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South Chicago, Illinois, Federal Furnace Company, Brown combined unloaders & bridge tramways

Collection Author:
Garrett, John W. (John Work), 1820-1884  Search this
Latrobe, Benj. H. (Benjamin Henry), 1807-1878  Search this
Collection Creator:
Baltimore and Ohio Railroad Company  Search this
Container:
Box 24, Item l586
Type:
Archival materials
Negatives
Date:
undated
Collection Restrictions:
The collection is open for research use. Researchers must handle unprotected photographs and glass plate negatives with gloves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Baltimore and Ohio Railroad Records, Archives Center, National Museum of American History
See more items in:
Baltimore and Ohio Railroad Records
Baltimore and Ohio Railroad Records / Series 9: Negatives / 9.2: Glass Plate Negatives (Numbered)
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8fe2a6055-e588-49e1-b26e-3ff06e41ae64
EDAN-URL:
ead_component:sova-nmah-ac-1086-ref4260

Coal Hoisting Crane for Edwards Bridge Dept., Iroquois Furnace Company south Chicago, Illinois

Collection Author:
Garrett, John W. (John Work), 1820-1884  Search this
Latrobe, Benj. H. (Benjamin Henry), 1807-1878  Search this
Collection Creator:
Baltimore and Ohio Railroad Company  Search this
Container:
Box 26, Item 1656
Type:
Archival materials
Negatives
Date:
undated
Collection Restrictions:
The collection is open for research use. Researchers must handle unprotected photographs and glass plate negatives with gloves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Baltimore and Ohio Railroad Records, Archives Center, National Museum of American History
See more items in:
Baltimore and Ohio Railroad Records
Baltimore and Ohio Railroad Records / Series 9: Negatives / 9.2: Glass Plate Negatives (Numbered)
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8fe015af6-89b9-4733-9431-9f0da4bf35dc
EDAN-URL:
ead_component:sova-nmah-ac-1086-ref4329

Copies of Coal Cranes for Edwards Bridge Dept. Am. Steel & Wire Company, Central Furnace Dock, Cleveland, Ohio

Collection Author:
Garrett, John W. (John Work), 1820-1884  Search this
Latrobe, Benj. H. (Benjamin Henry), 1807-1878  Search this
Collection Creator:
Baltimore and Ohio Railroad Company  Search this
Container:
Box 26, Item 1658
Type:
Archival materials
Negatives
Date:
undated
Collection Restrictions:
The collection is open for research use. Researchers must handle unprotected photographs and glass plate negatives with gloves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Baltimore and Ohio Railroad Records, Archives Center, National Museum of American History
See more items in:
Baltimore and Ohio Railroad Records
Baltimore and Ohio Railroad Records / Series 9: Negatives / 9.2: Glass Plate Negatives (Numbered)
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8db20de21-f736-404d-b01f-bf5e15f14d42
EDAN-URL:
ead_component:sova-nmah-ac-1086-ref4331

Rolling Mill, Cumberland, Maryland‑ Heating furnaces

Collection Author:
Garrett, John W. (John Work), 1820-1884  Search this
Latrobe, Benj. H. (Benjamin Henry), 1807-1878  Search this
Collection Creator:
Baltimore and Ohio Railroad Company  Search this
Container:
Box 33, Item 2520
Type:
Archival materials
Negatives
Date:
1928
Collection Restrictions:
The collection is open for research use. Researchers must handle unprotected photographs and glass plate negatives with gloves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Baltimore and Ohio Railroad Records, Archives Center, National Museum of American History
See more items in:
Baltimore and Ohio Railroad Records
Baltimore and Ohio Railroad Records / Series 9: Negatives / 9.3: Small film negatives (#1993-#2315), 35mm to post card size
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8af6e3e07-ef72-408d-81ea-10a058af7528
EDAN-URL:
ead_component:sova-nmah-ac-1086-ref5170

Rolling Mill, Cumberland, Maryland‑ Heating furnaces

Collection Author:
Garrett, John W. (John Work), 1820-1884  Search this
Latrobe, Benj. H. (Benjamin Henry), 1807-1878  Search this
Collection Creator:
Baltimore and Ohio Railroad Company  Search this
Container:
Box 33, Item 2521
Type:
Archival materials
Negatives
Date:
1928
Collection Restrictions:
The collection is open for research use. Researchers must handle unprotected photographs and glass plate negatives with gloves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Baltimore and Ohio Railroad Records, Archives Center, National Museum of American History
See more items in:
Baltimore and Ohio Railroad Records
Baltimore and Ohio Railroad Records / Series 9: Negatives / 9.3: Small film negatives (#1993-#2315), 35mm to post card size
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8b67cd243-c0d6-4a80-8ce5-575e02e0e2a9
EDAN-URL:
ead_component:sova-nmah-ac-1086-ref5171

Rolling Mill, Cumberland, Maryland‑ Heating furnaces

Collection Author:
Garrett, John W. (John Work), 1820-1884  Search this
Latrobe, Benj. H. (Benjamin Henry), 1807-1878  Search this
Collection Creator:
Baltimore and Ohio Railroad Company  Search this
Container:
Box 33, Item 2522
Type:
Archival materials
Negatives
Date:
1928
Collection Restrictions:
The collection is open for research use. Researchers must handle unprotected photographs and glass plate negatives with gloves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Baltimore and Ohio Railroad Records, Archives Center, National Museum of American History
See more items in:
Baltimore and Ohio Railroad Records
Baltimore and Ohio Railroad Records / Series 9: Negatives / 9.3: Small film negatives (#1993-#2315), 35mm to post card size
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep842837ce1-fa0d-477b-8b61-a75b752a4fe8
EDAN-URL:
ead_component:sova-nmah-ac-1086-ref5172

“Sargent, Whistler, and Venetian Glass: American Artists and the Magic of Murano” Introduction

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2021-10-08T12:00:31.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_fYxdL4y35-M

Jordan L. Mott and Eliphalet Nott

Creator:
National Museum of American History  Search this
Type:
YouTube Videos
Uploaded:
2016-12-12T19:54:12.000Z
YouTube Category:
Education  Search this
Topic:
American History  Search this
See more by:
SmithsonianAmHistory
Data Source:
National Museum of American History
YouTube Channel:
SmithsonianAmHistory
EDAN-URL:
edanmdm:yt_VYx7yZ86aRY

This Leopard is Waiting for the Perfect Moment to Strike

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2019-11-17T16:30:00.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_TxSaKNTJhUg

A Tour of Cassiopeia A

Creator:
Smithsonian Astrophysical Observatory  Search this
Type:
YouTube Videos
Uploaded:
2017-12-12T18:00:04.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Astronomy  Search this
See more by:
cxcpub
Data Source:
Smithsonian Astrophysical Observatory
YouTube Channel:
cxcpub
EDAN-URL:
edanmdm:yt_-RYADIlW7vk

Dallas Finn Slide Collection of Meiji Architecture

Creator:
Finn, Dallas, 1919-2012  Search this
Names:
Finn, Dallas, 1919-2012  Search this
Extent:
5,500 Color slides
Type:
Collection descriptions
Archival materials
Color slides
Slides (photographs)
Place:
Japan
Asia -- Japan
Date:
1975-1990
Scope and Contents:
This Collection contains in 24 albums over 5,500 color 35mm slides of Western-style architecture created during Japan's modernization, primarily druing Meiji Period (1868-1912). Taken throughout Japan between 1975-1990 by Dallas Finn, they were research materials in prepration for her book, Meiji Revisited: the Sites of Victorian Japan (New York, Weatherhill, 1995). Though the bulk of the slides are by Dallas Finn, the collection also contains copies of historic black and white photos showing lost buildings, Meiji personalities, and contemporary life. Also includes period photographs of foreighers in Japan and views of the foreign treaty ports Kobe, Yokahama, and Nagasaki. In addition to architectural sites, the collection covers industrial equipment and transportation like railroads, locomotives, bridges, canals, blast furnaces, and textile factories.
Arrangement:
The slides are generally organized by prefecture and cities and town therein.
Biographical / Historical:
Dallas Finn was an historian educated at Radcliffe and Harvard. After living many years in Japan, she became fluent in the language and taught at universities in Tokyo. She became an authority on Japanese design, with a specialty in how Western architecture was adapted by the Japanese. In 1995, Ms. Finn published "Meiji Revisited," a book about how Victorian architectural styles were modified and adopted in 19th-century Japan. She lectured widely on this subject and published magazine articles about Japanese design and historical encounters between Japan and the West.
Local Numbers:
FSA A2010.03
Restrictions:
Collection is open for research.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Architecture  Search this
Art, Asian  Search this
Genre/Form:
Slides (photographs)
Citation:
Dallas Finn Slide Collection of Meiji Architecture. FSA.A2010.03. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Dallas Finn, 2010.
Identifier:
FSA.A2010.03
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc30a5a3efc-122b-45e9-96e0-cab8dd2a6a42
EDAN-URL:
ead_collection:sova-fsa-a2010-03
Online Media:

Artist David Antonio Cruz in "Staging the Self" - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2015-02-18T16:12:44.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_IoDVgwfqeNE

Gentiana crinita Froel.

Biogeographical Region:
75 - Northeastern U.S.A.  Search this
Collector:
Harold W. Pretz  Search this
Place:
In Lehigh County. Open meadowy part of a field beside road (W.side) about 1-1/8 miles S.E. by E. of Lehigh Furnace crossroads., Pennsylvania, United States, North America
Collection Date:
26 Sep 1953
Taxonomy:
Plantae Dicotyledonae Gentianales Gentianaceae
Published Name:
Gentiana crinita Froel.
Barcode:
04125736
USNM Number:
2389841
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3218b38e6-32c2-41df-b566-53241c925a62
EDAN-URL:
edanmdm:nmnhbotany_16757796

Parmelia reticulata T. Taylor

Place:
South wall of Hagans' Iron Furnace, Preston, West Virginia, United States, North America
Collection Date:
30 May 1937
Taxonomy:
Fungi Ascomycota Lecanoromycetes Lecanorales Parmeliaceae
Published Name:
Parmelia reticulata T. Taylor
Barcode:
02480549
See more items in:
Botany
Bryophytes and Lichens
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3e8b9ff6b-5492-40b2-a1c0-1e4adb37f50b
EDAN-URL:
edanmdm:nmnhbotany_13037484

Warthogs Have the Tools to Survive in a Drought

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2019-12-26T16:30:01.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_Szg4-QoxhHs

Boldia erythrosiphon

Biogeographical Region:
North American Terrestrial  Search this
Collector:
L. A. Whitford  Search this
R. V. Howard  Search this
Place:
Passage Creek, medium rapids, Elizabeth Furnace campsite, Shenandoah County, Virginia, United States, North America
Collection Date:
20 Jun 1975
Taxonomy:
Plantae Rhodophyta Compsopogonales Boldiaceae
Published Name:
Boldia erythrosiphon
Barcode:
00253239
USNM Number:
68064
See more items in:
Botany
Algae
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3ecf1f791-0a73-4aef-98be-05f5bd79d0e1
EDAN-URL:
edanmdm:nmnhbotany_2343851

Henry and Nancy Rosin Collection of Early Photography of Japan

Collector:
Rosin, Henry D., Dr.  Search this
Rosin, Nancy  Search this
Creator:
Lyman, Benjamin Smith, 1835-1920  Search this
Ueno, Hikoma, 1838-1904  Search this
Beato, Felice, b. ca. 1825  Search this
Stillfried, Raimund, Baron von, 1839-1911  Search this
Underwood & Underwood  Search this
Names:
Meiji, Emperor of Japan, 1852-1912  Search this
Shōken, Empress, consort of Meiji, Emperor of Japan, 1850-1914  Search this
Extent:
616 Items (approximate count)
Culture:
Ainu  Search this
Type:
Collection descriptions
Archival materials
Mammoth plates
Photographs
Photograph albums
Stereographs
Cartes-de-visite
Photographic prints
Place:
Japan
Japan -- 1890-1900
Kyoto (Japan)
Tokyo (Japan)
Yokohama-shi (Japan)
Date:
1860 - ca. 1900
Scope and Contents:
Assembled by collectors Dr. Henry D. Rosin and Nancy Rosin to document nineteenth-century and early twentieth-century photography of Japan. Includes albumen prints, portions handcolored, some signed and numbered in the negative. Taken by photographers Felice Beato (b. ca. 1825), Baron Raimon von Stillfried (1938-1911), Kusakabe Kimbei (active 1880s), Ueno Hikoma (1838-1904), Ogawa Kazumasa (1860-1929) and unknown photographers to depict architecture, landscapes, formal studio portraits, and daily activities.
Arrangement:
Organized chronologically by the creators.
Biographical / Historical:
Henry and Nancy Rosin were collectors of Japanese photography of the nineteenth and twentieth centuries.
Local Numbers:
FSA A1999.35
Restrictions:
Collection is open for research.
Topic:
Photography of women  Search this
Streets -- Japan  Search this
Temples -- Japan  Search this
Samurai  Search this
Sumo wrestlers  Search this
Religion  Search this
Japanese tea ceremony  Search this
Genre/Form:
Mammoth plates
Photographs -- 1850-1900
Photograph albums
Stereographs -- 1860-1900
Cartes-de-visite
Photographic prints
Citation:
Henry and Nancy Rosin Collection of Early Photography of Japan. FSA.A1999.35. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
Identifier:
FSA.A1999.35
See more items in:
Henry and Nancy Rosin Collection of Early Photography of Japan
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc377c3c477-251b-43d9-8ce5-9626389db8ca
EDAN-URL:
ead_collection:sova-fsa-a1999-35
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Henry and Nancy Rosin Collection of Early Photography of Japan digital asset number 1
  • View Henry and Nancy Rosin Collection of Early Photography of Japan digital asset number 2
Online Media:

Catalogue of the Kimbei Photographic Studio

Collector:
Rosin, Henry D., Dr.  Search this
Rosin, Nancy  Search this
Photographer:
Kusakabe, Kimbei, 1841-1934  Search this
Collection Collector:
Rosin, Henry D., Dr.  Search this
Rosin, Nancy  Search this
Collection Creator:
Lyman, Benjamin Smith, 1835-1920  Search this
Ueno, Hikoma, 1838-1904  Search this
Beato, Felice, b. ca. 1825  Search this
Stillfried, Raimund, Baron von, 1839-1911  Search this
Underwood & Underwood  Search this
Extent:
1 Booklet (40 pages)
Type:
Archival materials
Booklets
Catalogs
Photographs
Place:
Asia
Japan
Date:
[1880-1900]
Scope and Contents:
Printed catalog of the Kimbei Studio in Yokohama, one of the leading commercial studios in Japan in the mid and late Meiji period. The catalog is divided by Costumes (mostly studio portraits and assemblages), and then by scenic regions. The catalog has extensive annotations in pencil and red ink.
Biographical / Historical:
Born to a family of textile merchants in Kofu, Yamanashi Prefecture, Kusakabe Kimbei moved to Yokohama in 1859. Although unclear, Kusakabe apprenticed under either Felice Beato and/or Raimond von Stillfried. Kimbei managed a studio in Yokohama, first at Bentendori until 1881, then later at Honchodori. His photo studio catered primarily to visiting foreigners.
Local Numbers:
R478 (Rosin Number)

FSA A1999.35 478
Collection Restrictions:
Collection is open for research.
Topic:
Photography -- Japan  Search this
Photography -- Studios and dark rooms -- 19th century  Search this
Photography -- 19th century  Search this
Genre/Form:
Catalogs
Photographs
Catalogs
Collection Citation:
Henry and Nancy Rosin Collection of Early Photography of Japan. FSA.A1999.35. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
Identifier:
FSA.A1999.35, Item FSA A1999.35 478
See more items in:
Henry and Nancy Rosin Collection of Early Photography of Japan
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc353bec828-6b62-4d98-a13b-bd325dfb7b2d
EDAN-URL:
ead_component:sova-fsa-a1999-35-ref619
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Catalogue of the Kimbei Photographic Studio digital asset number 1

Lucy R. Lippard papers

Creator:
Lippard, Lucy R.  Search this
Names:
Addison Gallery of American Art  Search this
Alliance for Cultural Democracy  Search this
Art Workers Coalition  Search this
Heresies Collective, Inc.  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc.  Search this
Studio International (Firm)  Search this
University of Colorado -- Faculty  Search this
Women's Caucus for Art  Search this
Andre, Carl, 1935-  Search this
Chicago, Judy, 1939-  Search this
Darboven, Hanne  Search this
Edelson, Mary Beth  Search this
Hammond, Harmony  Search this
Henes, Donna  Search this
Johnson, Ray, 1927-  Search this
Judd, Donald, 1928-  Search this
LeWitt, Sol, 1928-2007  Search this
Pearson, Henry, 1914-2006  Search this
Stevens, May  Search this
Extent:
70.5 Linear feet
0.454 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Photographs
Date:
1930s-2010
bulk 1960-1990
Summary:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Scope and Contents:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Arrangement:
The collection is arranged as nine series:

Missing Title

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)

Series 9: Unprocessed Addition, circa 1965-2010, (Boxes 78-94; 17.0 linear feet)
Biographical / Historical:
New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.
Provenance:
Lucy R. Lippard donated her papers in several increments between 1972-1995, 2006, 2015 and 2021.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Curators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists -- Political activity  Search this
Art criticism  Search this
Feminism and art  Search this
Women authors  Search this
Women art critics  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Minimal art  Search this
Women museum curators  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipplucy
See more items in:
Lucy R. Lippard papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9101c6a69-dde9-42ed-94cc-d03650c249ed
EDAN-URL:
ead_collection:sova-aaa-lipplucy
Online Media:

Schwarzella sp.

Biogeographical Region:
Nearctic  Search this
Collector:
E. E. Grissell  Search this
Prep Count:
1
Preparation:
Pinned
Sex:
Unknown
Stage:
Adult
Place:
Death Valley National Monument, Eagle Borax Works, 20 miles South of Furnace Creek, Inyo, California, United States
Collection Date:
3 Apr 1984
Taxonomy:
Animalia, Arthropoda, Insecta, Hymenoptera, Chalcididae, Haltichellinae
Published Name:
Schwarzella sp.
Barcode:
USNMENT01523943
Other Numbers:
Sample ID : CCDB-34065-B04
USNM Number:
USNMENT1523943
See more items in:
Specimen Inventory
Data Source:
NMNH - Entomology Dept.
GUID:
http://n2t.net/ark:/65665/3b4214dcb-41c5-440a-8ef4-f1063c5927e8
EDAN-URL:
edanmdm:nmnhentomology_16595723

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