jacob  Search this
Lam, Jennett  Search this
Moy, Seong  Search this
Osver, Arthur  Search this
Roberts, Colette  Search this
Rowan, Herman  Search this
Salemme, Lucia A.  Search this
Watts, Robert M.  Search this
Galerie Jeanne Bucher  Search this
Grand Central Moderns (Gallery)  Search this
Type:
Photographs
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, Modern -- United States  Search this
Record number:
(DSI-AAA_CollID)8254
(DSI-AAA_SIRISBib)210425
AAA_collcode_grancent
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210425
Online Media:

Grand Central Art Galleries records

Creator:
Grand Central Art Galleries  Search this
Names:
Galerie Jeanne Bucher  Search this
Grand Central Moderns (Gallery)  Search this
Asher, Elise, 1914-  Search this
Barrie, Erwin S., 1886-1983  Search this
Browne, Byron, 1907-1961  Search this
Candell, Victor, 1903-1977  Search this
DeMartini, Joseph, 1896-1984  Search this
Gonzalez, Xavier, 1898-1993  Search this
Kainen, Jacob  Search this
Lam, Jennett, 1911-  Search this
Moy, Seong  Search this
Osver, Arthur, 1912-2006  Search this
Roberts, Colette, 1910-  Search this
Rowan, Herman  Search this
Salemme, Lucia A.  Search this
Watts, Robert M., 1923-1988  Search this
Extent:
1.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1931-1968
bulk circa 1952-circa 1965
Summary:
The records of New York City's Grand Central Art Galleries measure 1.3 linear feet and date from 1931 to 1968, with the bulk of the material from circa 1952 to circa 1965. The majority of the records are related the Grand Central Moderns, the modern art division of Grand Central Art Galleries. The collection includes group exhibition files, artists' files, printed material and photographs.
Scope and Contents:
The records of New York City's Grand Central Art Galleries measure 1.3 linear feet and date from 1931 to 1968, with the bulk of the material from circa 1952 to circa 1965. The majority of the records are related the Grand Central Moderns, the modern art division of Grand Central Art Galleries. The collection includes group exhibition files, artists' files, printed material and photographs.

Group exhibition files consist of catalogs, announcements, clippings, artist biographies, correspondence and photographs. The art exchange exhibition between Grand Central Moderns and Galerie Jeanne Bucher is especially noteworthy.

Artists' files include exhibition catalogs, announcements, resumes, clippings, photographs and limited correspondence. The bulk of the material is on artists who had exhibitions at Grand Central Moderns. Notable artists include Elise Asher, Byron Browne, Victor Candell, Joseph De Martini, Xavier Gonzalez, Jacob Kainen, Jennett Lam, Seong Moy, Arthur Osver, Herman Rowan, Lucia Salemme, and Robert Watts, among others.

Printed material mostly consists of exhibition catalogs and announcements of other galleries. There are a few clippings on Grand Central Art Galleries.

There are a few photographs of artwork.
Arrangement:
The collection is arranged as 4 series.

Series 1: Group Exhibition Files, 1952-1957 (Box 1, OV 3; 0.3 linear feet)

Series 2: Artists' Files, 1940-1968 (Box 1, 0.7 linear feet)

Series 3: Printed Material, 1951-1965 (Boxes 1-2; 0.3 linear feet)

Series 4: Photographs, 1931, circa 1960-circa 1965 (Box 2; 2 folders)
Biographical / Historical:
Grand Central Art Galleries (1923-1994) was a large New York-based art gallery, which also had a modern art division called Grand Central Moderns (1947-circa 1967).

The Grand Central Art Galleries was founded in 1923 and operated as the exhibition space of the Painters and Sculptors Gallery Association in New York City. Grand Central Art Galleries was located at Grand Central Terminal for nearly 30 years before moving on to the Biltmore Hotel at 40 Vanderbilt Avenue, then relocating to 24 West 57th Street. The Galleries regularly exhibited the works of its members and sometimes boasted as many as thirty to forty exhibitions annually.

From its establishment in 1923, Edwin S. Barrie was the director of Grand Central Art Galleries and he founded Grand Central Moderns in 1947, which he also managed until the early 1950s. The gallery moved from one address to another before ultimately relocating to 130 East 56th Street. Colette Roberts was the curator and she took over as director in 1952 until roughly 1965, about two years before Grand Central Moderns closed. Byron Browne, Kenneth Campbell, Lamar Dodd, Xavier Gonzalez, George Morrison and Louise Nevelson were a few of the artists represented by the gallery.

Erwin S. Barrie retired from his position as director of Grand Central Art Galleries in 1975. The gallery closed in 1994.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels NGCAG1-NGCAG2) including 23 yearbooks, 1928-1945, and exhibition catalogs, 1923-1929. The originals were returned to Grand Central Art Galleries after microfilming and are not described in the the container listing of this finding aid.
Provenance:
Grand Central Art Galleries loaned materials for microfilming in 1966. Addition records were donated to the Archives of American Art by Grand Central Art Galleries in 1966 and 1967.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, Modern -- United States  Search this
Genre/Form:
Photographs
Citation:
Grand Central Art Galleries, 1931-1938, bulk circa 1952-circa 1965. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.grancent
See more items in:
Grand Central Art Galleries records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-grancent

Are Years What? (for Marianne Moore)

Artist:
Mark di Suvero, American, b. Shanghai, China, 1933  Search this
Medium:
Steel, paint, and wire
Dimensions:
480 × 480 × 360 in., 18725 lb. (1219.2 × 1219.2 × 914.4 cm, 8493.6 kg)
Type:
Sculpture
Date:
(1967)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund and Gift of the Institute of Scrap Recycling Industries, by exchange, 1999
Accession Number:
99.19
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
On View:
Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py29932ac7e-4f61-4331-b925-585e1255ff10
EDAN-URL:
edanmdm:hmsg_99.19

Exhibition at Galerie Jeanne Bucher Scrapbook

Subject:
Nevelson, Louise  Search this
Type:
Albums
Place:
Paris, France
Date:
1969
Topic:
Exhibitions  Search this
Sculptors  Search this
Sculpture  Search this
Women sculptors  Search this
Record number:
(DSI-AAA)16309
See more items in:
Louise Nevelson papers, circa 1903-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16309

Fuchs, Gunter - Galerie M. Rousso

Collection Creator:
Lipchitz, Jacques, 1891-1973  Search this
Container:
Box 2, Folder 17
Type:
Archival materials
Date:
1948-1975
Scope and Contents note:
Fuchs, Gunter

Funk and Wagnalls Company

Furman, Joyce

Gagnon, Charles Eugene

Galante, Francesco

Galdikas, A.

Gale Research Company

Galerie Abel Rosenberg

Galerie Chalette

Galerie Claude Bernard

Galerie de France

Galerie Jeanne Bucher

Galerie Kamer

Galerie Louis Carré

Galerie M. Rousso
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual materials with no duplicate access copy requires advance notice.
Collection Rights:
The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz / Series 1: Jacques Lipchitz papers / 1.2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lipcjacq2-ref126

Scrapbooks

Collection Creator:
Nevelson, Louise, 1899-1988  Search this
Extent:
(Boxes 5, 18-19, OV 22-27; 1.3 linear feet)
Type:
Archival materials
Date:
1935-1970
Scope and Contents note:
Series consists of scrapbooks kept by Nevelson (or by someone on her behalf), documenting her early career roughly spanning from the 1930s to the mid-1950s. Also included are a scrapbook of sorts on Mike Nevelson, as well as various scrapbooks compiled by others and then presented to Nevelson as a memento of a particular event involving the artist, such as being awarded the Distinguished Service Award from State University College at Buffalo and an exhibition at the Galerie Jeanne Bucher in Paris.

A lot of the material is duplicated in the different scrapbooks kept by Nevelson. Much of the same and related material can be found amongst printed material.
Arrangement note:
Scrapbooks are arranged in rough chronological order. Many were removed from their original bindings at some previous time. Loose clippings and photographs of art work that were originally in scrapbooks, and were likewise removed at some previous time, are arranged in files at the end of the series. More detailed descriptions for certain scrapbooks are provided below. The bulk of this series has been scanned, except for duplicates, photographs of works of art, and some newsclippings. In some cases, only the cover and title pages have been scanned for published items.
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website, with the exception of the 2017 addition. Use of material not digitized requires an appointment. Mike Nevelson letters are sealed.
Collection Rights:
The Louise Nevelson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louise Nevelson papers, circa 1903-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.neveloui, Series 6
See more items in:
Louise Nevelson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-neveloui-ref169

Scrapbook, Exhibition at Galerie Jeanne Bucher

Collection Creator:
Nevelson, Louise, 1899-1988  Search this
Container:
Box 5, Folder 38
Type:
Archival materials
Date:
1969
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website, with the exception of the 2017 addition. Use of material not digitized requires an appointment. Mike Nevelson letters are sealed.
Collection Rights:
The Louise Nevelson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louise Nevelson papers, circa 1903-1982. Archives of American Art, Smithsonian Institution.
See more items in:
Louise Nevelson papers
Louise Nevelson papers / Series 6: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-neveloui-ref182

Galerie Jeanne Bucher

Collection Creator:
Nevelson, Louise, 1899-1988  Search this
Container:
Box 3, Folder 27
Type:
Archival materials
Date:
1969
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website, with the exception of the 2017 addition. Use of material not digitized requires an appointment. Mike Nevelson letters are sealed.
Collection Rights:
The Louise Nevelson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louise Nevelson papers, circa 1903-1982. Archives of American Art, Smithsonian Institution.
See more items in:
Louise Nevelson papers
Louise Nevelson papers / Series 3: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-neveloui-ref113

Correspondence

Collection Creator:
Nevelson, Louise, 1899-1988  Search this
Extent:
(Boxes 1-2; 1.5 linear feet)
Type:
Archival materials
Date:
1931-1979
Scope and Contents note:
Series consists primarily of Nevelson's professional correspondence, as well as some personal and family correspondence. Files are typically made up of letters, invitations, greeting cards, and telegrams received by Nevelson, copies of letters sent on her behalf (by lawyers and assistants) or shared with her by others, and photographs, press releases, clippings, and other printed material enclosed with correspondence. Correspondents include artists, dealers, museums, universities, art critics, collectors, arts-related and social organizations, admirers, along with some friends, colleagues, and family members in addition to her son. (See appendix for a select list of notable correspondents.)

General correspondence details the exhibition of Nevelson's work in various group and one-man shows; the consignment, sale, and disposition of her work, especially her dealings with the Martha Jackson Gallery and Daniel Cordier (in Europe); her donations of art work to museums and universities, and for auction by charitable organizations; and the various honors and awards received by her later in her career (including the Creative Arts Medal in Sculpture from Brandeis University and honorary degrees from the Philadelphia College of Art and Bowdoin College, among others). General correspondence also concerns Nevelson's various art-related activities, including her participation on various panels, and in workshops, conferences, and lecture series on art; her involvement in professional organizations, such as the Sculptor's Guild; and her service on various award juries and arts committees (such as the Arts and Entertainment Committee for the Rockefeller Team).

Correspondence is arranged chronologically. This series has been scanned in its entirety, except for Louise Nevelson's correspondence with her son Mike, which is sealed.

See Appendix for a list of selected correspondents from Series 2.
Appendix: Selected Correspondents from Series 2:
List represents only a selection of correspondents and does not include names of family.

Albright-Knox Art Gallery: 1971

American Federation of Arts: 1961, 1964

American Women in Radio and Television: 1959

Art in America -- : 1963, 1965

Art Institute of Chicago: 1962

The Artists' Gallery: 1955

Bloch, Ernest: 1933

Bourgeois, Louise: undated

Bowdoin College: 1971

Brandeis University: 1971

Brooklyn Museum: 1956

Brooklyn Society of Artists: 1957

Buffalo Fine Arts Academy: 1962

Calder, Sandy: 1955

Chatham College: 1971

City of Scottsdale, Arizona: 1973

Cleveland Museum of Art: 1977

Colby College: 1957, 1973

Contemporary Arts Association of Houston: 1953

Cordier, Daniel: 1961

Dallas Museum of Fine Arts: 1974

Dehner, Dorothy: 1960

Detroit Institute of the Arts: 1966

Dord Fitz School and Gallery: 1960

Feininger, Lyonel: 1955

Galerie Jeanne-Bucher: 1961

Genauer, Emily: 1955

Grand Central Art Galleries: 1959

Guggenheim, Peggy: 1946

Hamline University: 1970, 1971

Harry Salpeter Gallery: 1961

Hirschhorn, Joseph: 1968

Hobart and William Smith Colleges: 1971

Indiana, Robert: 1966

Jackson, Martha (See Martha Jackson Gallery)

Jacobi, Lotte: 1960, 1963, 1965

Kendall, Tom: 1959, 1961, undated

Knox, Seymour: 1968

Kramer, Hilton: 1957

Lipman, Howard: 1962

Lipton, Seymour: 1955

Mademoiselle -- : 1961, 1962

Martha Jackson Gallery: 1956, 1959, 1960, 1961, 1962, 1967, 1968, undated

Massachusetts Institute of Technology, Center for Advanced Visual Studies: 1971

Miller, Kenneth Hayes: 1931, 1933

Milone, Joe: 1941

Minneapolios College of Art and Design: 1971

Mount Holyoke College: 1962, 1964

Museum of Art, Carnegie Institution: 1967, 1971, 1974

Museum of Fine Arts of Houston: 1954

Museum of Modern Art: 1943, 1953, 1955, 1964, 1967, 1968

National Association of Women Artists: 1953, 1954

National Foundation on the Arts and Humanities: 1966

Neumann, Hans: 1962

Neumann, J. B.: 1954

New School for Social Research: 1961

The New York Times -- : 1968

New York State Council on the Arts: 1968

The New Yorker -- : 1967

Newsweek -- : 1967

Nierenforf, Karl: 1941, 1943, 1946

Nordjyllands Kunstmuseum: 1973

Ono, Yoko: 1971

Pace Gallery: 1976

Pennsylvania Academy of Fine Arts: 1952, 1970

Philadelphia College of Art: 1961, 1968

Philadelphia Museum of Art: 1965

Princeton University: 1962

Queens College: 1958

Rhode Island School of Design: 1971

Riverside Museum: 1964

Rockefeller, Nelson: 1960, 1962, 1966, 1968

Roberts, Collette: 1952, 1953

Robus, Hugo: 1958

Rosenblum, Robert: 1958

Sewall, Mrs. Sumner: 1943

Silvermine Guild of Artists: 1953, 1954, 1955

Skowhegan School of Painting and Sculpture: 1970, 1971

Solomon R. Guggenheim Museum: 1964, 1966

Tamarind Lithography Work Shop: 1971

Tate Gallery: 1963, 1966, 1967, 1968

Teachers College, Columbia University: 1964

Trenton State College: 1961

Tyler, Parker: 1958

United States Committee of the International Association of Art: 1971

University of Alabama, Department of Art: 1964

University of Bridgeport: 1971

University of Nebraska Art Galleries: 1951

Vogue -- : 1964

Wadsworth Atheneum Museum of Art: 1962

Walker Art Center: 1971, 1973

Weber, Max: 1947, 1948, 1950, 1951

Western College for Women: 1964

The White House: 1974

Whitney Museum of American Art: 1950, 1956, 1957, 1962, 1964, 1966, 1967

Wichita State University: 1974

The Woman's College of The University of North Carolina: 1951

Women's Interart Center: 1973

Yale University, Department of Art: 1961
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website, with the exception of the 2017 addition. Use of material not digitized requires an appointment. Mike Nevelson letters are sealed.
Collection Rights:
The Louise Nevelson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Louise Nevelson papers, circa 1903-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.neveloui, Series 2
See more items in:
Louise Nevelson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-neveloui-ref37

Grand Central Moderns and Galerie Jeanne Bucher Exchange Exhibition (1953 October)

Collection Creator:
Grand Central Art Galleries  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Date:
1953
Scope and Contents:
Oversized material housed in OV 3.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Grand Central Art Galleries, 1931-1938, bulk circa 1952-circa 1965. Archives of American Art, Smithsonian Institution.
See more items in:
Grand Central Art Galleries records
Grand Central Art Galleries records / Series 1: Group Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-grancent-ref6

Group Exhibition Files

Collection Creator:
Grand Central Art Galleries  Search this
Extent:
0.3 Linear feet (Box 1, OV 3)
Type:
Archival materials
Date:
1952-1957
Scope and Contents:
Group exhibition files consist of catalogs, announcements, clippings, artist biographies, limited correspondence and a few photographs. The art exchange exhibition between Grand Central Moderns and Galerie Jeanne Bucher in Paris, France, is especially noteworthy and includes 3 pages of a scrapbook with short biographies of artists in the show, a nine page guest register, announcements and newspaper clippings.
Arrangement:
The material in this series is arranged chronologically.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Grand Central Art Galleries, 1931-1938, bulk circa 1952-circa 1965. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.grancent, Series 1
See more items in:
Grand Central Art Galleries records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-grancent-ref1

G

Collection Creator:
Parsons, Betty  Search this
Extent:
(2 folders)
Container:
Box 21, Folder 57-58
Type:
Archival materials
Date:
1949-1978
Scope and Contents note:
Galeria Juana Mordo

Galerie Anderson-Mayer

Galerie Balzac

Galerie Biedermann

Galerie Bischofberger

Galerie Claude Bernard

Galerie Guy Dorkens

Galerie Illien

Galerie im Griechenbeisl

Galerie Jeanne Bucher

Galerie Kunst der Gegenwert

Galerie Lucie Weill

Galerie Maeght

Galerie Paul Facchetti

Galerie R.G. Michel

Galerie Simone Stern

Galleria Cadario

Galleria D'Arte de Naviglio

Galleria Margutta

Galleria Pater

Gallery III

The Gallery of Modern Art

The Gallery Upstairs

The Gallery of Sarasota

George Peabody College for Teachers

George Washington University

Georgia Museum of Art, University of Georgia

Gimpel Fils

Gimpel Weitzenhoffer Ltd.

Goddard-Riverside Community Center

Graphic Gallery

Gres Gallery

Grinnell College

Guild Hall

Gump's
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Betty Parsons Gallery records and personal papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Betty Parsons Gallery records and personal papers, circa 1920-1991, bulk 1946-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Betty Parsons Gallery records and personal papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-parsbett-ref822
Online Media:

Grand Central Moderns Gallery Records

Collection Creator:
Roberts, Colette, 1910-  Search this
Extent:
(Box 2-3, 11; 0.7 linear feet)
Type:
Archival materials
Date:
1952-1970
Scope and Contents note:
This series contains records related to Roberts' work as the Gallery Director of the Grand Central Moderns Gallery, which represented and exhibited contemporary artists in New York City 1952 and 1968, when the gallery was closed. Records in this series include reference files such as curricula vitae, biographies, and résumés of artists and a card file for artworks noting loan, sale, price, exhibition, and sometimes creation date and dimensions of artworks. This series also contains exhibition catalogs and announcements, published exhibition listings, and press releases for Grand Central Moderns Exhibitions. Exhibition checklists are mainly annotated typescript lists of artworks for a few of the exhibitions of 1967 and 1968. Other business records in this series include loan agreements for both French and American artists involved in the 1953 exhibition exchange held by Grand Central Moderns Gallery and Galerie Jeanne Bucher in Paris. Also found are receipts for loans, membership lists, price quotes, and sales records. An open letter of support for the Gallery, written when it closed and signed by ten artists, is also found.

Announcements, catalogs, and press releases for exhibitions at other galleries are found in Series 5: Printed Materials. For correspondence with artists and Grand Central Galleries Manager Erwin Barrie, see Series 1: Correspondence. See Series 4: Personal Records for records from Roberts' work with A.M. Sachs Gallery and the Argent Gallery of the National Association of Women Artists.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Colette Roberts papers and interviews with artists are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Colette Roberts papers and interviews with artists, circa 1930-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.robecoli, Series 4
See more items in:
Colette Roberts Papers and Interviews with Artists
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-robecoli-ref114

Dani Karavan : sculpture environnementale de Murou, Nara, Japon : maquettes, sculptures, dessins, photographies et vidéo

Title:
Sculpture environnementale de Murou, Nara, Japon
Author:
Karavan, Dani  Search this
Viatte, Germain  Search this
Sakai, Tadayasu 1941-  Search this
Jaeger, Jean-François  Search this
Galerie Jeanne Bucher  Search this
Foire internationale d'art contemporain (2005 : Paris, France)  Search this
Subject:
Karavan, Dani  Search this
Physical description:
35 pages : color illustrations ; 22 x 24 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
2005
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_777613

Jean-Michel Meurice : romans / Marclin Pleynet: la surface en question

Title:
Romans
Author:
Galerie Jeanne Bucher  Search this
Pleynet, Marcelin 1933-  Search this
Subject:
Meurice, Jean Michel 1938-  Search this
Physical description:
23 unnumbered pages : color illustrations ; 22 x 24 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
1998
Call number:
ND553.M523 A4 1998
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_919562

Galerie Jeanne Bucher

Collection Creator::
Hirshhorn Museum and Sculpture Garden. Office of the Director  Search this
Container:
Box 3 of 12
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 99-090, Hirshhorn Museum and Sculpture Garden. Office of the Director, Subject Files
See more items in:
Subject Files
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa99-090-refidd1e2514

Michel Gérard : AKHTA sculpture en cinq éléments acier forgé : 14 dessins 122 x 150 cm au fusain et au fusain, pastel et encre

Title:
AKHTA sculpture en cinq éléments acier forgé
Artist:
Gérard, Michel 1938-  Search this
Author:
Galerie Jeanne Bucher  Search this
Subject:
Gérard, Michel 1938-  Search this
Physical description:
1 volume (unpaged) : illustrations ; 20 cm
Type:
Books
Exhibitions
Date:
1985
Call number:
NB.553.G38.A4.1985
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_647946

Michel Gérard : les lames levées, douze pièces forgées d'un cube, papiers ouvrés : [exposition à la] Galerie Jeanne Bucher, [Paris, du 12 novembre au 12 décembre 1981]

Author:
Gérard, Michel 1938-  Search this
Subject:
Gérard, Michel 1938-  Search this
Physical description:
39 unnumbered pages : illustrations ; 18 x 20 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
1981
[1981]
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_647960

Wakako : à l'aguet de létrange, pulsions

Title:
À l'aguet de létrange, pulsions
Author:
Wakako, Yamamoto 1950-  Search this
Writer of added commentary:
Jaeger, Jean-François  Search this
Publisher:
Galerie Jeanne Bucher  Search this
Subject:
Wakako, Yamamoto 1950-  Search this
Physical description:
1 volume (unpaged) : chiefly color illustrations ; 27 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
1997
[1997]
Call number:
ND1059.W285 A4 1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_711055

Mark Di Suvero : Paris 1997 / [Daniel Marchesseau]

Author:
Di Suvero, Mark 1933-  Search this
Marchesseau, Daniel  Search this
Galerie Jeanne Bucher  Search this
Subject:
Di Suvero, Mark 1933-  Search this
Physical description:
40 p. : col. ill. ; 28 cm
Type:
Books
Exhibitions
Date:
1997
Call number:
NB237.D57 A4 1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_817674

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