Skip to main content Smithsonian Institution

Search Results

Collections Search Center
49 documents - page 1 of 3

Jane Teller papers

Creator:
Teller, Jane  Search this
Names:
Albright-Knox Art Gallery  Search this
Montclair Art Museum  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Council on the Aging  Search this
Newark Museum  Search this
Noyes Museum  Search this
Parma Gallery (New York, N.Y.)  Search this
Princeton Gallery of Fine Art  Search this
Squibb Gallery (Princeton, N.J.)  Search this
Whitney Museum of American Art  Search this
Brodsky, Judith K.  Search this
Caparn, Rhys, 1909-1997  Search this
Dehner, Dorothy, 1901-1994  Search this
Fuller, Sue, 1914-  Search this
Gatch, Lee, 1902-1968  Search this
Johnson, Margaret K. (Margaret Kennard)  Search this
Kadish, Reuben, 1913-1992  Search this
Lamis, Leroy, 1925-  Search this
Lassaw, Ibram, 1913-2003  Search this
Siskind, Aaron  Search this
Extent:
8.6 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Interviews
Prints
Sketchbooks
Slides (photographs)
Motion pictures (visual works)
Sketches
Scrapbooks
Photographs
Sound recordings
Date:
1911-1991
Summary:
The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.
Scope and Content Note:
The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.

Biographical material includes a birth certificate, school work, and passports. General correspondence includes letters from several artists including Rhys Caparn, Sue Fuller and Lee Gatch, and from art galleries, including the Museum of Modern Art, Albright-Knox Art Gallery and the Whitney Museum of American Art. Additional correspondence is found in the Subject Files.

Business records include an account book, lists of expenses and prices of art works, and sales records. Notes and writings include Teller's notes about art and travel, artists' statements, autobiographical writings, and a compilation of many artists' statements regarding "The Nine Bean Question."

Artwork includes three sketchbooks, 30 sketches and three prints primarily depicting nature and sculpture designs.

Five scrapbooks contain clippings, exbition announcements and catalogs. Additional printed material includes magazines, exhibition announcements and catalogs, a booklet by Teller entitled Art, Age and the River, published posthumously by her husband, and a manuscript of Poems or Poetic Expressions of Sculptors, collected by L. Lamis.

Subject files are arranged by name or subject and may contain letters, photographs, and printed material. Many of the files focus on galleries and museums, including the Montclair Art Museum, the Newark Museum, Noyes Museum, Parma Gallery, the Princeton Gallery of Fine Art and the Squibb Gallery. There are also subject files for associations, travel, projects, and colleagues including Margaret K. Johnson, Reuben Kadish, Ibram Lassaw, Aaron Siskind and Dorothy Dehner.

Photographs and slides depict Teller, her friends, works, gallery installations, and travels. Also included are photographs of trees, bark, and other natural formations used by Teller in her work.

The audio-visual materials include several sound recordings, videocassettes and 16 mm motion picture films. The videocassettes include television programs in which Teller, printmaker Judith Brodsky and actor Harry Hamlin are interviewed, a retrospective at Skidmore College and a film featuring Teller speaking for the National Council on Aging. Sound recordings include two interviews and a "Talk on Malta" by Teller and Joan Needham. The 16 mm films are black and white footage of Teller's first Parma Gallery show.
Arrangement:
The collection is arranged as 11 series. Records are generally arranged by material type and chronologically thereafter.

Missing Title

Series 1: Biographical Material, 1911-1985 (Box 1; 4 folders)

Series 2: Correspondence, 1956-1991 (Box 1; 0.3 linear feet)

Series 3: Business Records, 1961-1990 (Box 1; 5 folders)

Series 4: Notes, 1960-1987 (Box 1; 13 folders)

Series 5: Writings, 1960-1989 (Boxes 1 and 9; 5 folders)

Series 6: Artwork, circa 1950s (Boxes 1 and 9; 6 folders)

Series 7: Scrapbooks, 1948-1990 (Boxes 1-2; 0.7 linear feet)

Series 8: Printed Material, 1957-1991 (Boxes 2-3 and 9; 0.6 linear feet)

Series 9: Subject Files, 1951-1990 (Boxes 3-5; 2.5 linear feet)

Series 10: Photographs, 1934-1985 (Boxes 5-9; 2.5 linear feet)

Series 11: Audio-Visual Materials, 1961-1989 (Box 8, FC 10-12; 0.6 linear feet)
Biographical Note:
Jane Teller (1911-1990) worked as a printmaker and sculptor primarily in New Jersey. She specialized in working with wood and studied at the Rochester Institute of Technology, Skidmore College, and Barnard College. She also attended Federal Works Progress Administration (W.P.A.) classes in New York City, studying sculpture with Aaron J. Goodelman and wood carving with Karl Nielson. She later studied welding in the studio of Ibram Lassaw. She was also a lifelong friend of photographer Aaron Siskind. In 1960, she was awarded the Mary and Gustave Kellner Prize at the National Association of Women Artists Annual Exhibition at the National Academy of Design in New York, and in 1966 the Sculpture Prize at the Fiftieth Anniversary Exhibition, Philadelphia Art Alliance in Philadelphia. She exhibited mainly in New York and New Jersey and was married to author and editor Walter Teller.
Provenance:
The Jane Teller papers were donated by Jane Teller in 1990 and in 1991 by Walter Teller, widower of Jane Teller.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- New Jersey  Search this
Sculptors -- New Jersey  Search this
Topic:
Printmakers -- New Jersey  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Women artists  Search this
Women sculptors  Search this
Women printmakers  Search this
Genre/Form:
Video recordings
Interviews
Prints
Sketchbooks
Slides (photographs)
Motion pictures (visual works)
Sketches
Scrapbooks
Photographs
Sound recordings
Citation:
Jane Teller papers, 1911-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.telljane
See more items in:
Jane Teller papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95c6d3902-ef80-4ea1-ba58-b2abe402072c
EDAN-URL:
ead_collection:sova-aaa-telljane

Worden Day papers, circa 1935-1992

Creator:
Day, Worden, 1912-1986  Search this
Subject:
Barnet, Will  Search this
Bourgeois, Louise  Search this
Dehner, Dorothy  Search this
Fish, Alice  Search this
Foster, Betty  Search this
Fuller, Sue (1914-2006)  Search this
Hofmann, Hans  Search this
Lasansky, Mauricio  Search this
Minewski, Alex  Search this
Moy, Seong  Search this
Peterdi, Gabor  Search this
Rupprecht, Edgar A.  Search this
Rupprecht, Isabell  Search this
Sarton, May  Search this
Schrag, Karl  Search this
Thurn, Ernest  Search this
Vytlacil, Vaclav  Search this
Zigrosser, Carl  Search this
Hans Hofmann School of Fine Arts  Search this
Montclair Art Museum  Search this
State University of Iowa  Search this
Type:
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketchbooks
Sound recordings
Video recordings
Woodcuts
Citation:
Worden Day papers, circa 1935-1992. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Women artists  Search this
Prints -- Technique  Search this
Painters -- New Jersey  Search this
Printmakers -- New Jersey  Search this
Sculptors--New Jersey  Search this
Sculpture  Search this
Art, Modern  Search this
Painting  Search this
Pop art  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9297
(DSI-AAA_SIRISBib)211492
AAA_collcode_dayword
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211492
Online Media:

New York Artists Equity Association records, 1920-2012

Creator:
New York Artists Equity Association  Search this
Subject:
Hasen, Burt  Search this
Simon, Sidney  Search this
Newman, Elias  Search this
Hayter, Stanley William  Search this
Nevelson, Louise  Search this
Refregier, Anton  Search this
Sandler, Irving  Search this
Sloan, John  Search this
Lawrence, Jacob  Search this
Phillips, Helen  Search this
Reeves, Ruth  Search this
Kuniyoshi, Yasuo  Search this
Fuller, Sue (1914-2006)  Search this
Concholar, Dan  Search this
Marinoff, Elaine  Search this
deLisser, Carolyn  Search this
Stirton, Laura  Search this
Laufman, Sidney  Search this
Kroll, Leon  Search this
Rothschild, Lincoln  Search this
Smart, Bill  Search this
Smith, David  Search this
Millman, Edward  Search this
Kotik, Charlotte  Search this
Cohen, Jean  Search this
Phillips, Renée  Search this
O'Hanlon, Richard E. (Richard Emmett)  Search this
Carswell, Mary  Search this
Golub, Leon  Search this
Newman, Arnold  Search this
Fiene, Ernest  Search this
Teller, Susan  Search this
Walker, Hudson D. (Hudson Dean)  Search this
Hall, Nan  Search this
Frankenthaler, Helen  Search this
Diener, Bert  Search this
Knight, Gwendolyn  Search this
Poroner, Palmer  Search this
Gross, Chaim  Search this
Goulet, Lorrie  Search this
Searles, Charles Robert  Search this
Zaleski, Jean  Search this
Gillespie, Dorothy  Search this
Gussow, Roy  Search this
Kramer, Hilton  Search this
Mandel, Howard  Search this
Facci, Domenico  Search this
Zerbe, Karl  Search this
Babin, Angela  Search this
Ashford, Doug  Search this
Karp, Ivan C.  Search this
Avery, Frances  Search this
Morris, George L. K.  Search this
Steinbaum, Bernice  Search this
Marxer, Donna  Search this
Kertess, Klaus  Search this
Brodski, Judith  Search this
Bolotsky, Marvin  Search this
Winters, Denny Sonke  Search this
Gussow, Alan  Search this
Bibro, Denise  Search this
Wayne, June  Search this
Berger, Ted  Search this
Lipsky, Eleanor  Search this
Waterson, Harry  Search this
Artists Welfare Fund  Search this
Art Bank (U.S.)  Search this
Broome Street Gallery  Search this
Type:
Photographs
Video recordings
Sketches
Scrapbooks
Sound recordings
Citation:
New York Artists Equity Association records, 1920-2012. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- United States  Search this
Theme:
Art organizations  Search this
Record number:
(DSI-AAA_CollID)9541
(DSI-AAA_SIRISBib)211741
AAA_collcode_nyarteqa
Theme:
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211741
Online Media:

Florence Forst papers regarding Sue Fuller, 1958-1994

Creator:
Fuller, Sue, 1914-2006  Search this
Subject:
Forst, Florence  Search this
Citation:
Florence Forst papers regarding Sue Fuller, 1958-1994. Archives of American Art, Smithsonian Institution.
Topic:
Feminism and art  Search this
Women artists  Search this
Women sculptors  Search this
Women printmakers  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6516
(DSI-AAA_SIRISBib)215775
AAA_collcode_fullsue
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215775

Priscilla Cunningham papers regarding Sue Fuller, 1982-2006

Creator:
Cunningham, Priscilla  Search this
Subject:
Fuller, Sue (1914-2006)  Search this
Atelier 17  Search this
Type:
Photographs
Citation:
Priscilla Cunningham papers regarding Sue Fuller, 1982-2006. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Women art historians  Search this
Women authors  Search this
Women artists  Search this
Women sculptors  Search this
Women printmakers  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)13684
(DSI-AAA_SIRISBib)274868
AAA_collcode_cunnpris
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_274868
Online Media:

Florence Forst Papers Regarding Sue Fuller

Collection Creator:
Fuller, Sue, 1914-  Search this
Extent:
0.2 Linear feet (Box 1)
Type:
Archival materials
Date:
1958-1994
Scope and Contents:
Biographical material includes resumes for Sue Fuller and information detailing one of Forst's works purchased from Fuller including examples of string and dimensions.

Letters are all written by Sue Fuller to longtime friend Florence Forst. Within the letters Fuller discusses her artwork, her trips to Iraq and Iran in 1977, exhibitions at the Guggenheim and Brooklyn Museums in 1978, and Fuller's views regarding aesthetic merit and exhibitions of Henri Matisse, Pablo Picasso, Robert Motherwell, Ad Reinhardt, and others. Underlying themes throughout most of her correspondence deal with feminism and feminist artists Cindy Nemser, feminist organizations like the "Guerrilla Girls," and writings by Linda Nochlin. Other topics discussed include the Bauhaus, Museum of Modern Art, and the College Art Association.

Photographic materials consist of scattered photos of works of art, negatives of works of art, and one slide of Sue Fuller. Printed materials include exhibition announcements and catalogs, clippings, and press releases.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Florence Forst papers regarding Sue Fuller, 1958-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fullsue, Series 1
See more items in:
Florence Forst papers regarding Sue Fuller
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93313b217-ca8b-4705-a421-5f589526e01c
EDAN-URL:
ead_component:sova-aaa-fullsue-ref3

Biographical Material

Collection Creator:
Fuller, Sue, 1914-  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1973
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Florence Forst papers regarding Sue Fuller, 1958-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Florence Forst papers regarding Sue Fuller
Florence Forst papers regarding Sue Fuller / Series 1: Florence Forst Papers Regarding Sue Fuller
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw986ca0f07-42c1-485b-ba83-b3cdede508fe
EDAN-URL:
ead_component:sova-aaa-fullsue-ref4

Correspondence

Collection Creator:
Fuller, Sue, 1914-  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1958-1979
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Florence Forst papers regarding Sue Fuller, 1958-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Florence Forst papers regarding Sue Fuller
Florence Forst papers regarding Sue Fuller / Series 1: Florence Forst Papers Regarding Sue Fuller
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9afe001d7-b022-45cc-bffc-d70fc97f28f6
EDAN-URL:
ead_component:sova-aaa-fullsue-ref5

Correspondence

Collection Creator:
Fuller, Sue, 1914-  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
1980-1994
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Florence Forst papers regarding Sue Fuller, 1958-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Florence Forst papers regarding Sue Fuller
Florence Forst papers regarding Sue Fuller / Series 1: Florence Forst Papers Regarding Sue Fuller
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9826eb694-2d8a-4da6-8f31-1347e319d582
EDAN-URL:
ead_component:sova-aaa-fullsue-ref6

Correspondence

Collection Creator:
Fuller, Sue, 1914-  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Date:
circa 1970s
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Florence Forst papers regarding Sue Fuller, 1958-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Florence Forst papers regarding Sue Fuller
Florence Forst papers regarding Sue Fuller / Series 1: Florence Forst Papers Regarding Sue Fuller
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90cf953d9-b590-4fa6-89e3-c437354d1076
EDAN-URL:
ead_component:sova-aaa-fullsue-ref7

Photographic Materials

Collection Creator:
Fuller, Sue, 1914-  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Date:
1975
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Florence Forst papers regarding Sue Fuller, 1958-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Florence Forst papers regarding Sue Fuller
Florence Forst papers regarding Sue Fuller / Series 1: Florence Forst Papers Regarding Sue Fuller
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e7261ca5-0408-4256-bc4e-a4a7fbe83268
EDAN-URL:
ead_component:sova-aaa-fullsue-ref8

Printed Material

Collection Creator:
Fuller, Sue, 1914-  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Date:
1961-1973
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Florence Forst papers regarding Sue Fuller, 1958-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Florence Forst papers regarding Sue Fuller
Florence Forst papers regarding Sue Fuller / Series 1: Florence Forst Papers Regarding Sue Fuller
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw993964808-7297-4155-9b48-bc928b98d6db
EDAN-URL:
ead_component:sova-aaa-fullsue-ref9

Florence Forst papers regarding Sue Fuller

Creator:
Fuller, Sue, 1914-  Search this
Names:
Forst, Florence  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1958-1994
Summary:
The Florence Forst papers regarding Sue Fuller measures 0.2 linear feet and date from 1958 to 1994. The bulk of the papers consist of letters written by Fuller to Forst and also include scattered biographical material, photographic material, and printed material.
Scope and Contents:
The Florence Forst papers regarding Sue Fuller measures 0.2 linear feet and date from 1958 to 1994. The bulk of the papers consist of letters written by Fuller to Forst and also include scattered biographical material, photographic material, and printed material.
Biographical / Historical:
Sue Fuller (1914-2006) was a sculptor and printmaker from Southampton, New York. She is known for her sculptural works created with string and thread.

Florence Forst (1919-2005) was a ceramicist from the Chicago, Illinois. She created experimental pottery which was shown at the Museum of Modern Art in 1946.
Related Materials:
The Archives of American Art also holds the Priscilla Cunningham papers regarding Sue Fuller, 1982-2006.
Provenance:
Donated 1994 by Florence Forst, a longtime friend of Fuller.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- Southhampton  Search this
Printmakers -- New York (State) -- Southhampton  Search this
Topic:
Feminism and art  Search this
Women artists  Search this
Women sculptors  Search this
Women printmakers  Search this
Citation:
Florence Forst papers regarding Sue Fuller, 1958-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fullsue
See more items in:
Florence Forst papers regarding Sue Fuller
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99738444d-3f94-4d23-9d33-70c41179757b
EDAN-URL:
ead_collection:sova-aaa-fullsue

Oral history interview with Sue Fuller

Interviewee:
Fuller, Sue, 1914-  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Carnegie Institute of Technology -- Students  Search this
Columbia University. Teachers College -- Students  Search this
Society of American Etchers  Search this
Albers, Josef  Search this
Arms, John Taylor, 1887-1953  Search this
D'Amico, Victor, 1904-1987  Search this
Dewey, John, 1859-1952  Search this
Hofmann, Hans, 1880-1966  Search this
Lejwa, Madeleine Chalette, 1913-1996  Search this
Matta, 1912-2002  Search this
Rattner, Abraham  Search this
Schaefer, Bertha, 1895-1971  Search this
Schanker, Louis, 1903-1981  Search this
Thurn, Ernest  Search this
Extent:
6 Items (Sound recording: 6 sound files, digital, wav file)
94 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Japan -- Description and Travel
Date:
1975 April 24-May 8
Scope and Contents:
Interview of Sue Fuller, conducted on April 24, 1975, April 30, 1975, and May 8, 1975, by Paul Cummings, for the Archives of American Art, Smithsonian Institution, at the home of Sue Fuller, in Southampton, New York.
Fuller speaks of her family and childhood in Pittsburgh, including art teachers and friends; her childhood painting lessons; her education in prep school, at Carnegie Tech, and at Columbia Teachers' College; her travels to Europe and Japan; her use of plastics; her work as a teacher, commercial artist, and assistant in Bill Hayter's studio; the influence of John Dewey's philosophy on her teaching style; training with Ernest Thurn, Hans Hofmann, Josef Albers; learning printmaking and calligraphy; the Society of American Etchers; the influence of science and mathematics on her work; and her thoughts on contemporary computer art. Fuller also recalls Bertha Schaefer, Victor D'Amico, Madeleine Lejwa, John Taylor Arms, Abraham Rattner, Louis Schanker, Roberto Matta, and others.
Biographical / Historical:
Sue Fuller (1914-2006) was a sculptor and printmaker from Southampton, New York.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Printmakers -- New York (State) -- Southhampton  Search this
Sculptors -- New York (State) -- Southhampton  Search this
Topic:
Art -- Study and teaching  Search this
Calligraphy -- Study and teaching  Search this
Computer Art  Search this
Painting -- Study and teaching  Search this
Prints -- Technique -- Study and teaching  Search this
Women artists  Search this
Women sculptors  Search this
Women printmakers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.fuller75
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c0a4475b-644c-4b1f-9850-fd4e83e70b88
EDAN-URL:
ead_collection:sova-aaa-fuller75
Online Media:

Hudson D. Walker papers

Creator:
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Names:
American Federation of Arts  Search this
Artists Equity Association  Search this
Parke-Bernet Galleries  Search this
Walker Art Center  Search this
Benn, Ben, 1884-  Search this
Biberman, Edward  Search this
Blatas, Arbit  Search this
Booth, Cameron, 1892-1980  Search this
Botkin, Henry, 1896-1983  Search this
Brenson, Theodore, 1893-1959  Search this
Browne, Byron, 1907-1961  Search this
Cahn, Joshua Binion, 1915-  Search this
Charlton, Gene, 1909-  Search this
Cook, Howard Norton, 1901-1980  Search this
Davis, Gladys Rockmore, 1901-1967  Search this
Dodd, Lamar  Search this
Evergood, Philip, 1901-1973  Search this
Fuerstenburg, Eugenia M.  Search this
Fuller, Sue, 1914-  Search this
Gaertner, Carl F. (Carl Frederick), 1898-1952  Search this
Greenbaum, Dorothea S.  Search this
Hartley, Marsden, 1877-1943  Search this
Hirsch, Joseph, 1910-1981  Search this
Jules, Mervin, 1912-  Search this
Kemp, Harry, 1883-1960  Search this
Maril, Herman  Search this
Maurer, Alfred Henry, 1868-1932  Search this
McCausland, Elizabeth, 1899-1965  Search this
Moy, Seong  Search this
Reeder, Dickson, 1912-1970  Search this
Ribak, Louis, 1902-1979  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Sepeshy, Zoltan, 1898-1974  Search this
Sokole, Miron, 1901-  Search this
Sprinchorn, Carl, 1887-1971  Search this
Sternberg, Harry, 1904-2001  Search this
Tinguely, Jean, 1925-  Search this
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Walker, Ione  Search this
Weeren-Griek, Hans van  Search this
West, Clifford B.  Search this
Extent:
20 Linear feet ((partially microfilmed on 10 reels))
Type:
Collection descriptions
Archival materials
Date:
1920-1982
Scope and Contents:
Correspondence; biographical material; artists files; files on organizations; business and financial records; photographs; writings and notes; diaries; scrapbooks; appointment calendars; exhibition catalogs and announcements; printed material; and miscellany.
REELS D351-D358: Biographical material; personal and business correspondence with family, artists, museums, and art organizations; 62 artists files containing photos of works of art, printed material, and correspondence; files on the American Federation of the Arts, Artists Equity Association, the Walker Foundation, and other organizations; business and financial records; material relating to Walker's work with Elizabeth McCausland in her studies of Marsden Hartley; printed material; and photos of Walker, his family, and miscellaneous works of art. Among the correspondents are: Berenice Abbott, Ben Benn, Theodore Brenson, Gene Charlton, Philip Evergood, Joseph Hirsch, Mervin Jules, Carl Sprinchorn, Harry Sternberg, and others.
REEL 130: Correspondence with Eugenia M. Fuerstenberg, Oct. 8, 1940-Sept. 25, 1941, concerning the consignment and sale of ca. 400 Alfred Maurer paintings owned by Mrs. Fuerstenberg. One letter is from Parke-Bernet Galleries, declining to handle the paintings.
REEL 1535: 4 volumes of a diary, 1929, 1930, 1942, and 1945. The first two volumes were kept while Walker was a graduate student at Harvard, the 1942 volume covers exhibitions and artists, including Marsden Hartley, and the 1945 volume details Walker's travels in Europe after World War II. Also included are 7 letters, a valentine, and two post cards from his wife, Ione G. Walker, and a 1967 letter from Hans van Weeren-Griek.
UNMICROFILMED: Correspondence with Henry Botkin, Philip Evergood, Susan Fuller, Marsden Hartley, Harry Sternberg and other artists and gallery directors; letters and poems by Harry Kemp, 1948-1955; essays by Walker on Joshua B. Cahn and Marsden Hartley; a report on the Walker Art Center by William Valentiner, 1930; notes from meetings, galleries and art associations; a silk screen by Seong Moy; financial records; 2 diaries, 1938-1939; 2 appointment calendars, 1950-1951; 8 school notebooks; 3 scrapbooks; exhibition catalogs; clippings; and photos of Walker and artists Cameron Booth, Byron Browne, Gladys Rockmore Davis, Carl Gaertner, Dorothea Greenbaum, Mervin Jules, Herman Maril, Dickson Reeder, Henry Schnakenberg, Miron Sokole, Harry Sternberg, Jean Tingley and Clifford West.
Biographical / Historical:
Collector and administrator; New York, N.Y.; d. 1976.
Provenance:
Material on reels D351-D358 & unmicrofilmed donated 1966-1982 by Hudson D. and Ione G. Walker; material on reel 1535 lent for microfilming 1979 by Ione G. Walker, widow of Walker; material on reel 130 donor unspecified.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Administrators -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Identifier:
AAA.walkhuds
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw919fc6f74-8326-4c09-92b7-a48bafeaca1a
EDAN-URL:
ead_collection:sova-aaa-walkhuds

Galerie Chalette records

Creator:
Galerie Chalette  Search this
Names:
Arp, Jean, 1887-1966  Search this
Bill, Max, 1908-1994  Search this
Diller, Burgoyne, 1906-1965  Search this
Fangor, Wojciech, 1922-  Search this
Fuller, Sue, 1914-  Search this
Gonzalez, Roberta  Search this
González, Julio, 1876-1942  Search this
Lejwa, Arthur  Search this
Lejwa, Madeleine Chalette, 1914-1996  Search this
Moholy-Nagy, László, 1895-1946  Search this
Reimann, William  Search this
Rickey, George  Search this
Smith, Leon Polk, 1906-1996  Search this
Vasarely, Victor, 1906-1997  Search this
Weber, Max, 1881-1961  Search this
Extent:
24.15 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Lectures
Notebooks
Motion pictures (visual works)
Date:
1916-1999
bulk 1939-1994
Summary:
The records of the New York Galerie Chalette measure 24.15 linear feet and date from 1916-1999, with the bulk of the material dating from 1939-1994. The collection documents this contemporary art gallery's operations from its founding in 1954 through Madeleine Lejwa's later years as an independent dealer. Included are correspondence, artists' files, financial and legal records, printed materials, clippings, exhibition catalogs, audio and video recordings, and motion picture film; about half of the collection consists of photographs. Arthur Lejwa's profession as a biochemist prior to becoming a gallery owner is also documented in this collection. The collection also contains personal records of the Lejwas, including correspondence, legal papers, photographs, photo albums, and printed material.
Scope and Content Note:
The records of the New York Galerie Chalette measure 24.15 linear feet and date from 1916-1999, with the bulk of the material dating from 1939-1994. The collection documents this contemporary art gallery's operations from its founding in 1954 through Madeleine Lejwa's later years as an independent dealer. Included are correspondence, artists' files, financial and legal records, printed materials, clippings, exhibition catalogs, audio and video recordings, and motion picture film; about half of the collection consists of photographs. Arthur Lejwa's profession as a biochemist prior to becoming a gallery owner is also documented in this collection. The collection also contains personal records of the Lejwas, including correspondence, legal papers, photographs, photo albums, and printed material.

Among the artists represented in the artists' files are Jean Arp, Max Bill, Burgoyne Diller, Wojciech Fangor, Sue Fuller, Julio Gonzalez, Roberta Gonzalez, Lazlo Moholy-Nagy, William Reimann, George Rickey, Leon Polk Smith, Victor Varsarely, Max Weber, and various Dada artists. Many artists are represented in the large collection of photographs as is the Lejwa's personal collection. Included in the business records are invoices, receipts for works sold, yearly sales and purchase ledgers, checks for artwork purchases, and index card files recording sales. Legal records include files related to litigation, primarily Lebenstein v. Lejwa. The collection includes film reels and audio recordings of lectures, broadcasts, and exhibits from the 1960s-1990s. It also includes two film reels from a French television program about Jean Arp.

Among the personal records are biographical information, correspondence, legal records mostly related to the settlement of Arthur Lejwa's estate, a significant quantity of snapshots, negatives and slides, and newspaper clippings chronicling Arthur Lejwa's work as a biochemist and the Robert Gould Research Foundation. Arthur Lejwa's scientific career is also represented in biographical information, publications, research notebooks, and photographs. Much of the personal correspondence is from 1939-1951 and is written in Polish, Yiddish and German. The Lejwa's philanthropic donations, especially in Israel, are documented in correspondence, papers, and photographs. Many of the photographs and photo albums record Madeleine Lejwa's travels in the 1970s-1990s.
Arrangement:
The collection is arranged as 8 series. The series are generally arranged alphabetically by type of material or subject, and chronologically thereafter.

Missing Title

Series 1: Correspondence, 1920-1995 (Boxes 1-2; 1.4 linear foot)

Series 2: Artists' Files, 1916-1996 (Boxes 2-6, 25; 4.3 linear feet)

Series 3: General Business Files, 1950-1994 (Boxes 6-8; 2.3 linear feet)

Series 4: Printed Materials, 1931-1996 (Boxes 9-10, 25; 1.2 linear feet)

Series 5: Photographs, circa 1920s-1994 (Boxes 10-16, 24-25; 7 linear feet)

Series 6: Legal Records, 1938, 1959-1988 (Box 17; 0.8 linear feet)

Series 7: Personal Papers of Arthur and Madeleine Chalette Lejwa, 1925-1999 (Boxes 17-21, 25; 3.7 linear feet)

Series 8: Motion Picture Film, Audio, and Video Recordings, circa 1950s-1995 (Boxes 21-23, FC 29-42; 4.3 linear feet)
Historical Note:
Art dealers and collectors Madeleine Chalette (1915-1996) and Arthur Lejwa (1895-1972) opened the Galerie Chalette in New York on 45 West 57th Street in February, 1954. The gallery originally specialized in contemporary French graphics and later shifted its focus to contemporary twentieth century European and American art, particularly the work of Jean Arp. Over the years, Galerie Chalette relocated twice. In 1957, the gallery moved to 1100 Madison Avenue and then to 9 East 88th Street in 1964.

Madeleine Chalette was born in 1915 in Paris and grew up in Poland. In 1940, after Madeleine's efforts to secure the release of her father, Leon Chalette, from Sachsenhausen concentration camp near Berlin were successful, father and daughter traveled by boat to Shanghai. They stayed in Shanghai throughout World War II, arriving in the United States in 1946. Arthur Lejwa, a Polish-born biochemist, immigrated to the United States in 1939 and taught at Long Island University. In 1947, Madeleine and Arthur Lejwa were married in Cincinnati, Ohio, where Arthur was the Director of the Robert Gould Institute for Nutritional Research.

The gallery was very active in the 1950s and 1960s, as evidenced by the numerous exhibitions. Many of the exhibitions in the 1950s were thematic. Exhibitions in the 1960s were mostly organized around the work of a particular artist, such as Wojciech Fangor and Leon Polk Smith. In 1972, the Metropolitan Museum of Art showcased Jean Arp's work from the Lejwa's collection and a few works lent by Arp's widow, Marguerite Arp. The exhibition was expanded and traveled as "Arp 1877-1966," first exhibited at the Solomon R. Guggenheim Museum and then shown in seven museums in the United States and six in Australia.

In the early 1970s, the Lejwas began supporting institutions in Jerusalem, including donating a 17th century Polish menorah to The Israel Museum and five sculptures to be displayed in public spaces: "The Threshold of Jerusalem" by Jean Arp, "The Loop" by Robert Engman, George Rickey's "Two Lines Oblique," "The Skedion Ekton" by Stephanie Scuris, and "Four Cubes Cut in Identical Halves" by Max Bill.

Following Arthur's death on October 27, 1972, Madeleine continued as an independent dealer and consultant and renamed the business Chalette International. In the 1980s, Madeleine Lejwa continued her philanthropic endeavors in Jerusalem, donating to a scholarship fund for Arab students. She was also a strong supporter of New York University's archeological site Aphrodisias, in southwestern Turkey. In the 1970s and 1980s, Lejwa traveled widely including Israel, Jordan, Egypt, Italy, Turkey, Japan, and China. Madeleine passed away at age 81 on June 9, 1996.
Related Material:
Addition papers related to Leon Chalette and Madeleine Chalette are located at Leo Baeck Institute, New York, N.Y.
Separated Material:
Papers related to Leon Chalette's imprisonment in Sachsenhausen concentration camp were transferred to the Leo Baeck Institute, New York, N.Y. in 2010.
Provenance:
The records were donated by Robert Warshaw, executor of the Madeleine Chalette Lejwa estate in two accessions in 1997 and 2005.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Biochemistry  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Photographs
Sound recordings
Lectures
Notebooks
Motion pictures (visual works)
Citation:
Galerie Chalette records, 1916-1996, bulk 1939-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.galechal
See more items in:
Galerie Chalette records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b597c84e-8c86-44a4-a9e7-ecb2bc419f14
EDAN-URL:
ead_collection:sova-aaa-galechal
Online Media:

Geometric Collage [collage] / (photographed by Walter Rosenblum)

Artist:
Fuller, Sue 1914-2006  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
1957
Topic:
Schaefer Gallery  Search this
Abstract  Search this
Image number:
ROS R0003518
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_132966

Collage with Leaves and Writing [collage] / (photographed by Walter Rosenblum)

Artist:
Fuller, Sue 1914-2006  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
1957
Topic:
Schaefer Gallery  Search this
Abstract  Search this
Image number:
ROS R0003519
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_132967

Collage with Patterns [collage] / (photographed by Walter Rosenblum)

Artist:
Fuller, Sue 1914-2006  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
Schaefer Gallery  Search this
Abstract  Search this
Image number:
ROS R0003530
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_132978

Sue Fuller: artist file, [photographs]

Artist:
Fuller, Sue 1914-2006  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF001136
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_138693

Modify Your Search







or


Narrow By