3.83 Cubic feet (8 binders containing contact sheets, slides, and prints; 7 boxes (8.5"x10.75"x2.5") of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints.)
Type:
Collection descriptions
Archival materials
Contact sheets
Slides (photographs)
Black-and-white negatives
Photographic prints
Place:
New York (N.Y.)
Saint Simons Island (Ga. : Island)
Date:
1963-2009
Summary:
The Diana Davies photographs consist of images taken by Diana Davies at various stages of her career. Locations include the Festival of American Folklife, the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's Campaign, various peace and protest marches and outdoor performances, New York City, and the Georgia Sea Islands. The collection includes contact sheets, negatives, photographic prints, and slides.
Original photographs, negatives, and color slides taken by Diana Davies. Materials date from 1963-2009. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987.
Scope and Contents:
The Diana Davies photographs, 1963-2009, consist of black and white negatives, contact sheets and prints, as well as color slides and negatives. The bulk of materials depict major festivals and protest movements (including the Poor People's March of 1968) documented by Diana Davies (located in Series 1: Newport Folk Festival, Series 2: Philadelphia Folk Festival, Series 6: Festival of American Folklife, and Series 11: Social Justice). Also well-represented are non-festival performances (in locations such as clubs, concert halls, and homes), recording sessions, and other music-related images, mainly of notable figures in the American folk music revival (located in Series 3: Broadside Magazine, Series 4: Sing Out! Magazine Concerts, Series 5: Miscellaneous Concerts and People, Series 7: Recording Sessions, Series 8: Instruction Book Shots, and Series 9: Jazz, Blues, and Salsa Musicians). Series 10: Georgia Sea Islands consists of photographs depicting the culture, environment, and daily life of these coastal islands in 1966. Series 12: New York City Scenes contains photographs taken on the street depicting everyday life in NYC in the 1960s and 1970s. The collection also contains related papers in Series 13: Miscellaneous Papers and Correspondence.
Arrangement note:
Each item in the Diana Davies Photographs has been assigned an accession number, and like materials have been put together such as the Newport Folk Festival photographs, in a chronological sequence as much as possible. Materials in the three more recent donation batches (1998, 2004, and 2006) were numbered and integrated into the collection. In some series, the accession numbers are in numerical order, and in others, the numbers are random because like items with different number sequences were pulled together in a series for subject coherence. The best way to find occurrences of a particular subject is to use the ctrl+F function. Please consult the archivists if you have any questions about the collection contents.
Contact sheets, slides, and prints arranged in 8 binders; negatives and oversize prints are stored separately.
Arranged in 14 series:
Series 1: Newport Folk Festival
Series 2: Philadelphia Folk Festival
Series 3: Broadside Magazine
Series 4: -- Sing Out! -- Magazine Concerts
Series 5: Miscellaneous Concerts and People
Series 6: Festival of American Folklife
Series 7: Recording Sessions
Series 8: Instruction Book Shots
Series 9: Jazz, Blues, and Salsa Musicians
Series 10: Georgia Sea Islands
Series 11: Social Justice
Series 12: New York City Scenes
Series 13: Miscellaneous Papers and Correspondence
Series 14: Oversize Materials
Biographical/Historical note:
Diana Davies is a well-known photographer of folk performers and festivals. Davies photographed the Smithsonian Folklife Festival in its earlier years. Born in 1938, Davies grew up in Maine, the Catskills, New York City, and Boston. Her grandparents were local union organizers and Debs socialists; one grandfather was a gandy dancer with the railroad, and her grandmother was a textile worker in Massachusetts, New York, and Pennsylvania. Davies finds that her family background was later expressed in her own activist efforts.
Davies left high school at 16, and worked sweeping out coffeehouses, which gave her the opportunity to listen to music while she worked. She became interested in theater and music. In Greenwich Village, she began doing some sound technician work, and then got interested in photography. She taught herself how to develop and print photographs in a darkroom, and began photographing in theaters, shooting from behind the scenes. Her theater photos are at Smith College in Northampton, where she presently lives. In the early 1960s, she began working with the editors of Broadside Magazine, Sis Cunningham and Gordon Friesen. She developed an interest in human rights work, which grew from her contact with Sis and Gordon, and also her own family background. She also worked as a photographer in a wide range of settings, including night clubs, weddings, and doing portrait photography. This led her to work for major national and international media including the New York Times, covering such events as the war in Biafra, and traveling to Mexico, Cuba, and Portugal on assignment.
Davies' folk photographs represent about one-quarter of her body of work; her other major photographic work includes the Civil Rights Movement, the Peace Movement, and theater. Davies began photographing at the Newport Folk Festival in 1964, which she covered for a number of years. She knew Ralph Rinzler, and found him a vibrant, alive person excited by all aspects of culture. He introduced her to Bessie Jones from the Georgia Sea Islands, and in 1966 she made a photographic journey to the islands. Her work from this trip is included in the collection. Davies has also been a musician. She became involved with the punk rock movement of the 1970s, and felt that there was a connection between the hard-hitting songs from the punk world and the songs being published in Broadside Magazine. In 1975, she became part of a folk/punk women's band in Boston, and later moved to Western Massachusetts. In addition to being a photographer and musician, Davies is also a writer. She wrote a play entitled "The Witch Papers" in 1980, which was produced in Boston and other locations. The play was a vehicle for her human rights activism, comparing the technology of inquisition with labor sweatshops. In 1998, her play "The War Machine" was produced in Amherst, Mass. She lives in Northampton, and enjoys and participates in street performance, which she describes as the "most essentially communicative stuff you can come up with."
General note:
All contact sheets from the collection are digitized and accessible through this finding aid. Series-level slideshows accessible through this finding aid represent a small sampling from the collection.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives and Collections. These two more recent donations of additional photographs (contact sheets, prints, and slides) consisted of documentation of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the provison that her work be credited in any use.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Jesse Fuller- Interview--San Francisco Bay Blues--Crazy waltz--Animal fair--Running wild--Rock and roll boogie--Ain't got no woman--Candy man--Take ths hammer--Bye and bye--Fingerbuster
General note:
DPA number 69.101.35
Local Numbers:
FP-1969-7RR-0035
General:
CDR copy
69.101.35
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 4, 1969.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Opening remarks; William Carroll- Leaning on the everlasting arms--Highway to heaven--Something got a hold of me; Jesse Fuller- Intro--Take this hammer--San Francisco Bay blues--Bye and bye--Stealin'--Let the light shine on me--Runnin' wild
Track Information:
101 One Man Band / Jesse Fuller. Guitar,Kazoo,Washboard band music,Fotdella. English language.
102 Blues Songster / John Jackson. Guitar. English language.
103 Cajun Music / Balfa Brothers, Dewey Balfa, Will Balfa, Rodney Balfa. Guitar,Fiddle. French language.
104 Zydeco Music / Ardoin Family Orchestra., Bois-sec, Canray Fontenot. Fiddle,Accordion. French language.
General note:
DPA number 69.101.57
Local Numbers:
FP-1969-7RR-0057
General:
CDR copy
69.101.57
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1969.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (7 inch reel, 1/4 inch tape)
sound-tape reel (analog, 7 in.)
Type:
Archival materials
Sound recordings
Place:
Washington (D.C.)
Date:
1969 July 5
General note:
DPA number 69.101.58
Local Numbers:
FP-1969-7RR-0058
General:
CDR copy
69.101.58
Date/Time and Place of an Event Note:
Recorded in: Washington, D.C, United States, July 5, 1969.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1969 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
101 One Man Band / Jesse Fuller. Washboard band music,Kazoo,Guitar,Fotdella. English language.
102 Blues Songster / John Jackson. Guitar. English language.
103 Cajun Music / Ardoin Family Orchestra., Balfa Brothers, Bois-sec, Canray Fontenot, Dewey Balfa, Rodney Balfa, Will Balfa. Fiddle,Accordion. French language.
General note:
DPA number 69.101.09
Local Numbers:
FP-1969-10RR-0009
General:
69.101.09
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1969.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Leavin' Memphis, Frisco bound -- Got a date at half past eight -- Hump in my back -- Flavor in my cream -- Finger twister -- Just like a ship on the deep blue sea -- Cincinnati blues -- Just a closer walk with Thee -- Motherless children -- Amazing grace -- Hark from the tomb -- As long as I can feel the spirit -- I'm going to sit down at the welcome table -- Together let us live -- Memphis boogie -- Footdella stomp -- Crazy about a woman -- 99 years -- Stranger's blues -- Bill Bailey won't you please come home -- Preacher lowdown -- San Francisco Bay blues.
102 Got a Date at Half Past Eight / Guitar,Fotdella.
103 Hump in My Back / Guitar,Fotdella.
104 Flavor in My Cream / Guitar,Fotdella.
105 Finger Twister / Guitar,Fotdella.
106 Just Like a Ship on the Deep Blue Sea / Guitar,Fotdella.
107 Cincinnati Blues / Guitar,Fotdella.
108 Just a Closer Walk With Thee / Guitar,Fotdella.
109 Motherless Children / Guitar,Fotdella.
110 Amazing Grace / Guitar,Fotdella.
111 Hark from the Tomb / Guitar,Fotdella.
112 As Long as I Can Feel the Spirit / Guitar,Fotdella.
113 I'm Going to Sit Down at the Welcome Table / Guitar,Fotdella.
114 Together Let Us Live / Guitar,Fotdella.
115 Memphis Boogie / Guitar,Fotdella.
116 Footadella Stomp / Guitar,Fotdella.
117 Crazy About a Woman / Guitar,Fotdella.
118 99 Years / Guitar,Fotdella.
119 Stranger's Blues / Guitar,Fotdella.
120 Bill Bailey Won't You Please Come Home / Guitar,Fotdella.
121 Preacher Lowdown / Guitar,Fotdella.
122 San Francisco Bay Blues / Guitar,Fotdella.
Local Numbers:
Arhoolie.360; Arhoolie.2009
FP-ARH-CD-360
Publication, Distribution, Etc. (Imprint):
El Cedrrito, CA Arhoolie 1991
General:
"Over 60 minutes of classic blues"--Container. Seven of the 12 songs composed by the singer. Selections #1-12 previously issued on Arhoolie 2009 ; #13-16 previously unreleased ; #17-22 originally issued on Folklyric LP 126. Notes by Harry Oster and Chris Strachwitz in booklet.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Just a closer walk with thee -- There's a leak in this old building -- I want my crown -- Sinner don't you know -- I feel good -- I'm going over the hill -- Gonna wait till a change come -- Farther along -- I've got religion -- Motherless children -- Jesus will fix it for you -- I'm working on a building -- Keep your lamp trimmed and burning -- Amazing grace -- Praise music.
Track Information:
101 Just A Closer Walk With Thee / Aubrey Ghent.
102 There's A Leak In This Old Building / Paramount Singers.
103 I Want My Crown / Big Joe Williams, Mary Williams.
104 Sinner You Don't Know / Robert Pete Williams.
105 I Feel Good / Campbell Brothers, Katie Jackson.
106 I'm Going Over The Hill / Annie Mae McDowell, Fred McDowell.
113 Keep Your Lamp Trimmed And Burning / Mance Lipscomb.
114 Amazing Grace / Jesse Fuller.
115 Praise Music / Aubrey Ghent.
Local Numbers:
FP-ARH-CD-0200-7
Arhoolie.111
Publication, Distribution, Etc. (Imprint):
El Cerrito, Calif. Arhoolie 1997
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Leavin' Memphis, Frisco bound -- Take it slow and easy -- The monkey and the engineer -- New Corinne -- Guitar blues -- Runnin' wild -- Hey, hey -- In that great land -- The way you treat me -- Down home waltz -- Beat it on down the line -- Buck and wing.
102 Take it Slow and Easy / Fotdella,Harmonica,Guitar.
103 The Monkey and the Engineer / Fotdella,Harmonica,Guitar.
104 New Corrine / Fotdella,Harmonica,Guitar.
105 Guitar Blues / Fotdella,Harmonica,Guitar.
106 Runnin' Wild / Fotdella,Harmonica,Guitar.
201 Hey, Hey / Fotdella,Harmonica,Guitar.
202 In That Great Land / Fotdella,Harmonica,Guitar.
203 The Way You Treat Me / Fotdella,Harmonica,Guitar.
204 Down Home Waltz / Fotdella,Harmonica,Guitar.
205 Beat it on Down the Line / Fotdella,Harmonica,Guitar.
206 Buck and Wing / Fotdella,Harmonica,Guitar.
Local Numbers:
FW-ASCH-LP-0018
Good Time Jazz.10039
Publication, Distribution, Etc. (Imprint):
Good Time Jazz 1961
Date/Time and Place of an Event Note:
Recorded in: California, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Railroad work song -- Lining up the tracks -- John Henry -- Railroad blues -- San Francisco bay blues -- Hangin' around a skin game.
Local Numbers:
FW-ASCH-LP-1582
World Song.10-027
Publication, Distribution, Etc. (Imprint):
World Song 195x
General:
World Song: EG-10-027. Folk blues. Title from container. Lyrics and notes printed on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Take this hammer.- Linin' track.- I'm going to meet my loving mother.- Tiger rag.- Memphis boogie.- Raise a ruckus.- By and by.- Fingerbuster.- Stagolee.- 99 years.- Hesitation blues.
Local Numbers:
FP-RINZ-LP-0154
Good Time Jazz.12031
Publication, Distribution, Etc. (Imprint):
Good Time Jazz
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Little Log Cabin by the Sea / Phipps Family (Musical group). English language.
102 Wreck on the L and M / Phipps Family (Musical group). English language.
103 I Wish I Had Answered / Staple Singers. English language.
104 Don't Drive Me Away / Staple Singers. English language.
105 Pray On, My Child / Staple Singers. English language.
106 Pilgrim of Sorrow / Joan Baez. Guitar. English language.
107 We Shall Overcome / Joan Baez. Guitar. English language.
201 I Double Do Love You / Jesse Fuller. Guitar,Fotdella,Kazoo. English language.
202 San Francisco Bay Blues / Jesse Fuller. Guitar,Fotdella,Kazoo. English language.
203 Gott Fun Avrom / Theodore Bikel. Guitar. English language.
204 Sudarinya / Theodore Bikel. Guitar. English language.
205 Desse Barama / Hamza El Din. Oud.
206 Little Birdie / Greenbriar Boys, Frank Wakefield. Guitar,Mandolin. English language.
207 Sleepy Eyed John / Greenbriar Boys, Frank Wakefield. Guitar,Mandolin. English language.
Local Numbers:
FP-RINZ-LP-0357
Vanguard.9185
Publication, Distribution, Etc. (Imprint):
New York Vanguard
Date/Time and Place of an Event Note:
Recorded in: Newport (R.I.), Rhode Island, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Unbound miscellaneous records, 1865–68, are arranged by type of record. The series consists of lists of destitutes, quartermaster returns, bills of lading, receipts, abstracts, requisitions, and two lists of births, marriages, and deaths.
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
