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Clarice Smith Distinguished Lecture with Artist Elizabeth Peyton

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2011-11-07T16:12:41.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_G3L3I1Tf5XU

Richard Artschwager papers

Creator:
Artschwager, Richard, 1923-  Search this
Names:
Adair Margo Gallery  Search this
Carpenter Center for the Visual Arts  Search this
Cornell University.  Search this
Gagosian Gallery  Search this
Galerie Franck + Schulte  Search this
Harvard University  Search this
Herbert F. Johnson Museum of Art  Search this
Leo Castelli Gallery  Search this
Lorence-Monk Gallery (New York, N.Y.)  Search this
Museum Ludwig  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Museum of Fine Arts, Boston  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Skowhegan School of Painting and Sculpture  Search this
University of Wisconsin  Search this
Whitney Museum of American Art  Search this
Alloway, Lawrence, 1926-1990  Search this
Castelli, Leo  Search this
Copley, William Nelson, 1919-1996  Search this
Fischl, Eric, 1948-  Search this
Johnson, Ray, 1927-  Search this
Karp, Ivan C., 1926-2012  Search this
Katz, Alex, 1927-  Search this
Kimmelman, Michael  Search this
Lawler, Louise  Search this
LeWitt, Sol, 1928-2007  Search this
Murray, Elizabeth, 1940-  Search this
Namuth, Hans  Search this
Neuendorf, Hans  Search this
Ruscha, Edward  Search this
Schaffner, Ingrid  Search this
Schjeldahl, Peter  Search this
Waters, John, 1946-  Search this
Woodman, Betty, 1930-  Search this
Extent:
5.6 Linear feet
9.33 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Date:
1959-2013
Summary:
The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and 9.33 GB and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed and digital material, and photographs.
Scope and Contents:
The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and 9.33 GB and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed and digital material, and photographs.

Artschwager's correspondence is with museums, galleries, artists, art historians, academic institutions, and publishers and concerns exhibitions, speaking engagements, and teaching. Frequent correspondents include Lawrence Alloway, Leo Castelli Gallery, Gagosian Gallery, Galerie Franck + Schulte, Herbert F. Johnson Museum, Ivan Karp, Museum Ludwig, Museum of Contemporary Art, Los Angeles, Ingrid Schaffner, and the Whitney Museum of American Art. Also found are letters from fellow artists, including William Copley, Eric Fischl, Ray Johnson, Louise Lawler, Sol Lewitt, Ed Ruscha, John Waters, and Betty Woodman. Some letters are annotated or illustrated with sketches by Artschwager.

The collection includes a lecture and recorded talks by Richard Artschwager held at the University of Wisconsin, Madison, Skowhegan School of Painting & Sculpture, and the Carpenter Center of the Visual Arts, Harvard University, and other venues. One of the recordings is from the "Conversations with Contemporary Artists" series of the Museum of Modern Art. Also included in this series is a recorded discussion with artists Alex Katz and Elizabeth Murray and art critics Michael Kimmelman and Peter Schjeldahl.

Exhibition files are found for exhibitions held at Adair Margo Gallery, Lorence Monk Gallery, Museum of Fine Arts, Boston, Cornell University, and numerous others, including many in Europe. Files typically contain correspondence, price lists, announcements, printed material, photographs, and a few sound and video recordings.

Printed material includes invitations and announcements as well as posters, reproductions, and brochures, mostly related to Richard Artschwager's exhibitions. Newspaper and magazine clippings document exhibition openings and the critical reception of his work.

There are also a few photographs including images of Leo Castelli by Hans Namuth used by Artschwager in preparing for his portrait of Castelli.
Arrangement:
The collection is arranged as 5 series.

Series 1: Correspondence, circa 1970-2013 (Boxes 1-3; 3.0 linear feet, ER01-ER02; 0.555 GB)

Series 2: Talks and Lecture, 1985-2009 (Box 4; 0.8 linear feet, ER03-ER10; 8.77 GB)

Series 3: Exhibition Files, 1973-2007 (Boxes 4-5; 1.0 linear feet)

Series 4: Printed Material, 1959-2012 (Boxes 5-6, OV 7; 0.6 linear feet)

Series 5: Photographs, circa 1973, 2007 (Box 6, OV 8; 0.1 linear feet)
Biographical / Historical:
Richard Artschwager (1923-2013) lived and worked in New York City and Hudson, New York and was known primarily for his paintings and sculptures. Artschwager was born in Washington, D.C. and grew up in New Mexico. As a youth, Artschwager showed a talent for drawing. He studied chemistry and mathematics at Cornell University. In 1944, Artschwager interrupted his studies to enlist in the U.S. Army. After the war, he returned to Cornell to complete his Bachelor of Arts degree in 1948. Encouraged by his first wife, Elfriede Wejmelka to develop his interest in art, Artschwager moved to New York to study at the Studio School of Amédée Ozenfant. His paintings and drawings from this period were featured in two group shows at the Terrain Gallery in 1957 and at the Art Directions Gallery on Madison Avenue in 1959, where they were recognized by Donald Judd.

In the 1950s, in order to support his family, Artschwager turned to designing and manufacturing modern furniture. His woodworking skills inspired him to create sculptures from utilitarian objects such as tables, chairs, and mirrors. He is best known for the use of building materials Celotex and Formica in his work and for inventing an abstract form he called "blps" reliefs, stencils or decals that were installed randomly in museum, gallery and public spaces. From the mid-1980s to late 1990s, Artschwager designed large scale projects, though he continued to incorporate everyday domestic objects in his sculptures and paintings.

In 1965, Artschwager was given his first one-man exhibition at the Castelli Gallery and he remained with the Gallery for thirty years. He was also represented by Mary Boone, David Nolan, and the Gagosian Gallery. In the 1980s, Artschwager served on the Visual Arts Policy Committee at the National Endowment of the Arts. He was elected to the American Academy of Arts in 1992. He was a visiting artist at New Mexico State University, Soka University, Skowhegan School of Painting and Sculpture, and the University of Arizona. Artschwager's work was the subject of a major surveys, including the Kunstmuseum Winterthur, Neues Museum, and Serpentine Gallery. He participated in numerous international group shows including the Venice Biennale and Documenta in Kassel, Germany. The Whitney Museum of American Art honored Artschwager with two travelling retrospective exhibitions in 1988 and 2012. In late 2012, Artschwager had one-man shows at the Gagosian Gallery and David Nolan Gallery.

Richard Artschwager died at the age of 89 years in 2013. He is survived by his wife, Ann Sebring Artschwager and three children from previous marriages.
Related Materials:
Also found among the resources at the Archives of American Art is an oral history interview with Artschwager, March 3-28, 1972, conducted by Paul Cummings.
Provenance:
The collection was donated by Richard Artschwager and his wife Ann Artschwager in 2013.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Topic:
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Art, Modern -- 20th century  Search this
Sculptors -- New York (State) -- New York  Search this
Genre/Form:
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Citation:
Richard Artschwager papers, 1959-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artsrich
See more items in:
Richard Artschwager papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artsrich
Online Media:

Correspondence

Collection Creator:
Artschwager, Richard, 1923-  Search this
Extent:
3 Linear feet (Boxes 1-3)
0.555 Gigabytes (ER01-ER02)
Type:
Archival materials
Gigabytes
Date:
circa 1970-2013
Scope and Contents:
Richard Artschwager's correspondence is with museums, galleries, artists, art historians, academic institutions, collectors, and publishers. Subjects include the scheduling of exhibitions, loans, preparation of catalog essays; speaking engagements and teaching positions; Artschwager's participation in art-related events; and requests for reproduction rights, provenance and biographical information. Also included are letters by Artschwager that discuss his work and the work of other artists. Among the correspondents are Lawrence Alloway, Gagosian Gallery, Galerie Franck + Schulte, Galerie Neuendorf, Herbert F. Johnson Museum, Ivan Karp, Kunsthalle Basel, Leo Castelli Gallery, Mary Boone Gallery, Metropolitan Museum of Art, Museum of Contemporary Art, Los Angeles, Museum of Modern Art, Ingrid Schaffner, Dorothy and Herbert Vogel, and the Whitney Museum of American Art. Letters from artists include Bill Copley, Eric Fischl, Ray Johnson, Louise Lawler, Gerhard Mack, and Betty Woodman. Found are scattered letters from John Baldesarri, Damien Hirst, Dorothea Rockburne, Ed Ruscha, and Holly Solomon. Also included are a few letters illustrated by Artschwager. There are letters from Ann Sebring Artschwager acting on behalf of her husband.

Many of the letters have attachments, e.g., curricula vitae and artist's statements; business related material, e.g., informational sheets, scattered price lists, receipts, consignments; layouts of exhibition space; and printed material including clippings, exhibition announcements and invitations, and reviews; and photographs and digital photographs of artwork. The folders labeled "First Names" contain mostly postcards and thank you notes from people who signed off with the given name and did not include a surname. Some of the correspondence is in German.
Arrangement:
Letters are filed alphabetically by the personal or corporate name. Correspondence with individuals is generally filed according to the name of the organization with which they were associated.

Commercially produced holiday and greeting cards, correspondence that only included first names, and correspondence where names were illegible were grouped together towards the end of the series and arranged chronologically.
Collection Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard Artschwager papers, 1959-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artsrich, Series 1
See more items in:
Richard Artschwager papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-artsrich-ref21

Event, Gagosian Gallery Reception

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 177, Folder 23
Type:
Archival materials
Date:
1996
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 10: Photographs / 10.1: Photographs / Castelli, Leo
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref14537

Larry Gagosian Gallery; Beverly Hills, CA

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 13, Folder 46
Type:
Archival materials
Date:
1996-1997
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref8753

Lichtenstein, Roy - Larry Gagosian (Gagosian Gallery)

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 14, Folder 6
Type:
Archival materials
Date:
1990
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref8769

Lorence-Monk Gallery records

Creator:
Lorence-Monk Gallery  Search this
Names:
Lorence, Susan  Search this
Monk, Robert  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1961-1992
Summary:
The records of Lorence-Monk Gallery measure normal="1957"> and scrapbooks documenting approximately ninety exhibitions and over 250 American and European artists represented by the gallery from its opening in 1985 until it closed its operation in 1992.
Scope and Content Note:
The records of Lorence-Monk Gallery measure 3.4 linear feet and date from 1961-1992. The collection consists of exhibition files and scrapbooks documenting approximately ninety exhibitions and over 250 American and European artists represented by the Lorence-Monk Gallery from its opening in 1985 until it closed its operation in 1992.
Arrangement:
The collection is arranged into 2 series:

Series 1: Exhibition Files, 1961-1991 (Boxes 1-3; 2.2 linear feet)

Series 2: Exhibition Scrapbooks, 1985-1992 (Boxes 3-4; 1.2 linear feet)
Historical Note:
The Lorence-Monk Gallery, founded in 1985 by Susan Lorence and Robert Monk was located at 568-578 Broadway, in the SoHo section of New York City. Prior to establishing the gallery, Susan Lorence was the American Director of the Petersburg Press and Robert Monk was the Director of Castelli Graphics.

The Lorence-Monk Gallery promoted the work of contemporary and emerging artists, featuring a diverse selection of paintings, prints, sculptures, and photographs. The gallery held rotating exhibits organized by theme, individual artists, and group shows. Among the younger generation of artists represented by the gallery were: John Beerman, Jasper Johns, Jürgen Partenheimer, Alan Saret, Carole Seborovski, Alan Uglow, and Günter Umberg.

Beginning with its inaugural show "A Print Survey, 1960-1985," the Lorence-Monk Gallery became a major venue for the graphic arts, including lithographs, etchings, screenprints, and woodcuts. Exhibitions featured the work of prominent artists, many who had worked in other media, such as Richard Artschwager, David Hockney, Jasper Johns, Bruce Nauman, and Barnett Newman.

The gallery's exhibitions included sculpture and object installations, offering the works of Kim Jones, Laurie Parsons, Ursula von Rydingsvard, Sandy Skoglund, and others. The Lorence-Monk Gallery promoted independent publishers of prints, portfolios, and books, including Peter Blum Editions, Diane Villani Editions, and the Universal Limited Art Editions (ULAE). Several exhibitions were organized by independent curators, such as Marvin Heiferman, Clarissa Dalyrymple, and Christopher Sweet. Also there were exhibitions held in conjunction with other galleries, including Leo Castelli Graphics, Jim Kempner Fine Art, and the Robert Miller Gallery.

The gallery closed in 1992. Susan Lorence continues to work as a New York-based independent dealer. Robert Monk is Director at the Gagosian Gallery in New York City.
Provenance:
The Lorence-Monk Gallery Records were donated by Susan Lorence and Robert Monk in 2002.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Scrapbooks
Citation:
Lorence-Monk Gallery records, 1961-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.loremong
See more items in:
Lorence-Monk Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-loremong
Online Media:

Business Card for Gagosian Gallery, New York

Designer:
Bruce Mau, Canadian, b. 1959  Search this
Medium:
Printed on card stock
Dimensions:
5.7 x 8.9 cm (2 1/4 x 3 1/2 in. )
Type:
graphic design
Business card
Object Name:
Business card
Date:
2000
Credit Line:
Gift of Bruce Mau Design Inc.
Accession Number:
2000-58-19
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq42eb89171-9733-4e67-ae8f-82dc1fcb06c3
EDAN-URL:
edanmdm:chndm_2000-58-19

Letterhead for Gagosian Gallery, London

Designer:
Bruce Mau, Canadian, b. 1959  Search this
Medium:
Printed on paper
Dimensions:
29.7 x 21.0 cm (11 11/16 x 8 1/4 in. )
Type:
graphic design
Letterhead
Object Name:
Letterhead
Date:
2000
Credit Line:
Gift of Bruce Mau Design Inc.
Accession Number:
2000-58-20
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq476d80e9b-4ee8-460a-b894-5c5293901b86
EDAN-URL:
edanmdm:chndm_2000-58-20

Letterhead for Larry Gagosian

Designer:
Bruce Mau, Canadian, b. 1959  Search this
Medium:
Printed on paper
Dimensions:
22.9 x 15.9 cm (9 x 6 1/4 in. )
Type:
graphic design
Letterhead
Object Name:
Letterhead
Date:
2000
Credit Line:
Gift of Bruce Mau Design Inc.
Accession Number:
2000-58-21
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq467310bc3-5ab0-4226-92a5-feb31d38bda6
EDAN-URL:
edanmdm:chndm_2000-58-21

Envelope for Gagosian Gallery, New York

Designer:
Bruce Mau, Canadian, b. 1959  Search this
Medium:
Printed on paper
Dimensions:
12.1 x 16.5 cm (4 3/4 x 6 1/2 in. )
Type:
graphic design
Envelope
Object Name:
Envelope
Date:
2000
Credit Line:
Gift of Bruce Mau Design Inc.
Accession Number:
2000-58-22
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4f681eca9-fbdc-4b46-be3d-f5f696496f27
EDAN-URL:
edanmdm:chndm_2000-58-22

Envelope for Gagosian Gallery, London Address

Designer:
Bruce Mau, Canadian, b. 1959  Search this
Medium:
Printed on paper
Dimensions:
11.1 x 21.7 cm (4 3/8 x 8 9/16 in. )
Type:
graphic design
Envelope
Object Name:
Envelope
Date:
2000
Credit Line:
Gift of Bruce Mau Design Inc.
Accession Number:
2000-58-23
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4ea26e006-32fa-4e00-a1c2-26525fd2816f
EDAN-URL:
edanmdm:chndm_2000-58-23

Exhibition Poster: Douglas Gordon: through a looking glass, Gagosian Gallery

Designer:
Bruce Mau, Canadian, b. 1959  Search this
Medium:
Folded into a book format
Dimensions:
30.5 x 22.2 cm (12 x 8 3/4 in. )
Type:
graphic design
Poster
Object Name:
Poster
Date:
1999
Credit Line:
Gift of Bruce Mau Design Inc.
Accession Number:
2000-58-24
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq481f28953-ad9a-4b21-bb82-157501cfa00e
EDAN-URL:
edanmdm:chndm_2000-58-24

Richard Artschwager papers, 1959-2013

Creator:
Artschwager, Richard Ernst, 1923-2013  Search this
Artschwager, Richard Ernst, 1923-2013  Search this
Subject:
Waters, John  Search this
Katz, Alex  Search this
Karp, Ivan C.  Search this
Copley, William Nelson  Search this
Lawler, Louise  Search this
Woodman, Betty  Search this
Alloway, Lawrence  Search this
LeWitt, Sol  Search this
Castelli, Leo  Search this
Fischl, Eric  Search this
Neuendorf, Hans  Search this
Namuth, Hans  Search this
Johnson, Ray  Search this
Ruscha, Edward  Search this
Kimmelman, Michael  Search this
Schaffner, Ingrid  Search this
Murray, Elizabeth  Search this
Schjeldahl, Peter  Search this
Museum Ludwig  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Galerie Franck + Schulte  Search this
University of Wisconsin  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Carpenter Center for the Visual Arts  Search this
Adair Margo Gallery  Search this
Skowhegan School of Painting and Sculpture  Search this
Lorence-Monk Gallery (New York, N.Y.)  Search this
Harvard University  Search this
Museum of Fine Arts, Boston  Search this
Cornell University.  Search this
Herbert F. Johnson Museum of Art  Search this
Leo Castelli Gallery  Search this
Gagosian Gallery  Search this
Type:
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Topic:
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Art, Modern -- 20th century  Search this
Sculptors -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)16080
(DSI-AAA_SIRISBib)360562
AAA_collcode_artsrich
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_360562
Online Media:

Levits

Artist:
Franz West, Austrian, b. Vienna, 1947–2012  Search this
Medium:
Epoxy resin and metal
Dimensions:
each: 34 1/2 × 18 × 22 in. (87.6 × 45.7 × 55.9 cm)
Type:
Sculpture
Date:
2001-2006
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund and Museum Purchase, 2007
Accession Number:
07.3
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
European Contemporary
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2b8a51993-33f4-4251-ad44-54552a4005ba
EDAN-URL:
edanmdm:hmsg_07.3

Untitled (Rotating Eyes of the Falling Tree Monkey Face 43.35)

Artist:
Mark Grotjahn, American, b. Pasadena, California, 1968  Search this
Medium:
Oil on cardboard mounted on linen
Dimensions:
136 1/2 × 72 1/2 in. (346.7 × 184.1 cm)
Type:
Painting
Date:
2011-2012
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum purchase with funds provided by Janine and J.Tomilson Hill, 2012
Accession Number:
12.3
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2d313e710-290e-496f-8796-8d1cc4ac3459
EDAN-URL:
edanmdm:hmsg_12.3

Diptych: Study of the Human Body -- From a Drawing by Ingres

Artist:
Francis Bacon, British, b. Dublin, Ireland, 1909–1992  Search this
Medium:
Oil and transfer type on canvas
Dimensions:
left panel: 78 1/8 × 58 1/4 in. (198.2 × 147.9 cm) right panel: 78 1/8 × 58 1/4 in. (198.2 × 147.5 cm)
Type:
Painting
Date:
1982-1984
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Marlborough International Fine Art and the Joseph H. Hirshhorn Foundation, by exchange, 1989
Accession Number:
89.21
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
School of London
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2c5ece9ec-c279-48c2-8082-6fc49c7fd756
EDAN-URL:
edanmdm:hmsg_89.21

Hoodlum

Artist:
Cecily Brown, British, b. London, 1969  Search this
Medium:
Oil on linen
Dimensions:
75 1/8 x 90 1/8 in. (190.8 x 228.9 cm)
Type:
Painting
Date:
2000-2001
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2001
Accession Number:
01.11
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
British Contemporary
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py218836450-eba6-4a70-bb57-2d576e6918fb
EDAN-URL:
edanmdm:hmsg_01.11

Are Years What? (for Marianne Moore)

Artist:
Mark di Suvero, American, b. Shanghai, China, 1933  Search this
Medium:
Steel, paint, and wire
Dimensions:
480 × 480 × 360 in., 18725 lb. (1219.2 × 1219.2 × 914.4 cm, 8493.6 kg)
Type:
Sculpture
Date:
(1967)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund and Gift of the Institute of Scrap Recycling Industries, by exchange, 1999
Accession Number:
99.19
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
On View:
Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py29932ac7e-4f61-4331-b925-585e1255ff10
EDAN-URL:
edanmdm:hmsg_99.19

City

Artist:
Ed Ruscha, American, b. Omaha, Nebraska, 1937  Search this
Medium:
Gunpowder on paper
Dimensions:
Sheet: 14 3/8 x 22 7/8 in. (36.5 x 58.2 cm) Image: 13 3/8 x 21 7/8 in. (34.0 x 55.5 cm)
Type:
Drawing
Date:
1967
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, The Joseph H. Hirshhorn Bequest, 1981
Accession Number:
86.4088
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Pop Art (West Coast)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2e19c03bb-deb4-41db-aadf-8592e7da39c5
EDAN-URL:
edanmdm:hmsg_86.4088

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