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Sally Mann / Gagosian Gallery, New York

Author:
Mann, Sally 1951-  Search this
Senn, Martin  Search this
Gagosian Gallery  Search this
Subject:
Mann, Sally 1951-  Search this
Physical description:
1 v., unpaged : col. ill. ; 31 x 37 cm
Type:
Exhibitions
Place:
United States
Date:
2006
C2006
20th century
Topic:
Photography  Search this
Call number:
TR647 . M36 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_797734

Richard Artschwager papers, 1959-2013

Creator:
Artschwager, Richard Ernst, 1923-2013  Search this
Subject:
Waters, John  Search this
Katz, Alex  Search this
Karp, Ivan C.  Search this
Copley, William Nelson  Search this
Lawler, Louise  Search this
Woodman, Betty  Search this
Alloway, Lawrence  Search this
LeWitt, Sol  Search this
Castelli, Leo  Search this
Fischl, Eric  Search this
Neuendorf, Hans  Search this
Namuth, Hans  Search this
Johnson, Ray  Search this
Ruscha, Edward  Search this
Kimmelman, Michael  Search this
Schaffner, Ingrid  Search this
Murray, Elizabeth  Search this
Schjeldahl, Peter  Search this
Museum Ludwig  Search this
Museum of Contemporary Art  Search this
Galerie Franck + Schulte  Search this
University of Wisconsin  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Carpenter Center for the Visual Arts  Search this
Adair Margo Gallery  Search this
Skowhegan School of Painting and Sculpture  Search this
Lorence-Monk Gallery (New York, N.Y.)  Search this
Harvard University  Search this
Museum of Fine Arts, Boston  Search this
Cornell University.  Search this
Herbert F. Johnson Museum of Art  Search this
Leo Castelli Gallery  Search this
Gagosian Gallery  Search this
Type:
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Topic:
Art -- Study and teaching  Search this
Art critics  Search this
Painters -- New York (State) -- New York  Search this
Art, Modern -- 20th century  Search this
Sculptors -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)16080
(DSI-AAA_SIRISBib)360562
AAA_collcode_artsrich
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_360562
Online Media:

Richard Artschwager papers

Creator:
Artschwager, Richard, 1923-  Search this
Names:
Adair Margo Gallery  Search this
Carpenter Center for the Visual Arts  Search this
Cornell University.  Search this
Gagosian Gallery  Search this
Galerie Franck + Schulte  Search this
Harvard University  Search this
Herbert F. Johnson Museum of Art  Search this
Leo Castelli Gallery  Search this
Lorence-Monk Gallery (New York, N.Y.)  Search this
Museum Ludwig  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Museum of Fine Arts, Boston  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Skowhegan School of Painting and Sculpture  Search this
University of Wisconsin  Search this
Whitney Museum of American Art  Search this
Alloway, Lawrence, 1926-1990  Search this
Castelli, Leo  Search this
Copley, William Nelson, 1919-1996  Search this
Fischl, Eric, 1948-  Search this
Johnson, Ray, 1927-  Search this
Karp, Ivan C., 1926-2012  Search this
Katz, Alex, 1927-  Search this
Kimmelman, Michael  Search this
Lawler, Louise  Search this
LeWitt, Sol, 1928-2007  Search this
Murray, Elizabeth, 1940-  Search this
Namuth, Hans  Search this
Neuendorf, Hans  Search this
Ruscha, Edward  Search this
Schaffner, Ingrid  Search this
Schjeldahl, Peter  Search this
Waters, John, 1946-  Search this
Woodman, Betty, 1930-  Search this
Extent:
5.6 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Date:
1959-2013
Summary:
The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed material, and photographs.
Scope and Contents:
The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed material, and photographs.

Artschwager's correspondence is with museums, galleries, artists, art historians, academic institutions, and publishers and concerns exhibitions, speaking engagements, and teaching. Frequent correspondents include Lawrence Alloway, Leo Castelli Gallery, Gagosian Gallery, Galerie Franck + Schulte, Herbert F. Johnson Museum, Ivan Karp, Museum Ludwig, Museum of Contemporary Art, Los Angeles, Ingrid Schaffner, and the Whitney Museum of American Art. Also found are letters from fellow artists, including William Copley, Eric Fischl, Ray Johnson, Louise Lawler, Sol Lewitt, Ed Ruscha, John Waters, and Betty Woodman. Some letters are annotated or illustrated with sketches by Artschwager.

The collection includes a lecture and recorded talks by Richard Artschwager held at the University of Wisconsin, Madison, Skowhegan School of Painting & Sculpture, and the Carpenter Center of the Visual Arts, Harvard University, and other venues. One of the recordings is from the "Conversations with Contemporary Artists" series of the Museum of Modern Art. Also included in this series is a recorded discussion with artists Alex Katz and Elizabeth Murray and art critics Michael Kimmelman and Peter Schjeldahl.

Exhibition files are found for exhibitions held at Adair Margo Gallery, Lorence Monk Gallery, Museum of Fine Arts, Boston, Cornell University, and numerous others, including many in Europe. Files typically contain correspondence, price lists, announcements, printed material, photographs, and a few sound and video recordings.

Printed material includes invitations and announcements as well as posters, reproductions, and brochures, mostly related to Richard Artschwager's exhibitions. Newspaper and magazine clippings document exhibition openings and the critical reception of his work.

There are also a few photographs including images of Leo Castelli by Hans Namuth used by Artschwager in preparing for his portrait of Castelli.
Arrangement:
The collection is arranged as 5 series.

Series 1: Correspondence, circa 1970-2013 (Boxes 1-3; 3.0 linear feet)

Series 2: Talks and Lecture, 1985-2009 (Box 4; 0.8 linear feet)

Series 3: Exhibition Files, 1973-2007 (Boxes 4-5; 1.0 linear feet)

Series 4: Printed Material, 1959-2012 (Boxes 5-6, OV 7; 0.6 linear feet)

Series 5: Photographs, circa 1973, 2007 (Box 6, OV 8; 0.1 linear feet)
Biographical / Historical:
Richard Artschwager (1923-2013) lived and worked in New York City and Hudson, New York and was known primarily for his paintings and sculptures. Artschwager was born in Washington, D.C. and grew up in New Mexico. As a youth, Artschwager showed a talent for drawing. He studied chemistry and mathematics at Cornell University. In 1944, Artschwager interrupted his studies to enlist in the U.S. Army. After the war, he returned to Cornell to complete his Bachelor of Arts degree in 1948. Encouraged by his first wife, Elfriede Wejmelka to develop his interest in art, Artschwager moved to New York to study at the Studio School of Amédée Ozenfant. His paintings and drawings from this period were featured in two group shows at the Terrain Gallery in 1957 and at the Art Directions Gallery on Madison Avenue in 1959, where they were recognized by Donald Judd.

In the 1950s, in order to support his family, Artschwager turned to designing and manufacturing modern furniture. His woodworking skills inspired him to create sculptures from utilitarian objects such as tables, chairs, and mirrors. He is best known for the use of building materials Celotex and Formica in his work and for inventing an abstract form he called "blps" reliefs, stencils or decals that were installed randomly in museum, gallery and public spaces. From the mid-1980s to late 1990s, Artschwager designed large scale projects, though he continued to incorporate everyday domestic objects in his sculptures and paintings.

In 1965, Artschwager was given his first one-man exhibition at the Castelli Gallery and he remained with the Gallery for thirty years. He was also represented by Mary Boone, David Nolan, and the Gagosian Gallery. In the 1980s, Artschwager served on the Visual Arts Policy Committee at the National Endowment of the Arts. He was elected to the American Academy of Arts in 1992. He was a visiting artist at New Mexico State University, Soka University, Skowhegan School of Painting and Sculpture, and the University of Arizona. Artschwager's work was the subject of a major surveys, including the Kunstmuseum Winterthur, Neues Museum, and Serpentine Gallery. He participated in numerous international group shows including the Venice Biennale and Documenta in Kassel, Germany. The Whitney Museum of American Art honored Artschwager with two travelling retrospective exhibitions in 1988 and 2012. In late 2012, Artschwager had one-man shows at the Gagosian Gallery and David Nolan Gallery.

Richard Artschwager died at the age of 89 years in 2013. He is survived by his wife, Ann Sebring Artschwager and three children from previous marriages.
Related Materials:
Also found among the resources at the Archives of American Art is an oral history interview with Artschwager, March 3-28, 1972, conducted by Paul Cummings.
Provenance:
The collection was donated by Richard Artschwager and his wife Ann Artschwager in 2013.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Richard Artschwager papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching  Search this
Art critics  Search this
Painters -- New York (State) -- New York  Search this
Art, Modern -- 20th century  Search this
Sculptors -- New York (State) -- New York  Search this
Genre/Form:
Illustrated letters
Transcripts
Sketches
Photographs
Sound recordings
Video recordings
Citation:
Richard Artschwager papers, 1959-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artsrich
See more items in:
Richard Artschwager papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artsrich
Online Media:

Diptych: Study of the Human Body -- From a Drawing by Ingres

Artist:
Francis Bacon, British, b. Dublin, Ireland, 1909–1992  Search this
Medium:
Oil and transfer type on canvas
Dimensions:
left panel: 78 1/8 × 58 1/4 in. (198.2 × 147.9 cm) right panel: 78 1/8 × 58 1/4 in. (198.2 × 147.5 cm)
Type:
Painting
Date:
1982-1984
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Marlborough International Fine Art and the Joseph H. Hirshhorn Foundation, by exchange, 1989
Accession Number:
89.21
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
School of London
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2c5ece9ec-c279-48c2-8082-6fc49c7fd756
EDAN-URL:
edanmdm:hmsg_89.21

Clarice Smith Distinguished Lecture with Artist Elizabeth Peyton

Creator:
Smithsonian American Art Museum  Search this
Type:
Youtube videos
Uploaded:
2011-11-07T16:12:41Z
Topic:
Art, American  Search this
Youtube Category:
Education  Search this
See more by:
americanartmuseum
YouTube Channel:
americanartmuseum
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:yt_G3L3I1Tf5XU

Elyn Zimmerman papers

Creator:
Zimmerman, Elyn, 1945-  Search this
Names:
Dicker, Ruth  Search this
Diebenkorn, Richard, 1922-1993  Search this
Gund, Agnes  Search this
Teraoka, Masami, 1936-  Search this
Varnedoe, Kirk  Search this
Extent:
28.5 Linear feet
0.223 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Date:
1969-2017
Summary:
The papers of sculptor and site-specific installation artist Elyn Zimmerman measure 28.5 linear feet and 0.223 gigabytes, and date from 1969-2017. The collection documents the artist's life and work through correspondence, writings, project and commission files, exhibition files, teaching files, and printed material. Project and commission files comprise the majority of the collection at 18.2 linear feet and comprehensively document dozens of Zimmerman's site-specific sculptural projects and proposals for public and private sites across the United States and internationally. Items include correspondence, contracts, photographs, models, blueprints, and original sketches and drawings. The papers include a small number of born digital records, including digital images of projects, construction sites, and floorplans, as well as PowerPoint presentations.
Scope and Contents:
The papers of sculptor and site-specific installation artist Elyn Zimmerman measure 28.5 linear feet and 0.223 gigabytes, and date from 1969-2017. The collection documents the artist's life and work through correspondence, writings, project and commission files, exhibition files, teaching files, and printed material.

Correspondence is comprised predominately of received letters and fewer drafts and copies of outgoing letters. Notable correspondents include Zimmerman's late husband, curator Kirk Varnedoe, arts advocate Agnes Gund, and artists Ruth Dicker, Richard Diebenkorn, Kady Hoffman, and Masami Teraoka.

Writings include drafts of journal articles, a book mock-up, project notes, and statements. Agendas and address books are filed with writings.

Project and commission files comprise the bulk of the collection and comprehensively document dozens of Zimmerman's site-specific sculptural projects and proposals for public and private sites across the United States and internationally. Items include correspondence, contracts, photographs, models, blueprints, and original sketches and drawings. The files include a small number of born digital records, including digital images of projects, construction sites, and floorplans, as well as PowerPoint presentations.

Exhibition files document Zimmerman's site-specific installations and exhibitions in a gallery and museum context. Files include correspondence, photographs, slides, statements, press releases, shipping information, and price lists.

Teaching files document the many courses Zimmerman taught in painting, drawing, design, architecture, and landscape architecture. Items include syllabi, assignments, lecture notes, reading lists, and articles.

Printed material primarily consists of items cataloging Zimmerman's career including exhibition announcements, catalogs, and press clippings. Subject files were saved and collected by Zimmerman and are arranged at the end of the series.
Arrangement:
The collection is arranged as six series.

Series 1: Correspondence, 1978-2011 (3.7 linear feet; Box 1-4)

Series 2: Writings, Agendas, and Address Books, 1970-2003 (0.5 linear feet; Box 4-5)

Series 3: Project and Commission Files, 1970-2016 (18.2 linear feet, Box 5-15, 21-22, OV 23-85, RD 97-98; 0.223 gigabytes, ER01-04)

Series 4: Exhibition Files, 1969-2015 (3.5 linear feet; Box 15-16, 20-21, OV 86-96, RD 99)

Series 5: Teaching Files, 1970-1994 (0.4 linear feet; Box 16)

Series 6: Printed Material, 1970-2017 (2.2 linear feet; Box 16-19)
Biographical / Historical:
Elyn Zimmerman (1945-) is a New York City and Los Angeles based sculptor best known for her large scale site-specific outdoor installations incorporating granite, water features, and landscape architecture.

Born in Philadelphia, Pennsylvania, Zimmerman moved to California for college, earning both her BFA and MFA from University of California, Los Angeles. While at UCLA, she studied with Richard Diebenkorn and Robert Irwin, and worked in photography, drawing, and site-specific installation. In 1978 she created Monarch's Trough for Artpark in Lewiston, New York, her first site-specific work using granite. For the next several decades Zimmerman would complete dozens of site-specific installations in public and private spaces across the United States, and submit proposals for dozens more. Working frequently with stone and granite, she developed a decades long relationship with a granite quarry in Cold Spring, Minnesota, which fabricated many of her designs. Zimmerman's clients have included the National Geographic Society, the Birmingham Art Museum, and the New York City Parks Department.

In addition to her site-specific work, Zimmerman has had an extensive exhibition history, and has shown for many years with Gagosian Gallery. In 2016, Zimmerman was the recipient of the Isamu Noguchi Award. She has taught at Mills College, California Institute of the Arts, Harvard University, New York University, and the University of Pennsylvania.

Zimmerman was married to the late curator Kirk Varnedoe from 1978-2002.
Provenance:
The collection was donated to the Archives of American Art in 2015 and 2017 by Elyn Zimmerman.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California -- Los Angeles  Search this
Sculptors -- New York (State) -- New York  Search this
Installation artists -- California -- Los Angeles  Search this
Installation artists -- New York (State) -- New York  Search this
Topic:
Women sculptors  Search this
Installations (visual works)  Search this
Genre/Form:
Sound recordings
Citation:
Elyn Zimmerman papers, 1969-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zimmelyn
See more items in:
Elyn Zimmerman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zimmelyn

Lorence-Monk Gallery records

Creator:
Lorence-Monk Gallery  Search this
Names:
Lorence, Susan  Search this
Monk, Robert  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1961-1992
Summary:
The records of Lorence-Monk Gallery measure normal="1957"> and scrapbooks documenting approximately ninety exhibitions and over 250 American and European artists represented by the gallery from its opening in 1985 until it closed its operation in 1992.
Scope and Content Note:
The records of Lorence-Monk Gallery measure 3.4 linear feet and date from 1961-1992. The collection consists of exhibition files and scrapbooks documenting approximately ninety exhibitions and over 250 American and European artists represented by the Lorence-Monk Gallery from its opening in 1985 until it closed its operation in 1992.
Arrangement:
The collection is arranged into 2 series:

Series 1: Exhibition Files, 1961-1991 (Boxes 1-3; 2.2 linear feet)

Series 2: Exhibition Scrapbooks, 1985-1992 (Boxes 3-4; 1.2 linear feet)
Historical Note:
The Lorence-Monk Gallery, founded in 1985 by Susan Lorence and Robert Monk was located at 568-578 Broadway, in the SoHo section of New York City. Prior to establishing the gallery, Susan Lorence was the American Director of the Petersburg Press and Robert Monk was the Director of Castelli Graphics.

The Lorence-Monk Gallery promoted the work of contemporary and emerging artists, featuring a diverse selection of paintings, prints, sculptures, and photographs. The gallery held rotating exhibits organized by theme, individual artists, and group shows. Among the younger generation of artists represented by the gallery were: John Beerman, Jasper Johns, Jürgen Partenheimer, Alan Saret, Carole Seborovski, Alan Uglow, and Günter Umberg.

Beginning with its inaugural show "A Print Survey, 1960-1985," the Lorence-Monk Gallery became a major venue for the graphic arts, including lithographs, etchings, screenprints, and woodcuts. Exhibitions featured the work of prominent artists, many who had worked in other media, such as Richard Artschwager, David Hockney, Jasper Johns, Bruce Nauman, and Barnett Newman.

The gallery's exhibitions included sculpture and object installations, offering the works of Kim Jones, Laurie Parsons, Ursula von Rydingsvard, Sandy Skoglund, and others. The Lorence-Monk Gallery promoted independent publishers of prints, portfolios, and books, including Peter Blum Editions, Diane Villani Editions, and the Universal Limited Art Editions (ULAE). Several exhibitions were organized by independent curators, such as Marvin Heiferman, Clarissa Dalyrymple, and Christopher Sweet. Also there were exhibitions held in conjunction with other galleries, including Leo Castelli Graphics, Jim Kempner Fine Art, and the Robert Miller Gallery.

The gallery closed in 1992. Susan Lorence continues to work as a New York-based independent dealer. Robert Monk is Director at the Gagosian Gallery in New York City.
Provenance:
The Lorence-Monk Gallery Records were donated by Susan Lorence and Robert Monk in 2002.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Lorence-Monk Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, Modern -- 20th century  Search this
Genre/Form:
Scrapbooks
Citation:
Lorence-Monk Gallery records, 1961-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.loremong
See more items in:
Lorence-Monk Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-loremong
Online Media:

Are Years What? (for Marianne Moore)

Artist:
Mark di Suvero, American, b. Shanghai, China, 1933  Search this
Medium:
Steel, paint, and wire
Dimensions:
480 × 480 × 360 in., 18725 lb. (1219.2 × 1219.2 × 914.4 cm, 8493.6 kg)
Type:
Sculpture
Date:
(1967)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund and Gift of the Institute of Scrap Recycling Industries, by exchange, 1999
Accession Number:
99.19
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
On View:
Hirshhorn Museum & Sculpture Garden (Washington, DC), Garden
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py29932ac7e-4f61-4331-b925-585e1255ff10
EDAN-URL:
edanmdm:hmsg_99.19

1948-C

Artist:
Clyfford Still, American, b. Grandin, North Dakota, 1904–1980  Search this
Medium:
Oil on canvas
Dimensions:
80 7/8 × 68 3/4 in. (205.4 × 174.6 cm)
Type:
Painting
Date:
(1948)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1992
Accession Number:
92.8
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py285c95887-a3aa-4bb3-aa45-5cbddb840ceb
EDAN-URL:
edanmdm:hmsg_92.8

Business Card for Gagosian Gallery, New York

Designer:
Bruce Mau, Canadian, b. 1959  Search this
Medium:
Printed on card stock
Type:
graphic design
Business card
Object Name:
Business card
Date:
2000
Credit Line:
Gift of Bruce Mau Design Inc.
Accession Number:
2000-58-19
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq42eb89171-9733-4e67-ae8f-82dc1fcb06c3
EDAN-URL:
edanmdm:chndm_2000-58-19

Letterhead for Gagosian Gallery, London

Designer:
Bruce Mau, Canadian, b. 1959  Search this
Medium:
Printed on paper
Type:
graphic design
Letterhead
Object Name:
Letterhead
Date:
2000
Credit Line:
Gift of Bruce Mau Design Inc.
Accession Number:
2000-58-20
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq476d80e9b-4ee8-460a-b894-5c5293901b86
EDAN-URL:
edanmdm:chndm_2000-58-20

Letterhead for Larry Gagosian

Designer:
Bruce Mau, Canadian, b. 1959  Search this
Medium:
Printed on paper
Type:
graphic design
Letterhead
Object Name:
Letterhead
Date:
2000
Credit Line:
Gift of Bruce Mau Design Inc.
Accession Number:
2000-58-21
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq467310bc3-5ab0-4226-92a5-feb31d38bda6
EDAN-URL:
edanmdm:chndm_2000-58-21

Envelope for Gagosian Gallery, New York

Designer:
Bruce Mau, Canadian, b. 1959  Search this
Medium:
Printed on paper
Type:
graphic design
Envelope
Object Name:
Envelope
Date:
2000
Credit Line:
Gift of Bruce Mau Design Inc.
Accession Number:
2000-58-22
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4f681eca9-fbdc-4b46-be3d-f5f696496f27
EDAN-URL:
edanmdm:chndm_2000-58-22

Envelope for Gagosian Gallery, London Address

Designer:
Bruce Mau, Canadian, b. 1959  Search this
Medium:
Printed on paper
Type:
graphic design
Envelope
Object Name:
Envelope
Date:
2000
Credit Line:
Gift of Bruce Mau Design Inc.
Accession Number:
2000-58-23
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4ea26e006-32fa-4e00-a1c2-26525fd2816f
EDAN-URL:
edanmdm:chndm_2000-58-23

Exhibition Poster: Douglas Gordon: through a looking glass, Gagosian Gallery

Designer:
Bruce Mau, Canadian, b. 1959  Search this
Medium:
Folded into a book format
Type:
graphic design
Poster
Object Name:
Poster
Date:
1999
Credit Line:
Gift of Bruce Mau Design Inc.
Accession Number:
2000-58-24
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq481f28953-ad9a-4b21-bb82-157501cfa00e
EDAN-URL:
edanmdm:chndm_2000-58-24

The Light That Won't Fail I

Artist:
James Rosenquist, American, b. Grand Forks, North Dakota, 1933–2017  Search this
Medium:
Oil on canvas
Dimensions:
71 3/4 x 96 1/4 in. (182.1 x 244.3 cm)
Type:
Painting
Date:
1961
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.4402
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Pop Art (American)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py298df286a-ee35-4337-8938-dd3363fe14ac
EDAN-URL:
edanmdm:hmsg_66.4402

Portrait of Akabi

Artist:
Arshile Gorky, American, b. Khorkom, Armenia, 1904–1948  Search this
Medium:
Oil on canvasboard
Dimensions:
12 × 9 1/8 in. (30.4 × 23 cm)
Type:
Painting
Date:
(c. 1936-1937)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2136
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py242403d33-72b9-4f8b-8973-d46a436115f6
EDAN-URL:
edanmdm:hmsg_66.2136

Portrait of Vartoosh

Artist:
Arshile Gorky, American, b. Khorkom, Armenia, 1904–1948  Search this
Medium:
Oil on canvas
Dimensions:
20 1/4 × 15 1/8 in. (51.3 × 38.4 cm)
Type:
Painting
Date:
(1933-1934)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.2148
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py20f36d98a-627b-4085-bc6a-533d8ba6e8d4
EDAN-URL:
edanmdm:hmsg_66.2148

Untitled

Artist:
Donald Judd, American, b. Excelsior Springs, Missouri, 1928–1994  Search this
Medium:
Oil on plywood with iron pipe
Dimensions:
22 1/8 × 45 3/8 × 30 1/2 in. (56.2 × 115.1 × 77.5 cm)
Type:
Sculpture
Date:
1963
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 1991
Accession Number:
91.29
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Minimalism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py207578808-14d7-496e-919b-49106aa30322
EDAN-URL:
edanmdm:hmsg_91.29

Annette Messager : penetrations / Gagosian Gallery

Title:
Penetrations
Author:
Messager, Annette 1943-  Search this
Gagosian Gallery  Search this
Subject:
Messager, Annette 1943-  Search this
Physical description:
79 p. : ill. (some col.) ; 24 cm
Type:
Books
Exhibitions
Date:
1997
C1997
Call number:
N6853.M45 G34 1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_657585

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