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George Platt Lynes photographs

Creator:
Lynes, George Platt, 1907-1955  Search this
Names:
Bacon, Peggy, 1895-1987 -- Photographs  Search this
Berman, Eugene, 1899-1972 -- Photographs  Search this
Biddle, George, 1885-1973 -- Photographs  Search this
Billings, Henry, 1901- -- Photographs  Search this
Brook, Alexander, 1898-1980 -- Photographs  Search this
Cadmus, Paul, 1904-1999 -- Photographs  Search this
Chagall, Marc, 1887-1985 -- Photographs  Search this
Chaliapin, Boris, 1904- -- Photographs  Search this
Dunoyer de Segonzac, André, 1884-1974 -- Photographs  Search this
French, Jared, 1905-1988 -- Photographs  Search this
Hartley, Marsden, 1877-1943 -- Photographs  Search this
Hopper, Edward, 1882-1967 -- Photographs  Search this
Kokoschka, Oskar, 1886- -- Photographs  Search this
Lachaise, Gaston, 1882-1935 -- Photographs  Search this
Lurçat, Jean, 1892-1966 -- Photographs  Search this
Lynes, George Platt, 1907-1955 -- Art collections -- Photographs  Search this
Noguchi, Isamu, 1904-1988 -- Photographs  Search this
Perlin, Bernard, 1918- -- Photographs  Search this
Pène Du Bois, Guy , 1884-1958 -- Photographs  Search this
Roy, Pierre -- Photographs  Search this
Saint-Gaudens, Homer, b. 1880 -- Photographs  Search this
Tanguy, Yves, 1900-1955 -- Photographs  Search this
Tchelitchew, Pavel, 1898-1957 -- Photographs  Search this
Tooker, George, 1920-2011 -- Photographs  Search this
Zadkine, Ossip -- Photographs  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
1.4 Linear feet ((microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
1926-1950
Scope and Contents:
Photographs of artists and art works taken by Lynes.
REEL 57: A photograph album, 1926-1942, containing photos of paintings and drawings in Lynes's collection. Paul Cadmus, Jared French, Marsden Hartley, Paul Klee, Pierre Roy, Pavel Tchelitchew, and Yves Tanguy are represented.
REEL 153: Photographs of artists, 1932-1950, and others (printed posthumously) including: Peggy Bacon, Eugene Berman, George Biddle, Henry Billings, Alexander Brook, Paul Cadmus, Marc Chagall, Boris Chaliapin, A. Dunoyer De Segonzac, Guy Pène du Bois, Jared French, Edward Hopper, Oskar Kokoschka, Gaston Lachaise, Jean Lurcat, Isamu Noguchi, Bernard Perlin, Pierre Roy, Homer St. Gaudens, Yves Tanguy, Pavel Tchelitchew, George Tooker, Ossip Zadkine, and William Zorach. Also included is a group photograph (numerous shots in varying poses) of a group of artists including Matta, Ossip, Zadkine, Yves Tanguu, Max Ernst, Marc Chagall, Fernand Léger, André Breton, Piet Mondrian, André Masson, Amédée Ozenfant, Jacques Lipcitz, Pavel Tchelitchev, Kurt Seligman and Eugene Berman taken on the occasion of the Exhibition Artists in Exile at the Pierre Matisse Gallery, New York, 1942.
REEL 2077: Fifteen photographs of Marsden Hartley, February 4, 1943, and printed posthumously.
Biographical / Historical:
George Platt Lynes (1907-1955) was a photographer from New York, N.Y. Best known for his portraits of Hollywood stars, ballet dancers, writers, and male nudes.
Provenance:
Material on reel 57 lent for microfilming 1971 by Russell Lynes, brother of George Platt Lynes; material on reels 153 & 2077 donated 1967-1971 by Russell Lynes.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Reel 57: ACCESS RESTRICTED: written permission required.
Rights:
Reels 153 and 2077: Authorization to publish or reproduce requires written permission from Joshua Lynes. Credit should include Copyright Estate of George Platt Lynes. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Photographers -- New York (State) -- New York  Search this
Topic:
Photography, Modern -- 20th century -- New York (State) -- New York  Search this
Artists -- Photographs  Search this
Portrait photography  Search this
Identifier:
AAA.lynegeor
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lynegeor

George Tooker papers

Creator:
Tooker, George, 1920-2011  Search this
Names:
Bachinski, Walter  Search this
Bishop, Isabel, 1902-1988  Search this
Cadmus, Paul, 1904-1999  Search this
Christopher, William R, 1924-1973  Search this
Dix, Otto, 1891-1969  Search this
French, Jared, 1905-1988  Search this
French, Margaret  Search this
Ginzburg, Ralph  Search this
Gonzalez, Xavier, 1898-1993  Search this
Isaacson, Robert  Search this
Kirstein, Fidelma  Search this
Kirstein, Lincoln, 1907-  Search this
Laning, Edward, 1906-1981  Search this
Lynes, George Platt, 1907-1955  Search this
Nordness, Lee  Search this
Perlin, Bernard, 1918-  Search this
Peterson, Joan, 1933-  Search this
Stamos, Theodoros, 1922-1997  Search this
Wescott, Glenway, 1901-  Search this
Wheeler, Monroe, 1899-  Search this
Extent:
5.1 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Drawings
Scrapbooks
Date:
circa 1851-2010
Summary:
The papers of painter George Tooker measure 5.1 linear feet and date from circa 1851 to 2010. The papers document Tooker's personal and professional life through biographical material, correspondence, project files, gallery files, exhibition files, printed material, artwork and one sketchbook, and numerous photographs, including some taken by noted photographer George Platt Lynes.
Scope and Contents:
The papers of painter George Tooker measure 5.1 linear feet and date from circa 1851 to 2010. The papers document Tooker's personal and professional life through biographical material, correspondence, project files, gallery files, exhibition files, printed material, artwork and one sketchbook, and numerous photographs, including some taken by noted photographer George Platt Lynes.

Biographical material consists of membership and travel documents, writings on and by Tooker on his circle, an address book, resume, and papers regarding Tooker's education. Also included are biographical material related to Tooker's partner William Christopher who passed in 1973. A 1978 interview with Vermont Public radio on two sound reels is also featured.

Correspondence is with friends, colleagues, and organizations. Correspondents include Isabel Bishop, Paul Cadmus, Walter Bachinski, William Christopher, Otto Dix, Jared and Margaret French, Ralph Ginzburg, Xavier Gonzalez, Robert Isaacson, Edward Laning, Lincoln Kirstein, Lee Nordness, Bernard Perlin, Joan Peterson, Theodore Stamos, Bridget Tichenor, and others. Also included are family correspondence and correspondence regarding the Estate of William Christopher.

Project files document Tooker's commissions including the set and costume design for Gian-Carlo Menotti's opera The Saint of Bleecker Street and Tooker's participation in the selection of candidates for the Vestris Prize for Choreography. Files contain correspondence, business documents, printed ephemera, sketches, photographs, three volumes of vocal scores, and textile samples.

Gallery records include business correspondence and consignments with various key galleries in Tooker's career spanning the 1960s to the end of his career including D.C. Moore Gallery, Marisa Del Re Gallery, and Durlacher Bros..

Exhibition records include documents regarding the organization of several select exhibitions in Tooker's career incuding an early retrospective at the Fine Arts Museums of San Francisco (1974) and a later traveling retrospective from 2008-2009.

Printed material consists of invitations, press releases, news clippings and exhibition catalogs documenting the careers of both George Tooker and William Christopher.

Artwork includes numerous sketchbooks, loose drawings, and sketches from Tooker's studies at the Art Students' League in the mid 1940s, in addition to an early ex-libris print created by Tooker in his youth. Also included is a sketchbook by William Christopher, as well as a study for the work The Subway, in the collection of the Whitney Museum of American Art.

Photographic materials depict Tooker's family life as well as his early artistic collaborations depicted in a number of black and white photographs taken by George Platt Lynes and PaJaMa in the mid to late 1940s. A majority of the photographs depict artists and friends, among them: George Tooker and his companion William Christopher, Paul Cadmus, Jared and Margaret French, Lincoln and Fidelma Kirstein, Glenway Wescott, Monroe Wheeler, and Bridget Tichenor. Other photographs are of Tooker building his home, gardening, and working in his studio in Hartland, Vermont. Also included are installation views from the exhibition Painting in the United States (1949) at the Carnegie Institute in Pennsylvania. There are also a fair amount of photographs, transparencies, slides and negatives documenting artwork from both the studios of George Tooker and his late partner William Christopher.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, circa 1920-2005 (0.7 linear feet; Boxes 1, 5)

Series 2: Correspondence, circa 1932-2010 (1.2 linear feet; Boxes 1-2, Oversize 7)

Series 3: Project Files, circa 1935-1968 (0.3 linear feet; Boxes 2-3, 6)

Series 4: Gallery Records, circa 1960-2009 (0.3 linear feet; Box 3)

Series 5: Exhibition Files, circa 1967-2009 (0.3 linear feet; Boxes 1, 3)

Series 6: Printed Material, circa 1851-2010 (0.5 linear feet; Boxes 3, 5)

Series 7: Artwork and Sketchbook, circa 1932-2009 (0.7 linear feet; Boxes 3, 5, 8)

Series 8: Photographs, circa 1900-2010 (1.1 linear feet; Boxes 4-5, 8)
Biographical / Historical:
George Tooker (1920-2011) was a painter based in Hartland, Vermont and New York, New York. Tooker was born in Brooklyn, New York on August 5, 1920 to George Clair Tooker and Angela Montejo Roura. He graduated from preparatory school at Phillips Academy, Andover in 1938 and received a Bachelor of Arts in English from Harvard University in 1942. Tooker studied drawing and painting under Reginald Marsh, Kenneth Hayes Miller, and Harry Sternberg at the Art Students' League from circa 1944 to 1945.

Tooker became acquainted with American painter Paul Cadmus while studying at the Art Students' League. Cadmus introduced Tooker to a circle of artists and writers living and working in New York and Europe in the mid to late 1940s that included George Platt Lynes, Jared and Margaret French, Monroe Wheeler, Glenway Westcott, and Lincoln and Fidelma Kirstein. He lived and worked with his partner and fellow artist William Christopher in New York City and later Hartland, VT.

In 1953, Tooker was commissioned by writer and philanthropist Lincoln Kirstein to design the sets and costumes for The Saint of Bleecker Street, an opera by Gian-Carlo Menotti. In 1966, the Wasemquia Charitable Trust sponsored the Vestris Prize for Choreography in cooperation with the Boston Ballet Company and Tooker was invited by trustee Henry H. Crapo to participate on the Committee of Judges for the Vestris Prize. In 1968, NASA commissioned Tooker to produce drawings and one painting documenting the development of spacecraft at the Goddard Space Flight Center located in Greenbelt, Maryland.

Tooker's paintings are found in numerous art museums and galleries including the Whitney Museum of Art, Metropolitan Museum of Art, Museum of Modern Art, DC Moore Gallery, Robert Isaacson Gallery, and the Venice Biennale. In 1968, Tooker's paintings were featured in the art magazine, Avant-Garde.
Related Materials:
Available in the Archives of American Art is an oral history interview with George Tooker conducted in 1966 by Grace G. Alexander for radio station WNYC, New York City.

Materials related to the George Tooker papers can be found the William Christopher papers at the Archives of American Art.
Provenance:
George Tooker donated his papers to the Archives of American Art in 1973. A subsequent addition was donated in 2018 by Aaron Watkins, the executor to George Tooker's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Vermont  Search this
Printmakers -- Vermont  Search this
Genre/Form:
Sketchbooks
Drawings
Scrapbooks
Citation:
George Tooker papers, circa 1851-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tookgeor
See more items in:
George Tooker papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tookgeor

Ilse Martha Bischoff papers

Creator:
Bischoff, Ilse, 1901-1990  Search this
Names:
Cadmus, Paul, 1904-1999  Search this
French, Jared, 1905-1988  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Writings
Photographs
Date:
1893-1981
Summary:
The papers of illustrator, writer and collector Ilse Martha Bischoff measure 1.2 linear feet and date from 1893-1981. Found are scattered personal and business records, correspondence, pencil and watercolor sketches, notes and writings, printed material and photographs. Correspondence is primarily with family members and colleagues including Paul Cadmus and Jared French. Photographs are of Bischoff, her family, and colleagues including Paul Cadmus and Jared French.
Scope and Content Note:
The papers of illustrator, writer and collector Ilse Martha Bischoff measure 1.2 linear feet and date from 1893-1981. Found are scattered personal and business records, correspondence, pencil and watercolor sketches, notes and writings, printed material and photographs.

Correspondence is primarily with family members and colleagues including Paul Cadmus and Jared French. Artwork includes pencil and watercolor sketches, and notes and writings consist primarily of typescripts of Bischoff's short stories. Printed material includes clippings, exhibition announcements and catalogs, and miscellaneous printed material relating to Bischoff's European travel. Of special interest are photographs of Bischoff, her family, and colleagues including Paul Cadmus and Jared French.
Arrangement:
The collection is arranged as 6 series:

Series 1: Personal Records, 1934-1938, 1955-1968 (Box 1; 3 folders)

Series 2: Correspondence, 1922-1981 (Box 1; 47 folders)

Series 3: Artwork, circa 1920-circa 1959 (Box 1; 1 folder)

Series 4: Notes and Writings, 1929-1975 (Box 1; 33 folders)

Series 5: Printed Material, 1929-1976 (Box 1; 15 folders)

Series 6: Photographs, 1893-1971 (Box 2; 20 folders)
Biographical Note:
Ilse Martha Bischoff was born on November 21, 1901 in New York City, to Adele Maria Timme Bischoff and Ernst Bischoff, founder of the Ernst Bischoff (pharmaceuticals) Company of Ivoryton, Connecticut.

Bischoff began her education at the Horace Mann School, later studying costume design at the Parson's School of Design. At the Art Students League, she studied painting under Frank Du Mond and etching with Joseph Pennell. While at the Art Students League, Bischoff befriended painters Paul Cadmus and Jared French. She also studied art in Paris, France, and Munich, Germany.

From 1928 to 1946, Bischoff illustrated 12 books and wrote two novels about George Washington's Portraitist, Gilbert Stuart: Painter's Coach in 1943, and Proud Heritage in 1949. Her autobiography, Drive Slowly: Six Dogs, was published in 1953. She was also an avid collector of Meissen porcelain.

Bishoff's artwork is represented in the collections of the Metropolitan Museum of Art, the New York Public Library, the Museum of Fine Arts in Boston and the Hood Museum at Dartmouth.

Ilse Martha Bischoff died December 5, 1990, in Hartland, Vermont.
Provenance:
The Ilse Martha Bischoff papers were donated in 1980-1981 by the artist.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting  Search this
Authors -- Vermont  Search this
Illustrators -- Vermont  Search this
Genre/Form:
Sketches
Writings
Photographs
Citation:
Ilse Martha Bischoff papers, 1893-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.biscilse
See more items in:
Ilse Martha Bischoff papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-biscilse

Jared French: artist file, [photographs]

Artist:
French, Jared 1905-1988  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF001115
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_138671

Adunphy, Jack [art work] / (photographed by Peter A. Juley & Son)

Artist:
French, Jared 1905-1988  Search this
Type:
Photograph
Date:
1951
Image number:
JUL J0112679
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_112680

Lynes, George Platt [art work] / (photographed by Peter A. Juley & Son)

Artist:
French, Jared 1905-1988  Search this
Type:
Photograph
Date:
1945
Image number:
JUL J0112680
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_112681

Lynes, George Platt [art work] / (photographed by Peter A. Juley & Son)

Artist:
French, Jared 1905-1988  Search this
Type:
Photograph
Date:
1945
Image number:
JUL J0112681
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_112682

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
French, Jared 1905-1988  Search this
Type:
Photograph
Image number:
JUL J0112682
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_112683

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
French, Jared 1905-1988  Search this
Type:
Photograph
Image number:
JUL J0112683
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_112684

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
French, Jared 1905-1988  Search this
Type:
Photograph
Image number:
JUL J0112684
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_112685

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
French, Jared 1905-1988  Search this
Type:
Photograph
Image number:
JUL J0112685
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_112686

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
French, Jared 1905-1988  Search this
Type:
Photograph
Image number:
JUL J0112686
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_112687

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
French, Jared 1905-1988  Search this
Type:
Photograph
Image number:
JUL J0112687
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_112688

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
French, Jared 1905-1988  Search this
Type:
Photograph
Image number:
JUL J0112688
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_112689

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